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Great short stories, Volume 2 (of 3)

GREAT SHORT STORIES (continued 3)

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We regained the bed-chamber appropriated to myself, and I then remarked that my dog had not followed us when we had left it. He was thrusting himself close to the fire, and trembling. I was impatient to examine the letters; and while I read them, my servant opened a little box in which he had deposited the weapons I had ordered him to bring; took them out, placed them on a table close at my bed-head, and then occupied himself in soothing the dog, who, however, seemed to heed him very little.

The letters were short—they were dated; the dates exactly thirty-five years ago. They were evidently from a lover to his mistress, or a husband to some young wife. Not only the terms of expression, but a distinct reference to a former voyage, indicated the writer to have been a seafarer. The spelling and handwriting were those of a man imperfectly educated, but still the language itself was forcible. In the expressions of endearment there was a kind of rough wild love; but here and there were dark unintelligible hints at some secret not of love—some secret that seemed of crime. "We ought to love each other," was one of the sentences I remember, "for how every one else would execrate us if all was known." Again: "Don't let any one be in the same room with you at night—you talk in your sleep." And again: "What's done can't be undone; and I tell you there's nothing against us unless the dead could come to life." Here there was underlined in a better handwriting (a female's): "They do!" At the end of the letter latest in date the same female hand had written these words: "Lost at sea the 4th of June, the same day as—"

I put down the letters, and began to muse over their contents.

Fearing, however, that the train of thought into which I fell might unsteady my nerves, I fully determined to keep my mind in a fit state to cope with whatever of marvelous the advancing night might bring forth. I roused myself—laid the letters on the table—stirred up the fire, which was still bright and cheering, and opened my volume of Macaulay. I read quietly enough till about half-past eleven. I then threw myself dressed upon the bed, and told my servant he might retire to his own room, but must keep himself awake. I bade him leave open the door between the two rooms. Thus alone, I kept two candles burning on the table by my bed-head. I placed my watch beside the weapons, and calmly resumed my Macaulay. Opposite to me the fire burned clear; and on the hearth-rug, seemingly asleep, lay the dog. In about twenty minutes I felt an exceedingly cold air pass by my cheek, like a sudden draft. I fancied the door to my right, communicating with the landing-place, must have got open; but no—it was closed. I then turned my glance to my left, and saw the flame of the candles violently swayed as by a wind. At the same moment the watch beside the revolver softly slid from the table—softly, softly—no visible hand—it was gone. I sprang up, seizing the revolver with the one hand, the dagger with the other: I was not willing that my weapons should share the fate of the watch. Thus armed, I looked round the floor—no sign of the watch. Three slow, loud, distinct knocks were now heard at the bed-head; my servant called out: "Is that you, sir?"

"No; be on your guard."

The dog now roused himself and sat on his haunches, his ears moving quickly backward and forward. He kept his eyes fixed on me with a look so strange that he concentred all my attention on himself. Slowly, he rose up, all his hair bristling, and stood perfectly rigid, and with the same wild stare. I had no time, however, to examine the dog. Presently my servant emerged from his room; and if ever I saw horror in the human face, it was then. I should not have recognized him had we met in the street, so altered was every lineament. He passed by me quickly, saying in a whisper that seemed scarcely to come from his lips: "Run—run! it is after me!" He gained the door to the landing, pulled it open, and rushed forth. I followed him into the landing involuntarily, calling him to stop; but, without heeding me, he bounded down the stairs, clinging to the balusters, and taking several steps at a time. I heard, where I stood, the street-door open—heard it again clap to. I was left alone in the haunted house.

It was but for a moment that I remained undecided whether or not to follow my servant; pride and curiosity alike forbade so dastardly a flight. I reentered my room, closing the door after me, and proceeded cautiously into the interior chamber. I encountered nothing to justify my servant's terror. I again carefully examined the walls, to see if there were any concealed door. I could find no trace of one—not even a seam in the dull-brown paper with which the room was hung. How, then, had the Thing, whatever it was, which had so scared him, obtained ingress except through my own chamber?

I returned to my room, shut and locked the door that opened upon the interior one, and stood on the hearth, expectant and prepared. I now perceived that the dog had slunk into an angle of the wall, and was pressing himself close against it, as if literally striving to force his way into it. I approached the animal and spoke to it; the poor brute was evidently beside itself with terror. It showed all its teeth, the slaver dropping from its jaws, and would certainly have bitten me if I had touched it. It did not seem to recognize me. Whoever has seen at the Zoological Gardens a rabbit, fascinated by a serpent, cowering in a corner, may form some idea of the anguish which the dog exhibited. Finding all efforts to soothe the animal in vain, and fearing that his bite might be as venomous in that state as in the madness of hydrophobia, I left him alone, placed my weapons on the table beside the fire, seated myself, and recommenced my Macaulay.

Perhaps, in order not to appear seeking credit for a courage, or rather a coolness, which the reader may conceive I exaggerate, I may be pardoned if I pause to indulge in one or two egotistical remarks.

As I hold presence of mind, or what is called courage, to be precisely proportioned to familiarity with the circumstances that lead to it, so I should say that I had been long sufficiently familiar with all experiments that appertain to the Marvelous. I had witnessed many very extraordinary phenomena in various parts of the world—phenomena that would be either totally disbelieved if I stated them, or ascribed to supernatural agencies. Now, my theory is that the Supernatural is the Impossible, and that what is called supernatural is only a something in the laws of nature of which we have been hitherto ignorant. Therefore, if a ghost rise before me, I have not the right to say, "So, then, the supernatural is possible," but rather, "So, then, the apparition of a ghost is, contrary to received opinion, within the laws of nature—i.e., not supernatural."

Now, in all that I had hitherto witnessed, and indeed in all the wonders which the amateurs of mystery in our age record as facts, a material living agency is always required. On the Continent you will find still magicians who assert that they can raise spirits. Assume for the moment that they assert truly, still the living material form of the magician is present; and he is the material agency by which, from some constitutional peculiarities, certain strange phenomena are represented to your natural senses.

Accept, again, as truthful, the tales of Spirit Manifestation in America—musical or other sounds—writings on paper, produced by no discernible hand—articles of furniture moved without apparent human agency—or the actual sight and touch of hands, to which no bodies seem to belong—still there must be found the Medium, or living being with constitutional peculiarities capable of obtaining these signs. In fine, in all such marvels, supposing even that there is no imposture, there must be a human being like ourselves by whom, or through whom, the effects presented to human beings are produced. It is so with the now familiar phenomena of mesmerism or electro-biology; the mind of the person operated on is affected through a material living agent. Nor, supposing it true that a mesmerized patient can respond to the will or passes of a mesmerizer a hundred miles distant, is the response less occasioned by a material being; it may be through a material fluid—call it Electric, call it Odic, call it what you will—which has the power of traversing space and passing obstacles that the material effect is communicated from one to the other. Hence all that I had hitherto witnessed, or expected to witness, in this strange house, I believed to be occasioned through some agency or medium as mortal as myself; and this idea necessarily prevented the awe with which those who regard as supernatural things that are not within the ordinary operations of nature might have been impressed by the adventures of that memorable night.

As, then, it was my conjecture that all that was presented, or would be presented, to my senses must originate in some human being gifted by constitution with the power so to present them, and having some motive so to do, I felt an interest in my theory which, in its way, was rather philosophical than superstitious. And I can sincerely say that I was in as tranquil a temper for observation as any practical experimentalist could be in awaiting the effects of some rare, though perhaps perilous, chemical combination. Of course, the more I kept my mind detached from fancy, the more the temper fitted for observation would be obtained; and I therefore riveted eye and thought on the strong daylight sense in the page of my Macaulay.

I now became aware that something interposed between the page and the light—the page was overshadowed: I looked up, and I saw what I shall find it very difficult, perhaps impossible, to describe.

It was a darkness shaping itself forth from the air in very undefined outline. I can not say it was of a human form, and yet it had more resemblance to a human form, or rather shadow, than to anything else. As it stood, wholly apart and distinct from the air and the light around it, its dimensions seemed gigantic, the summit nearly touching the ceiling. While I gazed, a feeling of intense cold seized me. An iceberg before me could not more have chilled me; nor could the cold of an iceberg have been more purely physical. I feel convinced that it was not the cold caused by fear. As I continued to gaze, I thought—but this I can not say with precision—that I distinguished two eyes looking down on me from the height. One moment I fancied that I distinguished them clearly, the next they seemed gone; but still two rays of a pale-blue light frequently shot through the darkness, as from the height on which I half believed, half doubted, that I had encountered the eyes.

I strove to speak—my voice utterly failed me; I could only think to myself: "Is this fear? it is not fear!" I strove to rise—in vain; I felt as if weighed down by an irresistible force. Indeed, my impression was that of an immense and overwhelming power opposed to my volition—that sense of utter inadequacy to cope with a force beyond man's, which one may feel physically in a storm at sea, in a conflagration, or when confronting some terrible wild beast, or rather, perhaps, the shark of the ocean, I felt morally. Opposed to my will was another will, as far superior to its strength as storm, fire, and shark are superior in material force to the force of man.

