Chapter IV

Matthew Whitelock, reclining in what he called his “easy chair,” was musing, rather than thinking, over the inconsistencies of the most consistent, and pondering as to which was the more beautiful to contemplate—the love a mother bears her child, or the devotion a child renders to a parent; thinking how many instances there are of the former, and how, comparatively, few of the latter; hoping that the widow would really buy the wine and meat, as he desired; and having, like all genuine Englishmen, great faith in “creature comforts,” he converted the worn, attenuated widow into a portly woman. Having arranged this, he indulged in a vision he had of late enjoyed so frequently, that it had become almost a reality—that Richard would turn out something like Whittington: his dreams of the future had gradually taken Richard in, first as a shadow, then as a substance, until he formed a portion of all his day dreams—wondering if he could tie up fishing-flies, yet fearing to ask him, lest Martha might make it another subject of complaint; varying these fancies with probabilities as to whether he should have good fishing the first of the following June, when he made his annual journey to Teddington, and, be the day hot or cold, invariably returned with a swollen face, wonderfully helping Martha’s sarcasms during the following summer and autumn months; indeed, she constituted it a red letter day—every thing occurred “before” or after “master went bothering after the bits of fish, that the cat wouldn’t eat without butter, and got the bad face.” Then again his thoughts would dwell upon Richard, whom he believed—and with fair show of reason—endowed with a rare capacity for acquiring knowledge, and tuning it to the best account. He never thought of another power he had—that of attaching to him those who seldom formed attachments. Some observation made by the lad, in a careless, off-hand manner, would frequently set his master calculating what he could do for him. He delighted in lending him books, and to draw forth his opinions upon them; devising many clever expedients to overcome Richard’s shyness, and make him “speak out.” As the lad’s accumulated and accumulating knowledge became better known to him, he felt almost inclined to apologise when it was necessary he should take out parcels; but what especially charmed him was the boy’s unconsciousness of his own book improvement and superiority. Had it not been for the unaccountable fear Matthew Whitelock entertained of his housekeeper—which he only overcame by fits and starts—he would have forbidden Richard the kitchen, and seated him at his own little table in the dusty back room; but he knew that such a movement must lead to open rebellion. He had grown positively uncomfortable at the idea of Richard’s brushing his shoes, and cleaning knives—“a lad capable of writing the Latin names of his books without a dictionary, and was a better penman than he was himself!” However difficult it may be of belief, considering his “calling,” it is a positive fact that Matthew Whitelock reverenced literary acquirements; and when a clever book did not “sell,” Matthew would take the part of the author against “the trade”—a proceeding which caused him to be considered “a fool” by many who are wise in their own conceits.

These and such like thoughts were passing through Matthew’s mind, in a half-dreamy way; now lingering, now rushing onward, and then off, while Peter lay at his feet; and he began to long, as often he did, for Richard’s return; for he enjoyed a chat with his messenger, as he used to enjoy a newspaper. Without his perceiving it, Matty entered, and shutting the door, as she always did when she had any thing particular to say, placed her back against it, wreathed her bony arms together, and passing one foot over the instep of the other, stood on one leg, “shouldering” the door-case.

“It’s my opinion, sir, that you make too much fuss entirely with that boy, and that he’s forgetting his place.”

“Is it—how?”

“Well, thoughts is thoughts, and it’s hard to put them into words; but here they are! He’d rayther any time stay fiddling after one bit of dust or another, or stitching ould tataration books, that’s going to the bad since the year one, or mending your pen—as if you had not eyesight (the Lord preserve it) to do it yourself—than sit and rest his young bones at his supper; and as to rubbing over the knives, he does them in no time, without a bit of a stop between; so that I never have a word out of him. And the paper! he reads it shameful! reading polyticks as if they war dirt; and so ignorant, that when he’s done, he knows no more of the state of Europe than when he began. His mother says he lives without sleep, or as good as; there’s a heart-break for a tender mother! I hate unnatural ways. The truth is, he’s above his business.”

“I quite agree with you.”

“Then,” said the contradictory Matty, “it’s a sin and a shame for you to say so, sir. You have nothing to complain of: he’s willing enough to do every hand’s turn for you. I’m nothing in the house—just no-thing! He’s as civil and smooth as creme—with his good morning, and good evening, and fine day. Mrs. Cook! but that’s professional—there’s no love with it. He’s all for learning and books. If he goes on this way, you’ll have to take him into partnership.”

“Very likely!”

Matty immediately stood erect.

“Then, sir, you must look out for another housekeeper, that’s all: I’m not going to have two masters, and one of them no better than a dog-boy! Oh! that I should come to that! He’s bewitched you, so he has—put his comether over you. I shouldn’t wonder if you made him sit down at your table, and printed his poems.”

“His what?”

“Poems! Havn’t I heard you say many times that there was no good in books now, since there’s such a many writers; that a book is no longer a book, only a rubbish; and that all the half of the writers do is to spile paper and pens, and waste ink. Them’s your words, master, when you war in one of your pleasant humors, discoorsing upon the ruin that’s come into the world. And now this boy goes and writes poems, and you’ll print them!”

“Go down stairs, Matty, and bring me those poems.”

“And to be made a paper weight in my ould days—just to stand upon papers.”

“Do as I desire you.”

“I can’t: do you think I’d keep ’em in the kitchen? There they are!” she continued, throwing a roll of manuscript on the table; “there they are! As if he had any right to set up for a poet—as if his mother and him havn’t gone through starvation enough without that. That’s what comes of his neglecting the state of Europe, and hurrying over the knives: his mother wanted to tell you about it, but had no courage, and no wonder. It’s easy to see what’s before him now; and his poor mother blind and desolate. Poems! Oh! no wonder my hair’s gray! But it’s your fault, master—informing his mind! I wonder who ever troubled about my mind!” And out she flounced, while her master, not without some secret apprehension—more anxiety, in fact, for Richard than he had ever felt before—unrolled the manuscript, and, after wiping and putting on his spectacles, commenced its perusal.

[To be continued.