Introductory material (continued 20)

"I now turned and went nearer to the lofty tree already mentioned, which was an oak. It had a tall trunk with a wide-spreading top, and was very old. I knew that a living being dwelt here, a dryad as she is called, who is born with the tree and dies with it. I had heard this in the library, and here was just such a tree, and in it an oak-maiden. She uttered a terrible scream when she caught sight of me so near to her; like many women, she was very much afraid of mice. And she had more real cause for fear than they have, for I might have gnawed through the tree on which her life depended. I spoke to her in a kind and friendly manner, and begged her to take courage. At last she took me up in her delicate hand, and then I told her what had brought me out into the world, and she promised me that perhaps on that very evening she should be able to obtain for me one of the two treasures for which I was seeking. She told me that Phantaesus was her very dear friend, that he was as beautiful as the god of love, that he remained often for many hours with her under the leafy boughs of the tree which then rustled and waved more than ever over them both. He called her his dryad, she said, and the tree his tree; for the grand old oak, with its gnarled trunk, was just to his taste. The root, spreading deep into the earth, the top rising high in the fresh air, knew the value of the drifted snow, the keen wind, and the warm sunshine, as it ought to be known. 'Yes,' continued the dryad, 'the birds sing up above in the branches, and talk to each other about the beautiful fields they have visited in foreign lands; and on one of the withered boughs a stork has built his nest,—it is beautifully arranged, and besides it is pleasant to hear a little about the land of the pyramids. All this pleases Phantaesus, but it is not enough for him; I am obliged to relate to him of my life in the woods; and to go back to my childhood, when I was little, and the tree so small and delicate that a stinging-nettle could overshadow it, and I have to tell everything that has happened since then till now that the tree is so large and strong. Sit you down now under the green bindwood and pay attention, when Phantaesus comes I will find an opportunity to lay hold of his wing and to pull out one of the little feathers. That feather you shall have; a better was never given to any poet, it will be quite enough for you.'

"And when Phantaesus came the feather was plucked, and," said the little mouse, "I seized and put it in water, and kept it there till it was quite soft. It was very heavy and indigestible, but I managed to nibble it up at last. It is not so easy to nibble one's self into a poet, there are so many things to get through. Now, however, I had two of them, understanding and imagination; and through these I knew that the third was to be found in the library. A great man has said and written that there are novels whose sole and only use appeared to be that they might relieve mankind of overflowing tears—a kind of sponge, in fact, for sucking up feelings and emotions. I remembered a few of these books, they had always appeared tempting to the appetite; they had been much read, and were so greasy, that they must have absorbed no end of emotions in themselves. I retraced my steps to the library, and literally devoured a whole novel, that is, properly speaking, the interior or soft part of it; the crust, or binding, I left. When I had digested not only this, but a second, I felt a stirring within me; then I ate a small piece of a third romance, and felt myself a poet. I said it to myself, and told others the same. I had head-ache and back-ache, and I cannot tell what aches besides. I thought over all the stories that may be said to be connected with sausage pegs, and all that has ever been written about skewers, and sticks, and staves, and splinters came to my thoughts; the ant-queen must have had a wonderfully clear understanding. I remembered the man who placed a white stick in his mouth by which he could make himself and the stick invisible. I thought of sticks as hobby-horses, staves of music or rhyme, of breaking a stick over a man's back, and heaven knows how many more phrases of the same sort relating to sticks, staves, and skewers. All my thoughts rein on skewers, sticks of wood, and staves; and as I am, at last, a poet, and I have worked terribly hard to make myself one, I can of course make poetry on anything. I shall therefore be able to wait upon you every day in the week with a poetical history of a skewer. And that is my soup."

"In that case," said the mouse-king, "we will hear what the third mouse has to say."

"Squeak, squeak," cried a little mouse at the kitchen door; it was the fourth, and not the third, of the four who were contending for the prize, one whom the rest supposed to be dead. She shot in like an arrow, and overturned the sausage peg that had been covered with crape. She had been running day and night. She had watched an opportunity to get into a goods train, and had travelled by the railway; and yet she had arrived almost too late. She pressed forward, looking very much ruffled. She had lost her sausage skewer, but not her voice; for she began to speak at once as if they only waited for her, and would hear her only, and as if nothing else in the world was of the least consequence. She spoke out so clearly and plainly, and she had come in so suddenly, that no one had time to stop her or to say a word while she was speaking. And now let us hear what she said.

WHAT THE FOURTH MOUSE, WHO SPOKE BEFORE THE THIRD, HAD TO TELL

"I started off at once to the largest town," said she, "but the name of it has escaped me. I have a very bad memory for names. I was carried from the railway, with some forfeited goods, to the jail, and on arriving I made my escape, and ran into the house of the turnkey. The turnkey was speaking of his prisoners, especially of one who had uttered thoughtless words. These words had given rise to other words, and at length they were written down and registered: 'The whole affair is like making soup of sausage skewers,' said he, 'but the soup may cost him his neck.'

"Now this raised in me an interest for the prisoner," continued the little mouse, "and I watched my opportunity, and slipped into his apartment, for there is a mouse-hole to be found behind every closed door. The prisoner looked pale; he had a great beard and large, sparkling eyes. There was a lamp burning, but the walls were so black that they only looked the blacker for it. The prisoner scratched pictures and verses with white chalk on the black walls, but I did not read the verses. I think he found his confinement wearisome, so that I was a welcome guest. He enticed me with bread-crumbs, with whistling, and with gentle words, and seemed so friendly towards me, that by degrees I gained confidence in him, and we became friends; he divided his bread and water with me, gave me cheese and sausage, and I really began to love him. Altogether, I must own that it was a very pleasant intimacy. He let me run about on his hand, and on his arm, and into his sleeve; and I even crept into his beard, and he called me his little friend. I forgot what I had come out into the world for; forgot my sausage skewer which I had laid in a crack in the floor—it is lying there still. I wished to stay with him always where I was, for I knew that if I went away the poor prisoner would have no one to be his friend, which is a sad thing. I stayed, but he did not. He spoke to me so mournfully for the last time, gave me double as much bread and cheese as usual, and kissed his hand to me. Then he went away, and never came back. I know nothing more of his history.

"The jailer took possession of me now. He said something about soup from a sausage skewer, but I could not trust him. He took me in his hand certainly, but it was to place me in a cage like a tread-mill. Oh how dreadful it was! I had to run round and round without getting any farther in advance, and only to make everybody laugh. The jailer's grand-daughter was a charming little thing. She had curly hair like the brightest gold, merry eyes, and such a smiling mouth.

"'You poor little mouse,' said she, one day as she peeped into my cage, 'I will set you free.' She then drew forth the iron fastening, and I sprang out on the window-sill, and from thence to the roof. Free! free! that was all I could think of; not of the object of my journey. It grew dark, and as night was coming on I found a lodging in an old tower, where dwelt a watchman and an owl. I had no confidence in either of them, least of all in the owl, which is like a cat, and has a great failing, for she eats mice. One may however be mistaken sometimes; and so was I, for this was a respectable and well-educated old owl, who knew more than the watchman, and even as much as I did myself. The young owls made a great fuss about everything, but the only rough words she would say to them were, 'You had better go and make some soup from sausage skewers.' She was very indulgent and loving to her children. Her conduct gave me such confidence in her, that from the crack where I sat I called out 'squeak.' This confidence of mine pleased her so much that she assured me she would take me under her own protection, and that not a creature should do me harm. The fact was, she wickedly meant to keep me in reserve for her own eating in winter, when food would be scarce. Yet she was a very clever lady-owl; she explained to me that the watchman could only hoot with the horn that hung loose at his side; and then she said he is so terribly proud of it, that he imagines himself an owl in the tower;—wants to do great things, but only succeeds in small; all soup on a sausage skewer. Then I begged the owl to give me the recipe for this soup. 'Soup from a sausage skewer,' said she, 'is only a proverb amongst mankind, and may be understood in many ways. Each believes his own way the best, and after all, the proverb signifies nothing.' 'Nothing!' I exclaimed. I was quite struck. Truth is not always agreeable, but truth is above everything else, as the old owl said. I thought over all this, and saw quite plainly that if truth was really so far above everything else, it must be much more valuable than soup from a sausage skewer. So I hastened to get away, that I might be home in time, and bring what was highest and best, and above everything—namely, the truth. The mice are an enlightened people, and the mouse-king is above them all. He is therefore capable of making me queen for the sake of truth."