And now, as this impression grew on me—now came, at last, horror—horror to a degree that no words can convey. Still I retained pride, if not courage; and in my own mind I said: "This is horror, but it is not fear; unless I fear I can not be harmed; my reason rejects this thing; it is an illusion—I do not fear." With a violent effort I succeeded at last in stretching out my hand toward the weapon on the table: as I did so, on the arm and shoulder I received a strange shock, and my arm fell to my side powerless. And now, to add to my horror, the light began slowly to wane from the candles—they were not, as it were, extinguished, but their flame seemed very gradually withdrawn: it was the same with the fire—the light was extracted from the fuel; in a few minutes the room was in utter darkness. The dread that came over me, to be thus in the dark with that dark Thing, whose power was so intensely felt, brought a reaction of nerve. In fact, terror had reached that climax, that either my senses must have deserted me, or I must have burst through the spell. I did burst through it. I found voice, though the voice was a shriek. I remembered that I broke forth with words like these: "I do not fear, my soul does not fear;" and at the same time I found strength to rise. Still in that profound gloom I rushed to one of the windows—tore aside the curtain—flung open the shutters; my first thought was—Light. And when I saw the moon high, clear, and calm, I felt a joy that almost compensated for the previous terror. There was the moon, there was also the light from the gas-lamps in the deserted slumberous street. I turned to look back into the room; the moon penetrated its shadow very palely and partially—but still there was light. The dark Thing, whatever it might be, was gone—except that I could yet see a dim shadow, which seemed the shadow of that shade, against the opposite wall.

My eye now rested on the table, and from under the table (which was without cloth or cover—an old mahogany round table) there rose a hand, visible as far as the wrist. It was a hand, seemingly, as much of flesh and blood as my own, but the hand of an aged person—lean, wrinkled, small too—a woman's hand. That hand very softly closed on the two letters that lay on the table: hand and letters both vanished. There then came the same three loud measured knocks I had heard at the bed-head before this extraordinary drama had commenced.

As those sounds slowly ceased, I felt the whole room vibrate sensibly; and at the far end there rose, as from the floor, sparks or globules like bubbles of light, many colored—green, yellow, fire-red, azure. Up and down, to and fro, hither, thither, as tiny Will-o'-the-Wisps, the sparks moved, slow or swift, each at its own caprice. A chair (as in the drawing-room below) was now advanced from the wall without apparent agency, and placed at the opposite side of the table. Suddenly, as forth from the chair, there grew a shape—a woman's shape. It was distinct as a shape of life—ghastly as a shape of death. The face was that of youth, with a strange mournful beauty; the throat and shoulders were bare, the rest of the form in a loose robe of cloudy white. It began sleeking its long yellow hair, which fell over its shoulders; its eyes were not turned toward me, but to the door; it seemed listening, watching, waiting. The shadow of the shade in the background grew darker; and again I thought I beheld the eyes gleaming out from the summit of the shadow—eyes fixed upon that shape.

As if from the door, though it did not open, there grew out another shape, equally distinct, equally ghastly—a man's shape—a young man's. It was in the dress of the last century, or rather in a likeness of such dress (for both the male shape and the female, though defined, were evidently unsubstantial, impalpable—simulacra—phantasms); and there was something incongruous, grotesque, yet fearful, in the contrast between the elaborate finery, the courtly precision of that old-fashioned garb, with its ruffles and lace and buckles, and the corpse-like stillness of the flitting wearer. Just as the male shape approached the female, the dark Shadow started from the wall, all three for a moment wrapped in darkness. When the pale light returned, the two phantoms were as if in the grasp of the Shadow that towered between them; and there was a blood-stain on the breast of the female; and the phantom male was leaning on its phantom sword, and blood seemed trickling fast from the ruffles, from the lace; and the darkness of the intermediate Shadow swallowed them up—they were gone. And again the bubbles of light shot, and sailed, and undulated, growing thicker and thicker and more wildly confused in their movements.

The closet door to the right of the fireplace now opened, and from the aperture there came the form of an aged woman. In her hand she held letters—the very letters over which I had seen the Hand close; and behind her I heard a footstep. She turned round as if to listen, and then she opened the letters and seemed to read; and over her shoulder I saw a livid face, the face as of a man long drowned—bloated, bleached—seaweed tangled in its dripping hair; and at her feet lay a form as of a corpse, and beside the corpse there cowered a child, a miserable squalid child, with famine in its cheeks and fear in its eyes. And as I looked in the old woman's face, the wrinkles and lines vanished, and it became a face of youth—hard-eyed, stony, but still youth; and the Shadow darted forth, and darkened over these phantoms as it had darkened over the last.

Nothing now was left but the Shadow, and on that my eyes were intently fixed, till again eyes grew out of the Shadow—malignant, serpent eyes. And the bubbles of light again rose and fell, and in their disordered, irregular, turbulent maze, mingled with the wan moonlight. And now from these globules themselves, as from the shell of an egg, monstrous things burst out; the air grew filled with them; larvæ so bloodless and so hideous that I can in no way describe them except to remind the reader of the swarming life which the solar microscope brings before his eyes in a drop of water—things transparent, supple, agile, chasing each other, devouring each other—forms like naught ever beheld by the naked eye. As the shapes were without symmetry, so their movements were without order. In their very vagrancies there was no sport; they came round me and round, thicker and faster and swifter, swarming over my head, crawling over my right arm, which was outstretched in involuntary command against all evil beings. Sometimes I felt myself touched, but not by them; invisible hands touched me. Once I felt the clutch as of cold soft fingers at my throat. I was still equally conscious that if I gave way to fear I should be in bodily peril; and I concentred all my faculties in the single focus of resisting, stubborn will. And I turned my sight from the Shadow—above all, from those strange serpent eyes—eyes that had now become distinctly visible. For there, though in naught else around me, I was aware that there was a WILL, and a will of intense, creative, working evil, which might crush down my own.

The pale atmosphere in the room began now to redden as if in the air of some near conflagration. The larvæ grew lurid as things that live in fire. Again the room vibrated; again were heard the three measured knocks; and again all things were swallowed up in the darkness of the dark Shadow, as if out of that darkness all had come, into that darkness all returned.

As the gloom receded, the Shadow was wholly gone. Slowly, as it had been withdrawn, the flame grew again into the candles on the table, again into the fuel in the grate. The whole room came once more calmly, healthfully into sight.

The two doors were still closed, the door communicating with the servant's room still locked. In the corner of the wall, into which he had so convulsively niched himself, lay the dog. I called to him—no movement; I approached—the animal was dead; his eyes protruded; his tongue out of his mouth; the froth gathered round his jaws. I took him in my arms; I brought him to the fire; I felt acute grief for the loss of my poor favorite—acute self-reproach; I accused myself of his death; I imagined he had died of fright. But what was my surprise on finding that his neck was actually broken. Had this been done in the dark?—must it not have been by a hand human as mine?—must there not have been a human agency all the while in that room? Good cause to suspect it. I can not tell. I can not do more than state the fact fairly; the reader may draw his own inference.

Another surprising circumstance—my watch was restored to the table from which it had been so mysteriously withdrawn; but it had stopped at the very moment it was so withdrawn; nor, despite all the skill of the watchmaker, has it ever gone since—that is, it will go in a strange erratic way for a few hours, and then come to a dead stop—it is worthless.

Nothing more chanced for the rest of the night. Nor, indeed, had I long to wait before the dawn broke. Nor till it was broad daylight did I quit the haunted house. Before I did so, I revisited the little blind room in which my servant and myself had been for a time imprisoned. I had a strong impression—for which I could not account—that from that room had originated the mechanism of the phenomena—if I may use the term—which had been experienced in my chamber. And though I entered it now in the clear day, with the sun peering through the filmy window, I still felt, as I stood on its floors, the creep of the horror which I had first there experienced the night before, and which had been so aggravated by what had passed in my own chamber. I could not, indeed, bear to stay more than half a minute within those walls. I descended the stairs, and again I heard the footfall before me; and when I opened the street door, I thought I could distinguish a very low laugh. I gained my own house, expecting to find my runaway servant there. But he had not presented himself, nor did I hear more of him for three days, when I received a letter from him, dated from Liverpool to this effect:

"Honored Sir—I humbly entreat your pardon, though I can scarcely hope that you will think that I deserve it, unless—which Heaven forbid!—you saw what I did. I feel that it will be years before I can recover myself; and as to being fit for service, it is out of the question. I am therefore going to my brother-in-law at Melbourne. The ship sails to-morrow. Perhaps the long voyage may set me up. I do nothing now but start and tremble, and fancy It is behind me. I humbly beg you, honored sir, to order my clothes, and whatever wages are due to me, to be sent to my mother's, at Walworth—John knows her address."

