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Galatea

BOOK VI.

Herman Oelsner translation

Scarce had the rays of golden Phoebus begun to break through the lowest line of our horizon, when the aged and venerable Telesio made the piteous sound of his horn come to the ears of all that were in the village—a signal which moved those who heard it to leave the repose of their pastoral couches, and hasten to do what Telesio bade. But the first who led the way in this were Elicio, Aurelio, Daranio, and all the shepherds and shepherdesses who were with them, the fair Nisida and Blanca, and the happy Timbrio and Silerio not being absent, with a number of other gallant shepherds and beauteous shepherdesses, who joined them, and might reach the number of thirty. Amongst them went the peerless Galatea, new miracle of beauty, and the lately-wed Silveria, who brought with her the fair and haughty Belisa, for whom the shepherd Marsilio suffered such loving and mortal pangs. Belisa had come to visit Silveria, and to congratulate her on her newly attained estate, and she wished likewise to be present at obsequies so celebrated as she hoped those would be that shepherds so great and so famous were celebrating. All then came out together from the village, outside which they found Telesio, with many other shepherds accompanying him, all clad and adorned in such wise that they clearly showed that they had come together for a sad and mournful business. Straightway Telesio ordained, so that the solemn sacrifices might that day be performed with purer intent and thoughts more calm, that all the shepherds should come together on their side, and apart from the shepherdesses, and that the latter should do the same: whereat the smaller number were content, and the majority not very satisfied, especially the fond Marsilio, who had already seen the loveless Belisa, at sight of whom he was so beside himself and so rapt, as his friends Orompo, Crisio, and Orfenio clearly perceived, and when they saw him in such a state, they went up to him, and Orompo said to him:

'Take courage, friend Marsilio, take courage, and do not by your faint-heartedness cause the small spirit of your breast to be revealed. What if Heaven, moved to compassion of your pain, has at such a time brought the shepherdess Belisa to these banks that you may heal it?'

'Nay rather the better to end me, as I believe,' replied Marsilio, 'will she have come to this place, for this and more must needs be feared from my fortune; but I will do, Orompo, what you bid, if by chance in this hard plight reason has more power with me than my feelings.'

And therewith Marsilio became again somewhat more calm, and straightway the shepherds on one side, and the shepherdesses on another, as was ordained by Telesio, began to make their way to the valley of cypresses, all preserving a wondrous silence; until Timbrio, astonished to see the coolness and beauty of the clear Tagus by which he was going, turned to Elicio who was coming at his side, and said to him:

'The incomparable beauty of these cool banks, Elicio, causes me no small wonder; and not without reason, for when one has seen as I have the spacious banks of the renowned Betis, and those that deck and adorn the famous Ebro, and the well-known Pisuerga, and when one in foreign lands has walked by the banks of the holy Tiber, and the pleasing banks of the Po, made noted by the fall of the rash youth, and has not failed to go round the cool spots of the peaceful Sebeto, it must needs have been a great cause that should move me to wonder at seeing any others.'

'You do not go so far out of the way in what you say, as I believe, discreet Timbrio,' answered Elicio, 'as not to see with your eyes how right you are to say it; for without doubt you can believe that the pleasantness and coolness of the banks of this river excel, as is well known and recognised, all those you have named, though there should enter among them those of the distant Xanthus, and of the renowned Amphrysus, and of the loving Alpheus. For experience holds and has made certain, that almost in a straight line above the greater part of these banks appears a sky bright and shining, which with a wide sweep and with living splendour seems to invite to joy and gladness the heart that is most estranged from it; and if it is true that the stars and the sun are sustained, as some say, by the waters here below, I firmly believe that those of this river are in a large measure the cause that produces the beauty of the sky that covers it, or I shall believe that God, for the same reason that they say He dwells in Heaven, makes here His sojourn for the most part. The earth that embraces it, clad with a thousand green adornments, seems to make festival and to rejoice at possessing in itself a gift so rare and pleasing, and the golden river as though in exchange, sweetly interweaving itself in its embraces, fashions, as if with intent, a thousand windings in and out, which fill the soul of all who behold them with wondrous pleasure; whence it arises that, though the eyes turn again to behold it many a time, they do not therefore fail to find in it things to cause them new pleasure and new wonder. Turn your eyes then, valiant Timbrio, and see how much its banks are adorned by the many villages and wealthy farmhouses, which are seen built along them. Here in every season of the year is seen the smiling spring in company with fair Venus, her garments girded up and full of love, and Zephyrus accompanying her, with his mother Flora in front, scattering with bounteous hand divers fragrant flowers; and the skill of its inhabitants has wrought so much that nature, incorporated with art, is become an artist and art's equal, and from both together has been formed a third nature to which I cannot give a name. Of its cultivated gardens, compared with which the gardens of the Hesperides and of Alcinous, may keep silence, of the dense woods, of the peaceful olives, green laurels, and rounded myrtles, of its abundant pastures, joyous valleys, and covered hills, streamlets and springs which are found on this bank, do not expect me to say more, save that, if in any part of the earth the Elysian fields have a place, it is without doubt here. What shall I say of the skilful working of the lofty wheels, by the ceaseless motion of which men draw the waters from the deep river, and copiously irrigate the fields which are distant a long way? Let there be added to this that on these banks are nurtured the fairest and most discreet shepherdesses that can be found in the circle of the earth; as a proof of which, leaving aside that which experience shows us, and what you, Timbrio, do, since you have been on them and have seen, it will suffice to take as an example that shepherdess whom you see there, oh Timbrio.'

And, saying this, he pointed with his crook to Galatea; and without saying more, left Timbrio wondering to see the discretion and words with which he had praised the banks of the Tagus and Galatea's beauty. And he replied to him that nothing of what was said could be gainsaid, and in these and other things they beguiled the tedium of the road, until, coming in sight of the valley of cypresses, they saw issuing from it almost as many shepherds and shepherdesses as those who were with them. All joined together and with peaceful steps began to enter the sacred valley, the situation of which was so strange and wondrous that even in the very ones who had seen it many a time, it caused new admiration and pleasure. On one portion of the bank of the famous Tagus there rise in four different and opposite quarters four green and peaceful hills, walls and defenders as it were of a fair valley which they contain in their midst, and entrance into it is granted by four other spots. These same hills close together in such a way that they come to form four broad and peaceful roads, walled in on all sides by countless lofty cypresses, set in such order and harmony that even the very branches of each seem to grow uniformly, and none dares in the slightest to exceed or go beyond another. The space there is between cypress and cypress is closed and occupied by a thousand fragrant rose-bushes and pleasing jessamine, so close and interwoven as thorny brambles and prickly briars are wont to be in the hedges of guarded vineyards. From point to point of these peaceful openings are seen running through the short green grass clear cool streamlets of pure sweet waters, which have their birth on the slopes of the same hills. The goal and end of these roads is a wide round space formed by the declivities and cypresses, in the midst of which is placed a fountain of cunning workmanship, built of white and costly marble, made with such skill and cunning that the beauteous fountains of renowned Tibur, and the proud ones of ancient Trinacria cannot be compared to it. With the water of this wondrous fountain are moistened and sustained the cool grasses of the delightful spot, and what makes this pleasing situation the more worthy of esteem and reverence is that it is exempt from the greedy mouths of simple lambs and gentle sheep, and from any other kind of flock; for it serves alone as guardian and treasure-house of the honoured bones of any famous shepherds, who, by the general decree of all the survivors in the neighbourhood are determined and ordained to be worthy and deserving of receiving burial in this famous valley. Therefore there were seen between the many different trees that were behind the cypresses, in the space and expanse there was from them to the slopes of the hills, some tombs, made one of jasper and another of marble, on the white stones of which one read the names of those who were buried in them. But the tomb which shone most above all, and that which showed itself most to the eyes of all, was that of the famous shepherd Meliso, which, apart from the others, was seen on one side of the broad space, made of smooth black slates and of white and well-fashioned alabaster. And at the very moment the eyes of Telesio beheld it, he turned his face to all that pleasing company, and said to them with peaceful voice and piteous tones:

'There you see, gallant shepherds, discreet and fair shepherdesses, there you see, I say, the sad tomb wherein repose the honoured bones of the renowned Meliso, honour and glory of our banks. Begin then to raise to Heaven your humble hearts, and with pure purpose, copious tears and deep sighs, intone your holy hymns and devout prayers, and ask Heaven to consent to receive in its starry abode the blessed soul of the body that lies there.'

As he said this, he went up to one of the cypresses, and cutting some branches, he made from them a mournful garland wherewith he crowned his white and venerable brow, beckoning to the others to do the same. All, moved by his example, in one moment crowned themselves with the sad branches, and guided by Telesio, went up to the tomb, where the first thing Telesio did was to bend the knee and kiss the hard stone of the tomb. All did the same, and some there were who, made tender by the memory of Meliso, left the white marble they were kissing bedewed with tears. This being done, Telesio bade the sacred fire be kindled, and in a moment around the tomb were made many, though small, bonfires, in which only branches of cypress were burned; and the venerable Telesio began with solemn and peaceful steps to circle the pyre, and to cast into all the glowing fires a quantity of sacred sweet-smelling incense, uttering each time he scattered it, some short and devout prayer for the departed soul of Meliso, at the end of which he would raise his trembling voice, all the bystanders with sad and piteous tone replying thrice 'Amen, amen,' to the mournful sound of which the neighbouring hills and distant valleys re-echoed, and the branches of the tall cypresses and of the many other trees of which the valley was full, stricken by a gentle breeze that blew, made and formed a dull and saddest whisper, almost as if in token that they for their part shared the sadness of the funereal sacrifice. Thrice Telesio circled the tomb, and thrice he uttered the piteous prayers, and nine times more were heard the mournful tones of the amen which the shepherds repeated. This ceremony ended, the aged Telesio leaned against a lofty cypress which rose at the head of Meliso's tomb, and by turning his face on every side caused the bystanders to attend to what he wished to say, and straightway raising his voice as much as the great number of his years could allow, with marvellous eloquence he began to praise Meliso's virtues, the integrity of his blameless life, the loftiness of his intellect, the constancy of his soul, the graceful gravity of his discourse, and the excellence of his poetry, and above all the solicitude of his breast to keep and fulfil the holy religion he had professed, joining to these other virtues of Meliso of such a kind and so great that, though the shepherd had not been well known by all who were listening to Telesio, merely by what he was saying, they would have been inspired to love him, if he had been alive, and to reverence him after death. The old man then ended his discourse saying:

'If the lowliness of my dull understanding, famous shepherds, were to attain to where Meliso's excellences attained, and to where attains the desire I have to praise them, and if the weak and scanty strength begotten by many weary years did not cut short my voice and breath, sooner would you see this sun that illumines us bathing once and again in the mighty ocean, than I should cease from my discourse begun; but since in my withered age this is not allowed, do you supply what I lack, and show yourselves grateful to Meliso's cold ashes, praising them in death as the love constrains you that he had for you in life. And though a part of this duty touches and concerns us all in general, those whom it concerns more particularly are the famous Thyrsis and Damon, as being so well acquainted with him, such friends, such intimates; and so I beg them, as urgently as I can, to respond to this obligation, supplying in song with voice more calm and resounding what I have failed to do by my tears with my faltering one.'