"Your truth is a falsehood," said the mouse who had not yet spoken; "I can prepare the soup, and I mean to do so."

HOW IT WAS PREPARED

"I did not travel," said the third mouse; "I stayed in this country: that was the right way. One gains nothing by travelling—everything can be acquired here quite as easily; so I stayed at home. I have not obtained what I know from supernatural beings. I have neither swallowed it, nor learnt it from conversing with owls. I have got it all from my reflections and thoughts. Will you now set the kettle on the fire—so? Now pour the water in—quite full—up to the brim; place it on the fire; make up a good blaze; keep it burning, that the water may boil; it must boil over and over. There, now I throw in the skewer. Will the mouse-king be pleased now to dip his tail into the boiling water, and stir it round with the tail. The longer the king stirs it, the stronger the soup will become. Nothing more is necessary, only to stir it."

"Can no one else do this?" asked the king.

"No," said the mouse; "only in the tail of the mouse-king is this power contained."

And the water boiled and bubbled, as the mouse-king stood close beside the kettle. It seemed rather a dangerous performance; but he turned round, and put out his tail, as mice do in a dairy, when they wish to skim the cream from a pan of milk with their tails and afterwards lick it off. But the mouse-king's tail had only just touched the hot steam, when he sprang away from the chimney in a great hurry, exclaiming, "Oh, certainly, by all means, you must be my queen; and we will let the soup question rest till our golden wedding, fifty years hence; so that the poor in my kingdom, who are then to have plenty of food, will have something to look forward to for a long time, with great joy."

And very soon the wedding took place. But many of the mice, as they were returning home, said that the soup could not be properly called "soup from a sausage skewer," but "soup from a mouse's tail." They acknowledged also that some of the stories were very well told; but that the whole could have been managed differently. "I should have told it so—and so—and so." These were the critics who are always so clever afterwards.

When this story was circulated all over the world, the opinions upon it were divided; but the story remained the same. And, after all, the best way in everything you undertake, great as well as small, is to expect no thanks for anything you may do, even when it refers to "soup from a sausage skewer."

THE STORKS

On the last house in a little village the storks had built a nest, and the mother stork sat in it with her four young ones, who stretched out their necks and pointed their black beaks, which had not yet turned red like those of the parent birds. A little way off, on the edge of the roof, stood the father stork, quite upright and stiff; not liking to be quite idle, he drew up one leg, and stood on the other, so still that it seemed almost as if he were carved in wood. "It must look very grand," thought he, "for my wife to have a sentry guarding her nest. They do not know that I am her husband; they will think I have been commanded to stand here, which is quite aristocratic;" and so he continued standing on one leg.

In the street below were a number of children at play, and when they caught sight of the storks, one of the boldest amongst the boys began to sing a song about them, and very soon he was joined by the rest. These are the words of the song, but each only sang what he could remember of them in his own way.

"Just hear what those boys are singing," said the young storks; "they say we shall be hanged and roasted."

"Never mind what they say; you need not listen," said the mother. "They can do no harm."

But the boys went on singing and pointing at the storks, and mocking at them, excepting one of the boys whose name was Peter; he said it was a shame to make fun of animals, and would not join with them at all. The mother stork comforted her young ones, and told them not to mind. "See," she said, "How quiet your father stands, although he is only on one leg."

"But we are very much frightened," said the young storks, and they drew back their heads into the nests.

The next day when the children were playing together, and saw the storks, they sang the song again—

"Shall we be hanged and roasted?" asked the young storks.

"No, certainly not," said the mother. "I will teach you to fly, and when you have learnt, we will fly into the meadows, and pay a visit to the frogs, who will bow themselves to us in the water, and cry 'Croak, croak,' and then we shall eat them up; that will be fun."

"And what next?" asked the young storks.

"Then," replied the mother, "all the storks in the country will assemble together, and go through their autumn manoeuvres, so that it is very important for every one to know how to fly properly. If they do not, the general will thrust them through with his beak, and kill them. Therefore you must take pains and learn, so as to be ready when the drilling begins."

"Then we may be killed after all, as the boys say; and hark! they are singing again."

"Listen to me, and not to them," said the mother stork. "After the great review is over, we shall fly away to warm countries far from hence, where there are mountains and forests. To Egypt, where we shall see three-cornered houses built of stone, with pointed tops that reach nearly to the clouds. They are called Pyramids, and are older than a stork could imagine; and in that country, there is a river that overflows its banks, and then goes back, leaving nothing but mire; there we can walk about, and eat frogs in abundance."

"Oh, o—h!" cried the young storks.

"Yes, it is a delightful place; there is nothing to do all day long but eat, and while we are so well off out there, in this country there will not be a single green leaf on the trees, and the weather will be so cold that the clouds will freeze, and fall on the earth in little white rags." The stork meant snow, but she could not explain it in any other way.

"Will the naughty boys freeze and fall in pieces?" asked the young storks.

"No, they will not freeze and fall into pieces," said the mother, "but they will be very cold, and be obliged to sit all day in a dark, gloomy room, while we shall be flying about in foreign lands, where there are blooming flowers and warm sunshine."

Time passed on, and the young storks grew so large that they could stand upright in the nest and look about them. The father brought them, every day, beautiful frogs, little snakes, and all kinds of stork-dainties that he could find. And then, how funny it was to see the tricks he would perform to amuse them. He would lay his head quite round over his tail, and clatter with his beak, as if it had been a rattle; and then he would tell them stories all about the marshes and fens.

"Come," said the mother one day, "Now you must learn to fly." And all the four young ones were obliged to come out on the top of the roof. Oh, how they tottered at first, and were obliged to balance themselves with their wings, or they would have fallen to the ground below.

"Look at me," said the mother, "you must hold your heads in this way, and place your feet so. Once, twice, once, twice—that is it. Now you will be able to take care of yourselves in the world."

Then she flew a little distance from them, and the young ones made a spring to follow her; but down they fell plump, for their bodies were still too heavy.

"I don't want to fly," said one of the young storks, creeping back into the nest. "I don't care about going to warm countries."

"Would you like to stay here and freeze when the winter comes?" said the mother, "or till the boys comes to hang you, or to roast you?—Well then, I'll call them."

"Oh no, no," said the young stork, jumping out on the roof with the others; and now they were all attentive, and by the third day could fly a little. Then they began to fancy they could soar, so they tried to do so, resting on their wings, but they soon found themselves falling, and had to flap their wings as quickly as possible. The boys came again in the street singing their song:—

"Shall we fly down, and pick their eyes out?" asked the young storks.

"No; leave them alone," said the mother. "Listen to me; that is much more important. Now then. One-two-three. Now to the right. One-two-three. Now to the left, round the chimney. There now, that was very good. That last flap of the wings was so easy and graceful, that I shall give you permission to fly with me to-morrow to the marshes. There will be a number of very superior storks there with their families, and I expect you to show them that my children are the best brought up of any who may be present. You must strut about proudly—it will look well and make you respected."

"But may we not punish those naughty boys?" asked the young storks.

"No; let them scream away as much as they like. You can fly from them now up high amid the clouds, and will be in the land of the pyramids when they are freezing, and have not a green leaf on the trees or an apple to eat."

"We will revenge ourselves," whispered the young storks to each other, as they again joined the exercising.

Of all the boys in the street who sang the mocking song about the storks, not one was so determined to go on with it as he who first began it. Yet he was a little fellow not more than six years old. To the young storks he appeared at least a hundred, for he was so much bigger than their father and mother. To be sure, storks cannot be expected to know how old children and grown-up people are. So they determined to have their revenge on this boy, because he began the song first and would keep on with it. The young storks were very angry, and grew worse as they grew older; so at last their mother was obliged to promise that they should be revenged, but not until the day of their departure.

"We must see first, how you acquit yourselves at the grand review," said she. "If you get on badly there, the general will thrust his beak through you, and you will be killed, as the boys said, though not exactly in the same manner. So we must wait and see."

"You shall see," said the young birds, and then they took such pains and practised so well every day, that at last it was quite a pleasure to see them fly so lightly and prettily. As soon as the autumn arrived, all the storks began to assemble together before taking their departure for warm countries during the winter. Then the review commenced. They flew over forests and villages to show what they could do, for they had a long journey before them. The young storks performed their part so well that they received a mark of honor, with frogs and snakes as a present. These presents were the best part of the affair, for they could eat the frogs and snakes, which they very quickly did.

"Now let us have our revenge," they cried.