The letter ended with additional apologies, somewhat incoherent, and explanatory details as to effects that had been under the writer's charge.

This flight may perhaps warrant a suspicion that the man wished to go to Australia, and had been somehow or other fraudulently mixed up with the events of the night. I say nothing in refutation of that conjecture; rather, I suggest it as one that would seem to many persons the most probable solution of improbable occurrences. My belief in my own theory remained unshaken. I returned in the evening to the house, to bring away in a hack cab the things I had left there, with my poor dog's body. In this task I was not disturbed, nor did any incident worth note befall me, except that still, on ascending and descending the stairs, I heard the same footfall in advance. On leaving the house, I went to Mr. J——'s. He was at home. I returned him the keys, told him that my curiosity was sufficiently gratified, and was about to relate quickly what had passed, when he stopped me, and said, though with much politeness, that he had no longer any interest in a mystery which none had ever solved.

I determined at least to tell him of the two letters I had read, as well as of the extraordinary manner in which they had disappeared, and I then inquired if he thought they had been addressed to the woman who had died in the house, and if there were anything in her early history which could possibly confirm the dark suspicions to which the letters gave rise. Mr. J—— seemed startled, and, after musing a few moments, answered: "I am but little acquainted with the woman's earlier history, except, as I before told you, that her family were known to mine. But you revive some vague reminiscences to her prejudice. I will make inquiries, and inform you of their result. Still, even if we could admit the popular superstition that a person who had been either the perpetrator or the victim of dark crimes in life could revisit, as a restless spirit, the scene in which those crimes had been committed, I should observe that the house was infested by strange sights and sounds before the old woman died—you smile—what would you say?"

"I would say this, that I am convinced, if we could get to the bottom of these mysteries, we should find a living human agency."

"What! you believe it is all an imposture? for what object?"

"Not an imposture in the ordinary sense of the word. If suddenly I were to sink into a deep sleep, from which you could not awake me, but in that sleep could answer questions with an accuracy which I could not pretend to when awake—tell you what money you had in your pocket—nay, describe your very thoughts—it is not necessarily an imposture, any more than it is necessarily supernatural. I should be, unconsciously to myself, under a mesmeric influence, conveyed to me from a distance by a human being who had acquired power over me by previous rapport."

"But if a mesmerizer could so affect another living being, can you suppose that a mesmerizer could also affect inanimate objects; move chairs—open and shut doors?"

"Or impress our senses with the belief in such effects—we never having been en rapport with the person acting on us? No. What is commonly called mesmerism could not do this; but there may be a power akin to mesmerism and superior to it—the power that in the old days was called Magic. That such a power may extend to all inanimate objects of matter, I do not say; but if so, it would not be against nature—it would only be a rare power in nature which might be given to constitutions with certain peculiarities, and cultivated by practise to an extraordinary degree. That such a power might extend over the dead—that is, over certain thoughts and memories that the dead may still retain—and compel, not that which ought properly to be called the Soul, and which is far beyond human reach, but rather a phantom of what has been most earth-stained on earth to make itself apparent to our senses—is a very ancient though obsolete theory, upon which I will hazard no opinion. But I do not conceive the power would be supernatural. Let me illustrate what I mean from an experiment which Paracelsus describes as not difficult, and which the author of the 'Curiosities of Literature' cites as credible: A flower perishes; you burn it. Whatever were the elements of that flower while it lived are gone, dispersed, you know not whither; you can never discover nor re-collect them. But you can, by chemistry, out of the burned dust of that flower, raise a spectrum of the flower, just as it seemed in life. It may be the same with the human being. The soul has as much escaped you as the essence or elements of the flower. Still you may make a spectrum of it. And this phantom, though in the popular superstition it is held to be the soul of the departed, must not be confounded with the true soul; it is but the eidolon of the dead form. Hence, like the best attested stories of ghosts or spirits, the thing that most strikes us is the absence of what we hold to be the soul; that is, of superior emancipated intelligence. These apparitions come for little or no object—they seldom speak when they do come; if they speak, they utter no ideas above those of an ordinary person on earth. American spirit-seers have published volumes of communications, in prose and verse, which they assert to be given in the names of the most illustrious dead—Shakespeare, Bacon—heaven knows whom. Those communications, taking the best, are certainly not a whit of higher order than would be communications from living persons of fair talent and education; they are wondrously inferior to what Bacon, Shakespeare, and Plato said and wrote when on earth. Nor, what is more noticeable, do they ever contain an idea that was not on the earth before. Wonderful, therefore, as such phenomena may be (granting them to be truthful), I see much that philosophy may question, nothing that it is incumbent on philosophy to deny—viz., nothing supernatural. They are but ideas conveyed somehow or other (we have not yet discovered the means) from one mortal brain to another. Whether, in so doing, tables walk of their own accord, or fiendlike shapes appear in a magic circle, or bodyless hands rise and remove material objects, or a Thing of Darkness, such as presented itself to me, freeze our blood—still am I persuaded that these are but agencies conveyed, as by electric wires, to my own brain from the brain of another. In some constitutions there is a natural chemistry, and those constitutions may produce chemic wonders—in others a natural fluid, call it electricity, and these may produce electric wonders. But the wonders differ from Natural Science in this—they are alike objectless, purposeless, puerile, frivolous. They lead on to no grand results; and therefore the world does not heed, and true sages have not cultivated them. But sure I am, that of all I saw or heard, a man, human as myself, was the remote originator; and I believe unconsciously to himself as to the exact effects produced, for this reason: no two persons, you say, have ever told you that they experienced exactly the same thing. Well, observe, no two persons ever experience exactly the same dream. If this were an ordinary imposture, the machinery would be arranged for results that would but little vary; if it were a supernatural agency permitted by the Almighty, it would surely be for some definite end. These phenomena belong to neither class; my persuasion is that they originate in some brain now far distant; that that brain had no distinct volition in anything that occurred; that what does occur reflects but its devious, motley, ever-shifting, half-formed thoughts; in short, that it has been but the dreams of such a brain put into action and invested with a semi-substance. That this brain is of immense power, that it can set matter into movement, that it is malignant and destructive, I believe; some material force must have killed my dog; the same force might, for aught I know, have sufficed to kill myself, had I been as subjugated by terror as the dog—had my intellect or my spirit given me no countervailing resistance in my will."

"It killed your dog! that is fearful! indeed it is strange that no animal can be induced to stay in that house; not even a cat. Rats and mice are never found in it."

"The instincts of the brute creation detect influences deadly to their existence. Man's reason has a sense less subtle, because it has a resisting power more supreme. But enough; do you comprehend my theory?"

"Yes, though imperfectly—and I accept any crotchet (pardon the word), however odd, rather than embrace at once the notion of ghosts and hobgoblins we imbibed in our nurseries. Still, to my unfortunate house the evil is the same. What on earth can I do with the house?"

"I will tell you what I would do. I am convinced from my own internal feelings that the small unfurnished room at right angles to the door of the bedroom which I occupied forms a starting-point or receptacle for the influences which haunt the house; and I strongly advise you to have the walls opened, the floor removed—nay, the whole room pulled down. I observe that it is detached from the body of the house, built over the small back-yard, and could be removed without injury to the rest of the building."

"And you think, if I did that—"

"You would cut off the telegraph wires. Try it. I am so persuaded that I am right that I will pay half the expense if you will allow me to direct the operations."

"Nay, I am well able to afford the cost; for the rest, allow me to write to you."

About ten days after I received a letter from Mr. J——, telling me that he had visited the house since I had seen him; that he had found the two letters I had described, replaced in the drawer from which I had taken them; that he had read them with misgivings like my own; that he had instituted a cautious inquiry about the woman to whom I rightly conjectured they had been written. It seemed that thirty-six years ago (a year before the date of the letters) she had married, against the wish of her relations, an American of very suspicious character; in fact, he was generally believed to have been a pirate. She herself was the daughter of very respectable tradespeople, and had served in the capacity of a nursery governess before her marriage. She had a brother, a widower, who was considered wealthy, and who had one child of about six years old. A month after the marriage, the body of this brother was found in the Thames, near London Bridge; there seemed some marks of violence about his throat, but they were not deemed sufficient to warrant the inquest in any other verdict than that of "found drowned."