Telesio said no more, nor indeed had there been need to say it in order that the shepherds might be moved to do what he bade them, for straightway, without making any reply, Thyrsis drew forth his rebeck, and beckoned to Damon to do the same. They were accompanied straightway by Elicio and Lauso, and all the shepherds who had instruments there; and in a little while they made music so sad and pleasing, that though it delighted the ears, it moved the hearts to give forth tokens of sadness with the tears the eyes were shedding. To this was joined the sweet harmony of the little painted birds, that were flitting through the air, and some sobs that the shepherdesses, already made tender and moved by Telesio's discourse, and by what the shepherds were doing, wrung from time to time from their lovely breasts; and it was of such a kind that the sound of the sad music and that of the sad harmony of the linnets, larks, and nightingales, and the bitter sound of the deep groans joining in unison, all formed together a concert so strange and mournful, that there is no tongue that could describe it. A little while after, the other instruments ceasing, only the four of Thyrsis, Damon, Elicio, and Lauso were heard. These going up to Meliso's tomb, placed themselves on its four sides, a token from which all present understood that they were about to sing something. And so they lent them silence marvellous and subdued, and straightway the famous Thyrsis, aided by Elicio, Damon, and Lauso, began, with voice loud, sad and resounding, to sing in this wise:

THYRSIS.

Such is the cause of our grief-stricken moan, Not ours alone, but all the world's as well, Shepherds, your sad and mournful chant intone!

DAMON.

Let our sighs break the air, and let them swell E'en unto Heaven in wailings, fashionèd From righteous love and grief unspeakable!

ELICIO.

Mine eyes the tender dew shall ever shed Of loving tears, until the memory, Meliso, of thine exploits shall be dead.

LAUSO.

Meliso, worthy deathless history, Worthy to enjoy on holy Heaven's throne Glory and life through all eternity.

THYRSIS.

What time I raise myself to heights unknown That I may sing his deeds as I think best, Shepherds, your sad and mournful chant intone!

DAMON.

With welling tears, Meliso, that ne'er rest, As best I can, thy friendship I reward, With pious prayers, and holy incense blest.

ELICIO.

Thy death, alas! our happiness hath marred, And hath to mourning changed our past delight, Unto a tender grief that presseth hard.

LAUSO.

Those fair and blissful days when all was bright, When the world revelled in thy presence sweet, Have been transformed to cold and wretched night.

THYRSIS.

Oh Death, that with thy violence so fleet Didst such a life to lowly earth restore,— What man will not thy diligence defeat?

DAMON.

Since thou, oh Death, didst deal that blow with power, Which brought to earth our stay 'midst fortune's stress, Ne'er is the meadow clad with grass or flower.

ELICIO.

Ever this woe remembering, I repress My bliss, if any bliss my feeling knows, Myself I harrow with new bitterness.

LAUSO.

When is lost bliss recovered? Do not woes, E'en though we seek them not, ever assail? When amidst mortal strife find we repose?

THYRSIS.

When in the mortal fray did life prevail? And when was Time, that swiftly flies away, By harness stout withstood, or coat of mail?

DAMON.

Our life is but a dream, an idle play, A vain enchantment that doth disappear, What time it seemed the firmest in its day.

ELICIO.

A day that darkeneth in mid career, And on its track close follows gloomy night, Veiled in shadows born of chilly fear.

LAUSO.

But thou, renownèd shepherd, in a bright And happy hour didst from this raging sea Pass to the wondrous regions of delight.

THYRSIS.

After that thou hadst heard and judged the plea Of the great shepherd of the Spanish plain In the Venetian[117] sheepfold righteously.

DAMON.

And after thou hadst bravely borne the pain, E'en the untimely stroke of Fortune fell, Which made Italia sad, and even Spain.

ELICIO.

After thou hadst withdrawn so long to dwell, With the nine maidens on Parnassus' crest, In solitude and calm unspeakable;

LAUSO.

Despite the clang of weapons from the East And Gallic rage, thy lofty spirit lay Tranquil, naught moved it from its peaceful rest.

THYRSIS.

'Twas then Heaven willed, upon a mournful day, That the cold hand of wrathful death should come, And with thy life our bliss should snatch away.

DAMON.

Thy bliss was better, thou didst seek thy home, But we were left to bitterness untold, Unending and eternal was our doom.

ELICIO.

The sacred maiden choir we did behold Of those that dwell upon Parnassus' height Rending in agony their locks of gold.

LAUSO.

The blind boy's mighty rival by thy plight Was moved to tears; then to the world below He showed himself a niggard of his light.

THYRSIS.

Amidst the clash of arms, the fiery glow, By reason of the wily Greek's deceit, The Teucrians sad felt not so great a woe, As those who wept, as those who did repeat Meliso's name, the shepherds, in the hour When of his death the tidings did them greet.

DAMON.

Their brows with fragrant varied flowers no more Did they adorn, with mellow voice no song Sang they of love as in the days of yore. Around their brows the mournful cypress clung, And in sad oft-repeated bitter moan They chanted lays of grief with sorrowing tongue.

ELICIO.

Wherefore, since we to-day once more have shown That we are mindful of our cruel wound, Shepherds, your sad and mournful chant intone! The bitter plight that fills with grief profound Our souls, is such that adamant will be The breast wherein no place for tears is found.

LAUSO.

Let countless tongues the soul of constancy Extol in song, the loyal breast he showed, Undaunted ever in adversity. Against the cruel disdain that ever glowed Within the wrathful breast of Phyllis sweet, Firm as a rock against the sea, he stood.

THYRSIS.

The verses he hath sung let all repeat, Let them, as tokens of his genius rare, In the world's memory find eternal seat.

DAMON.

Let Fame, that spreadeth tidings everywhere, Through lands that differ far from ours, his name With rapid steps and busy pinions bear.

ELICIO.

From his most chaste and love-enraptured flame Let the most wanton breast example take, And that which fire less perfect doth inflame.

LAUSO.

Blessèd art thou, though fortune did forsake Thee countless times, for thou dost joyous live, No shadow now doth thy contentment break.

THYRSIS.

This mortal lowliness that thou didst leave Behind, more full of changes than the moon, Little doth weary thee, doth little grieve.

DAMON.

Humility thou changedst for the boon Of loftiness, evil for good, and death For life—thy fears and hopes were surely one.

ELICIO.

He who lives well, though he in semblance hath Fallen, doth soar to Heaven on lofty wing, As thou, Meliso, by the flowery path. There, there, from throats immortal issuing, The voice resounds, that glory doth recite, Glory repeateth, glory sweet doth sing. There the serene fair countenance and bright We see, and in the sight thereof behold Glory's supreme perfection with delight. My feeble voice to praise thee waxeth bold, Yet, e'en as my desire doth greater grow, In check my fear, Meliso, doth it hold. For that which I, with mind uplifted, now View of that hallowed mind of thine, and see Exalted far above all human show, Hath made my mind a coward utterly; I may but press my lips together, may But raise my brows in wondering ecstasy.

LAUSO.

When thou dost go, thou fillest with dismay All who their pleasure in thy presence sought; Evil draws nigh, for thou dost go away.

THYRSIS.

In days gone by the rustic shepherds taught Themselves thy wisdom, in that self-same hour They gained new understanding, wiser thought. But, ah! there came the inevitable hour, When thou departedst, and we did remain, With hearts dead, and with minds bereft of power. We celebrate this memory of pain, We who our love for thee in life have shown, E'en as in death we mourn thee once again. So to the sound of your confusèd moan, New breath the while receiving ceaselessly, Shepherds, your sad and mournful chant intone! Even as is the bitter agony, So be the welling tears, so be the sighs, Wherewith the wind is swollen that hastens by. Little I ask, little the boon I prize, But ye must feel all that my tongue to you Can now unfold with feeble, stammering cries. But Phoebus now departs, and robs of hue The earth that doth her sable mantle don. So till the longed-for dawn shall come anew, Shepherds, no more your mournful chant intone!

Thyrsis, who had begun the sad and mournful elegy, was the one who ended it, without any of those that had listened to the lamentable song ending their tears for a good while. But at this moment the venerable Telesio said to them:

'Since we have in part, gallant and courteous shepherds, complied with the debt we owe the blessed Meliso, impose silence for the nonce on your tender tears, and give some truce to your grievous sighs, since by neither can we make good the loss we bewail; and though human sorrow cannot fail to show sorrow when ill befalls, yet it is necessary to temper the excess of its attacks with the reason that attends on the discreet. And although tears and sighs are tokens of the love cherished for him who is bewailed, the souls for which they are shed gain more profit by the pious sacrifices and devout prayers which are offered for them, than if all the ocean main were to be made tears and distil through the eyes of all the world. And for this cause and because we must give some relief to our wearied bodies, it will be well to leave what remains for us to do till the coming day, and for the present to make a call on your wallets, and comply with what nature enjoins on you.'

And in saying this, he gave orders for all the shepherdesses to abide on one side of the valley near Meliso's tomb, leaving with them six of the oldest shepherds who were there, and the rest were in another part a little way from them. And straightway with what they carried in their wallets and with the water of the clear spring they satisfied the common necessity of hunger, ending at a time when already night was clothing with one same colour all things contained beneath our horizon, and the shining moon was showing her fair and radiant face in all the fulness she has when most her ruddy brother imparts to her his rays. But a little while after, a troubled wind arising, there began to be seen some black clouds, which in a measure hid the light of the chaste goddess, making shadows on the earth; tokens from which some shepherds who were there, masters in rustic astrology, expected some coming hurricane and tempest. But all ended only in the night remaining grey and calm, and in their settling down to rest on the cool grass, yielding their eyes to sweet and peaceful slumber, as all did save some who shared as sentinels the guardianship of the shepherdesses, and save the guardian of some torches that were left blazing round Meliso's tomb. But now that calm silence prevailed through all that sacred valley, and now that slothful Morpheus had with his moist branch touched the brows and eyelids of all those present, at a time when the wandering stars had gone a good way round our pole, marking out the punctual courses of the night: at that moment from the very tomb of Meliso arose a great and wondrous fire, so bright and shining that in an instant all the dark valley was in such brightness, as if the very sun had illumined it. By which sudden marvel the shepherds who were awake near the tomb, fell astonished to the ground dazzled and blind with the light of the transparent fire, which produced a contrary effect in the others who were sleeping; for when they were stricken by its rays, heavy slumber fled from them, and they opened, though with some difficulty, their sleeping eyes, and seeing the strangeness of the light that revealed itself to them, remained confounded and amazed; and so, one standing, another reclining, another kneeling, each gazed on the bright fire with amazement and terror. Telesio seeing all this, arraying himself in a moment in the sacred vestments, accompanied by Elicio, Thyrsis, Damon, Lauso, and other spirited shepherds, gradually began to draw nigh to the fire, with the intention of seeking with some lawful and fitting exorcisms to extinguish, or to understand whence came the strange vision which showed itself to them. But when they were drawing nigh to the glowing flames, they saw them dividing into two parts, and in their midst appearing a nymph so fair and graceful, that it set them in greater wonder than the sight of the blazing fire; she appeared clad in a rich and fine web of silver, gathered and drawn up at the waist in such wise that half of her legs revealed themselves arrayed in buskins or close-fitting foot-gear, gilded and full of countless knots of variegated ribbons. Over the silver web she wore another vestment of green and delicate silk, which, wafted from side to side by a light breeze that was gently blowing, seemed most exquisite. She wore scattered over her shoulders the longest and the ruddiest locks that human eyes ever saw, and upon them a garland made of green laurel only. Her right hand was occupied by a tall branch of the yellow palm of victory, and her left with another of the green olive of peace. And with these adornments she showed herself so fair and wonderful, that all that beheld her she kept rapt by her appearance in such wise that, casting from them their first fear, they approached with sure steps the neighbourhood of the fire, persuading themselves that from so fair a vision no harm could happen to them. And all being, as has been said, ravished to see her, the beauteous nymph opened her arms on each side, and made the divided flames divide the more and part, to give an opportunity that she might the better be seen; and straightway raising her calm countenance, with grace and strange dignity she began words such as these:

'By the results that my unexpected appearance has caused in your hearts, discreet and pleasing company, you can gather that it is not by virtue of evil spirits that this form of mine has been fashioned which presents itself here to you; for one of the means by which we recognise whether a vision be good or bad, is by the results it produces on the mind of him who beholds it. For in the case of the good, though it cause in him wonder and alarm, such wonder and alarm comes mingled with a pleasant disturbance which in a little while calms and satisfies him, contrary to what is caused by the malignant vision, which brings alarm, discontent, terror, but never assurance. Experience will make clear to you this truth when you know me, and when I tell you who I am, and the cause that has moved me to come from my distant dwelling-place to visit you. And because I do not wish to keep you in suspense with the desire you have to know who I am, know, discreet shepherds and beauteous shepherdesses, that I am one of the nine maidens, who on the lofty and sacred peaks of Parnassus have their own and famous abode. My name is Calliope, my duty and disposition it is to favour and aid the divine spirits, whose laudable practice it is to busy themselves in the marvellous and never duly lauded science of poetry. I am she who made the old blind man of Smyrna, famous only through him, win eternal fame; she who will make the Mantuan Tityrus live for all the ages to come, until time end; and she who makes the writings, as uncouth as learned, of the most ancient Ennius, to be esteemed from the past to the present age. In short, I am she who favoured Catullus, she who made Horace renowned, Propertius eternal, and I am she who with immortal fame has preserved the memory of the renowned Petrarch, and she who made the famous Dante descend to the dark circles of Hell, and ascend to the bright spheres of Heaven. I am she who aided the divine Ariosto to weave the varied and fair web he fashioned; she who in this country of yours had intimate friendship with the witty Boscan, and with the famous Garcilaso, with the learned and wise Castillejo, and the ingenious Torres Naharro, by whose intellects and by their fruits your country was enriched and I satisfied. I am she who moved the pen of the celebrated Aldana, and that which never left the side of Don Fernando de Acuña; and she who prides herself on the close friendship and converse she always had with the blessed soul of the body that lies in this tomb. The funeral rites performed by you in his honour not only have gladdened his spirit, which now paces through the eternal realm, but have so satisfied me that I have come perforce to thank you for so laudable and pious a custom as this is, which is in use among you. Therefore I promise you, with the sincerity that can be expected from my virtue, in reward for the kindness you have shown to the ashes of my dear beloved Meliso, always to bring it to pass that on your banks there may never be wanting shepherds to excel all those of the other banks in the joyous science of poetry. I will likewise always favour your counsels, and guide your understanding so that you may never give an unjust vote, when you decide who is deserving of being buried in this sacred valley; for it will not be right that an honour, so special and distinguished, and one which is only deserved by white and tuneful swans, should come to be enjoyed by black and hoarse crows. And so it seems to me that it will be right to give you some information now about some distinguished men who live in this Spain of yours, and about some in the distant Indies subject to her; and if all or any one of these should be brought by his good fortune to end the course of his days on these banks, without any doubt you can grant him burial in this famous spot. Together with this I wish to warn you not to think the first I shall name worthy of more honour than the last, for herein I do not intend to keep any order, because, though I understand the difference between the one and the other, and the others among themselves, I wish to leave the decision of it in doubt, in order that your intellects may have something to practise on in understanding the difference of theirs, of which their works will give proof. I shall go through their names as they come to my memory, so that none may claim that it is a favour I have done him in having remembered him before another, for, as I tell you, discreet shepherds, I leave you to give them afterwards the place which seems to you to be due to them of right; and, in order that with less trouble and annoyance you may be attentive to my long narration, I will make it of such a kind that you may only feel displeasure at its brevity.'

The fair nymph, having said this, was silent and straightway took a harp she had beside her, which up till that time had been seen by no one, and, as she began to play it, it seemed that the sky began to brighten, and that the moon illumined the earth with new and unwonted splendour; the trees, despite a gentle breeze that was blowing, held their branches still; and the eyes of all who were there did not dare to lower their lids, in order that for the little while they lingered in raising, they might not be robbed of the glory they enjoyed in beholding the beauty of the nymph, and indeed all would have wished all their five senses to be changed into that of hearing only; with such strangeness, with such sweetness, with so great a charm did the fair muse play her harp. After she had sounded a few chords, with the most resounding voice that could be imagined, she began with verses such as these:

CALLIOPE'S SONG. To the sweet sound of my harmonious lyre, Shepherds, I pray you lend attentive ear, The hallowed breath of the Castalian choir Breathing therein and in my voice ye'll hear: Lo! it will make you wonder and admire With souls enraptured and with happy fear, What time I do recount to you on earth The geniuses that Heaven claims for their worth. It is my purpose but of those to sing Of whose life Fate hath not yet cut the thread, Of those who rightly merit ye should bring Their ashes to this place when they are dead, Where, despite busy Time on hasty wing, Through this praiseworthy duty renderèd By you, for countless years may live their fame, Their radiant work, and their renownèd name. And he who doth with righteous title merit Of high renown to win a noble store, Is DON ALONSO;[118] he 'tis doth inherit From holy Phoebus heavenly wisdom's flower, In whom shineth with lofty glow the spirit Of warlike Mars, and his unrivalled power, LEIVA his surname in whose glorious sound Italy, Spain herself, hath lustre found. Arauco's wars and Spanish worth hath sung Another who the name ALONSO hath. Far hath he wandered all the realms among Where Glaucus dwells, and felt his furious wrath; His voice was not untuned, nor was his tongue, For full of strange and wondrous grace were both, Wherefore ERCILLA[119] doth deserve to gain Memorial everlasting in this plain. Of JUAN DE SILVA[120] I to you declare That he deserves all glory and all praise, Not only for that Phoebus holds him dear, But for the worth that is in him always; Thereto his works a testimony clear Will be, wherein his intellect doth blaze With brightness which illumineth the eyes Of fools, dazzling at times the keen and wise. Be the rich number of my list increased By him to whom Heaven doth such favour show That by the breath of Phoebus is his breast Sustained, and by Mars' valour here below; Thou matchest Homer, if thou purposest To write, thy pen unto such heights doth go, DIEGO OSORIO,[121] that to all mankind Truly is known thy loftiness of mind. By all the ways whereby much-speaking fame A cavalier illustrious can praise, By these it doth his glorious worth proclaim, His deeds the while setting his name ablaze; His lively wit, his virtue doth inflame More than one tongue from height to height to raise FRANCISCO DE MENDOZA'S[122] high career, Nor doth the flight of time bring them to fear. Happy DON DIEGO, DE SARMIENTO[123] bright, CARVAJAL famous, nursling of our choir, Of Hippocrene the radiance and delight, Youthful in years, old in poetic fire; Thy name will go from age to age, despite The waters of oblivion, rising higher, Made famous by thy works, from grace to grace, From tongue to tongue, and from race unto race. Now chief of all I would to you display Ripeness of intellect in tender years, Gallantry, skill that no man can gainsay, A bearing courteous, worth that knows no fears; One that in Tuscan, as in Spanish, may His talent show, as he who did rehearse The tale of Este's line and did enthral, And he is DON GUTIERRE CARVAJAL.[124] LUIS DE VARGAS,[125] thou in whom I see A genius ripe in thy few tender days, Strive thou to win the prize of victory, The guerdon of my sisters and their praise; So near are thou thereto, that thou to me Seemest triumphant, for in countless ways Virtuous and wise, thou strivest that thy fame May brightly shine with clear and living flame. Honour doth Tagus' beauteous bank receive From countless heavenly spirits dwelling there, Who make this present age wherein we live, Than that of Greeks and Romans happier; Concerning them this message do I give That they are worthy of sepulture here, And proof thereof their works have to us given, Which point us out the way that leads to Heaven. Two famous doctors first themselves present, In Phoebus' sciences of foremost name, The twain in age alone are different, In character and wit they are the same; All near and far they fill with wonderment, They win amongst their fellows so much fame By their exalted wisdom and profound That soon they needs must all the world astound. The name that cometh first into my song, Of the twain whom I now to praise make bold, Is CAMPUZANO,[126] great the great among, Whom as a second Phoebus ye can hold; His lofty wit, his more than human tongue, Doth a new universe to us unfold Of Indies and of glories better far, As better than gold is wisdom's guiding star. Doctor SUÁREZ is the next I sing, And SOSA[127] is the name he adds thereto— He who with skilful tongue doth everything That free from blemish is and best, pursue; Whoso should quench within the wondrous spring His thirst, as he did, will not need to view With eye of envy learnèd Homer's praise, Nor his who sang to us of Troy ablaze. Of Doctor BAZA,[128] if of him I might Say what I feel, I without doubt maintain, That I would fill all present with delight; His learning, virtue, and his charm are plain First have I been to raise him to the height Where now he stands, and I am she who fain Would make his name eternal whilst the Lord Of Delos shall his radiant light afford. If fame should bring the tidings to your ear Of the strange works a famous mind displays, Conceptions lofty, well-ordered, and clear, Learning that would the listener amaze; Things that the thought checketh in mid career, And tongue cannot express, but straightway stays— Whene'er ye are in trouble and in doubt 'Tis the Licentiate DAZA[129] leads you out. Master GARAI'S[130] melodious works incite Me to extol him more than all beside; Thou, fame, excelling time of hasty flight, His celebration deem a work of praise; Fame, thou wilt find the fame he gives more bright Than is thine own in spreading far and wide His praise, for thou must, speaking of his fame, From many-tongued to truthful change thy name. That intellect, which, leaving far behind Man's greatest, doth to the divine aspire, Which in Castilian doth no pleasure find— The heroic verse of Rome doth him inspire; New Homer in Mantuan new combined Is Master CÓRDOVA.[131] Worthy his lyre Of praise in happy Spain, in every land, Where shines the sun, where ocean laves the strand. Doctor FRANCISCO DÍAZ,[132] I can well Assure my shepherds here concerning thee, That with glad heart and joy unspeakable They can thy praises sing unceasingly; And if I do not on thy praises dwell— The highest is thy due, and worthily— 'Tis that our time is short, nor do I know How I can e'er repay thee what I owe. LUJÁN,[133] who with thy toga merited Dost thine own Spain and foreign lands delight. Who with thy sweet and well-known muse dost spread Thy fame abroad to Heaven's loftiest height, Life shall I give thee after thou art dead, And I shall cause, in swift and rapid flight, The fame of thine unequalled mind to roll And spread from ours unto the opposing pole. His lofty mind doth a Licentiate show, And worth,—'tis a beloved friend of yours— I mean JUAN DE VERGARA,[134] whom ye know, An honour to this happy land of ours; By a clear open pathway he doth go, 'Tis I that guide aright his steps and powers. Unto his height to rise is my reward, His mind and virtue joy to me afford. That my bold song may praise and glory gain, Another shall I name to you, from whom My song to-day shall greater force attain And to the height of my desire shall come; And this it is that maketh me refrain From more than naming him and finding room To sing how lofty genius hath been sung By DON ALONSO DE MORALES'[135] tongue. Over the rugged steep unto the fane Where dwelleth fame, there climbs and draweth near A noble youth, who breaks with might and main Though every hindrance, though 'tis fraught with fear, And needs must come so nigh that it is plain That fame doth in prophetic song declare The laurel which it hath prepared ere now, HERNANDO MALDONADO,[136] is for thy brow. Adorned with noble laurel here ye see His learned brow, who hath such glory found In every science, every art, that he O'er all the globe is even now renowned; Oh golden age, oh happy century, With such a man as this worthily crowned! What century, what age doth with thee vie, When MARCO ANTONIO DE LA VEGA[137]'s nigh? A DIEGO is the next I call to mind, Who hath in truth MENDOZA[138] for his name, Worthy that history should her maker find In him alone, and soar as soars his fame; His learning and his virtue, which, enshrined In every heart, the whole world doth acclaim, Absent and present both alike astound, Whether in near or distant nations found. High Phoebus an acquaintance doth possess— Acquaintance say I? Nay, a trusty friend, In whom alone he findeth happiness, A treasurer of knowledge without end; 'Tis he who of set purpose doth repress Himself, so that his all he may not spend, DIEGO DURÁN,[139] in whom we ever find, And shall find, wisdom, worth, and force of mind. But who is he who sings his agonies With voice resounding, and with matchless taste? Phoebus, and sage Arion, Orpheus wise, Find ever their abode within his breast; E'en from the realms where first the dawn doth rise, Unto the distant regions of the west. Is he renowned and loved right loyally, For, LÓPEZ MALDONADO,[140] thou art he. Who could the praises, shepherds mine, recite Of him ye love, a shepherd crowned by fame, Brightest of all the shepherds that are bright, Who is to all known by FILIDA'S name? The skill, the learning and the choice delight, The rare intelligence, the heart aflame, Of LUIS DE MONTALVO[141] aye assure Glory and honour whilst the heavens endure. His temples now let holy Ebro bind With ivy evergreen and olive white, And with acanthus golden, may he find In joyous song his fame forever bright: The fruitful Nile hath his renown resigned, For Ebro's ancient worth to such a height PEDRO DE LIÑÁN'S[142] subtle pen doth lift, Sum of the bliss which is Apollo's gift. I think upon the lofty soul and rare By DON ALONSO DE VALDÉS[143] possessed, And am spurred on to sing and to declare That he excels the rarest and the best; This hath he shown already, and more clear By the elegance and grace wherewith his breast He doth reveal, with bitter pangs distraught, Praising the ill that cruel Love hath wrought. Before an intellect in wonder bow, Wherein all that the wish can ask is found. An intellect, that though it liveth now On earth, is with the pomp of Heaven crowned; All that I see and hear and read and know Of PEDRO DE PADILLA[144] the renowned, Whether he treat of peace or war's alarm, Brings fresh delight and wonder by its charm. GASPAR ALFONSO,[145] thou who wingst thy flight Unto the immortal realms, so orderest That I can scarce thy praises all recite, If I must praise thee as thou meritest; The pleasing, fruitful plants that on the height Of our renowned Parnassus find their nest, All offer wealthy laurels for a crown To circle and adorn thy brows alone. Of CRISTOVAL DE MESA[146] I can say That to your vale he will an honour be; While he is living, nay, when life away Hath fled, still ye can praise him fittingly; His lofty weighty style can win to-day Renown and honour, and the melody Of his heroic verse, though silent fame Remain, and I remember not his name. DON PEDRO DE RIBERA[147] doth, ye know, Wealth to your banks, and beauty, shepherds, bring, Wherefore give him the honour that ye owe, For I will be the first his praise to sing: His virtue, his sweet muse doth clearly show A noble subject, where, on noisy wing, Fame, hundred thousand fames, their powers might spend And strive his praises only to extend. Thou, who didst bring the treasure manifold Of verse in a new form the shores unto Of the fair fruitful stream, whose bed of gold Maketh it famous wheresoe'er it flow, Thy glorious fame I promise to uphold With the applause and reverence that we owe To thee, CALDERA,[148] and thy peerless mind; With laurel, ivy, I thy brows shall bind. Let fame, and let the memory I possess, For ever famous make the memory Of him who hath transformed to loveliness The glory of our Christian poesy; The knowledge and the charm let all confess, From the dayspring to where the day doth die, Of great FRANCISCO DE GUZMÁN,[149] whose are The arts of Phoebus as the arts of war. Of the Captain SALCEDO[150] 'tis quite clear That his celestial genius doth attain Unto the point most lofty, keen and rare, That can be fancied by the thought of man; If I compare him, him I do compare Unto himself—Comparisons, 'tis plain, Are useless, and to measure worth so true, All measures must be faulty, or askew. By reason of the wit and curious grace Of TOMÁS DE GRACIÁN,[151] I pray, permit That I should choose within this vale a place Which shall his virtue, knowledge, worth, befit; And if it run with his deserts apace, 'Twill be so lofty and so exquisite That few, methinks, may hope with him to vie, His genius and his virtues soar so high. Fain would BAPTISTA DE VIVAR[152] you praise, Sisters, with unpremeditated lyre; Such grace, discretion, prudence, he displays, That, muses though ye be, ye can admire; He will not hymn Narcissus in his lays Nor the disdains that lonely Echo tire, But he will sing his cares which had their birth 'Twixt sad forgetfulness and hope of mirth. Now terror new, now new alarm and fear Cometh upon me and o'erpowereth me, Only because I would, yet cannot bear Unto the loftiest heights of dignity Grave BALTASAR, who doth as surname wear TOLEDO,[153] though my fancy whispereth me That of his learned quill the lofty flight Must bear him soon to the empyrean height. There is a mind wherein experience shows That knowledge findeth fitting dwelling-place, Not only in ripe age amidst the snows, But in green years, in early youthful days; With no man shall I argue, or oppose A truth so plain, the more because my praise, If it perchance unto his ears be brought, Thine honour hath, LOPE DE VEGA,[154] sought. Now holy Betis to my fancy's eye Presents himself with peaceful olive crowned, Making his plaint that I have passed him by,— His angry words now in my ears resound— He asks that in this narrative, where I Speak of rare intellects, place should be found For those that dwell upon his banks, and so With voice sonorous I his will shall do. But what am I to do? For when I seek To start, a thousand wonders I divine. Many a Pindus' or Parnassus' peak, And choirs of lovelier sisters than the nine, Whereat my lofty spirits faint and weak Become, and more when by some strange design I hear a sound repeated as in echo, Whene'er the name is namèd of PACHECO.[155] PACHECO 'tis whom Phoebus calls his friend, On whom he and my sisters so discreet Did from his feeble tender years attend With new affection and new converse sweet; I too his genius and his writings send By strange paths never trod by mortal feet, And ever have sent, till they rise on high Unto the loftiest place of dignity. Unto this pass I come, that, though I sing With all my powers divine HERRERA'S[156] praise, My wearied toil but little fruit will bring, Although to the fifth sphere my words him raise; But, should friendship's suspicions to me cling, Upon his works and his true glory gaze, HERNANDO doth by learning all enthral From Ganges unto Nile, from pole to pole. FERNANDO would I name to you again DE CANGAS[157] surnamed, whom the world admires. Through whom the learning lives and doth sustain Itself that to the hallowed bays aspires; If there be any intellect that fain Would lift its gaze to the celestial fires, Let it but gaze on him, and it will find The loftiest and the most ingenious mind. Concerning CRISTÓVAL, who hath the name Of DE VILLAROEL,[158] ye must believe That he full well deserveth that his name Ne'er should oblivion's gloomy waters cleave; His wit let all admire, his worth acclaim With awe, his wit and worth let all receive As the most exquisite we can discover, Where'er the sun doth shine, or earth doth cover. The streams of eloquence which did of old Flow from the breast of stately Cicero, Which, gladdening the Athenian people bold, Did honour on Demosthenes bestow, The minds o'er whom Time hath already rolled— Who bore themselves so proudly long ago— Master FRANCISCO DE MEDINA,[159] now Let them before thy lofty learning bow. Rightly thou canst, renownèd Betis, now With Mincio, Arno, and with Tiber vie, Uplift in happiness thy hallowed brow, And spread thee in new bosoms spaciously: Since Heaven wished, that doth thy bliss allow, Such fame to give thee, honour, dignity, As he doth bring unto thy banks so fair, BALTASAR DEL ALCÁZAR,[160] who dwells there. Another ye will see, summed up in whom Apollo's rarest learning will ye see, Which doth the semblance of itself assume, When spread through countless others it may be; In him 'tis greater, in him it doth come To such a height of excellence that he, The Licentiate MOSQUERA[161] well can claim To rival e'en Apollo's self in fame. Behold! yon prudent man who doth adorn And deck with sciences his limpid breast, Shrinks not from gazing on the fountain born In wisdom's waters from our mountain's crest; In the clear peerless stream he doth not scorn To quench his thirst, and thus thou flourishest, DOMINGO DE BECERRA,[162] here on earth, For all recount the mighty doctor's worth. Words I might speak of famous ESPINEL[163] That pass beyond the wit of human kind, Concerning all the sciences that dwell, Nurtured by Phoebus' breath, within his mind; But since my tongue the least part cannot tell Of the great things that in my soul I find, I say no more save that he doth aspire To Heaven, whether he take his pen or lyre. If ruddy Phoebus ye would fain espy With blood-red Mars in equal balance weighed, On great CARRANZA[164] seek to cast an eye, In whom each hath his constant dwelling made; With such discretion, art, dexterity, Hath he his power o'er pen and lance displayed That the dexterity once cleft apart He hath brought back to science and to art. Of LÁZARO LUIS IRANZO,[165] lyre Than mine must needs be tuned with better art, To sing the good that Heaven doth inspire, The worth that Heaven fosters in his heart: By Mars' and Phoebus' path he doth inspire To climb unto the lofty heights apart Where human thought scarce reacheth, yet, despite Fortune and fate, he will reach them aright. BALTASAR DE ESCOBAR,[166] who doth adorn The famèd shores of Tiber's stream to-day, Whom the broad banks of hallowed Betis mourn, Their beauty lost when he is far away, A fertile wit, if he perchance return To his beloved native land, I pay Unto his youthful and his honoured brow The laurel and the honour that I owe. JUAN SANZ, called DE ZUMETA,[167] with what power, What honour, palm, or laurel shall be crowned, If from