"Yes, certainly," cried the mother stork. "I have thought upon the best way to be revenged. I know the pond in which all the little children lie, waiting till the storks come to take them to their parents. The prettiest little babies lie there dreaming more sweetly than they will ever dream in the time to come. All parents are glad to have a little child, and children are so pleased with a little brother or sister. Now we will fly to the pond and fetch a little baby for each of the children who did not sing that naughty song to make game of the storks."

"But the naughty boy, who began the song first, what shall we do to him?" cried the young storks.

"There lies in the pond a little dead baby who has dreamed itself to death," said the mother. "We will take it to the naughty boy, and he will cry because we have brought him a little dead brother. But you have not forgotten the good boy who said it was a shame to laugh at animals: we will take him a little brother and sister too, because he was good. He is called Peter, and you shall all be called Peter in future."

So they all did what their mother had arranged, and from that day, even till now, all the storks have been called Peter.

THE STORM SHAKES THE SHIELD

In the old days, when grandpapa was quite a little boy, and ran about in little red breeches and a red coat, and a feather in his cap—for that's the costume the little boys wore in his time when they were dressed in their best—many things were very different from what they are now. There was often a good deal of show in the streets—show that we don't see nowadays, because it has been abolished as too old-fashioned. Still, it is very interesting to hear grandfather tell about it.

It must really have been a gorgeous sight to behold, in those days, when the shoemaker brought over the shield, when the court-house was changed. The silken flag waved to and fro, on the shield itself a double eagle was displayed, and a big boot; the youngest lads carried the "welcome," and the chest of the workmen's guild, and their shirt-sleeves were adorned with red and white ribbons; the elder ones carried drawn swords, each with a lemon stuck on its point. There was a full band of music, and the most splendid of all the instruments was the "bird," as grandfather called the big stick with the crescent on the top, and all manner of dingle-dangles hanging to it—a perfect Turkish clatter of music. The stick was lifted high in the air, and swung up and down till it jingled again, and quite dazzled one's eyes when the sun shone on all its glory of gold, and silver, and brass.

In front of the procession ran the Harlequin, dressed in clothes made of all kinds of colored patches artfully sewn together, with a black face, and bells on his head like a sledge horse. He beat the people with his bat, which made a great clattering without hurting them, and the people would crowd together and fall back, only to advance again the next moment. Little boys and girls fell over their own toes into the gutter, old women dispensed digs with their elbows, and looked sour, and took snuff. One laughed, another chatted; the people thronged the windows and door-steps, and even all the roofs. The sun shone; and although they had a little rain too, that was good for the farmer; and when they got wetted thoroughly, they only thought what a blessing it was for the country.

And what stories grandpapa could tell! As a little boy he had seen all these fine doings in their greatest pomp. The oldest of the policemen used to make a speech from the platform on which the shield was hung up, and the speech was in verse, as if it had been made by a poet, as, indeed it had; for three people had concocted it together, and they had first drunk a good bowl of punch, so that the speech might turn out well.

And the people gave a cheer for the speech, but they shouted much louder for the Harlequin, when he appeared in front of the platform, and made a grimace at them.

The fools played the fool most admirably, and drank mead out of spirit-glasses, which they then flung among the crowd, by whom they were caught up. Grandfather was the possessor of one of these glasses, which had been given him by a working mason, who had managed to catch it. Such a scene was really very pleasant; and the shield on the new court-house was hung with flowers and green wreaths.

"One never forgets a feast like that, however old one may grow," said grandfather. Nor did he forget it, though he saw many other grand spectacles in his time, and could tell about them too; but it was most pleasant of all to hear him tell about the shield that was brought in the town from the old to the new court-house.

Once, when he was a little boy, grandpapa had gone with his parents to see this festivity. He had never yet been in the metropolis of the country. There were so many people in the streets, that he thought that the shield was being carried. There were many shields to be seen; a hundred rooms might have been filled with pictures, if they had been hung up inside and outside. At the tailor's were pictures of all kinds of clothing, to show that he could stitch up people from the coarsest to the finest; at the tobacco manufacturer's were pictures of the most charming little boys, smoking cigars, just as they do in reality; there were signs with painted butter, and herring, clerical collars, and coffins, and inscriptions and announcements into the bargain. A person could walk up and down for a whole day through the streets, and tire himself out with looking at the pictures; and then he would know all about what people lived in the houses, for they had hung out their shields or signs; and, as grandfather said, it was a very instructive thing, in a great town, to know at once who the inhabitants were.

And this is what happened with these shields, when grandpapa came to the town. He told it me himself, and he hadn't "a rogue on his back," as mother used to tell me he had when he wanted to make me believe something outrageous, for now he looked quite trustworthy.

The first night after he came to the town had been signalized by the most terrible gale ever recorded in the newspapers—a gale such as none of the inhabitants had ever before experienced. The air was dark with flying tiles; old wood-work crashed and fell; and a wheelbarrow ran up the streets all alone, only to get out of the way. There was a groaning in the air, and a howling and a shrieking, and altogether it was a terrible storm. The water in the canal rose over the banks, for it did not know where to run. The storm swept over the town, carrying plenty of chimneys with it, and more than one proud weathercock on a church tower had to bow, and has never got over it from that time.

There was a kind of sentry-house, where dwelt the venerable old superintendent of the fire brigade, who always arrived with the last engine. The storm would not leave this little sentry-house alone, but must needs tear it from its fastenings, and roll it down the street; and, wonderfully enough, it stopped opposite to the door of the dirty journeyman plasterer, who had saved three lives at the last fire, but the sentry-house thought nothing of that.

The barber's shield, the great brazen dish, was carried away, and hurled straight into the embrasure of the councillor of justice; and the whole neighborhood said this looked almost like malice, inasmuch as they, and nearly all the friends of the councillor's wife, used to call that lady "the Razor" for she was so sharp that she knew more about other people's business than they knew about it themselves.

A shield with a dried salt fish painted on it flew exactly in front of the door of a house where dwelt a man who wrote a newspaper. That was a very poor joke perpetrated by the gale, which seemed to have forgotten that a man who writes in a paper is not the kind of person to understand any liberty taken with him; for he is a king in his own newspaper, and likewise in his own opinion.

The weathercock flew to the opposite house, where he perched, looking the picture of malice—so the neighbors said.

The cooper's tub stuck itself up under the head of "ladies' costumes."

The eating-house keeper's bill of fare, which had hung at his door in a heavy frame, was posted by the storm over the entrance to the theatre, where nobody went. "It was a ridiculous list—horse-radish, soup, and stuffed cabbage." And now people came in plenty.

The fox's skin, the honorable sign of the furrier, was found fastened to the bell-pull of a young man who always went to early lecture, and looked like a furled umbrella. He said he was striving after truth, and was considered by his aunt "a model and an example."

The inscription "Institution for Superior Education" was found near the billiard club, which place of resort was further adorned with the words, "Children brought up by hand." Now, this was not at all witty; but, you see, the storm had done it, and no one has any control over that.

It was a terrible night, and in the morning—only think!—nearly all the shields had changed places. In some places the inscriptions were so malicious, that grandfather would not speak of them at all; but I saw that he was chuckling secretly, and there may have been some inaccuracy in his description, after all.

The poor people in the town, and still more the strangers, were continually making mistakes in the people they wanted to see; nor was this to be avoided, when they went according to the shields that were hung up. Thus, for instance, some who wanted to go to a very grave assembly of elderly men, where important affairs were to be discussed, found themselves in a noisy boys' school, where all the company were leaping over the chairs and tables.

There were also people who made a mistake between the church and the theatre, and that was terrible indeed!

Such a storm we have never witnessed in our day; for that only happened in grandpapa's time, when he was quite a little boy. Perhaps we shall never experience a storm of the kind, but our grandchildren may; and we can only hope and pray that all may stay at home while the storm is moving the shields.

THE STORY OF A MOTHER

A mother sat by her little child; she was very sad, for she feared it would die. It was quite pale, and its little eyes were closed, and sometimes it drew a heavy deep breath, almost like a sigh; and then the mother gazed more sadly than ever on the poor little creature. Some one knocked at the door, and a poor old man walked in. He was wrapped in something that looked like a great horse-cloth; and he required it truly to keep him warm, for it was cold winter; the country everywhere lay covered with snow and ice, and the wind blew so sharply that it cut one's face. The little child had dozed off to sleep for a moment, and the mother, seeing that the old man shivered with the cold, rose and placed a small mug of beer on the stove to warm for him. The old man sat and rocked the cradle; and the mother seated herself on a chair near him, and looked at her sick child who still breathed heavily, and took hold of its little hand.