The American and his wife took charge of the little boy, the deceased brother having by his will left his sister the guardianship of his only child—and in event of the child's death, the sister inherited. The child died about six months afterward—it was supposed to have been neglected and ill-treated. The neighbors deposed to having heard it shriek at night. The surgeon who had examined it after death said that it was emaciated as if from want of nourishment, and the body was covered with livid bruises. It seemed that one winter night the child had sought to escape—crept out into the back-yard—tried to scale the wall—fallen back exhausted, and been found at morning on the stones in a dying state. But though there was some evidence of cruelty, there was none of murder; and the aunt and her husband had sought to palliate cruelty by alleging the exceeding stubbornness and perversity of the child, who was declared to be half-witted. Be that as it may, at the orphan's death the aunt inherited her brother's fortune. Before the first wedded year was out, the American quitted England abruptly, and never returned to it. He obtained a cruising vessel, which was lost in the Atlantic two years afterward. The widow was left in affluence; but reverses of various kinds had befallen her: a bank broke—an investment failed—she went into a small business and became insolvent—then she entered into service, sinking lower and lower, from housekeeper down to maid-of-all-work—never long retaining a place, though nothing decided against her character was ever alleged. She was considered sober, honest, and peculiarly quiet in her ways; still nothing prospered with her. And so she had dropped into the workhouse, from which Mr. J—— had taken her, to be placed in charge of the very house which she had rented as mistress in the first year of her wedded life.

Mr. J—— added that he had passed an hour alone in the unfurnished room which I had urged him to destroy, and that his impressions of dread while there were so great, though he had neither heard nor seen anything, that he was eager to have the walls bared and the floors removed as I had suggested. He had engaged persons for the work, and would commence any day I would name.

The day was accordingly fixed. I repaired to the haunted house—we went into the blind dreary room, took up the skirting, and then the floors. Under the rafters, covered with rubbish, was found a trap-door, quite large enough to admit a man. It was closely nailed down, with clamps and rivets of iron. On removing these we descended into a room below, the existence of which had never been suspected. In this room there had been a window and a flue, but they had been bricked over, evidently for many years. By the help of candles we examined this place; it still retained some moldering furniture—three chairs, an oak settle, a table—all of the fashion of about eighty years ago. There was a chest of drawers against the wall, in which we found, half-rotted away, old-fashioned articles of a man's dress, such as might have been worn eighty or a hundred years ago by a gentleman of some rank—costly steel buckles and buttons, like those yet worn in court-dresses, a handsome court sword—in a waistcoat which had once been rich with gold-lace, but which was now blackened and foul with damp, we found five guineas, a few silver coins, and an ivory ticket, probably for some place of entertainment long since passed away. But our main discovery was in a kind of iron safe fixed to the wall, the lock of which it cost us much trouble to get picked.

In this safe were three shelves, and two small drawers. Ranged on the shelves were several small bottles of crystal, hermetically stoppered. They contained colorless volatile essences, of the nature of which I shall only say that they were not poisonous—phosphor and ammonia entered into some of them. There were also some very curious glass tubes, and a small pointed rod of iron, with a large lump of rock-crystal, and another of amber—also a loadstone of great power.

In one of the drawers we found a miniature portrait set in gold, and retaining the freshness of its colors most remarkably, considering the length of time it had probably been there. The portrait was that of a man who might be somewhat advanced in middle life, perhaps forty-seven or forty-eight.

It was a remarkable face—a most impressive face. If you could fancy some mighty serpent transformed into man, preserving in the human lineaments the old serpent type, you would have a better idea of that countenance than long descriptions can convey: the width and flatness of frontal—the tapering elegance of contour disguising the strength of the deadly jaw—the long, large, terrible eye, glittering and green as the emerald—and withal a certain ruthless calm, as if from the consciousness of an immense power.

Mechanically I turned round the miniature to examine the back of it, and on the back was engraved a pentacle; in the middle of the pentacle a ladder, and the third step of the ladder was formed by the date 1765. Examining still more minutely, I detected a spring; this, on being pressed, opened the back of the miniature as a lid. Withinside the lid was engraved, "Marianna to thee—Be faithful in life and in death to ——." Here follows a name that I will not mention, but it was not unfamiliar to me. I had heard it spoken of by old men in my childhood as the name borne by a dazzling charlatan who had made a great sensation in London for a year or so, and had fled the country on the charge of a double murder within his own house—that of his mistress and his rival. I said nothing of this to Mr. J——, to whom reluctantly I resigned the miniature.

We had found no difficulty in opening the first drawer within the iron safe; we found great difficulty in opening the second: it was not locked, but it resisted all efforts, till we inserted in the chinks the edge of a chisel. When we had thus drawn it forth, we found a very singular apparatus in the nicest order. Upon a small thin book, or rather tablet, was placed a saucer of crystal; this saucer was filled with a clear liquid—on that liquid floated a kind of compass, with a needle shifting rapidly round; but instead of the usual points of a compass were seven strange characters, not very unlike those used by astrologers to denote the planets. A peculiar but not strong nor displeasing odor came from this drawer, which was lined with a wood that we afterward discovered to be hazel. Whatever the cause of this odor, it produced a material effect on the nerves. We all felt it, even the two workmen who were in the room—a creeping, tingling sensation from the tips of the fingers to the roots of the hair. Impatient to examine the tablet, I removed the saucer. As I did so the needle of the compass went round and round with exceeding swiftness, and I felt a shock that ran through my whole frame, so that I dropped the saucer on the floor. The liquid was spilled—the saucer was broken—the compass rolled to the end of the room—and at that instant the walls shook to and fro, as if a giant had swayed and rocked them.

The two workmen were so frightened that they ran up the ladder by which we had descended from the trap-door; but seeing that nothing more happened, they were easily induced to return.

Meanwhile I had opened the tablet: it was bound in plain red leather, with a silver clasp; it contained but one sheet of thick vellum, and on that sheet were inscribed, within a double pentacle, words in old monkish Latin, which are literally to be translated thus: "On all that it can reach within these walls—sentient or inanimate, living or dead—as moves the needle, so work my will! Accursed be the house, and restless be the dwellers therein."

We found no more. Mr. J—— burned the tablet and its anathema. He razed to the foundations the part of the building containing the secret room with the chamber over it. He had then the courage to inhabit the house himself for a month, and a quieter, better-conditioned house could not be found in all London. Subsequently he let it to advantage, and his tenant has made no complaints.

THE DREAM-WOMAN

BY WILKIE COLLINS

William Wilkie Collins, born in London in 1824, was the son of the painter William Collins. He was always called "Wilkie." Educated privately, he was articled to a London tea merchant; but, publishing a book (afterward issued as "Antonina"), he devoted himself to letters. In 1851, he met Dickens, and wrote for "Household Words," and sometimes collaborated with him. His works include: "After Dark," "The Woman in White," "No Name, "The New Magdalen," and "The Moonstone." "The Dream-Woman," which exhibits many of his most striking characteristics, is from "The Queen of Hearts" (1860). He died in London in 1889.

THE DREAM-WOMAN

By WILKIE COLLINS

Some years ago there lived in the suburbs of a large seaport town on the west coast of England a man in humble circumstances, by name Isaac Scatchard. His means of subsistence were derived from any employment that he could get as an ostler, and occasionally when times went well with him, from temporary engagements in service as stable-helper in private houses. Though a faithful, steady, and honest man, he got on badly in his calling. His ill-luck was proverbial among his neighbors. He was always missing good opportunities by no fault of his own, and always living longest in service with amiable people who were not punctual payers of wages. "Unlucky Isaac" was his nickname in his own neighborhood, and no one could say that he did not richly deserve it.

With far more than one man's fair share of adversity to endure, Isaac had but one consolation to support him, and that was of the dreariest and most negative kind. He had no wife and children to increase his anxieties and add to the bitterness of his various failures in life. It might have been from mere insensibility, or it might have been from generous unwillingness to involve another in his own unlucky destiny; but the fact undoubtedly was, that he had arrived at the middle term of life without marrying, and, what is much more remarkable, without once exposing himself, from eighteen to eight-and-thirty, to the genial imputation of ever having had a sweetheart.

When he was out of service he lived alone with his widowed mother. Mrs. Scatchard was a woman above the average in her lowly station as to capacity and manners. She had seen better days, as the phrase is, but she never referred to them in the presence of curious visitors; and, though perfectly polite to every one who approached her, never cultivated any intimacies among her neighbors. She contrived to provide hardly enough for her simple wants by doing rough work for the tailors, and always managed to keep a decent home for her son to return to whenever his ill-luck drove him out helpless into the world.

One bleak autumn, when Isaac was getting on fast toward forty, and when he was, as usual, out of place through no fault of his own, he set forth from his mother's cottage on a long walk inland to a gentleman's seat, where he had heard that a stable-helper was required.

It wanted then but two days of his birthday; and Mrs. Scatchard, with her usual fondness, made him promise, before he started, that he would be back in time to keep that anniversary with her, in as festive a way as their poor means would allow. It was easy for him to comply with this request, even supposing he slept a night each way on the road.

He was to start from home on Monday morning, and, whether he got the new place or not, he was to be back for his birthday dinner on Wednesday at two o'clock.

Arriving at his destination too late on the Monday night to make application for the stable-helper's place, he slept at the village inn, and in good time on the Tuesday morning presented himself at the gentleman's house to fill the vacant situation. Here again his ill-luck pursued him as inexorably as ever. The excellent written testimonials to his character which he was able to procure availed him nothing; his long walk had been taken in vain: only the day before the stable-helper's place had been given to another man.

