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Four Phases of Love

MARION.

G. H. (George Henry) Kingsley translation

MARION.

When holy Saint Louis wore the crown of France, the good old town of Arras was just six hundred years younger than it is now. That she was a thousand times merrier she had to thank, not her youth alone, but, before even that, the noble guild of poets who resided within her walls, and who, by their ballads and miracle-plays, and pleasant rhyming romances, spread her fame over all fair France.

Now it happened one early spring about the time, that in a garden in Arras, behind the house of one of these valiant singers, a young woman was busied tying up vines to their trellises. She was beautifully formed, of that pleasant roundness that usually indicates a cheerful soul within, and she had a sweet, gentle face. Her calm dark eyes swept now and then over the garden as if they knew neither joy nor sorrow; but her hands were active and dreamed not. After the fashion of well-to-do townswomen, she wore her fair hair adorned with many an artful ribbon ornament, and her gown was tucked up for work, and, perhaps, possibly also, for the sake of her darling little feet.

As the charming vision wandered in her tranquil activity still further into the garden, there appeared at the door of the house which opened into it, a man, who formed both in face and manner a most remarkable contrast to her. He was of middle size, with a keen eye, and irregular features. His black cloak indifferently concealed his high left shoulder, and his legs seemed to have been made after very different patterns. But still his figure, however incongruous its parts might seem, was brought into a striking unison by the boldness and vivacity of his carriage; and about his mouth there played an expression that must have made him dangerous in sarcasm, or very charming in a more kindly humour.

He gazed for a while at the fair young gardener, and seemed to enjoy her beauty. He shook his head irresolutely. At last he plucked the barrel-cap with the green cock's-feather deeper over his forehead, and strode towards her.

The fair woman looked round, her cheek coloured slightly, and her eyes brightened. She let her hands fall by her side, and gazed silently at him as he neared her.

"Good-day, Marion!" said the man, almost roughly. "Is there any one beside yourself in the garden?"

"No, Adam."

"It is well--I wish to speak with you. You are a good wife, Marion, and do your duty; but yet I must tell you that I cannot endure you any longer!"

The bright cheeks grew pale as death; but she was silent and looked steadily before her.

"No!" continued Adam; "longer I cannot bear it! You are very lovely, Marion, and that I know now, four weeks after our wedding, better than I did when I courted you, but--you are so wearisome, Marion! I will not say that you are absolutely without sense; but the Holy Virgin only knows whether it is asleep, or waiting in good hope of some mighty thought, when it is to appear. I have waited long for it, and now my patience is at an end. Have you once, only once, since we have been man and wife chattered amusingly, or made one single joke? or have my brightest strokes of wit ever found more favour from you than half a smile? Have you not ever gone calmly on your way like a statue? What is the use of my now and then making the discovery that you really are flesh and blood, when from morning to night I am obliged to laugh at my own jokes by myself, and so applaud my own rhymes with my own hands. Fool that I was! I should have thought of it sooner--when I fell in love with you! Now, I thought, she will begin to thaw! Confess yourself--have we not wearied each other as thoroughly as any wedded pair in Christendom?"

The young wife remained obstinately silent, but her eyes filled with heavy drops. Adam broke a young twig hastily from the tree, and continued--

"I will not say that other women are, in the long-run, better, or more amusing--I do not say so; and I have at least to thank you for showing me so early that I have made a great mistake in taking a wife. But, for the third time--I can stand it no longer! Am I to mope and fritter away my young life in this hole, merely because I had the luck to think you pretty? And am I never to set foot in Paris, at the king's court, in the chambers of princes, where my talent would bring me honour and distinction?--and never set a foot in the houses of learned doctors of the University, where there are more clever things said in one hour than you produce in a year? and all this because you are a pretty woman--for you are one--and, by chance, my proper wife! May the devil bake me into a pancake if I stand it!"

He paced up and down a few times, gesticulating vehemently, glanced sideways at his wife, and began again.

"Are you not a standing proof that I am right? Why don't you cry, as any other ordinary woman would do, and fall upon my neck and beseech me to remain, and say that I am your darling Adam--your only love--your handsome Adam, though, by-the-bye, I am not handsome, and promise everything, whether you can perform it or not? There you stand, and don't know how to help yourself! Am I to give up my art and my young years for the pleasure of staring at you? And supposing we should have children, and they take after you! Do you expect that I shall be able to compose the stupidest birthday ode, with six or seven boys and girls, all as lovely as pictures, and as stupid, sitting round me and staring at me? But we will not part in enmity; and so I tell you, in all love and friendship, that you can no longer be my wife! I will away to Paris as soon as I can raise money enough for the journey; you can return to your parents, or, if you like, you can go to my old uncle, who is so fond of you; he will take good care of you--you shall want for nothing; and if you should have a child, I will keep it as my own--but, remain with you I cannot, Marion! By my soul's salvation! a poet I am, and a poet I will remain--and weariness is poison to the merrie art! Now I am going to my uncle--be a good girl, and let us part friends."