"You think I shall keep him, do you not?" she said. "Our all-merciful God will surely not take him away from me."

The old man, who was indeed Death himself, nodded his head in a peculiar manner, which might have signified either Yes, or No; and the mother cast down her eyes, while the tears rolled down her cheeks. Then her head became heavy, for she had not closed her eyes for three days and nights, and she slept, but only for a moment. Shivering with cold, she started up and looked round the room. The old man was gone, and her child—it was gone too!—the old man had taken it with him. In the corner of the room the old clock began to strike; "whirr" went the chains, the heavy weight sank to the ground, and the clock stopped; and the poor mother rushed out of the house calling for her child. Out in the snow sat a woman in long black garments, and she said to the mother, "Death has been with you in your room. I saw him hastening away with your little child; he strides faster than the wind, and never brings back what he has taken away."

"Only tell me which way he has gone," said the mother; "tell me the way, I will find him."

"I know the way," said the woman in the black garments; "but before I tell you, you must sing to me all the songs that you have sung to your child; I love these songs, I have heard them before. I am Night, and I saw your tears flow as you sang."

"I will sing them all to you," said the mother; "but do not detain me now. I must overtake him, and find my child."

But Night sat silent and still. Then the mother wept and sang, and wrung her hands. And there were many songs, and yet even more tears; till at length Night said, "Go to the right, into the dark forest of fir-trees; for I saw Death take that road with your little child."

Within the wood the mother came to cross roads, and she knew not which to take. Just by stood a thorn-bush; it had neither leaf nor flower, for it was the cold winter time, and icicles hung on the branches. "Have you not seen Death go by, with my little child?" she asked.

"Yes," replied the thorn-bush; "but I will not tell you which way he has taken until you have warmed me in your bosom. I am freezing to death here, and turning to ice."

Then she pressed the bramble to her bosom quite close, so that it might be thawed, and the thorns pierced her flesh, and great drops of blood flowed; but the bramble shot forth fresh green leaves, and they became flowers on the cold winter's night, so warm is the heart of a sorrowing mother. Then the bramble-bush told her the path she must take. She came at length to a great lake, on which there was neither ship nor boat to be seen. The lake was not frozen sufficiently for her to pass over on the ice, nor was it open enough for her to wade through; and yet she must cross it, if she wished to find her child. Then she laid herself down to drink up the water of the lake, which was of course impossible for any human being to do; but the bereaved mother thought that perhaps a miracle might take place to help her. "You will never succeed in this," said the lake; "let us make an agreement together which will be better. I love to collect pearls, and your eyes are the purest I have ever seen. If you will weep those eyes away in tears into my waters, then I will take you to the large hothouse where Death dwells and rears flowers and trees, every one of which is a human life."

"Oh, what would I not give to reach my child!" said the weeping mother; and as she still continued to weep, her eyes fell into the depths of the lake, and became two costly pearls.

Then the lake lifted her up, and wafted her across to the opposite shore as if she were on a swing, where stood a wonderful building many miles in length. No one could tell whether it was a mountain covered with forests and full of caves, or whether it had been built. But the poor mother could not see, for she had wept her eyes into the lake. "Where shall I find Death, who went away with my little child?" she asked.

"He has not arrived here yet," said an old gray-haired woman, who was walking about, and watering Death's hothouse. "How have you found your way here? and who helped you?"

"God has helped me," she replied. "He is merciful; will you not be merciful too? Where shall I find my little child?"

"I did not know the child," said the old woman; "and you are blind. Many flowers and trees have faded to-night, and Death will soon come to transplant them. You know already that every human being has a life-tree or a life-flower, just as may be ordained for him. They look like other plants; but they have hearts that beat. Children's hearts also beat: from that you may perhaps be able to recognize your child. But what will you give me, if I tell you what more you will have to do?

"I have nothing to give," said the afflicted mother; "but I would go to the ends of the earth for you."

"I can give you nothing to do for me there," said the old woman; "but you can give me your long black hair. You know yourself that it is beautiful, and it pleases me. You can take my white hair in exchange, which will be something in return."

"Do you ask nothing more than that?" said she. "I will give it to you with pleasure."

And she gave up her beautiful hair, and received in return the white locks of the old woman. Then they went into Death's vast hothouse, where flowers and trees grew together in wonderful profusion. Blooming hyacinths, under glass bells, and peonies, like strong trees. There grew water-plants, some quite fresh, and others looking sickly, which had water-snakes twining round them, and black crabs clinging to their stems. There stood noble palm-trees, oaks, and plantains, and beneath them bloomed thyme and parsley. Each tree and flower had a name; each represented a human life, and belonged to men still living, some in China, others in Greenland, and in all parts of the world. Some large trees had been planted in little pots, so that they were cramped for room, and seemed about to burst the pot to pieces; while many weak little flowers were growing in rich soil, with moss all around them, carefully tended and cared for. The sorrowing mother bent over the little plants, and heard the human heart beating in each, and recognized the beatings of her child's heart among millions of others.

"That is it," she cried, stretching out her hand towards a little crocus-flower which hung down its sickly head.

"Do not touch the flower," exclaimed the old woman; "but place yourself here; and when Death comes—I expect him every minute—do not let him pull up that plant, but threaten him that if he does you will serve the other flowers in the same manner. This will make him afraid; for he must account to God for each of them. None can be uprooted, unless he receives permission to do so."

There rushed through the hothouse a chill of icy coldness, and the blind mother felt that Death had arrived.

"How did you find your way hither?" asked he; "how could you come here faster than I have?"

"I am a mother," she answered.

And Death stretched out his hand towards the delicate little flower; but she held her hands tightly round it, and held it fast at same time, with the most anxious care, lest she should touch one of the leaves. Then Death breathed upon her hands, and she felt his breath colder than the icy wind, and her hands sank down powerless.

"You cannot prevail against me," said Death.

"But a God of mercy can," said she.

"I only do His will," replied Death. "I am his gardener. I take all His flowers and trees, and transplant them into the gardens of Paradise in an unknown land. How they flourish there, and what that garden resembles, I may not tell you."

"Give me back my child," said the mother, weeping and imploring; and she seized two beautiful flowers in her hands, and cried to Death, "I will tear up all your flowers, for I am in despair."

"Do not touch them," said Death. "You say you are unhappy; and would you make another mother as unhappy as yourself?"

"Another mother!" cried the poor woman, setting the flowers free from her hands.

"There are your eyes," said Death. "I fished them up out of the lake for you. They were shining brightly; but I knew not they were yours. Take them back—they are clearer now than before—and then look into the deep well which is close by here. I will tell you the names of the two flowers which you wished to pull up; and you will see the whole future of the human beings they represent, and what you were about to frustrate and destroy."

Then she looked into the well; and it was a glorious sight to behold how one of them became a blessing to the world, and how much happiness and joy it spread around. But she saw that the life of the other was full of care and poverty, misery and woe.

"Both are the will of God," said Death.

"Which is the unhappy flower, and which is the blessed one?" she said.

"That I may not tell you," said Death; "but thus far you may learn, that one of the two flowers represents your own child. It was the fate of your child that you saw,—the future of your own child."

Then the mother screamed aloud with terror, "Which of them belongs to my child? Tell me that. Deliver the unhappy child. Release it from so much misery. Rather take it away. Take it to the kingdom of God. Forget my tears and my entreaties; forget all that I have said or done."

"I do not understand you," said Death. "Will you have your child back? or shall I carry him away to a place that you do not know?"

Then the mother wrung her hands, fell on her knees, and prayed to God, "Grant not my prayers, when they are contrary to Thy will, which at all times must be the best. Oh, hear them not;" and her head sank on her bosom.

Then Death carried away her child to the unknown land.

