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Folk Lore Notes. Vol. I—Gujarat

Note 584 — Chapter I

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People who practise the art of attaining mastery over spirits and fiends, usually remain naked while they are engaged in the performance of their mysterious rites. There are many branches of this black art: for instance, Māran,584 Uchchātan,585 Lamban, Vashīkaran,586 Mohan,587 Stambhan,588 etc., and although the meli vidyā (sacrilegious art) is not held in respect by high-class Hindus, it is popular among the lower classes. There is a belief that knowledge of this art dooms a person to hell; but it secures to those who master it a position of much importance, and therefore finds many followers. The art consists in the knowledge of certain mysterious incantations, which enable a person to influence the spirits and to bring about certain results through their agency. Not only has every person when learning this art, to remain naked, but all those who make prayogas or experiments in it afterwards must observe the same precaution. The night of Kāli-chaudas or the 14th day of the dark half of Ashvin, is considered to be the most favourable time for the sādhan or accomplishment of this secret art of remaining naked.589 On this day, it is the custom of those who exercise the art, to go stripped to a cemetery in the dead of night, and to cook food in a human skull as an offering to the spirits residing in the neighbourhood. On the same night, some sorcerers, after stripping themselves, are said to ride round the village on some mysterious conveyance.590

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