He stretched out his hand towards her, but she saw it not for tears. He thought it needless on that account to wait and see whether she would behave as he had told her other women would do under the circumstances; he turned hastily towards the door and disappeared into the house.

An hour after the wedded pair had thus parted "in friendship," the door of a stately house, in which lived the rich senator, Adam's uncle, was thrown open, and Adam stepped hastily out, in high excitement. He hurried onwards without regarding which way he took, and now and then scraps of his internal conversation with himself burst forth, as he clenched his fist or twisted his fingers in his long round-cut hair.

"The old shark!" he growled. "And yet he had got rags of virtuous poverty to cover the nakedness of his avarice! What is it to him if I and my wife choose to agree to a friendly separation? I wish he would take her himself, if it were not a pity for her, pretty young thing! Truly, whether I moulder here or not touches not his money-bags; but, to travel and to see the world, and gain wisdom--ay! that pinches Master Money-bags sore! Pah! because he gave me the cottage, and arranged my household, am I to freeze in Arras, and blunder about with those rogues of balladmakers, and hide my light under a bushel? If I am obliged to travel like a mountebank, and train dogs and apes to get to Paris, I'll do it! I'll show the old gold-scratcher that Adam de la Halle is no petticoat knight, but knows how to follow his own way."

And this same way of his own carried him this time to the Three Golden Lilies, the best tavern in the good old town of Arras. There were but few guests in the drinking-room at this hour. Adam seated himself in a corner, and did not look up until the host, bringing him wine, greeted him respectfully,

"You come as if called for, Master Adam," said mine host of the Lilies. "There is one of my guests, see you--the man sitting yonder by the stove and looking towards you. Well, a week ago he brought a troop of players into the town, to play the great passion-piece at Easter, in the cathedral The reverend gentlemen there sent for them; and now it wants fourteen days to the time, and they are all loitering about idle and eating their pay before they get it; and their director lodges with me, and drinks stoutly on the score. 'Sir,' I said to him just before you came in, 'sir,' said I, 'if you could manage to scrape together a little money by your art in the mean time, it would do both you and me good.'--'Ay!' said he, 'if we had only a decent piece, a mystery, or a miracle; for I have left my whole bundle of plays behind at Cambria, all except the passion-piece.'--'Eh, sir!' said I. 'Here with us the country is alive with gay minstrels, troubadours, and ballad-singers and there is Master Adam de la Halle, who is worth them all put together.'--'By St. Nicholas,' said my man, 'I would give him half the receipts if he would write me a piece, and it succeeded'--and just at that moment you came through the door, and so he sent me to ask you."

Adam rose up, swallowed his wine hastily, and then went straight to the leader of the strollers, who sprang from his seat respectfully, and bowed low. They conversed for a short time, and then shook hands. "So be it," said Adam; "within eight days your people shall play. And the day after I shall receive my money, and now our Lady preserve you. I will go and set about your affair at once." So he went, and after his fashion, he growled something between his teeth, that sounded very much like "I'll make them remember me."

Eight days had passed away, and Marion sat in her chamber one afternoon, with eyes red with weeping, and cheeks pale with sorrow, so intently engaged turning over old letters which she had in her lap that she did not hear the door open, and one of her old playmates enter. When her friend called her by name, she sprang up startled. "Good day, Perette," she said; "what brings you here?" "or rather, what keeps you here?" answered the girl, saucily; "you sit and you cry, and you never think of going near the Three Lilies, where your husband's new piece is to be acted by the strange players. What a wife you are! I should be the first to go if I had a husband who could charm half the town into the courtyard of an old inn. What have you got there? Have you been studying all the old songs your Adam made on you? I should think that you ought to have them all at your fingers' ends now like your rosary." The poor wife began to weep bitterly. "Don't you know then," she sobbed, "and is not the whole town of Arass talking about it--that he is going to Paris, and intends to leave me behind, and is never, never coming back again?" "Bah! nonsense," cried Perette, "what has put all that into your head?" "He said it to me himself, word for word; and since that time he has never eaten at home, and only returns very late at night, and sleeps below in the saloon." "Well, well, he has had his hands full of his new play, and then men are always fanciful, Marion, and must always be doing something to plague us; but, God be praised! all are not dead that do not laugh. Dry your eyes, be a sensible woman, and come with me to the play. What will your husband think of you if you don't even wish to see a play he has written himself?"