THE SUNBEAM AND THE CAPTIVE

It is autumn. We stand on the ramparts, and look out over the sea. We look at the numerous ships, and at the Swedish coast on the opposite side of the sound, rising far above the surface of the waters which mirror the glow of the evening sky. Behind us the wood is sharply defined; mighty trees surround us, and the yellow leaves flutter down from the branches. Below, at the foot of the wall, stands a gloomy looking building enclosed in palisades. The space between is dark and narrow, but still more dismal must it be behind the iron gratings in the wall which cover the narrow loopholes or windows, for in these dungeons the most depraved of the criminals are confined. A ray of the setting sun shoots into the bare cells of one of the captives, for God's sun shines upon the evil and the good. The hardened criminal casts an impatient look at the bright ray. Then a little bird flies towards the grating, for birds twitter to the just as well as to the unjust. He only cries, "Tweet, tweet," and then perches himself near the grating, flutters his wings, pecks a feather from one of them, puffs himself out, and sets his feathers on end round his breast and throat. The bad, chained man looks at him, and a more gentle expression comes into his hard face. In his breast there rises a thought which he himself cannot rightly analyze, but the thought has some connection with the sunbeam, with the bird, and with the scent of violets, which grow luxuriantly in spring at the foot of the wall. Then there comes the sound of the hunter's horn, merry and full. The little bird starts, and flies away, the sunbeam gradually vanishes, and again there is darkness in the room and in the heart of that bad man. Still the sun has shone into that heart, and the twittering of the bird has touched it.

Sound on, ye glorious strains of the hunter's horn; continue your stirring tones, for the evening is mild, and the surface of the sea, heaving slowly and calmly, is smooth as a mirror.

THE SWAN'S NEST

Between the Baltic and the North Sea there lies an old swan's nest, wherein swans are born and have been born that shall never die.

In olden times a flock of swans flew over the Alps to the green plains around Milan, where it was delightful to dwell. This flight of swans men called the Lombards.

Another flock, with shining plumage and honest eyes, soared southward to Byzantium; the swans established themselves there close by the Emperor's throne, and spread their wings over him as shields to protect him. They received the name of Varangians.

On the coast of France there sounded a cry of fear, for the blood-stained swans that came from the North with fire under their wings; and the people prayed, "Heaven deliver us from the wild Northmen."

On the fresh sward of England stood the Danish swan by the open seashore, with the crown of three kingdoms on his head; and he stretched out his golden sceptre over the land. The heathens on the Pomerian coast bent the knee, and the Danish swans came with the banner of the Cross and with the drawn sword.

"That was in the very old times," you say.

In later days two mighty swans have been seen to fly from the nest. A light shone far through the air, far over the lands of the earth; the swan, with the strong beating of his wings, scattered the twilight mists, and the starry sky was seen, and it was as if it came nearer to the earth. That was the swan Tycho Brahe.

"Yes, then," you say; "but in our own days?"

We have seen swan after swan soar by in glorious flight. One let his pinions glide over the strings of the golden harp, and it resounded through the North. Norway's mountains seemed to rise higher in the sunlight of former days; there was a rustling among the pine trees and the birches; the gods of the North, the heroes, and the noble women, showed themselves in the dark forest depths.

We have seen a swan beat with his wings upon the marble crag, so that it burst, and the forms of beauty imprisoned in the stone stepped out to the sunny day, and men in the lands round about lifted up their heads to behold these mighty forms.

We have seen a third swan spinning the thread of thought that is fastened from country to country round the world, so that the word may fly with lightning speed from land to land.

And our Lord loves the old swan's nest between the Baltic and the North Sea. And when the mighty birds come soaring through the air to destroy it, even the callow young stand round in a circle on the margin of the nest, and though their breasts may be struck so that their blood flows, they bear it, and strike with their wings and their claws.

Centuries will pass by, swans will fly forth from the nest, men will see them and hear them in the world, before it shall be said in spirit and in truth, "This is the last swan—the last song from the swan's nest."

THE SWINEHERD

Once upon a time lived a poor prince; his kingdom was very small, but it was large enough to enable him to marry, and marry he would. It was rather bold of him that he went and asked the emperor's daughter: "Will you marry me?" but he ventured to do so, for his name was known far and wide, and there were hundreds of princesses who would have gladly accepted him, but would she do so? Now we shall see.

On the grave of the prince's father grew a rose-tree, the most beautiful of its kind. It bloomed only once in five years, and then it had only one single rose upon it, but what a rose! It had such a sweet scent that one instantly forgot all sorrow and grief when one smelt it. He had also a nightingale, which could sing as if every sweet melody was in its throat. This rose and the nightingale he wished to give to the princess; and therefore both were put into big silver cases and sent to her.

The emperor ordered them to be carried into the great hall where the princess was just playing "Visitors are coming" with her ladies-in-waiting; when she saw the large cases with the presents therein, she clapped her hands for joy.

"I wish it were a little pussy cat," she said. But then the rose-tree with the beautiful rose was unpacked.

"Oh, how nicely it is made," exclaimed the ladies.

"It is more than nice," said the emperor, "it is charming."

The princess touched it and nearly began to cry.

"For shame, pa," she said, "it is not artificial, it is natural!"

"For shame, it is natural," repeated all her ladies.

"Let us first see what the other case contains before we are angry," said the emperor; then the nightingale was taken out, and it sang so beautifully that no one could possibly say anything unkind about it.

"Superbe, charmant," said the ladies of the court, for they all prattled French, one worse than the other.

"How much the bird reminds me of the musical box of the late lamented empress," said an old courtier, "it has exactly the same tone, the same execution."

"You are right," said the emperor, and began to cry like a little child.

"I hope it is not natural," said the princess.

"Yes, certainly it is natural," replied those who had brought the presents.

"Then let it fly," said the princess, and refused to see the prince.

But the prince was not discouraged. He painted his face, put on common clothes, pulled his cap over his forehead, and came back.

"Good day, emperor," he said, "could you not give me some employment at the court?"

"There are so many," replied the emperor, "who apply for places, that for the present I have no vacancy, but I will remember you. But wait a moment; it just comes into my mind, I require somebody to look after my pigs, for I have a great many."

Thus the prince was appointed imperial swineherd, and as such he lived in a wretchedly small room near the pigsty; there he worked all day long, and when it was night he had made a pretty little pot. There were little bells round the rim, and when the water began to boil in it, the bells began to play the old tune:

But what was more wonderful was that, when one put a finger into the steam rising from the pot, one could at once smell what meals they were preparing on every fire in the whole town. That was indeed much more remarkable than the rose. When the princess with her ladies passed by and heard the tune, she stopped and looked quite pleased, for she also could play it—in fact, it was the only tune she could play, and she played it with one finger.

"That is the tune I know," she exclaimed. "He must be a well-educated swineherd. Go and ask him how much the instrument is."

One of the ladies had to go and ask; but she put on pattens.

"What will you take for your pot?" asked the lady.

"I will have ten kisses from the princess," said the swineherd.

"God forbid," said the lady.

"Well, I cannot sell it for less," replied the swineherd.

"What did he say?" said the princess.

"I really cannot tell you," replied the lady.

"You can whisper it into my ear."

"It is very naughty," said the princess, and walked off.

But when she had gone a little distance, the bells rang again so sweetly:

"Ask him," said the princess, "if he will be satisfied with ten kisses from one of my ladies."

"No, thank you," said the swineherd: "ten kisses from the princess, or I keep my pot."

"That is tiresome," said the princess. "But you must stand before me, so that nobody can see it."

The ladies placed themselves in front of her and spread out their dresses, and she gave the swineherd ten kisses and received the pot.

That was a pleasure! Day and night the water in the pot was boiling; there was not a single fire in the whole town of which they did not know what was preparing on it, the chamberlain's as well as the shoemaker's. The ladies danced and clapped their hands for joy.

"We know who will eat soup and pancakes; we know who will eat porridge and cutlets; oh, how interesting!"

"Very interesting, indeed," said the mistress of the household. "But you must not betray me, for I am the emperor's daughter."

"Of course not," they all said.

The swineherd—that is to say, the prince—but they did not know otherwise than that he was a real swineherd—did not waste a single day without doing something; he made a rattle, which, when turned quickly round, played all the waltzes, galops, and polkas known since the creation of the world.

"But that is superbe," said the princess passing by. "I have never heard a more beautiful composition. Go down and ask him what the instrument costs; but I shall not kiss him again."

"He will have a hundred kisses from the princess," said the lady, who had gone down to ask him.

"I believe he is mad," said the princess, and walked off, but soon she stopped. "One must encourage art," she said. "I am the emperor's daughter! Tell him I will give him ten kisses, as I did the other day; the remainder one of my ladies can give him.

"But we do not like to kiss him," said the ladies.

"That is nonsense," said the princess; "if I can kiss him, you can also do it. Remember that I give you food and employment." And the lady had to go down once more.

"A hundred kisses from the princess," said the swineherd, "or everybody keeps his own."

"Place yourselves before me," said the princess then. They did as they were bidden, and the princess kissed him.