Isaac accepted this new disappointment resignedly and as a matter of course. Naturally slow in capacity, he had the bluntness of sensibility and phlegmatic patience of disposition which frequently distinguish men with sluggishly working mental powers. He thanked the gentleman's steward with his usual quiet civility for granting him an interview, and took his departure with no appearance of unusual depression in his face or manner.

Before starting on his homeward walk, he made some inquiries at the inn, and ascertained that he might save a few miles on his return by following a new road. Furnished with full instructions, several times repeated, as to the various turnings he was to take, he set forth on his homeward journey, and walked on all day with only one stoppage for bread and cheese. Just as it was getting toward dark, the rain came on and the wind began to rise, and he found himself, to make matters worse, in a part of the country with which he was entirely unacquainted, though he knew himself to be some fifteen miles from home. The first house he found to inquire at was a lonely roadside inn, standing on the outskirts of a thick wood. Solitary as the place looked, it was welcome to a lost man who was also hungry, thirsty, foot-sore, and wet. The landlord was civil, and respectable-looking, and the price he asked for a bed was reasonable enough. Isaac therefore decided on stopping comfortably at the inn for that night.

He was constitutionally a temperate man. His supper consisted of two rashers of bacon, a slice of home-made bread, and a pint of ale. He did not go to bed immediately after this moderate meal, but sat up with the landlord, talking about his bad prospects and his long run of ill-luck, and diverging from these topics to the subject of horse-flesh and racing. Nothing was said either by himself, his host, or the few laborers who strayed into the tap-room, which could, in the slightest degree, excite the very small and very dull imaginative faculty which Isaac Scatchard possessed.

At a little after eleven the house was closed. Isaac went round with the landlord and held the candle while the doors and lower windows were being secured. He noticed with surprise the strength of the bolts and bars, and iron-sheathed shutters.

"You see we are rather lonely here," said the landlord. "We never have had any attempts made to break in yet, but it's always as well to be on the safe side. When nobody is sleeping here, I am the only man in the house. My wife and daughter are timid, and the servant-girl takes after her missuses. Another glass of ale before you turn in? No! Well, how such a sober man as you come to be out of a place is more than I can make out, for one. Here's where you're to sleep. You're our only lodger to-night, and I think you'll say my missus has done her best to make you comfortable. You're quite sure you won't have another glass of ale? Very well. Good-night."

It was half-past eleven by the clock in the passage as they went upstairs to the bedroom, the window of which looked on to the wood at the back of the house.

Isaac locked the door, set his candle on the chest of drawers, and wearily got ready for bed. The bleak autumn wind was still blowing, and the solemn, monotonous, surging moan of it in the wood was dreary and awful to hear through the night-silence. Isaac felt strangely wakeful. He resolved, as he lay down in bed, to keep the candle alight until he began to grow sleepy, for there was something unendurably depressing in the bare idea of laying awake in the darkness, listening to the dismal, ceaseless moaning of the wind in the wood.

Sleep stole on him before he was aware of it. His eyes closed, and he fell off insensibly to rest without having so much as thought of extinguishing the candle.

The first sensation of which he was conscious after sinking into slumber was a strange shivering that ran through him suddenly from head to foot, and a dreadful sinking pain at the heart, such as he had never felt before. The shivering only disturbed his slumbers; the pain woke him instantly. In one moment he passed from a state of sleep to a state of wakefulness—his eyes wide open—his mental perceptions cleared on a sudden as if by a miracle.

The candle had burned down nearly to the last morsel of tallow, but the top of the unsnuffed wick had just fallen off, and the light in the little room was, for the moment, fair and full.

Between the foot of the bed and the closed door there stood a woman with a knife in her hand, looking at him.

He was stricken speechless with terror, but he did not lose the preternatural clearness of his faculties, and he never took his eyes off the woman. She said not a word as they stared each other in the face, but she began to move slowly toward the left-hand side of the bed.

His eyes followed her. She was a fair, fine woman, with yellowish flaxen hair and light-gray eyes, with a droop in the left eyelid. He noticed those things, and fixed them on his mind before she was round at the side of the bed. Speechless, with no expression in her face, with no noise following her footfall, she came closer and closer—stopped and slowly raised the knife. He laid his right arm over his throat to save it; but, as he saw the knife coming down, threw his hand across the bed to the right side, and jerked his body over that way just as the knife descended on the mattress within an inch of his shoulder.

His eyes fixed on her arm and hand as she slowly drew her knife out of the bed; a white, well-shaped arm, with a pretty down lying lightly over the fair skin—a delicate lady's hand; with the crowning beauty of a pink flush under and round the finger nails.

She drew the knife out, and passed again slowly to the foot of the bed; stopped there for a moment looking at him; then came on—still speechless, still with no expression on the blank, beautiful face, still with no sound following the stealthy footfalls—came on to the right side of the bed where he now lay.

As she approached, she raised the knife again, and he drew himself away to the left side. She struck, as before, right into the mattress, with a deliberate, perpendicularly downward action of the arm. This time his eyes wandered from her to the knife. It was like the large clasp-knives which he had often seen laboring men use to cut their bread and bacon with. Her delicate little fingers did not conceal more than two-thirds of the handle; he noticed that it was made of buckhorn, clean and shining the blade was, and looking like new.

For the second time she drew the knife out, concealed it in the wide sleeve of her gown, then stopped by the bedside, watching him. For an instant he saw her standing in that position, then the wick of the spent candle fell over into the socket, the flame diminished to a little blue point, and the room grew dark.

A moment, or less, if possible, passed so, and then the wick flamed up, smokingly, for the last time. His eyes were still looking eagerly over the right-hand side of the bed when the final flash of light came, but they discerned nothing. The fair woman with the knife was gone.

The conviction that he was alone again weakened the hold of the terror that had struck him dumb up to this time. The preternatural sharpness which the very intensity of his panic had mysteriously imparted to his faculties left them suddenly. His brain grew confused—his heart beat wildly—his ears opened for the first time since the appearance of the woman to a sense of the woful, ceaseless moaning of the wind among the trees. With the dreadful conviction of the reality of what he had seen still strong within him, he leaped out of bed, and screaming, "Murder! Wake up there! wake up!" dashed headlong through the darkness to the door.

It was fast locked, exactly as he had left it on going to bed.

His cries on starting up had alarmed the house. He heard the terrified, confused exclamations of women; he saw the master of the house approaching along the passage with his burning rush-candle in one hand and his gun in the other.

"What is it?" asked the landlord, breathlessly.

Isaac could only answer in a whisper. "A woman, with a knife in her hand," he gasped out. "In my room—a fair, yellow-haired woman; she jobbed at me with the knife twice over."

The landlord's pale cheeks grew paler. He looked at Isaac eagerly by the flickering light of his candle, and his face began to get red again; his voice altered, too, as well as his complexion.

"She seems to have missed you twice," he said.

"I dodged the knife as it came down," Isaac went on, in the same scared whisper. "It struck the bed each time."

The landlord took his candle into the bedroom immediately. In less than a minute he came out again into the passage in a violent passion.

"The devil fly away with you and your woman with the knife! There isn't a mark in the bedclothes anywhere. What do you mean by coming into a man's place, and frightening his family out of their wits about a dream?"

"I'll leave your house," said Isaac, faintly. "Better out on the road, in rain and dark, on my road home, than back again in that room, after what I've seen in it. Lend me a light to get my clothes by, and tell me what I'm to pay."

"Pay!" cried the landlord, leading the way with his light sulkily into the bedroom. "You'll find your score on the slate when you go downstairs. I wouldn't have taken you in for all the money you've got about you if I'd known your dreaming, screeching ways beforehand. Look at the bed. Where's the cut of a knife in it? Look at the window—is the lock bursted? Look at the door (which I heard you fasten yourself)—is it broke in? A murdering woman with a knife in my house! You ought to be ashamed of yourself!"

Isaac answered not a word. He huddled on his clothes, and they went downstairs together.

"Nigh on twenty minutes past two!" said the landlord, as they passed a clock. "A nice time in the morning to frighten honest people out of their wits!"

Isaac paid his bill, and the landlord let him out at the front door, asking, with a grin of contempt, as he undid the strong fastenings, whether "the murdering woman got in that way?"

They parted without a word on either side. The rain had ceased, but the night was dark, and the wind bleaker than ever. Little did the darkness or the cold or the uncertainty about the way home matter to Isaac. If he had been turned out into the wilderness in a thunderstorm, it would have been a relief after what he had suffered in the bedroom of the inn.

What was the fair woman with the knife? The creature of a dream, or that other creature from the unknown world called among men by the name of ghost? He could make nothing of the mystery—had made nothing of it, even when it was midday on Wednesday, and when he stood, at last, after many times missing his road, once more on the doorstep of home.