So half comforting, half scolding, she drew the sorrowing young wife out of her room to the Three Lilies.

There all was gay enough. A number of the townspeople were seated on benches in the spacious courtyard. The windows of the low buildings at the side had been chosen as boxes by the more distinguished of the burghers. And the stage was erected in a large barn at the end of the yard, the mighty doors having been removed for that purpose. Marion and Perette arrived at the moment of the exit of Dame Avaritia, who had spoken the prologue, and assured many rich burghers of the town of her further protection. Not a place was left free for our two fair sight-seers, either in the courtyard, or at the windows. But Perette was not to be daunted, and knowing the house, she made her way through a side building, and advanced with Marion up to the barn. Here they placed themselves behind the great linen cloths with which the stage had been fenced off, and peeped through a rent in the curtain at the play, unhindered by the actors, who, in their fantastic dresses, sought to pay their court to the two pretty women. Marion took not the slightest notice of them, and stood rooted to one spot. Perette exercised the sharpness of her little tongue on the player folk now and then, and, in common parlance, gave them quite as good, or perhaps better than they brought.

But Master Adam, little dreaming that his young wife was watching him, had, in the meantime, advanced from the other side in his own character and costume.

He began in smooth verses to bewail his sorrows. He wanted to go to Paris, and never a sou had he in his pockets, and his millionaire of an uncle had, just at this moment, been attacked by the most hopeless complaint in the world, an obstinate avarice, so that from him there was nothing to hope. To him entered a doctor, whom Adam consulted as to whether it was possible to cure avarice, for he could show him a splendid specimen of it, if he wished to try his hand. Whereupon the doctor broke forth into a learned dissertation on the different varieties of the disease, distinguishing those curable from those incurable; and in the case which Adam described, he had but little doubt that he could be of service, if he was only permitted to see the patient himself. Then a third personage advanced, so ridiculously like Adam's venerable uncle in figure and manner and dress, that the laughter of the spectators seemed never coming to an end. To this worthy gentleman the doctor advanced with great politeness, felt his pulse, and looked gravely at his tongue, asked about this and that, and then made some more pointed inquiries about specific symptoms of the miser fever, from which he understood he suffered. Upon which the old gentleman burst into a great rage, upbraided his rascally nephew soundly for accusing him of having such a scandalous complaint, and declared the grounds upon which he refused to assist him on his journey to Paris. The principal reason was, that Adam was only just married, and had already grown tired of his wife, who nevertheless was, as all Arras knew, a perfect model of beauty and virtue.

In ever-increasing irritation had poor Marion been an unsuspected participator in all this conversation--and who could blame a virtuous wife for feeling irritated--when all at once she saw her domestic sorrows made a butt for a laughing public. She took no heed of the polished verses and comical grimaces with which the conversation of the three actors was adorned, and which so delighted the audience. With a bitter anxiety, and forgetting all else, she now listened to the answer her husband was to give to her uncle. When, however, Adam drily explained to the audience that a pretty woman was not necessarily an amusing one, and that his Marion's mouth was better adapted for kisses than conversation, that nevertheless no one grew wiser by kissing, but, on the contrary, by witty conversation; and that he would present any one amongst them, who had ever heard his Marion give utterance to an observation at all bordering on the witty, the sum of two golden crowns; then the poor listener could no longer restrain herself. With one bound she was on the stage, and stood with glowing eyes and angry brow directly opposite to him who had so basely slandered her.

"Are you not ashamed, Adam?" she cried in the midst of his harangue; "are you not ashamed to speak thus of your own wedded wife before all the town? Oh, if you had ever loved me, only a little, a little, that speech would never have passed your lips! And now tell me, have I deserved it from you? Have I ever caused you one hour's grief? Have I not done everything to please you? And now will you speak ill of me before all Arras?"