the Indian to the ruddy Moor No muse as his so perfect can be found? Here I anew his fame to him restore By telling you, my shepherds, how profound Will be Apollo's joy at any praise Which ye may bring to swell ZUMETA'S praise. Unto JUAN DE LAS CUEVAS[168] fitting place Give, shepherds, whensoever in this spot He shall present himself. His muse's grace And his rare wit this prize for him have wrought; His works I know, though Time may flee apace, In Time's despite, shall never be forgot, From dread oblivion they shall free his name, Which shall abide with bright and lofty fame. If him ye ever see, with honour greet The famous man, of whom I now shall tell, And celebrate his praise in verses sweet, As one who doth therein so much excel; BIBALDO he—to make my tale complete, ADAM BIBALDO[169]—who doth gild and swell The glory of this happy age of ours With the choice bloom of intellectual powers. E'en as is wont to be with varied flowers Adorned and wealthy made the flowery May, With many varied sciences and powers DON JUAN AGUAYO'S[170] intellect is gay; Though I in praising him might pass the hours, I say but this, that I now but essay, And at another time I shall unfold Things that your hearts with wonderment will hold. DON JUAN GUTIÉRREZ RUFO'S[171] famous name I wish in deathless memory to live, That wise and foolish may alike acclaim In wonderment his noble narrative; Let hallowed Betis give to him the fame His style doth merit, let them glory give To him, who know, may Heaven with renown Equal unto his towering flight him crown. In DON LUIS DE GÓNGORA[172] I show A rare and lively wit that hath no peer, His works delight me, their wealth I bestow Not on myself alone, but everywhere; And if I merit aught, because ye know My love for you, see that your praises bear To endless life his lofty love profound Despite the flight of time and death's cruel wound. Let the green laurel, let the ivy green, Nay, let the sturdy holm-oak crown the brow Of GONZALO CERVANTES,[173] for I ween Worthy of being crowned therewith art thou; More than Apollo's learning in thee seen, In thee doth Mars the burning ardour show Of his mad rage, yet with so just a measure That through thee he inspireth dread and pleasure. Thou, who with thy sweet plectrum didst extol Celidon's name and glory everywhere, Whose wondrous and well-polished verses call Thee unto laurels and to triumphs fair. GONZALO GRACIÁN,[174] take the coronal, Sceptre and throne from her who holds thee dear. In token that the bard of Celidon Deserveth to be Lord of Helicon. Thou, Darro, far renownèd stream of gold, How well thou canst thyself exalt on high, And with new current and new strength, behold, Thou canst e'en with remote Hydaspes vie! MATEO DE BERRÍO[175] maketh bold To honour thee with every faculty So that through him e'en now the voice of fame Doth spread abroad through all the world thy name. Of laurel green a coronal entwine, That ye therewith the worthy brows may crown Of SOTO BARAHONA,[176] shepherds mine, A man of wisdom, eloquence, renown; Although the holy flood, the fount divine Of Helicon, should BARAHONA drown, Mysterious chance! he yet would come to sight As if he were upon Parnassus' height. Within the realms antarctic I might say That sovereign minds eternal fame attain, For if these realms abound in wealth to-day, Minds more than human also they contain; In many now I can this truth display, But I can give you plenteous store in twain, One from New Spain, he an Apollo new, The other, a sun unrivalled from Peru. FRANCISCO DE TERRAZAS[177] is the name Of one, renowned in Spain and in the West, New Hippocrene his noble heart aflame Hath given to his happy native nest; Unto the other cometh equal fame, Since by his heavenly genius he hath blest Far Arequipa with eternal spring— DIEGO MARTÍNEZ DE RIBERA[178] I sing. Beneath a happy star a radiance bright Here did flash forth, so rich in signal worth That his renown its tiniest spark of light From East to West hath spread o'er all the earth; And when this light was born, all valorous might Was born therewith, PICADO[179] had his birth, Even my brother, Pallas' brother too, Whose living semblance we in him did view. If I must give the glory due to thee, Great ALONSO DE ESTRADA,[180] thou to-day Deservest that I should not hurriedly Thy wisdom and thy wondrous mind display; Thou dost enrich the land that ceaselessly To Betis doth a bounteous tribute pay, Unequal the exchange, for no reward Can payment for so fair a debt afford. DON JUAN, Heaven gave thee as the rare delight Of this fair country with no grudging hand, ÁVALOS' glory, and RIBERA'S[181] light, Honour of Spain, of every foreign land, Blest Spain, wherein with many a radiance bright Thy works shall teach the world to understand All that Nature can give us, rich and free, Of genius bright and rare nobility. He who is happy in his native land, In Limar's limpid waters revelling, The cooling winds and the renownèd strand With his divinest verses gladdening,— Let him come, straightway ye will understand From his spirit and discretion why I sing, For SANCHO DE RIBERA[182] everywhere Is Phoebus' self and Mars without a peer. A Homer new this vale of high renown Did once upon a time from Betis wrest, On whom of wit and gallantry the crown We can bestow—his greatness is confessed; The Graces moulded him to be their own, Heaven sendeth him in every grace the best, Your Tagus' banks already know his fame, PEDRO DE MONTESDOCA[183] is his name. Wonder the illustrious DIEGO DE AGUILAR[184] In everything the wish can ask inspires, A royal eagle he, who flieth far Unto a height whereto no man aspires; His pen 'mongst thousands wins the spoil of war, For before it the loftiest retires, Guanuco will his style, his valour tell Of such renown; Guanuco knows it well. A GONZALO FERNÁNDEZ[185] draweth near, A mighty captain in Apollo's host. In whose heroic name that hath no peer, SOTOMAYOR to-day doth make his boast; His verse is wondrous and his wisdom clear Where'er he is beheld from coast to coast, And if his pen doth so much joy afford, He is no less renownèd by his sword. HENRIQUE GARCÉS[186] the Peruvian land Enricheth. There with sweet melodious rhyme, With cunning, skilful, and with ready hand, In him the hardest task did highest climb; New speech, new praise he to the Tuscan grand Hath given in the sweet Spanish of our time; Who shall the greatest praises from him take, E'en though Petrarch himself again awake? FERNÁNDEZ DE PINEDA'S[187] talent rare And excellent, and his immortal vein Make him to be in no small part the heir Of Hippocrene's waters without stain; Since whatsoe'er he would therefrom, is ne'er Denied him, since such glory he doth gain In the far West, let him here claim the part He now deserveth for his mind and art. And thou that hast thy native Betis made, With envy filled, to murmur righteously, That thy sweet tuneful song hath been displayed Unto another earth, another sky, Noble JUAN DE MESTANZA,[188] undismayed Rejoice, for whilst the fourth Heaven shall supply Its light, thy name, resplendent in its worth, Shall be without a peer o'er all the earth. All that can e'er in a sweet vein be found Of charm, ye will in one man only find, Who bridleth to his muse's gladsome sound The ocean's madness and the hurrying wind; For BALTASAR DE ORENA[189] is renowned, From pole to pole his fame, swift as the wind, Doth run, and from the East unto the West, True honour he of our Parnassus' crest. A fruitful and a precious plant I know That hath been to the highest mountain found In Thessaly transplanted thence, and, lo! A plant ere this with happy fruitage crowned; Shall I be still nor tell what fame doth show Of PEDRO DE ALVARADO[190] the renowned? Renowned, yet no less brightly doth he shine, For rare on earth is such a mind divine. Thou, who with thy new muse of wondrous grace Art of the moods of love, CAIRASCO,[191] singing, And of that common varying fickleness, Where cowards 'gainst the brave themselves are flinging; If from the Grand Canary to this place Thou art thy quick and noble ardour bringing, A thousand laurels, for thou hast deserved, My shepherds offer, praises well-deserved. What man, time-honoured Tormes, would deny That thou canst e'en the Nile itself excel, If VEGA in thy praises can outvie E'en Tityrus who did of Mincio tell? DAMIÁN,[192] I know thy genius riseth high To where this honour doth thine honours swell, For my experience of many years Thy knowledge and thy virtue choice declares. Although thy genius and thy winning grace, FRANCISCO SÁNCHEZ,[193] were to give me leave, If I dared form the wish to hymn thy praise, Censure should I for lack of skill receive; None but a master-tongue, whose dwelling place Is in the heavens, can be the tongue to achieve The lengthy course and of thy praises speak, For human tongue is for this task too weak. The things that an exalted spirit show, The things that are so rare, so new in style, Which fame, esteem, and knowledge bring to view By hundred thousand proofs of wit and toil, Cause me to give the praises that are due To DON FRANCISCO DE LAS CUEVAS,[194] while Fame that proclaims the tidings everywhere, Seeks not to linger in her swift career. At such a time as this I would have crowned My sweet song gladly, shepherds, with the praise Of one whose genius doth the world astound, And could your senses ravish and amaze; In him the union and the sum is found Of all I have praised and have yet to praise; FRAY LUIS DE LEÓN[195] it is I sing, Whom I love and adore, to whom I cling. What means, what ways of praise shall I achieve, What pathways that yon great MATÍAS' name May in the world for countless ages live, Who hath ZUÑIGA[196] for his other name? Unto him all my praises let me give, Though he is man and I immortal am, Because his genius truly is divine, Worthily praise and honour in him shine. Turn ye the thought that passeth speedily Unto Pisuerga's lovely banks divine, Ye will see how the lofty minds whereby They are adorned, enrich this tale of mine; And not the banks alone, but e'en the sky, Wherein the stars resplendent ever shine, Itself assuredly can honour claim, When it receives the men whom now I name. Thou, DAMASIO DE FRÍAS,[197] canst alone Thy praises utter, for, although our chief, Even Apollo's self should praise thee, none But could be in thy praises all too brief; Thou art the pole-star that hath ever shone Certain and sure, that sendeth sweet relief From storm, and favouring gales, and safe to shore Brings him who saileth wisdom's ocean o'er. ANDRÉS SANZ DEL PORTILLO,[198] send to me That breath, I pray, whereby Phoebus doth move Thy learned pen, and lofty fantasy, That I may praise thee as it doth behove; For my rough tongue will never able be, Whate'er the ways it here may try and prove, To find a way of praising as I would All that I feel and see in thee of good. Happiest of minds, thou towerest in thy flight Above Apollo's highest, with thy ray So bright, thou givest to our darkness light, Thou guidest us, however far we stray; And though thou dost now blind me with thy light And hast my mind o'erwhelmèd with dismay, Glory beyond the rest I give to thee, For, SORIA,[199] glory thou hast given to me. If, famous CANTORAL,[200] so rich a meed Of praise thy works achieve in every part, Thou of my praises wilt have little need, Unless I praise thee with new mode and art; With words significant of noble deed, With all the skill that Heaven doth impart, I marvel, praise in silence, thus I reach A height I cannot hope to gain by speech. If I to sing thy praise have long delayed, Thou, VACA Y DE QUIÑONES,[201] mayst forgive The past forgetfulness I have displayed And the repentance I now show receive, For with loud cries and proclamation made O'er the broad world this task I shall achieve In open and in secret, that thy fame Shall spread abroad, and brightly gleam thy name. Thy rich and verdant strand no juniper Enricheth, nor sad cypress; but a crown Of laurels and of myrtles it doth wear, Bright Ebro, rich in waters and renown, As best I can, I now thy praise declare, Praising that bliss which Heaven hath sent down Unto thy banks, for geniuses more bright Dwell on thy banks e'en than the stars of night. Two brothers witnesses will be thereto, Two daysprings they, twin suns of poesy, On whom all that it could of art bestow And genius, Heaven lavished bounteously; Thoughts of wise age, though still in youthful glow, Converse mature, and lovely fantasy, Fashion a worthy, deathless aureola For LUPERCIO LEONARDO DE ARGENSOLA.[202] With envy blest, in holy rivalry Methinks the younger brother doth aspire To match the elder, since he riseth high To where no human eye e'er riseth higher; Wherefore he writes and sings melodiously Histories countless with so sweet a lyre That young BARTOLOMÉ[203] hath well deserved Whatever for LUPERCIO is reserved. If good beginning and a sequence fair Inspire the hope of an illustrious close In everything, my mind may now declare That thus thou shalt exalt o'er all its foes, COSME PARIENTE.[204] Thus thou canst with rare Confidence to thy wise and noble brows Promise the crown that rightly hath been gained By thy bright intellect and life unstained. MURILLO,[205] thou dost dwell in solitude, Heaven thy companion, and dost there display That other muses, cleverer and more good, Ne'er leave thy Christian side and go away; Thou from my sisters didst receive thy food, And now thou dost, this kindness to repay, Guide us and teach us heavenly things to sing, Pleasing to Heaven, and this world profiting. Turia, who loudly didst of old proclaim The excellence of the children born to thee, If thou shouldst hearken to the words I frame, Moved by no envy, by no rivalry. Thou wilt hear how by those whom I shall name, Thy fame is bettered; their presence with thee, Their valour, virtue, genius, are thy dower, And make thee o'er Indus and Ganges tower. DON JUAN COLOMA,[206] thou within whose breast Hath been enclosed so much of Heaven's grace, Who hast with bridle stern envy repressed, And given to fame a thousand tongues to blaze, From Tagus to the kingdom fruitfulest, Abroad thy name and worth in words of praise, COUNT DE ELDA, blest in all, thou dost bestow On Turia greater fame than that of Po. He in whose breast a spring that is divine Through him, doth ever copiously abound, To whom his choir of flashing lights incline, And rightly—they their Lord in him have found— Who should by all, from Ethiop 'neath the Line To Eskimo, with name unique be crowned, DON LUIS GARCERÁN[207] is peerless, bright, Grand Master of Montesa, world's delight. Within this famous vale he should receive A place illustrious, an abode renowned, He to whom fame the name would gladly give Wherewith his intellect is fitly crowned; Be it the care of Heaven to achieve His praise—from Heaven comes his worth profound— And laud what is beyond my faculties In DON ALONSO REBOLLEDO[208] wise. DOCTOR FALCÓN,[209] so lofty is thy flight That thou beyond the lordly eagle high Dost rise; thy genius unto Heaven's height Ascends, leaving this vale of misery; Wherefore I fear, wherefore I dread aright That, though I praise thee, thou wilt yet espy Cause of complaint in that for nights and days My voice and tongue I use not in thy praise. If e'en as fortune doth, sweet poesy Had but an ever-changing wheel possessed, Swifter in speed than Dian through the sky, Which was not, is not, ne'er shall be at rest, Thereon let MICER ARTIEDA[210] lie— The wheel unchanged the while amid the test— And he would ever keep the topmost place For knowledge, intellect, and virtue's grace. The goodly shower of praises thou didst pour Upon the rarest intellects and best. Alone thou meritest and dost secure, Alone thou dost secure and meritest; GIL POLO,[211] let thy hopes be firm and sure, That in this vale thy ashes will find rest In a new tomb by these my shepherds reared, Wherein they will be guarded and revered. CRISÓOBAL DE VIRUES,[212] since thou dost vaunt A knowledge and a worth like to thy years, Thyself the genius and the virtue chant Wherewith thou fleest the world's beguiling fears; A fruitful land and a well-nurtured plant— In Spain and foreign lands I shall rehearse And for the fruit of thy exalted mind Win fame and honour and affection kind. If like unto the mind he doth display SILVESTRE DE ESPINOSA'S[213] praise must be, A voice more skilled were needed and more gay A longer time and greater faculty; But since my voice he guideth on the way, This guerdon true shall I bestow, that he May have the blessing Delos' god doth bring To the choice flood of Hippocrene's spring. The world adorning as he comes in view Amongst them an Apollo I behold, GARCIA ROMERO,[214] discreet, gallant too, Worthiest of being in this list enrolled; If dark Peneus' child, whose story true Hath been in Ovid's chronicles retold, Had found him in the plains of Thessaly, Not laurel, but ROMERO[215] would she be. It breaks the silence and the hallowed bound, Pierces the air, and riseth to the sky, The heavenly, hallowed, and heroic sound That speaks in FRAY PEDRO DE HUETE'S[216] cry; Of his exalted intellect profound Fame sang, sings and shall sing unceasingly, Taking his works as witness of her song To spread amazement all the world among. Needs must I now to the last end draw near, And of the greatest deed I e'er designed Make a beginning now, which shall, I fear, Move unto bitter wrath Apollo kind; Since, although style be wanting, I prepare To praise with rustic and untutored mind Two suns that Spain, the country of their birth, Illumine, and moreover all the earth. Apollo's hallowed, honourable lore, Discretion of a courtier mature, And years well-spent, experience, which a store Of countless prudent counsels doth assure, Acuteness of intellect, a ready power To mark and to resolve whate'er obscure Difficulty and doubt before them comes,— Each of these in these twin suns only blooms. Now, shepherds, I in these two poets find An epilogue to this my lengthy lay; Though I for them the praises have designed Which ye have heard, I do not them repay; For unto them is debtor every mind, From them I win contentment every day, Contentment from them winneth all the earth E'en wonder, for 'tis Heaven gives them birth. In them I wish to end my melody, Yet I begin an admiration new, And if ye think I go too far, when I Say who they are, behold, I vanquish you; By them I am exalted to the sky, And without them shame ever is my due; 'Tis LÁINEZ,[217] FIGUEROA[218] 'tis I name Worthy eternal and unceasing fame.