His mother came out eagerly to receive him. His face told her in a moment that something was wrong.

"I've lost the place; but that's my luck. I dreamed an ill dream last night, mother—or maybe I saw a ghost. Take it either way, it scared me out of my senses, and I am not my own man again yet."

"Isaac, your face frightens me. Come into the fire—come in, and tell mother all about it."

He was as anxious to tell as she was to hear: for it had been his hope, all the way home, that his mother, with her quicker capacity and superior knowledge, might be able to throw some light on the mystery which he could not clear up for himself. His memory of the dream was still mechanically vivid, though his thoughts were entirely confused by it.

His mother's face grew paler and paler as he went on. She never interrupted him by so much as a single word; but when he had done, she moved her chair close to his, put her arms around his neck, and said to him:

"Isaac, you dreamed your ill dream on this Wednesday morning. What time was it when you saw the fair woman with a knife in her hand?"

Isaac reflected on what the landlord had said when they had passed by the clock on his leaving the inn; allowed as nearly as he could for the time that must have elapsed between the unlocking of his bedroom door and the paying of his bill just before going away, and answered:

"Somewhere about two o'clock in the morning."

His mother suddenly quitted her hold of his neck, and struck her hands together with a gesture of despair.

"This Wednesday is your birthday, Isaac, and two o'clock in the morning was the time when you were born."

Isaac's capacities were not quick enough to catch the infection of his mother's superstitious dread. He was amazed, and a little startled also, when she suddenly rose from her chair, opened her old writing-desk, took pen, ink, and paper, and then said to him:

"Your memory is but a poor one, Isaac, and now I'm an old woman mine's not much better. I want all about this dream of yours to be as well known to both of us, years hence, as it is now. Tell me over again all you told me a minute ago, when you spoke of what the woman with the knife looked like."

Isaac obeyed, and marveled much as he saw his mother carefully set down on paper the very words that he was saying.

"Light-gray eyes," she wrote, as they came to the descriptive part, "with a droop in the left eyelid; flaxen hair, with a gold-yellow streak in it; white arms, with a down upon them; little lady's hand, with a reddish look about the finger nails; clasp-knife with a buckhorn handle, that seemed as good as new." To these particulars Mrs. Scatchard added the year, month, day of the week, and time in the morning when the woman of the dream appeared to her son. She then locked up the paper carefully in the writing-desk.

Neither on that day nor on any day after could her son induce her to return to the matter of the dream. She obstinately kept her thoughts about it to herself, and even refused to refer again to the paper in her writing-desk. Ere long Isaac grew weary of attempting to make her break her resolute silence; and time, which sooner or later wears out all things, gradually wore out the impression produced on him by the dream. He began by thinking of it carelessly, and he ended by not thinking of it at all.

The result was the more easily brought about by the advent of some important changes for the better in his prospects, which commenced not long after his terrible night's experience at the inn. He reaped at last the reward of his long and patient suffering under adversity by getting an excellent place, keeping it for seven years, and leaving it, on the death of his master, not only with an excellent character, but also with a comfortable annuity bequeathed to him as a reward for saving his mistress's life in a carriage accident. Thus it happened that Isaac Scatchard returned to his old mother, seven years after the time of the dream at the inn, with an annual sum of money at his disposal sufficient to keep them both in ease and independence for the rest of their lives.

The mother, whose health had been bad of late years, profited so much by the care bestowed on her and by freedom from money anxieties, that when Isaac's birthday came round she was able to sit up comfortably at table and dine with him.

On that day, as the evening drew on, Mrs. Scatchard discovered that a bottle of tonic medicine which she was accustomed to take, and in which she had fancied that a dose or more was still left, happened to be empty. Isaac immediately volunteered to go to the chemist's and get it filled again. It was as rainy and bleak an autumn night as on the memorable past occasion when he lost his way and slept at the roadside inn.

On going into the chemist's shop he was passed hurriedly by a poorly dressed woman coming out of it. The glimpse he had of her face struck him, and he looked back after her as she descended the door steps.

"You're noticing that woman?" said the chemist's apprentice behind the counter. "It's my opinion there's something wrong with her. She's been asking for laudanum to put to a bad tooth. Master's out for half an hour, and I told her I wasn't allowed to sell poison to strangers in his absence. She laughed in a queer way, and said she would come back in half an hour. If she expects master to serve her, I think she'll be disappointed. It's a case of suicide, sir, if ever there was one yet."

These words added immeasurably to the sudden interest in the woman which Isaac had felt at the first sight of her face. After he had got the medicine-bottle filled, he looked about anxiously for her as soon as he was out in the street. She was walking slowly up and down on the opposite side of the road. With his heart, very much to his own surprise, beating fast, Isaac crossed over and spoke to her.

He asked if she was in any distress. She pointed to her torn shawl, her scanty dress, her crushed, dirty bonnet; then moved under a lamp so as to let the light fall on her stern, pale, but still most beautiful face.

"I look like a comfortable, happy woman, don't I?" she said, with a bitter laugh.

She spoke with a purity of intonation which Isaac had never heard before from other lips than ladies' lips. Her slightest action seemed to have the easy, negligent grace of a thoroughbred woman. Her skin, for all its poverty-stricken paleness, was as delicate as if her life had been passed in the enjoyment of every social comfort that wealth can purchase. Even her small, finely shaped hands, gloveless as they were, had not lost their whiteness.

Little by little, in answer to his question, the sad story of the woman came out. There is no need to relate it here; it is told over and over again in police reports and paragraphs about attempted suicides.

"My name is Rebecca Murdoch," said the woman, as she ended. "I have ninepence left, and I thought of spending it at the chemist's over the way in securing a passage to the other world. Whatever it is, it can't be worse to me than this, so why should I stop here?"

Besides the natural compassion and sadness moved in his heart by what he heard, Isaac felt within him some mysterious influence at work all the time the woman was speaking which utterly confused his ideas and almost deprived him of his powers of speech. All that he could say in answer to her last reckless words was that he would prevent her from attempting her own life, if he followed her about all night to do it. His rough, trembling earnestness seemed to impress her.

"I won't occasion you that trouble," she answered, when he repeated his threat. "You have given me a fancy for living by speaking kindly to me. No need for the mockery of protestations and promises. You may believe me without them. Come to Fuller's Meadow to-morrow at twelve, and you will find me alive, to answer for myself— No!—no money. My ninepence will do to get me as good a night's lodging as I want."

She nodded and left him. He made no attempt to follow—he felt no suspicion that she was deceiving him.

"It's strange, but I can't help believing her," he said to himself, and walked away, bewildered, toward home.

On entering the house his mind was still so completely absorbed by its new subject of interest that he took no notice of what his mother was doing when he came in with the bottle of medicine. She had opened her old writing-desk in his absence, and was now reading a paper attentively that lay inside it. On every birthday of Isaac's since she had written down the particulars of his dream from his own lips, she had been accustomed to read that same paper, and ponder over it in private.

The next day he went to Fuller's Meadow.

He had done only right in believing her so implicitly. She was there, punctual to a minute, to answer for herself. The last-left faint defenses in Isaac's heart against the fascination which a word or look from her began inscrutably to exercise over him sank down and vanished before her forever on that memorable morning.

When a man previously insensible to the influence of woman forms an attachment in middle life, the instances are rare indeed, let the warning circumstances be what they may, in which he is found capable of freeing himself from the tyranny of the new ruling passion. The charm of being spoken to familiarly, fondly, and gratefully by a woman whose language and manners still retained enough of their early refinement to hint at the high social station that she had lost, would have been a dangerous luxury to a man of Isaac's rank at the age of twenty. But it was far more than that—it was certain ruin to him—now that his heart was opening unworthily to a new influence at that middle time of life when strong feelings of all kinds, once implanted, strike root most stubbornly in a man's moral nature. A few more stolen interviews after that first morning in Fuller's Meadow completed his infatuation. In less than a month from the time when he first met her, Isaac Scatchard had consented to give Rebecca Murdoch a new interest in existence and a chance of recovering the character she had lost by promising to make her his wife.

She had taken possession, not of his passions only, but of his faculties as well. All the mind he had he put into her keeping. She directed him on every point—even instructing him how to break the news of his approaching marriage in the safest manner to his mother.

"If you tell her how you met me and who I am at first," said the cunning woman, "she will move heaven and earth to prevent our marriage. Say I am the sister of one of your fellow-servants—ask her to see me before you go into any more particulars—and leave it to me to do the rest. I mean to make her love me next best to you, Isaac, before she knows anything of who I really am."

The motive of the deceit was sufficient to sanctify it to Isaac. The stratagem proposed relieved him of his one great anxiety, and quieted his uneasy conscience on the subject of his mother. Still, there was something wanting to perfect his happiness, something that he could not realize, something mysteriously untraceable, and yet something that perpetually made itself felt; not when he was absent from Rebecca Murdoch, but, strange to say, when he was actually in her presence! She was kindness itself with him. She never made him feel his inferior capacities and inferior manners. She showed the sweetest anxiety to please him in the smallest trifles; but, in spite of all these attractions, he never could feel quite at his ease with her. At their first meeting there had mingled with his admiration, when he looked in her face, a faint, involuntary feeling of doubt whether that face was entirely strange to him. No after-familiarity had the slightest effect on this inexplicable, wearisome uncertainty.