So angry and heart-grieved, amidst tears and sobbings, scolded the poor beauty. The audience who took it all for part of the play, laughed at first, aye, and some amongst them were mischievous enough to enjoy their neighbour's domestic discomfort. When, however, they began to see that it was the veritable Marion herself, the worst of them lost their gaiety and stared astonished at the stage. But Adam, much as he was startled at first by this sudden apparition, quickly recovered himself, and cried loudly and undauntedly, "My good fellow-townsmen, this does not belong to our play; this woman fell suddenly in amongst us, and does not belong to our company at all. Let me entreat some of you to lead her away. You hear that she does not talk verse, like all the actors who have the honour of performing this most remarkable farce before your worthinesses!" Therewith, he took Marion gently by the hand, to lead her from the stage. But she shook herself free, and encouraged by the demand of some amount the spectators, that she should be permitted to remain, and fight for her own cause, cried, "Aye! and I will, I say too! and make you all the judges of whether I have not been badly played upon. It is true that I am naturally silent, but is it to be considered a fault, on my part, if I do what you men are always throwing in the teeth of us poor women, letting alone all useless chattering, and listening quietly to what my husband has to say?" "Marion is right." "Long live Marion! she shall speak again!" shouted the spectators, laughing, and waving her encouragement. "And," she continued, growing even more eloquent, "if I have no right to be here because I do not speak verses, I know enough and of the very best too! My husband, who slanders me now, wrote them on me himself before we were married; and you shall hear them that you may know how double-tongued he is, and what fair words he once had for my praise, although he now has only complaints."

Therewith she stepped to the edge of the stage and sang the following verses, with a voice that threatened to desert her--

"Cheeks as red and eyes as dancing, Arms and necks like lilies glancing, You may find in Arras town. Hearts as soft and limbs as rounded, Forms with every grace surrounded, You may meet with, up and down! But with wisdom no one's blest, Like the maiden I love best!"

A shout of laughter answered this strophe; some began to sing the réfrain and others joined them. But a voice from the crowd asked, "But how can you prove, fair Marion, that this lady of whom he talks is not another than yourself?" "Listen again," cried Marion, "there is no doubt about it." Then she sang--

"Others may more sweetly sing, Lighter through the dancers swing, Never a straw I care! Prattle half an hour free, Marion's rosy lips to me, That's a pleasure rare! Prettier, wittier ne'er was known, Than my Marion, darling one!"

This time the whole audience sang the réfrain with her, and then resounded loud cheerings for the songstress, who stood with the tears still in her eyes, frightened at her own boldness, but lovelier than ever on the stage. Adam sprang from the back of the scene and cried, "Silence, good burghers all! I too have a word to say." All were silent, and curious to know how he would manage to bring himself into grace again. He said, "There is not one amongst you who cannot perceive that my dear wife here has blamed me terribly, and managed to get all the laughter on her side; for that, I thank her from the very bottom of my soul: I tell you all truly that my heart quivered with joy at each word she spoke, and when, at last, she hit upon the charming idea of making my own words witness against me, I said quietly to myself, Master Adam, you are a rogue if you desert such a model of a wife, though it rained honours and doubloons in Paris! and so I come penitently hoping that my dear fellow-townsmen will intercede for me with my wife, that she may take her insolent, reckless husband back to her heart and love, and forget what his slanderous tongue has said of her."

As he said this with ah emotion, which no one had ever seen him under before, there was a deep silence in the court--Marion smiled at him with an assuring kindness--fell upon his neck, and said, "You dear, mischievous man." Then broke from all the windows and benches a universal shout of congratulation. But Adam, freeing himself from the arms of his wife, grasped her hand firmly, and cried, "I owe you the third song." it runs thus--

"Let those who will to Paris wander, And time and gold for learning squander, For me I mean at home to rest! All the knowledge that's worth knowing Lies, fresh springing, ever blowing, In a gentle woman's breast. Wiser woman ne'er was known Than the one----I call mine own!"

We need hardly say how gaily all joined in the réfrain this time. Just, however, as they were all in full song, there arose a noise of contention before the house; certain people had kindly let Adam's uncle know that his nephew had introduced his honourable presentment on the stage, and the old gentlemen came, with a company of archers, firmly determined to make his irreverent nephew pay dearly for his indiscretion. The people were now busied in the house explaining to him the favourable turn things had taken, and when he heard of Adam's recantation and the renunciation of the Paris idea, he permitted himself to be pacified, became gracious and forgave the saucy poet, who approached humbly with Marion on his arm; and in order to strike a joyous blow against the accusation of avarice, he gave a grand banquet that very evening at the Three Lilies, where Marion was obliged to dance with all the great people of the town.

The play was quite spoilt for the good burghers of Arras; but we have, however, so much faith in their good heartedness, as to believe that the miracle, as performed by Marion, pleased them more than if, as was originally intended, the angel Gabriel and half a dozen of his body guard, had descended from heaven and kicked Dame Avaritia out of the country with due honour. It is possible that there might have been never a miser the less in Arras for it, and now, at least, there was one happy pair the more.

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