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Greek Tragedy in the Light of Vase Paintings

Note 218 — Chapter V · EURIPIDES AND VASE PAINTING

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So at least one thinks of the case. Agamemnon ought to have been inside at this moment, shut off from the public gaze. The Greek drama, however, had to bring outside, before the public as it were, even those delicate scenes such as the present where the interior of Agamemnon’s tent should have been the scene.

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