Concealing the truth as he had been directed, he announced his marriage engagement precipitately and confusedly to his mother on the day when he contracted it. Poor Mrs. Scatchard showed her perfect confidence in her son by flinging her arms round his neck, and giving him joy of having found at last, in the sister of one of his fellow-servants, a woman to comfort and care for him after his mother was gone. She was all eagerness to see the woman of her son's choice, and the next day was fixed for the introduction.

It was a bright sunny morning, and the little cottage parlor was full of light as Mrs. Scatchard, happy and expectant, dressed for the occasion in her Sunday gown, sat waiting for her son and her future daughter-in-law.

Punctual to the appointed time, Isaac hurriedly and nervously led his promised wife into the room. His mother rose to receive her—advanced a few steps smiling—looked Rebecca full in the eyes, and suddenly stopped. Her face, which had been flushed the moment before, turned white in an instant; her eyes lost their expression of softness and kindness, and assumed a blank look of terror; her outstretched hands fell to her sides, and she staggered back a few steps with a low cry to her son.

"Isaac," she whispered, clutching him fast by the arm when he asked alarmedly if she was taken ill, "Isaac, does that woman's face remind you of nothing?"

Before he could answer—before he could look round to where Rebecca stood, astonished and angered by her reception, at the lower end of the room—his mother pointed impatiently to her writing-desk, and gave him the key.

"Open it," she said, in a quick, breathless whisper.

"What does this mean? Why am I treated as if I had no business here? Does your mother want to insult me?" asked Rebecca, angrily.

"Open it, and give me the paper in the left-hand drawer. Quick! quick, for Heaven's sake!" said Mrs. Scatchard, shrinking further back in terror.

Isaac gave her the paper. She looked it over eagerly for a moment, then followed Rebecca, who was now turning away haughtily to leave the room, and caught her by the shoulder—abruptly raised the long, loose sleeve of her gown, and glanced at her hand and arm. Something like fear began to steal over the angry expression of Rebecca's face as she shook herself free from the old woman's grasp. "Mad!" she said to herself, "and Isaac never told me." With these few words she left the room.

Isaac was hastening after her when his mother turned and stopped his further progress. It wrung his heart to see the misery and terror in her face as she looked at him.

"Light-gray eyes," she said, in low, mournful, awe-struck tones, pointing toward the open door; "a droop in the left eyelid; flaxen hair, with a gold-yellow streak in it; white arms, with a down upon them; little lady's hand, with a reddish look under the finger nails—The Dream-Woman, Isaac, the Dream-Woman!"

That faint cleaving doubt which he had never been able to shake off in Rebecca Murdoch's presence was fatally set at rest forever. He had seen her face, then, before—seven years before, on his birthday, in the bedroom of the lonely inn.

"Be warned! oh, my son, be warned! Isaac, Isaac, let her go, and do you stop with me!"

Something darkened the parlor window as those words were said. A sudden chill ran through him, and he glanced sidelong at the shadow. Rebecca Murdoch had come back. She was peering in curiously at them over the low window-blind.

"I have promised to marry, mother," he said, "and marry I must."

The tears came into his eyes as he spoke and dimmed his sight, but he could just discern the fatal face outside moving away again from the window.

His mother's head sank lower.

"Are you faint?" he whispered.

"Broken-hearted, Isaac."

He stooped down and kissed her. The shadow, as he did so, returned to the window, and the fatal face peered in curiously once more.

Three weeks after that day Isaac and Rebecca were man and wife. All that was hopelessly dogged and stubborn in the man's moral nature seemed to have closed round his fatal passion, and to have fixed it unassailably in his heart.

After that first interview in the cottage parlor no consideration would induce Mrs. Scatchard to see her son's wife again, or even to talk of her when Isaac tried hard to plead her cause after their marriage.

This course of conduct was not in any degree occasioned by a discovery of the degradation in which Rebecca had lived. There was no question of that between mother and son. There was no question of anything but the fearfully exact resemblance between the living, breathing woman and the spectre-woman of Isaac's dream.

Rebecca, on her side, neither felt nor expressed the slightest sorrow at the estrangement between herself and her mother-in-law. Isaac, for the sake of peace, had never contradicted her first idea that age and long illness had affected Mrs. Scatchard's mind. He even allowed his wife to upbraid him for not having confessed this to her at the time of their marriage engagement rather than risk anything by hinting at the truth. The sacrifice of his integrity before his one all-mastering delusion seemed but a small thing, and cost his conscience but little after the sacrifices he had already made.

The time of waking from this delusion—the cruel and the rueful time—was not far off. After some quiet months of married life, as the summer was ending, and the year was getting on toward the month of his birthday, Isaac found his wife altering toward him. She grew sullen and contemptuous; she formed acquaintances of the most dangerous kind in defiance of his objections, his entreaties, and his commands; and, worst of all, she learned, erelong, after every fresh difference with her husband, to seek the deadly self-oblivion of drink. Little by little, after the first miserable discovery that his wife was keeping company with drunkards, the shocking certainty forced itself on Isaac that she had grown to be a drunkard herself.

He had been in a sadly desponding state for some time before the occurrence of these domestic calamities. His mother's health, as he could but too plainly discern every time he went to see her at the cottage, was failing fast, and he upbraided himself in secret as the cause of the bodily and mental suffering she endured. When to his remorse on his mother's account was added the shame and misery occasioned by the discovery of his wife's degradation, he sank under the double trial—his face began to alter fast, and he looked what he was, a spirit-broken man.

His mother, still struggling bravely against the illness that was hurrying her to the grave, was the first to notice the sad alteration in him, and the first to hear of his last worst trouble with his wife. She could only weep bitterly on the day when he made his humiliating confession, but on the next occasion when he went to see her she had taken a resolution in reference to his domestic afflictions which astonished and even alarmed him. He found her dressed to go out, and on asking the reason received this answer:

"I am not long for this world, Isaac," she said, "and I shall not feel easy on my death-bed unless I have done my best to the last to make my son happy. I mean to put my own fears and my own feelings out of the question, and to go with you to your wife, and try what I can do to reclaim her. Give me your arm, Isaac, and let me do the last thing I can in this world to help my son before it is too late."

He could not disobey her, and they walked together slowly toward his miserable home.

It was only one o'clock in the afternoon when they reached the cottage where he lived. It was their dinner-hour, and Rebecca was in the kitchen. He was thus able to take his mother quietly into the parlor, and then prepare his wife for the interview. She had fortunately drunk but little at that early hour, and she was less sullen and capricious than usual.

He returned to his mother with his mind tolerably at ease. His wife soon followed him into the parlor, and the meeting between her and Mrs. Scatchard passed off better than he had ventured to anticipate, though he observed with secret apprehension that his mother, resolutely as she controlled herself in other respects, could not look his wife in the face when she spoke to her. It was a relief to him, therefore, when Rebecca began to lay the cloth.

She laid the cloth, brought in the bread-tray, and cut a slice from the loaf for her husband, then returned to the kitchen. At that moment, Isaac, still anxiously watching his mother, was startled by seeing the same ghastly change pass over her face which had altered it so awfully on the morning when Rebecca and she first met. Before he could say a word, she whispered, with a look of horror:

"Take me back—home, home again, Isaac. Come with me, and never go back again."

He was afraid to ask for an explanation; he could only sign to her to be silent, and help her quickly to the door. As they passed the bread-tray on the table she stopped and pointed to it.

"Did you see what your wife cut your bread with?" she asked, in a low whisper.

"No, mother—I was not noticing—what was it?"

"Look!"

He did look. A new clasp-knife, with a buckhorn handle, lay with the loaf in the bread-tray. He stretched out his hand shudderingly to possess himself of it; but, at the same time, there was a noise in the kitchen, and his mother caught at his arm.

"The knife of the dream! Isaac, I'm faint with fear. Take me away before she comes back."

He was hardly able to support her. The visible, tangible reality of the knife struck him with a panic, and utterly destroyed any faint doubts that he might have entertained up to this time in relation to the mysterious dream-warning of nearly eight years before. By a last desperate effort, he summoned self-possession enough to help his mother out of the house—so quietly that the "Dream-Woman" (he thought of her by that name now) did not hear them departing from the kitchen.

"Don't go back, Isaac—don't go back!" implored Mrs. Scatchard, as he turned to go away, after seeing her safely seated again in her own room.

"I must get the knife," he answered, under his breath. His mother tried to stop him again, but he hurried out without another word.