Scarce had the fair nymph ended the last accents of her delightful song, when the flames which were divided, uniting once more, enclosed her in the midst, and straightway, as they were gradually consumed, the glowing fire in a little while vanished, and the discreet muse from before the eyes of all, at a time when already the bright dawn was beginning to reveal her cool and rosy cheeks over the spacious sky, giving glad tokens of the coming day. And straightway the venerable Telesio, setting himself on Meliso's tomb, and surrounded by all the pleasing company who were there, all lending him a pleasing attention and strange silence, began to speak to them in this wise:

'What you have seen this past night in this very spot and with your eyes, discreet and gallant shepherds, and fair shepherdesses, will have given you to understand how acceptable to Heaven is the laudable custom we have of performing these yearly sacrifices and honourable funeral rites, for the happy souls of the bodies which by your decree deserved to have burial in this famous valley. I say this to you, my friends, in order that henceforth with more fervour and diligence you may assist in carrying out so holy and famous a work, since you now see how rare and lofty are the spirits of which the beauteous Calliope has told us, for all are worthy not only of your, but of all possible praises. And think not that the pleasure is small I have felt in learning from so true a narration how great is the number of the men of divine genius who live in our Spain to-day; for it always has been and is held by all foreign nations that the spirits are not many, but few, that in the science of poetry show that they are of lofty spirit, the real fact being as different as we see, since each of those the nymph has named excels the most subtle foreigner, and they would give clear tokens of it, if poetry were valued as highly in this Spain of ours as it is in other regions. And so for this reason the renowned and clear intellects that excel in it, because of the little esteem in which the princes and the common people hold them, by their minds alone communicate their lofty and strange conceptions, without daring to publish them to the world, and I hold for my part that Heaven must have ordained it in this way because the world does not deserve, nor does our heedless age, to enjoy food so pleasant to the soul. But, since it seems to me, shepherds, that the little sleep of the past night and our long ceremonies will have made you somewhat wearied and desirous of repose, it will be well, after doing the little that remains to us to fulfil our purpose, for each to return to his hut or to the village, carrying in his memory what the muse has enjoined on us.'

And, saying this, he descended from the tomb, and crowning himself once more with new funereal branches, he went again round the pyre three times, all following him and accompanying him in some devout prayers he was uttering. This being done, all having him in their midst, he turned his grave face to each side, and, bowing his head, and showing a grateful countenance and eyes full of love, he took leave of all the company, who, going some by one and some by another side of the four outlets that place had, in a little while all dispersed and divided, only those of Aurelio's village remaining, and with them Timbrio, Silerio, Nisida, and Blanca, with the famous shepherds, Elicio, Thyrsis, Damon, Lauso, Erastro, Daranio, Arsindo, and the four hapless ones, Orompo, Marsilio, Crisio, and Orfenio, with the shepherdesses Galatea, Florisa, Silveria and her friend Belisa, for whom Marsilio was dying. All these then being together, the venerable Aurelio told them that it would be well to depart at once from that place in order to reach the stream of palms in time to spend the noon-tide heat there, since it was so suitable a spot for it. What Aurelio was saying seemed good to all, and straightway they went with peaceful steps towards where he said. But as the fair appearance of the shepherdess Belisa would not permit Marsilio's spirits to rest, he would fain, if he had been able, and it had been allowed him, have approached her and told her of the injustice she used towards him; but, not to break through the respect which was due to Belisa's modesty, the mournful swain was more silent than his desire required. Love produced the same effects and symptoms in the souls of the lovers Elicio and Erastro, who each for himself would fain have told Galatea what she well knew already. At this moment Aurelio said:

'It does not seem to me well, shepherds, that you should show yourselves so greedy as not to be willing to respond to and repay what you owe to the larks and nightingales and to the other painted little birds that amongst these trees are delighting and gladdening you by their untaught wondrous harmony. Play your instruments and uplift your sounding voices, and show them that your art and skill in music excel their native music, and with such a pastime we shall feel less the tedium of the journey and the rays of the sun which already seem to be threatening the violence with which they must needs strike the earth during this noon-tide heat.'

But little was necessary for Aurelio to be obeyed, for straightway Erastro played his pipe and Arsindo his rebeck, to the sound of which instruments, all giving the lead to Elicio, he began to sing in this wise:

ELICIO.

For the impossible I fight, And, should I wish to retreat, Step nor pathway is in sight, For, till victory or defeat, Desire draweth me with might; Though I know that I must die, Ere the victory I achieve, When I most in peril lie, Then it is that I receive More faith in adversity. Never may I hope to gain Fortune; this is Heaven's decree. Heaven the works of hope hath ta'en And doth lavish aye on me Countless certainties of pain; But my breast of constancy, Which amidst Love's living flame Glows and melteth ceaselessly, In exchange this boon doth claim: More faith in adversity. Certain doubt and fickleness Traitorous faith and surest fear, Love's unbridled wilfulness, Trouble ne'er the loving care Which is crowned with steadfastness, Time on hasty wing may fly, Absence come, or disdain cold, Evil grow, tranquillity Fail, yet I as bliss will hold More faith in adversity. Certain folly is it not, And a madness sure and great, That I set my heart on what Fortune doth deny, and Fate, Nor is promised by my lot? Dread of everything have I, There is naught can give me pleasure, Yet amidst such agony Love bestows its chiefest treasure: More faith in adversity. Victory o'er my grief I gain, Which to such a pass is brought That it doth Love's height attain, And I find that from this thought Comes some solace to my pain; Although poor and lowly I, Yet relief so rich in woe To the fancy I apply, That the heart may ever know More faith in adversity. All the more that every ill Comes with every ill to-day, And that they my life may fill With more pain, though deadly they, They do keep me living still; But our life in dignity With a noble end is crowned, And in mine my fame shall lie, For in life, in death I found More faith in adversity.

It seemed to Marsilio that what Elicio had been singing accorded with his mood so well that he wished to follow him in the same idea, and so, without waiting for anyone else to take the lead in it, to the sound of the same instruments, he began to sing thus:

MARSILIO.

Ah! 'tis easy for the wind All the hopes to bear away That could ever be designed And could their foundations lay On vain fancies of the mind; For all hopes of loving gain, All the ways Time doth uncover, Wholly are destroyed and slain; But the while in the true lover Faith, faith only, doth remain. It achieves such potency That, despite disdain which never Offereth security, Bliss it promiseth me ever, Bliss that keeps the hope in me; And, though Love doth quickly wane In the angry breast and white That increaseth so my pain, Yet in mine, in its despite, Faith, faith only, doth remain. Love, 'tis true thou dost receive Tribute for my loyalty, And so much dost thou achieve That my faith did never die, It doth with my works revive; My content—'tis to thee plain— And my glory all decays, As thy fury grows amain; In my soul as dwelling-place Faith, faith only, doth remain. But if it be truth declared And beyond all doubt have passed, That to faith glory is barred, I, who shall to faith hold fast, What hope I for my reward? Sense doth vanish with the pain That is pictured, all the bliss Flies and is not seen again, And amidst such miseries Faith, faith only, doth remain.