"I wonder what that crowd near the pigsty means!" said the emperor, who had just come out on his balcony. He rubbed his eyes and put his spectacles on.

"The ladies of the court are up to some mischief, I think. I shall have to go down and see." He pulled up his shoes, for they were down at the heels, and he was very quick about it. When he had come down into the courtyard he walked quite softly, and the ladies were so busily engaged in counting the kisses, that all should be fair, that they did not notice the emperor. He raised himself on tiptoe.

"What does this mean?" he said, when he saw that his daughter was kissing the swineherd, and then hit their heads with his shoe just as the swineherd received the sixty-eighth kiss.

"Go out of my sight," said the emperor, for he was very angry; and both the princess and the swineherd were banished from the empire. There she stood and cried, the swineherd scolded her, and the rain came down in torrents.

"Alas, unfortunate creature that I am!" said the princess, "I wish I had accepted the prince. Oh, how wretched I am!"

The swineherd went behind a tree, wiped his face, threw off his poor attire and stepped forth in his princely garments; he looked so beautiful that the princess could not help bowing to him.

"I have now learnt to despise you," he said. "You refused an honest prince; you did not appreciate the rose and the nightingale; but you did not mind kissing a swineherd for his toys; you have no one but yourself to blame!"

And then he returned into his kingdom and left her behind. She could now sing at her leisure:

THE THISTLE'S EXPERIENCES

Belonging to the lordly manor-house was beautiful, well-kept garden, with rare trees and flowers; the guests of the proprietor declared their admiration of it; the people of the neighborhood, from town and country, came on Sundays and holidays, and asked permission to see the garden; indeed, whole schools used to pay visits to it.

Outside the garden, by the palings at the road-side, stood a great mighty Thistle, which spread out in many directions from the root, so that it might have been called a thistle bush. Nobody looked at it, except the old Ass which drew the milk-maid's cart. This Ass used to stretch out his neck towards the Thistle, and say, "You are beautiful; I should like to eat you!" But his halter was not long enough to let him reach it and eat it.

There was great company at the manor-house—some very noble people from the capital; young pretty girls, and among them a young lady who came from a long distance. She had come from Scotland, and was of high birth, and was rich in land and in gold—a bride worth winning, said more than one of the young gentlemen; and their lady mothers said the same thing.

The young people amused themselves on the lawn, and played at ball; they wandered among the flowers, and each of the young girls broke off a flower, and fastened it in a young gentleman's buttonhole. But the young Scotch lady looked round, for a long time, in an undecided way. None of the flowers seemed to suit her taste. Then her eye glanced across the paling—outside stood the great thistle bush, with the reddish-blue, sturdy flowers; she saw them, she smiled, and asked the son of the house to pluck one for her.

"It is the flower of Scotland," she said. "It blooms in the scutcheon of my country. Give me yonder flower."

And he brought the fairest blossom, and pricked his fingers as completely as if it had grown on the sharpest rose bush.

She placed the thistle-flower in the buttonhole of the young man, and he felt himself highly honored. Each of the other young gentlemen would willingly have given his own beautiful flower to have worn this one, presented by the fair hand of the Scottish maiden. And if the son of the house felt himself honored, what were the feelings of the Thistle bush? It seemed to him as if dew and sunshine were streaming through him.

"I am something more than I knew of," said the Thistle to itself. "I suppose my right place is really inside the palings, and not outside. One is often strangely placed in this world; but now I have at least managed to get one of my people within the pale, and indeed into a buttonhole!"

The Thistle told this event to every blossom that unfolded itself, and not many days had gone by before the Thistle heard, not from men, not from the twittering of the birds, but from the air itself, which stores up the sounds, and carries them far around—out of the most retired walks of the garden, and out of the rooms of the house, in which doors and windows stood open, that the young gentleman who had received the thistle-flower from the hand of the fair Scottish maiden had also now received the heart and hand of the lady in question. They were a handsome pair—it was a good match.

"That match I made up!" said the Thistle; and he thought of the flower he had given for the buttonhole. Every flower that opened heard of this occurrence.

"I shall certainly be transplanted into the garden," thought the Thistle, "and perhaps put into a pot, which crowds one in. That is said to be the greatest of all honors."

And the Thistle pictured this to himself in such a lively manner, that at last he said, with full conviction, "I am to be transplanted into a pot."

Then he promised every little thistle flower which unfolded itself that it also should be put into a pot, and perhaps into a buttonhole, the highest honor that could be attained. But not one of them was put into a pot, much less into a buttonhole. They drank in the sunlight and the air; lived on the sunlight by day, and on the dew by night; bloomed—were visited by bees and hornets, who looked after the honey, the dowry of the flower, and they took the honey, and left the flower where it was.

"The thievish rabble!" said the Thistle. "If I could only stab every one of them! But I cannot."

The flowers hung their heads and faded; but after a time new ones came.

"You come in good time," said the Thistle. "I am expecting every moment to get across the fence."

A few innocent daisies, and a long thin dandelion, stood and listened in deep admiration, and believed everything they heard.

The old Ass of the milk-cart stood at the edge of the field-road, and glanced across at the blooming thistle bush; but his halter was too short, and he could not reach it.

And the Thistle thought so long of the thistle of Scotland, to whose family he said he belonged, that he fancied at last that he had come from Scotland, and that his parents had been put into the national escutcheon. That was a great thought; but, you see, a great thistle has a right to a great thought.

"One is often of so grand a family, that one may not know it," said the Nettle, who grew close by. He had a kind of idea that he might be made into cambric if he were rightly treated.

And the summer went by, and the autumn went by. The leaves fell from the trees, and the few flowers left had deeper colors and less scent. The gardener's boy sang in the garden, across the palings:

The young fir trees in the forest began to long for Christmas, but it was a long time to Christmas yet.

"Here I am standing yet!" said the Thistle. "It is as if nobody thought of me, and yet I managed the match. They were betrothed, and they have had their wedding; it is now a week ago. I won't take a single step-because I can't."

A few more weeks went by. The Thistle stood there with his last single flower large and full. This flower had shot up from near the roots; the wind blew cold over it, and the colors vanished, and the flower grew in size, and looked like a silvered sunflower.

One day the young pair, now man and wife, came into the garden. They went along by the paling, and the young wife looked across it.

"There's the great thistle still growing," she said. "It has no flowers now."

"Oh, yes, the ghost of the last one is there still," said he. And he pointed to the silvery remains of the flower, which looked like a flower themselves.

"It is pretty, certainly," she said. "Such an one must be carved on the frame of our picture."

And the young man had to climb across the palings again, and to break off the calyx of the thistle. It pricked his fingers, but then he had called it a ghost. And this thistle-calyx came into the garden, and into the house, and into the drawing-room. There stood a picture—"Young Couple." A thistle-flower was painted in the buttonhole of the bridegroom. They spoke about this, and also about the thistle-flower they brought, the last thistle-flower, now gleaming like silver, whose picture was carved on the frame.

And the breeze carried what was spoken away, far away.

"What one can experience!" said the Thistle Bush. "My first born was put into a buttonhole, and my youngest has been put in a frame. Where shall I go?"

And the Ass stood by the road-side, and looked across at the Thistle.

"Come to me, my nibble darling!" said he. "I can't get across to you."

But the Thistle did not answer. He became more and more thoughtful—kept on thinking and thinking till near Christmas, and then a flower of thought came forth.

"If the children are only good, the parents do not mind standing outside the garden pale."

"That's an honorable thought," said the Sunbeam. "You shall also have a good place."

"In a pot or in a frame?" asked the Thistle.

"In a story," replied the Sunbeam.

THE THORNY ROAD OF HONOR

An old story yet lives of the "Thorny Road of Honor," of a marksman, who indeed attained to rank and office, but only after a lifelong and weary strife against difficulties. Who has not, in reading this story, thought of his own strife, and of his own numerous "difficulties?" The story is very closely akin to reality; but still it has its harmonious explanation here on earth, while reality often points beyond the confines of life to the regions of eternity. The history of the world is like a magic lantern that displays to us, in light pictures upon the dark ground of the present, how the benefactors of mankind, the martyrs of genius, wandered along the thorny road of honor.

From all periods, and from every country, these shining pictures display themselves to us. Each only appears for a few moments, but each represents a whole life, sometimes a whole age, with its conflicts and victories. Let us contemplate here and there one of the company of martyrs—the company which will receive new members until the world itself shall pass away.