On his return he found that his wife had discovered their secret departure from the house. She had been drinking, and was in a fury of passion. The dinner in the kitchen was flung under the grate; the cloth was off the parlor table. Where was the knife?

Unwisely, he asked for it. She was only too glad of the opportunity of irritating him which the request afforded her. He wanted the knife, did he? Could he give her a reason why? No! Then he should not have it—not if he went down on his knees to ask for it. Further recrimination elicited the fact that she had bought it a bargain, and that she considered it her own especial property. Isaac saw the uselessness of attempting to get the knife by fair means, and determined to search for it, later in the day, in secret. The search was unsuccessful. Night came on, and he left the house to walk about the streets. He was afraid now to sleep in the same room with her.

Three weeks passed. Still sullenly enraged with him, she would not give up the knife; and still that fear of sleeping in the same room with her possessed him. He walked about at night, or dozed in the parlor, or sat watching by his mother's bedside. Before the expiration of the first week in the new month his mother died. It wanted then but ten days of her son's birthday. She had longed to live till that anniversary. Isaac was present at her death, and her last words in this world were addressed to him:

"Don't go back, my son, don't go back!"

He was obliged to go back, if it were only to watch his wife. Exasperated to the last degree by his distrust of her, she had revengefully sought to add a sting to his grief, during the last days of his mother's illness, by declaring that she would assert her right to attend the funeral. In spite of all that he could do or say, she held with wicked pertinacity to her word, and on the day appointed for the burial forced herself—inflamed and shameless with drink—into her husband's presence, and declared that she would walk in the funeral procession to his mother's grave.

This last worst outrage, accompanied by all that was most insulting in word and look, maddened him for the moment. He struck her.

The instant the blow was dealt he repented it. She crouched down, silent, in a corner of the room, and eyed him steadily; it was a look that cooled his hot blood and made him tremble. But there was no time now to think of a means of making atonement. Nothing remained but to risk the worst till the funeral was over. There was but one way of making sure of her. He locked her in her bedroom.

When he came back some hours after, he found her sitting, very much altered in look and bearing, by the bedside, with a bundle on her lap. She rose and faced him quietly, and spoke with a strange stillness in her voice, a strange repose in her eyes, a strange composure in her manner.

"No man has ever struck me twice," she said, "and my husband shall have no second opportunity. Set the door open and let me go. From this day forth we see each other no more."

Before he could answer she passed him and left the room. He saw her walk away up the street.

Would she return?

All that night he watched and waited, but no footstep came near the house. The next night, overpowered by fatigue, he lay down in bed in his clothes, with the door locked, the key on the table, and the candle burning. His slumber was not disturbed. The third night, the fourth, the fifth, the sixth passed, and nothing happened. He lay down on the seventh, still in his clothes, still with the door locked, the key on the table, and the candle burning, but easier in his mind.

Easier in his mind, and in perfect health of body when he fell off to sleep. But his rest was disturbed. He woke twice without any sensation of uneasiness. But the third time it was that never-to-be-forgotten shivering of the night at the lonely inn, that dreadful sinking pain at the heart, which once more aroused him in an instant.

His eyes opened toward the left-hand side of the bed, and there stood—

The Dream-Woman again? No! his wife; the living reality, with the dream-spectre's face, in the dream-spectre's attitude; the fair arm up, the knife clasped in the delicate white hand.

He sprang upon her almost at the instant of seeing her, and yet not quickly enough to prevent her from hiding the knife. Without a word from him—without a cry from her—he pinioned her in a chair. With one hand he felt up her sleeve, and there, where the Dream-Woman had hidden the knife, his wife had hidden it—the knife with the buckhorn handle, that looked like new.

In the despair of that fearful moment his brain was steady, his heart was calm. He looked at her fixedly with the knife in his hand, and said these last words:

"You have told me we should see each other no more, and you have come back. It is now my turn to go, and to go forever. I say that we shall see each other no more, and my word shall not be broken."

He left her, and set forth into the night. There was a bleak wind abroad, and the smell of recent rain was in the air. The distant church-clocks chimed the quarter as he walked rapidly beyond the last houses in the suburb. He asked the first policeman he met what hour that was of which the quarter past had just struck.

The man referred sleepily to his watch, and answered, "Two o'clock." Two in the morning. What day of the month was this day that had just begun? He reckoned it up from the date of his mother's funeral. The fatal parallel was complete: it was his birthday!

Had he escaped the mortal peril which his dream foretold? or had he only received a second warning?

As that ominous doubt forced itself on his mind, he stopped, reflected, and turned back again toward the city. He was still resolute to hold to his word, and never to let her see him more; but there was a thought now in his mind of having her watched and followed. The knife was in his possession; the world was before him; but a new distrust of her—a vague, unspeakable, superstitious dread—had come over him.

"I must know where she goes, now she thinks I have left her," he said to himself, as he stole back wearily to the precincts of his house.

It was still dark. He had left the candle burning in the bed-chamber; but when he looked up to the window of the room now, there was no light in it. He crept cautiously to the house door. On going away, he remembered to have closed it; on trying it now, he found it open.

He waited outside, never losing sight of the house, till daylight. Then he ventured indoors—listened, and heard nothing—looked into kitchen, scullery, parlor, and found nothing; went up, at last, into the bedroom—it was empty. A picklock lay on the floor, betraying how she had gained entrance in the night, and that was the only trace of her.

Whither had she gone? That no mortal tongue could tell him. The darkness had covered her flight; and when the day broke no man could say where the light found her.

Before leaving the house and the town forever, he gave instructions to a friend and neighbor to sell his furniture for anything that it would fetch, and apply the proceeds to employing the police to trace her. The directions were honestly followed, and the money was all spent, but the inquiries led to nothing. The picklock on the bedroom floor remained the one last useless trace of the Dream-Woman.

GREEN BRANCHES

BY FIONA MACLEOD

Fiona (which is Gaelic for Flora) Macleod was the name of one of the most sympathetic writers in the so-called Celtic movement. With that intensity of feeling characteristic of the Celtic people she succeeded in expressing much of the mystic beauty of the old Gaelic legends.

Upon the death of William Sharp, the author and critic, in the spring of 1906, a long-concealed secret was brought to light:—Fiona Macleod and William Sharp were one and the same person.

GREEN BRANCHES*

*From "The Sin-Eater."

By FIONA MACLEOD

In the year that followed the death of Manus MacCodrum, James Achanna saw nothing of his brother Gloom. He might have thought himself alone in the world, of all his people, but for a letter that came to him out of the west. True, he had never accepted the common opinion that his brothers had both been drowned on that night when Anne Gillespie left Eilanmore with Manus.

In the first place, he had nothing of that inner conviction concerning the fate of Gloom which he had concerning that of Marcus; in the next, had he not heard the sound of the feadan, which no one that he knew played except Gloom; and, for further token, was not the tune that which he hated above all others—the "Dance of the Dead"—for who but Gloom would be playing that, he hating it so, and the hour being late, and no one else on Eilanmore? It was no sure thing that the dead had not come back; but the more he thought of it the more Achanna believed that his sixth brother was still alive. Of this, however, he said nothing to any one.

It was as a man set free that, at last, after long waiting and patient trouble with the disposal of all that was left of the Achanna heritage, he left the island. It was a gray memory for him. The bleak moorland of it, the blight that had lain so long and so often upon the crops, the rains that had swept the isle for gray days and gray weeks and gray months, the sobbing of the sea by day and its dark moan by night, its dim relinquishing sigh in the calm of dreary ebbs, its hollow, baffling roar when the storm-shadow swept up out of the sea—one and all oppressed him, even in memory. He had never loved the island, even when it lay green and fragrant in the green and white seas under white and blue skies, fresh and sweet as an Eden of the sea.

He had ever been lonely and weary, tired of the mysterious shadow that lay upon his folk, caring little for any of his brothers except the eldest—long since mysteriously gone out of the ken of man—and almost hating Gloom, who had ever borne him a grudge because of his beauty, and because of his likeness to and reverent heed for Alison. Moreover, ever since he had come to love Katreen Macarthur, the daughter of Donald Macarthur who lived in Sleat of Skye, he had been eager to live near her; the more eager as he knew that Gloom loved the girl also, and wished for success not only for his own sake, but so as to put a slight upon his younger brother.

So, when at last he left the island, he sailed southward gladly. He was leaving Eilanmore; he was bound to a new home in Skye, and perhaps he was going to his long-delayed, long dreamed-of happiness. True, Katreen was not pledged to him; he did not even know for sure if she loved him. He thought, hoped, dreamed, almost believed that she did; but then there was her cousin Ian, who had long wooed her, and to whom old Donald Macarthur had given his blessing. Nevertheless, his heart would have been lighter than it had been for long, but for two things. First, there was the letter. Some weeks earlier he had received it, not recognizing the writing, because of the few letters he had ever seen, and, moreover, as it was in a feigned hand. With difficulty he had deciphered the manuscript, plain printed though it was. It ran thus:

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