With a profound sigh the hapless Marsilio ended his song, and straightway Erastro, handing over his pipe, without further delaying began to sing thus:

ERASTRO.

In my woe and suffering 'Midst the pleasures of my care, My faith is so choice a thing, That it flieth not from fear Neither unto hope doth cling; 'Tis not moved to agony, In its task of climbing high, To behold that joy hath fled, Nor to see that life is sped Where faith lives and hope is dead. This is wondrous 'midst my woe, Yet 'tis so that thus my bliss, If it comes, may come to show That amidst a thousand 'tis That to which the palm should go; Let not fame this truth deny But unto the nations cry With loud tongue that Love doth rest Firm and loyal in my breast Where faith lives and hope is dead. Ah! thy rigorous disdain And my merit, poor and low, So affright me that 'tis plain, Though I love thee, this I know, Yet I dare not tell my pain; Ever open I espy The gate to my agony, And that life doth slow depart, For thou heedest not the heart Where faith lives and hope is dead. Never doth my fancy frame Such a frenzied, foolish, thought As to think that I could claim Any bliss that I have sought By my faith and heart aflame; Thou canst know with certainty My surrendered soul doth try, Shepherdess, to love thee true, For 'tis there that thou wilt view Where faith lives and hope is dead.

Erastro became silent, and straightway the absent Crisio, to the sound of the same instruments, began to sing in this fashion:

CRISIO.

If the loyal heart despair Of achieving happiness, Whoso faints in the career Of the loving passion's stress, What shall he as guerdon bear? I know not that any may Win delight and pleasure gay In the sudden rush of Love, If the greatest joys but prove 'Tis no faith that doth not stay. This undoubted truth we know That in battle and in love He that proud and bold is, though Conqueror he at first may prove, Sinks at last beneath the blow; And the wise man knows to-day That the victory ever lay 'Midst the strife in constancy, And he knows, whate'er it be 'Tis no faith that doth not stay. Whoso seeks in love to gain Nothing save his happiness, In his fickle thought and vain, Faith that shall withstand all stress Cannot for one hour remain; I myself these words would say, If my faith should not display Constancy amidst the storm Of ill, as when hope is warm: 'Tis no faith that doth not stay. Madness of a lover new, His impetuous hastening, Sighs and sadness, these, 'tis true, Are but fleeting clouds of spring, In a moment lost to view: 'Tis not love he doth display, Greed and folly lead astray, For he loves, yet loveth not, No man loves who dieth not, 'Tis no faith that doth not stay.

All approved of the order the shepherds were keeping in their songs, and with desire they were waiting for Thyrsis or Damon to begin; but at once Damon satisfied them, for, as Crisio finished, to the sound of his own rebeck, he sang thus:

DAMON.

Thankless Amaryllis fair, Who shall make thee tender prove, If the faith of my true love And the anguish of my care Do thee but to hardness move? Maiden, 'tis to thee well known That the love which is in me Leads to this extremity: Save my faith in God alone Naught is faith but faith in thee. But although I go so high In love for a mortal thing, Such bliss to my woe doth cling That the soul I raise thereby To the land whence it doth spring; Thus this truth I know full well That my love remains in me In life, in death, ceaselessly, And, if faith in love doth dwell, Naught is faith but faith in thee. All the years that I have passed In my services of love, My soul's sacrifices prove All the cares that hold me fast And the faith that doth me move; Wherefore for the ill I bear I will ask no remedy, Should I ask it willingly, 'Tis because, my lady fair, Naught is faith but faith in thee. In my soul's tempestuous ocean Peace and calm I ne'er have found, And my faith is never crowned With that hope and glad emotion Whereon faith itself doth ground; Love and fortune I deplore Yet revenge is not for me, For they bring felicity In that, though I hope no more, Naught is faith but faith in thee.

Damon's song fully confirmed in Timbrio and in Silerio the good opinion they had formed of the rare wit of the shepherds who were there; and the more when, at the persuasion of Thyrsis and of Elicio, the now free and disdainful Lauso, to the sound of Arsindo's flute, released his voice in verses such as these:

LAUSO.

Fickle Love, disdain thy chains Broke, and to my memory Hath restored the liberty Born from absence of thy pains; Let him, whoso would, accuse My faith as capricious, weak, And as best he thinketh, seek To convert me to his views. I my love did soon forsake, He may say, my faith was hung By a hair so finely strung That it e'en a breath could break; All the plaints Love did provoke, All my sighs, did feignèd prove, Nay the very shafts of Love Did not pierce beneath my cloke. For no torture 'tis for me To be callèd fickle, vain, If I may behold again My neck from the mad yoke free; Who Silena is, I know, And how strange her mood hath been, How her peaceful face serene Promise and deceit doth show. To her wondrous dignity, To her fair and downcast eyes, 'Tis not much to yield the prize Of the will, whose'er it be, For at first sight we adore; Now we know her, fain would we Life and more, if more could be, Give to see her nevermore. Ofttimes to her have I given Heaven's Silena and my dear For her name—she was so fair That she seemed the child of Heaven; Better now her name shall be— Now that I need fear no more— Not Silena, Heaven's flower, But false Siren of the sea. Earnest words, frivolities, Gazing eyes and ardent pen Of the lover, blind and vain,— Take a countless sum of these, And the last is ever first; Whoso hath in love surpassed, As the first loved, e'en at last Is by her disdain accursed. How much fairer would we deem Our Silena's beauteous grace, If her wisdom and her ways Did her fairness but beseem! She discretion hath at will, But a halter 'tis to slay The presumption of her way, For she useth it so ill. I speak not with shameless tongue, For it were but passion wild, But I speak as one beguiled, Who hath suffered grievous wrong; Passion doth no more me blind, Nor desire that she should wrong Suffer, for always my tongue Was in reason's bonds confined. Her caprices manifold, And her moods that ever change, From her every hour estrange Those who were her friends of old; Since Silena foes hath made In the many ways we see, Wholly good she cannot be, Or they must be wholly bad.

Lauso ended his song, and though he thought that no one understood him, through ignorance of Silena's disguised name, more than three of those who were there knew her, and even marvelled that Lauso's modest behaviour should have gone so far as to attack anyone, especially the disguised shepherdess with whom they had seen him so much in love. But in the opinion of his friend Damon he was fully excused, for he was acquainted with Silena's conduct, and knew how she had conducted herself towards Lauso, and wondered at what he left unsaid. Lauso finished, as has been said; and as Galatea had heard of the charm of Nisida's voice, she wished to sing first, so as to constrain her to do the same. And for this reason, before any other shepherd could begin, beckoning to Arsindo to continue sounding his flute, to its sound with her exquisite voice she sang in this wise:

GALATEA.

E'en as Love ever seeks the soul to entame, Tempting it by the semblance of delight, E'en so she from Love's deadly pangs in flight Turneth, who knows its name bestowed by fame. The breast that doth oppose his amorous flame, The breast with honourable resistance armed, By Love's unkindness is but little harmed, Little his fire and rigour doth inflame. Secure is she who never was beloved, Nor could love, from that tongue which in dispraise Of her honour, with subtle glow doth gleam. But if to love and not to love have proved Fruitful in harm, how shall she spend her days Who honour dearer e'en than life doth deem?

It could easily be seen in Galatea's song that she was replying to Lauso's malicious one, and that she was not against unfettered wills, but against the malicious tongues and wronged souls which, in not gaining what they desire, change the love they once showed to a malicious and detestable hatred, as she fancied in Lauso's case; but perhaps she would have escaped from this error, if she had known Lauso's good disposition, and had not been ignorant of Silena's evil one. As soon as Galatea ceased to sing, she begged Nisida with courteous words to do the same. She, as she was as courteous as beautiful, without letting herself be pressed, to the sound of Florisa's pipe sang in this fashion:

NISIDA.

Bravely I took my courage as defence In the dread conflict and onslaught of Love, My boldness bravely raised to Heaven above Against the rigour of the clear offence. But yet so overwhelming and intense The battery, and withal so weak my power That, though Love seized me not, in one short hour Love brought me to confess his power immense. O'er worth, o'er honour, o'er a mind discreet, Shy modesty, a bosom of disdain, Love doth with ease achieve the victory; Wherefore, in order to escape defeat, Strength from no words of wisdom can we gain, Unto this truth an eye-witness am I.