We look down upon a crowded amphitheatre. Out of the "Clouds" of Aristophanes, satire and humor are pouring down in streams upon the audience; on the stage Socrates, the most remarkable man in Athens, he who had been the shield and defence of the people against the thirty tyrants, is held up mentally and bodily to ridicule—Socrates, who saved Alcibiades and Xenophon in the turmoil of battle, and whose genius soared far above the gods of the ancients. He himself is present; he has risen from the spectator's bench, and has stepped forward, that the laughing Athenians may well appreciate the likeness between himself and the caricature on the stage. There he stands before them, towering high above them all.

Thou juicy, green, poisonous hemlock, throw thy shadow over Athens—not thou, olive tree of fame!

Seven cities contended for the honor of giving birth to Homer—that is to say, they contended after his death! Let us look at him as he was in his lifetime. He wanders on foot through the cities, and recites his verses for a livelihood; the thought for the morrow turns his hair gray! He, the great seer, is blind, and painfully pursues his way—the sharp thorn tears the mantle of the king of poets. His song yet lives, and through that alone live all the heroes and gods of antiquity.

One picture after another springs up from the east, from the west, far removed from each other in time and place, and yet each one forming a portion of the thorny road of honor, on which the thistle indeed displays a flower, but only to adorn the grave.

The camels pass along under the palm trees; they are richly laden with indigo and other treasures of value, sent by the ruler of the land to him whose songs are the delight of the people, the fame of the country. He whom envy and falsehood have driven into exile has been found, and the caravan approaches the little town in which he has taken refuge. A poor corpse is carried out of the town gate, and the funeral procession causes the caravan to halt. The dead man is he whom they have been sent to seek—Firdusi—who has wandered the Thorny road of honor even to the end.

The African, with blunt features, thick lips, and woolly hair, sits on the marble steps of the palace in the capital of Portugal, and begs. He is the submissive slave of Camoens, and but for him, and for the copper coins thrown to him by the passers-by, his master, the poet of the "Lusiad," would die of hunger. Now, a costly monument marks the grave of Camoens.

There is a new picture.

Behind the iron grating a man appears, pale as death, with long unkempt beard.

"I have made a discovery," he says, "the greatest that has been made for centuries; and they have kept me locked up here for more than twenty years!"

Who is the man?

"A madman," replies the keeper of the madhouse. "What whimsical ideas these lunatics have! He imagines that one can propel things by means of steam."

It is Solomon de Cares, the discoverer of the power of steam, whose theory, expressed in dark words, is not understood by Richelieu; and he dies in the madhouse.

Here stands Columbus, whom the street boys used once to follow and jeer, because he wanted to discover a new world; and he has discovered it. Shouts of joy greet him from the breasts of all, and the clash of bells sounds to celebrate his triumphant return; but the clash of the bells of envy soon drowns the others. The discoverer of a world—he who lifted the American gold land from the sea, and gave it to his king—he is rewarded with iron chains. He wishes that these chains may be placed in his coffin, for they witness to the world of the way in which a man's contemporaries reward good service.

One picture after another comes crowding on; the thorny path of honor and of fame is over-filled.

Here in dark night sits the man who measured the mountains in the moon; he who forced his way out into the endless space, among stars and planets; he, the mighty man who understood the spirit of nature, and felt the earth moving beneath his feet—Galileo. Blind and deaf he sits—an old man thrust through with the spear of suffering, and amid the torments of neglect, scarcely able to lift his foot—that foot with which, in the anguish of his soul, when men denied the truth, he stamped upon the ground, with the exclamation, "Yet it moves!"

Here stands a woman of childlike mind, yet full of faith and inspiration. She carries the banner in front of the combating army, and brings victory and salvation to her fatherland. The sound of shouting arises, and the pile flames up. They are burning the witch, Joan of Arc. Yes, and a future century jeers at the White Lily. Voltaire, the satyr of human intellect, writes "La Pucelle."

At the Thing or Assembly at Viborg, the Danish nobles burn the laws of the king. They flame up high, illuminating the period and the lawgiver, and throw a glory into the dark prison tower, where an old man is growing gray and bent. With his finger he marks out a groove in the stone table. It is the popular king who sits there, once the ruler of three kingdoms, the friend of the citizen and the peasant. It is Christian the Second. Enemies wrote his history. Let us remember his improvements of seven and twenty years, if we cannot forget his crime.

A ship sails away, quitting the Danish shores. A man leans against the mast, casting a last glance towards the Island Hueen. It is Tycho Brahe. He raised the name of Denmark to the stars, and was rewarded with injury, loss and sorrow. He is going to a strange country.

"The vault of heaven is above me everywhere," he says, "and what do I want more?"

And away sails the famous Dane, the astronomer, to live honored and free in a strange land.

"Ay, free, if only from the unbearable sufferings of the body!" comes in a sigh through time, and strikes upon our ear. What a picture! Griffenfeldt, a Danish Prometheus, bound to the rocky island of Munkholm.

We are in America, on the margin of one of the largest rivers; an innumerable crowd has gathered, for it is said that a ship is to sail against the wind and weather, bidding defiance to the elements. The man who thinks he can solve the problem is named Robert Fulton. The ship begins its passage, but suddenly it stops. The crowd begins to laugh and whistle and hiss—the very father of the man whistles with the rest.

"Conceit! Foolery!" is the cry. "It has happened just as he deserved. Put the crack-brain under lock and key!"

Then suddenly a little nail breaks, which had stopped the machine for a few moments; and now the wheels turn again, the floats break the force of the waters, and the ship continues its course; and the beam of the steam engine shortens the distance between far lands from hours into minutes.

O human race, canst thou grasp the happiness of such a minute of consciousness, this penetration of the soul by its mission, the moment in which all dejection, and every wound—even those caused by one's own fault—is changed into health and strength and clearness—when discord is converted to harmony—the minute in which men seem to recognize the manifestation of the heavenly grace in one man, and feel how this one imparts it to all?

Thus the thorny path of honor shows itself as a glory, surrounding the earth with its beams. Thrice happy he who is chosen to be a wanderer there, and, without merit of his own, to be placed between the builder of the bridge and the earth—between Providence and the human race.

On mighty wings the spirit of history floats through the ages, and shows—giving courage and comfort, and awakening gentle thoughts—on the dark nightly background, but in gleaming pictures, the thorny path of honor, which does not, like a fairy tale, end in brilliancy and joy here on earth, but stretches out beyond all time, even into eternity!

IN A THOUSAND YEARS

Yes, in a thousand years people will fly on the wings of steam through the air, over the ocean! The young inhabitants of America will become visitors of old Europe. They will come over to see the monuments and the great cities, which will then be in ruins, just as we in our time make pilgrimages to the tottering splendors of Southern Asia. In a thousand years they will come!

The Thames, the Danube, and the Rhine still roll their course, Mont Blanc stands firm with its snow-capped summit, and the Northern Lights gleam over the land of the North; but generation after generation has become dust, whole rows of the mighty of the moment are forgotten, like those who already slumber under the hill on which the rich trader, whose ground it is, has built a bench, on which he can sit and look out across his waving corn fields.

"To Europe!" cry the young sons of America; "to the land of our ancestors, the glorious land of monuments and fancy—to Europe!"

The ship of the air comes. It is crowded with passengers, for the transit is quicker than by sea. The electro-magnetic wire under the ocean has already telegraphed the number of the aerial caravan. Europe is in sight. It is the coast of Ireland that they see, but the passengers are still asleep; they will not be called till they are exactly over England. There they will first step on European shore, in the land of Shakespeare, as the educated call it; in the land of politics, the land of machines, as it is called by others.

Here they stay a whole day. That is all the time the busy race can devote to the whole of England and Scotland. Then the journey is continued through the tunnel under the English Channel, to France, the land of Charlemagne and Napoleon. Moliere is named, the learned men talk of the classic school of remote antiquity. There is rejoicing and shouting for the names of heroes, poets, and men of science, whom our time does not know, but who will be born after our time in Paris, the centre of Europe, and elsewhere.

The air steamboat flies over the country whence Columbus went forth, where Cortez was born, and where Calderon sang dramas in sounding verse. Beautiful black-eyed women live still in the blooming valleys, and the oldest songs speak of the Cid and the Alhambra.

Then through the air, over the sea, to Italy, where once lay old, everlasting Rome. It has vanished! The Campagna lies desert. A single ruined wall is shown as the remains of St. Peter's, but there is a doubt if this ruin be genuine.

Next to Greece, to sleep a night in the grand hotel at the top of Mount Olympus, to say that they have been there; and the journey is continued to the Bosphorus, to rest there a few hours, and see the place where Byzantium lay; and where the legend tells that the harem stood in the time of the Turks, poor fishermen are now spreading their nets.

Over the remains of mighty cities on the broad Danube, cities which we in our time know not, the travellers pass; but here and there, on the rich sites of those that time shall bring forth, the caravan sometimes descends, and departs thence again.

Down below lies Germany, that was once covered with a close net of railway and canals, the region where Luther spoke, where Goethe sang, and Mozart once held the sceptre of harmony. Great names shine there, in science and in art, names that are unknown to us. One day devoted to seeing Germany, and one for the North, the country of Oersted and Linnaeus, and for Norway, the land of the old heroes and the young Normans. Iceland is visited on the journey home. The geysers burn no more, Hecla is an extinct volcano, but the rocky island is still fixed in the midst of the foaming sea, a continual monument of legend and poetry.

"There is really a great deal to be seen in Europe," says the young American, "and we have seen it in a week, according to the directions of the great traveller" (and here he mentions the name of one of his contemporaries) "in his celebrated work, 'How to See All Europe in a Week.'"

THE BRAVE TIN SOLDIER

There were once five-and-twenty tin soldiers, who were all brothers, for they had been made out of the same old tin spoon. They shouldered arms and looked straight before them, and wore a splendid uniform, red and blue. The first thing in the world they ever heard were the words, "Tin soldiers!" uttered by a little boy, who clapped his hands with delight when the lid of the box, in which they lay, was taken off. They were given him for a birthday present, and he stood at the table to set them up. The soldiers were all exactly alike, excepting one, who had only one leg; he had been left to the last, and then there was not enough of the melted tin to finish him, so they made him to stand firmly on one leg, and this caused him to be very remarkable.

The table on which the tin soldiers stood, was covered with other playthings, but the most attractive to the eye was a pretty little paper castle. Through the small windows the rooms could be seen. In front of the castle a number of little trees surrounded a piece of looking-glass, which was intended to represent a transparent lake. Swans, made of wax, swam on the lake, and were reflected in it. All this was very pretty, but the prettiest of all was a tiny little lady, who stood at the open door of the castle; she, also, was made of paper, and she wore a dress of clear muslin, with a narrow blue ribbon over her shoulders just like a scarf. In front of these was fixed a glittering tinsel rose, as large as her whole face. The little lady was a dancer, and she stretched out both her arms, and raised one of her legs so high, that the tin soldier could not see it at all, and he thought that she, like himself, had only one leg. "That is the wife for me," he thought; "but she is too grand, and lives in a castle, while I have only a box to live in, five-and-twenty of us altogether, that is no place for her. Still I must try and make her acquaintance." Then he laid himself at full length on the table behind a snuff-box that stood upon it, so that he could peep at the little delicate lady, who continued to stand on one leg without losing her balance. When evening came, the other tin soldiers were all placed in the box, and the people of the house went to bed. Then the playthings began to have their own games together, to pay visits, to have sham fights, and to give balls. The tin soldiers rattled in their box; they wanted to get out and join the amusements, but they could not open the lid. The nut-crackers played at leap-frog, and the pencil jumped about the table. There was such a noise that the canary woke up and began to talk, and in poetry too. Only the tin soldier and the dancer remained in their places. She stood on tiptoe, with her legs stretched out, as firmly as he did on his one leg. He never took his eyes from her for even a moment. The clock struck twelve, and, with a bounce, up sprang the lid of the snuff-box; but, instead of snuff, there jumped up a little black goblin; for the snuff-box was a toy puzzle.

"Tin soldier," said the goblin, "don't wish for what does not belong to you."

But the tin soldier pretended not to hear.

"Very well; wait till to-morrow, then," said the goblin.

When the children came in the next morning, they placed the tin soldier in the window. Now, whether it was the goblin who did it, or the draught, is not known, but the window flew open, and out fell the tin soldier, heels over head, from the third story, into the street beneath. It was a terrible fall; for he came head downwards, his helmet and his bayonet stuck in between the flagstones, and his one leg up in the air. The servant maid and the little boy went down stairs directly to look for him; but he was nowhere to be seen, although once they nearly trod upon him. If he had called out, "Here I am," it would have been all right, but he was too proud to cry out for help while he wore a uniform.

Presently it began to rain, and the drops fell faster and faster, till there was a heavy shower. When it was over, two boys happened to pass by, and one of them said, "Look, there is a tin soldier. He ought to have a boat to sail in."

So they made a boat out of a newspaper, and placed the tin soldier in it, and sent him sailing down the gutter, while the two boys ran by the side of it, and clapped their hands. Good gracious, what large waves arose in that gutter! and how fast the stream rolled on! for the rain had been very heavy. The paper boat rocked up and down, and turned itself round sometimes so quickly that the tin soldier trembled; yet he remained firm; his countenance did not change; he looked straight before him, and shouldered his musket. Suddenly the boat shot under a bridge which formed a part of a drain, and then it was as dark as the tin soldier's box.

"Where am I going now?" thought he. "This is the black goblin's fault, I am sure. Ah, well, if the little lady were only here with me in the boat, I should not care for any darkness."

Suddenly there appeared a great water-rat, who lived in the drain.

"Have you a passport?" asked the rat, "give it to me at once." But the tin soldier remained silent and held his musket tighter than ever. The boat sailed on and the rat followed it. How he did gnash his teeth and cry out to the bits of wood and straw, "Stop him, stop him; he has not paid toll, and has not shown his pass." But the stream rushed on stronger and stronger. The tin soldier could already see daylight shining where the arch ended. Then he heard a roaring sound quite terrible enough to frighten the bravest man. At the end of the tunnel the drain fell into a large canal over a steep place, which made it as dangerous for him as a waterfall would be to us. He was too close to it to stop, so the boat rushed on, and the poor tin soldier could only hold himself as stiffly as possible, without moving an eyelid, to show that he was not afraid. The boat whirled round three or four times, and then filled with water to the very edge; nothing could save it from sinking. He now stood up to his neck in water, while deeper and deeper sank the boat, and the paper became soft and loose with the wet, till at last the water closed over the soldier's head. He thought of the elegant little dancer whom he should never see again, and the words of the song sounded in his ears—

Then the paper boat fell to pieces, and the soldier sank into the water and immediately afterwards was swallowed up by a great fish. Oh how dark it was inside the fish! A great deal darker than in the tunnel, and narrower too, but the tin soldier continued firm, and lay at full length shouldering his musket. The fish swam to and fro, making the most wonderful movements, but at last he became quite still. After a while, a flash of lightning seemed to pass through him, and then the daylight approached, and a voice cried out, "I declare here is the tin soldier." The fish had been caught, taken to the market and sold to the cook, who took him into the kitchen and cut him open with a large knife. She picked up the soldier and held him by the waist between her finger and thumb, and carried him into the room. They were all anxious to see this wonderful soldier who had travelled about inside a fish; but he was not at all proud. They placed him on the table, and—how many curious things do happen in the world!—there he was in the very same room from the window of which he had fallen, there were the same children, the same playthings, standing on the table, and the pretty castle with the elegant little dancer at the door; she still balanced herself on one leg, and held up the other, so she was as firm as himself. It touched the tin soldier so much to see her that he almost wept tin tears, but he kept them back. He only looked at her and they both remained silent. Presently one of the little boys took up the tin soldier, and threw him into the stove. He had no reason for doing so, therefore it must have been the fault of the black goblin who lived in the snuff-box. The flames lighted up the tin soldier, as he stood, the heat was very terrible, but whether it proceeded from the real fire or from the fire of love he could not tell. Then he could see that the bright colors were faded from his uniform, but whether they had been washed off during his journey or from the effects of his sorrow, no one could say. He looked at the little lady, and she looked at him. He felt himself melting away, but he still remained firm with his gun on his shoulder. Suddenly the door of the room flew open and the draught of air caught up the little dancer, she fluttered like a sylph right into the stove by the side of the tin soldier, and was instantly in flames and was gone. The tin soldier melted down into a lump, and the next morning, when the maid servant took the ashes out of the stove, she found him in the shape of a little tin heart. But of the little dancer nothing remained but the tinsel rose, which was burnt black as a cinder.

THE TINDER-BOX

A soldier came marching along the high road: "Left, right—left, right." He had his knapsack on his back, and a sword at his side; he had been to the wars, and was now returning home.