Notes in this chapter

Note 1 · As the Canto de Calíope professes to deal solely with living poets—algunos señalados varones que en esta vuestra España viven, y algunos en Note 2 · Leiva's work would seem to have disappeared. In the Casa de Memoria, which forms part of the Diversas Rimas (1591), Espinel refers to an AloNote 3 · Alonso de Ercilla y Zúñiga was born at Madrid in 1533. He was page to Philip II at the latter's marriage with Mary Tudor in Winchester CatheNote 4 · Barrera believed that the reference is to Juan de Silva, Conde de Portalegre, afterwards Governor and Captain-General of the Kingdom of PortNote 5 · The soldier, Diego Santisteban y Osorio, is known as the author of a sequel to Ercilla's Araucana: his fourth and fifth parts were publishedNote 6 · Barrera conjectures that the allusion is to Francisco Lasso de Mendoza who wrote a prefatory sonnet for Luis Gálvez de Montalvo's Pastor de Note 7 · Barrera states that Diego de Sarmiento y Carvajal contributed verses to the Primera parte de la Miscelánea austral de don Diego d'Avalós y FNote 8 · Barrera fails to give any particulars of Gutierre Carvajal of whom, also, I find no trace in recent bibliographies.Note 9 · Prefatory sonnets by the Toledan soldier, Luis de Vargas Manrique, are found in Cervantes's Galatea and in López Maldonado's Cancionero, botNote 10 · Francisco Campuzano practised medicine at Alcalá de Henares, Cervantes's birthplace. In 1585 he contributed to López Maldonado's Cancionero Note 11 · Francisco Suárez de Sosa, a native of Medina del Campo, practised as a physician. Barrera states that Suárez de Sosa wrote Del arte como se Note 12 · Nothing seems to be known of Doctor Baza.Note 13 · I have not succeeded in identifying the Licenciado Daza with any of the Dazas mentioned by Bartolomé José Gallardo, Ensayo de una bibliotecaNote 14 · The Maestro Garay, praised as a divino ingenio in Lope de Vega's Arcadia, is represented by a glosa, a copy of redondillas, and five sonnetsNote 15 · Cervantes's praise of the Maestro Córdoba is confirmed by Lope de Vega in the Laurel de Apolo (silva iv.):— Hoy á las puertas de su templo lNote 16 · Francisco Díaz, lecturer on philosophy and medicine at the University of Alcalá de Henares, published a Compendio de Cirujia (Madrid, 1575).Note 17 · No trace of Luján's writings has, to my knowledge, been discovered. It seems unlikely that Cervantes can refer to the Pedro de Luján whose CNote 18 · A prefatory sonnet by Juan de Vergara is found in López Maldonado's Cancionero: see note 23.Note 19 · It may be to this writer that Agustín de Rojas Villandrando alludes in the Viaje entretenido (1603):— De los farsantes que han hecho farsas,Note 20 · This prophecy has not been fulfilled: Hernando Maldonado's writings appear to be lost.Note 21 · Lope de Vega also finds place in the Laurel de Apolo (silva iii.) for Aquel ingenio, universal, profundo, El docto Marco Antonio de la Vega,Note 22 · This can scarcely refer to the famous diplomatist who died in 1575. Possibly Cervantes may have alluded here to Captain Diego de Mendoza de Note 23 · Diego Durán contributed a prefatory poem to López Maldonado's Cancionero: see note 23. Casiano Pellicer conjectured that Durán figures in thNote 24 · López Maldonado seems to have been on very friendly terms with Lope de Vega and, more especially, with Cervantes. In Don Quixote (Part I., cNote 25 · Luis Gálvez de Montalvo is best remembered as the author of the pastoral novel, El Pastor de Fílida (1582); see the Introduction to the presNote 26 · Pedro Liñán de Riaza's poems have been collected in the first volume of the Biblioteca de escritores aragoneses (Zaragoza, 1876). ConcerningNote 27 · Alonso de Valdés wrote a prologue in praise of poetry to Vicente Espinel's Diversas rimas: see note 46.Note 28 · Pedro de Padilla and Cervantes were on excellent terms: "es amigo mio," says the latter in Don Quixote (Part I., chap. vi). Cervantes contriNote 29 · I have met with no other allusion to Gaspar Alfonso.Note 30 · The heróicos versos of Cristóbal de Mesa are of no remarkable merit. Besides translations of Virgil, and the tragedy Pompeyo (1615), he publNote 31 · Many Riberas figure in the bibliographies, but apparently none of them is named Pedro.Note 32 · Benito de Caldera's translation of Camões's Lusiadas was issued at Alcalá de Henares in 1580. Láinez, Garay, Gálvez de Montalvo, and VergaraNote 33 · Besides a well-known glosa on Jorge Manrique's Coplas, Francisco de Guzmán published the Triumphos Morales and the Decretos de Sabios at AlcNote 34 · This stanza is supposed by Barrera to refer to Juan de Salcedo Villandrando who wrote a prefatory sonnet for Diego d'Avalós y Figueroa's MisNote 35 · This Tomás Gracián Dantisco was the grandson of Diego García, camarero mayor at the court of the Catholic Kings, and son of Diego Gracián deNote 36 · In the Dorotea (Act iv. sc. ii.) Lope de Vega speaks of "Bautista de Vivar, monstruo de naturaleza en decir versos de improviso con admirablNote 37 · Baltasar de Toledo's writings have not been traced.Note 38 · Lope Félix de Vega Carpio was born at Madrid on November 25, 1562, and died there on August 27, 1635. A soldier, a poet, a novelist, a dramaNote 39 · Francisco Pacheco, uncle of the author of the Arte de la pintura, was born in 1535 and died in 1599. Some specimens of his skill in writing Note 40 · Fernando de Herrera, the chief of the Seville school of poets, was born in 1534 and died in 1597. Herrera, who was a cleric but not a priestNote 41 · That el culto Cangas had a high reputation appears from the allusion in the Restauración de España (lib. x. est. 108) of Cristóbal de Mesa wNote 42 · Two sonnets by Cristóbal de Villaroel are given in Espinosa's Flores de poetas ilustres de España (1605). This extremely rare work, togetherNote 43 · Francisco de Medina was born at Seville about 1550 and died there in 1615. This pleasing poet was of great assistance to Herrera in the workNote 44 · Baltasar del Alcázar was born in 1540 and died in 1606. His graceful, witty poems were reissued in 1878 by the Sociedad de Bibliófilos AndalNote 45 · Cristóbal Mosquera de Figueroa was born in 1553 and died in 1610. He is best known as the author of a Comentario en breve compendio de disciNote 46 · The Sevillian priest, Domingo de Becerra, as appears from Fernández de Navarrete's Vida de Cervantes Saavedra (Madrid, 1819, pp. 386-387), wNote 47 · Vicente Espinel was born in 1550 and is conjectured to have died between 1624 and 1634. He is said to have added a fifth string to the guitaNote 48 · Jerónimo Sánchez de Carranza was introduced to England by Ben Jonson as an authority on honour and arms. Bobadil, in Every Man in his humourNote 49 · Two sonnets by Lázaro Luis Iranzo are given in Rivadeneyra, op. cit., vol. iv., pp. 180, 364.Note 50 · Baltasar de Escobar is represented in Espinosa's Flores de poetas ilustres: a complimentary letter addressed by Escobar to Cristóbal de ViruNote 51 · A sonnet on the sack of Cádiz by Juan Sanz de Zumeta is given in Juan Antonio Pellicer's edition of Don Quixote (Madrid, 1797-1798), vol. i.Note 52 · The correct, full form of this writer's name seems to be Juan de la Cueva de Garoza. He is conjectured to have been born in 1550 and to haveNote 53 · Nothing by Adán Vivaldo has survived, apparently. Cervantes assigns this surname to a minor character in Don Quixote (Part I., chap. xiii.).Note 54 · It would be interesting to know how far this panegyric on Juan Aguayo was justified. I have failed to find any information concerning him orNote 55 · The dates of the birth and death of the Cordoban poet, Juan Rufo Gutiérrez, are given conjecturally as 1530 and 1600. Cervantes esteemed RufNote 56 · Luis de Góngora y Argote was born in 1561 and died in 1627. His father, Francisco de Argote, was Corregidor of Córdoba, and it has been geneNote 57 · Barrera conjectures that this Gonzalo Cervantes Saavedra may be the author of a novel entitled Los Pastores del Betis, published at Trani inNote 58 · Gonzalo Gómez de Luque wrote the Libro primero de los famosos hechos del príncipe Don Celidon de Iberia (Alcalá de Henares, 1583); but the oNote 59 · Two sonnets by Gonzalo Mateo de Berrío are included in Espinosa's Flores de poetas ilustres. Espinel refers to him in the preface to Marcos Note 60 · Luis Barahona de Soto was born in 1548 at Lucena (Lucena de Córdoba and not Lucena del Puerto, as Barrera supposed). After some wanderings hNote 61 · A sonnet by Francisco de Terrazas figures in Pedro Espinosa's Floresta de poetas ilustres de España: three more sonnets by Terrazas will be Note 62 · Barrera does not help us to discover anything of Martínez de Ribera, who may have published in the Indies.Note 63 · Barrera vaguely infers from the text that Alonso Picado was a native of Peru.Note 64 · Alonso de Estrada is conjectured by Barrera to have been born in the Indies.Note 65 · Nothing seems to be known of Avalos y de Ribera.Note 66 · I have never met with any of Sancho de Ribera's writings: a sonnet to him is found among Garcés's translations from Petrarch: see note 68.Note 67 · A sonnet by Pedro de Montesdoca, El Indiano, is prefixed to Vicente Espinel's Diversas rimas (1591).Note 68 · A sonnet by Diego de Aguilar precedes Garcés's translation of Camões's Lusiadas: see note 68. I presume him to be the author of another prefNote 69 · No information is forthcoming as to Gonzalo Fernández de Sotomayor or his works.Note 70 · Henrique Garcés published Los sonetos y canciones del Poeta Francisco Petrarcha (Madrid, 1591), and Los Lusiadas de Luys de Camoes (Madrid, Note 71 · The vena inmortal of Rodrigo Fernández de Pineda does not seem to have expressed itself in print.Note 72 · The name of Juan de Mestanza recurs in the Viaje del Parnaso (cap. vii.).Note 73 · An American, so Barrera thinks: there is no trace of his writings.Note 74 · Another American, according to Barrera; there is no trace of his writings either.Note 75 · Bartolomé Cairasco de Figueroa was born at the Canaries in 1540, became Prior of the Cathedral there, and died in 1610. His Templo militanteNote 76 · Barrera states that a sonnet by Damián de Vega is prefixed to Juan Bautista de Loyola's Viaje y naufragios del Macedonio (Salamanca, 1587). Note 77 · The celebrated scholar, Francisco Sánchez, usually called El Brocense from his native place, was born at Las Brozas (Extremadura) in 1523, bNote 78 · The lawyer Francisco de la Cueva y Silva was born at Medina del Campo about 1550. His verses appear in Pedro Espinosa's Flores de poetas iluNote 79 · The famous mystic writer and poet Luis Ponce de León was born at Belmonte (Cuenca) in 1527, joined the Augustinian Order in 1544, and was apNote 80 · Matías de Zúñiga, whose genius Cervantes here declares to have been divine, does not appear to have published anything.Note 81 · Certain poems ascribed to Damasio de Frías are given by Juan José López de Sedano in El Parnaso Español (Madrid, 1768-1778), vols. ii. and vNote 82 · Barrera merely states that Andrés Sanz del Portillo resided in Castilla la Vieja: his writings have not reached us.Note 83 · Possibly this writer may be identical with the Pedro de Soria who contributed a sonnet to Jerónimo de Lomas Cantoral's Obras: see note 83.Note 84 · The Obras of Jerónimo de Lomas Cantoral appeared at Madrid in 1578. They include translations of three canzoni by Luigi Tansillo.Note 85 · Jerónimo Vaca y de Quiñones contributed a sonnet to Pedro de Escobar Cabeza de Vaca's Luzero de la tierra sancta, y grandezas de Egypto, y mNote 86 · Lupercio Leonardo de Argensola was born in 1559, and died in 1613 at Naples, whither he had accompanied the Conde de Lemos three years earliNote 87 · Bartolomé Leonardo de Argensola was born in 1562 and died in 1631. He took orders, became Rector of Villahermosa, and succeeded his brother Note 88 · The writings of Cosme Pariente are unknown to Barrera, and to later bibliographers.Note 89 · Diego Murillo was born at Zaragoza about 1555, joined the Franciscans, and became a popular preacher. He is the author of the Instruccion paNote 90 · Juan Coloma, Conde de Elda, is responsible for a Década de la Pasión de Jesu Christo (Cádiz, 1575).Note 91 · Pedro Luis Garcerán de Borja is also introduced by Gil Polo in the Canto del Turia: see note 94. He held the appointment of Captain-General Note 92 · Alonso Girón y de Rebolledo is likewise introduced by Gil Polo in the Canto del Turia: see note 94. His Pasión de nuestro Señor Jesu ChristoNote 93 · Jaime Juan de Falcon, like Garcerán de Borja and Girón y de Rebolledo, figures in Gil Polo's Canto del Turia: see note 94. He was born in 15Note 94 · Andrés Rey de Artieda was born in 1549 and died in 1613. His youth was one of rare promise. Though not yet fourteen years old when Gil Polo Note 95 · Gaspar Gil Polo published the Diana enamorada at Valencia in 1564. The Priest in Don Quixote decided that it should "be preserved as if it cNote 96 · The dramatist, Cristóbal de Virués, was born in 1550 and died in 1610. Like Cervantes and Artieda, he fought at Lepanto. His Obras trágicas Note 97 · I have failed to find any example of Silvestre de Espinosa's work.Note 98 · García Romeo (the name is sometimes given as García Romero) appears to have escaped all the bibliographers.Note 99 · Romero in Spanish means rosemary. A. B. W.Note 100 · The Jeromite monk, Pedro de Huete, contributed a sonnet to the Versos espirituales (Cuenca, 1597) of the Dominican friar, Pedro de Encinas.Note 101 · Pedro de Láinez joined with Cervantes in writing eulogistic verses for Padilla's Jardín espiritual: see note 27. Examples of his skill are gNote 102 · Francisco de Figueroa, el Divino, was born at Alcalá de Henares in 1536 and is conjectured to have died as late as 1620. Very little is know
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