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Evolution of Expression, Volume 2—Revised

Part II.

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1. Sister Pullet was in tears when the one-horse chaise stopped before Mrs. Tulliver's door, and it was apparently requisite that she should shed a few more before getting out, for though her husband and Mrs. Tulliver stood ready to support her, she sat still and shook her head sadly, as she looked through her tears at the vague distance. "Why, whativer is the matter, sister?" said Mrs. Tulliver.

2. There was no reply but a further shake of the head, as Mrs. Pullet slowly rose and got down from the chaise, not without casting a glance at Mr. Pullet to see that he was guarding her handsome silk dress from injury. Mr. Pullet was a small man with a high nose, small twinkling eyes, and thin lips, in a fresh-looking suit of black and a white cravat, that seemed to have been tied very tight on some higher principle than that of mere personal ease.

3. It is a pathetic sight and a striking example of the complexity introduced into the emotions by a high state of civilization—the sight of a fashionably drest female in grief. Perceiving that the tears are hurrying fast, she unpins her strings and throws them languidly backward—a touching gesture, indicative, even in the deepest gloom, of the hope in future dry moments when cap-strings will once more have a charm.

4. Mrs. Pullet brushed each doorpost with great nicety, about the latitude of her shoulders (at that period a woman was truly ridiculous to an instructed eye if she did not measure a yard and a half across the shoulders), and having done that, sent the muscles of her face in quest of fresh tears as she advanced into the parlor where Mrs. Glegg was seated.

5. "Well, sister, you're late; what's the matter?" said Mrs. Glegg, rather sharply, as they shook hands.

Mrs. Pullet sat down—lifting up her mantle carefully behind, before she answered—

"She's gone. Died the day before yesterday, an' her legs was as thick as my body," she added, with deep sadness, after a pause. "They'd tapped her no end o' times, and the water—they say you might ha' swum in it, if you'd liked."

6. "Well, Sophy, it's a mercy she's gone, then, whoever she may be," said Mrs. Glegg, with the promptitude and emphasis of a mind naturally clear and decided; "but I can't think who you're talking of, for my part."

"But I know," said Mrs. Pullet, sighing and shaking her head; "and there isn't another such a dropsy in the parish. I know as its old Mrs. Sutton o' the Twentylands."

"Well, she's no kin o' yours, nor much acquaintance as I've ever heared of," said Mrs. Glegg, who always cried just as much as was proper when anything happened to her own "kin," but not on other occasions.

7. "She said to me, when I went to see her last Christmas, she said, 'Mrs. Pullet, if ever you have the dropsy, you'll think o' me.' She did say so," added Mrs. Pullet, beginning to cry bitterly again; "those were her very words. And she's to be buried o' Saturday, and Pullet's bid to the funeral."

"Sophy," said Mrs. Glegg, unable any longer to contain her spirit of rational remonstrance—"Sophy, I wonder at you, fretting and injuring your health about people as don't belong to you. Your poor father never did so, nor your aunt Frances neither, nor any o' the family as I ever heard of. You couldn't fret no more than this, if we'd heared as our cousin Abbott had died sudden without making his will."

8. Mrs. Pullet was silent, having to finish her crying, and rather flattered than indignant at being upbraided for crying too much.

"Ah!" she sighed, shaking her head at the idea that there were but few who could enter fully into her experiences. "Sister, I may as well go and take my bonnet off now. Did you see as the cap-box was put out?" she added, turning to her husband.

Mr. Pullet, by an unaccountable lapse of memory, had forgotten it, and hastened out, with a stricken conscience, to remedy the omission.

9. "They'll bring it up-stairs, sister," said Mrs. Tulliver, wishing to go at once, for she was fond of going up-stairs with her sister Pullet, and looking thoroughly at her cap before she put it on her head, and discussing millinery in general. This was part of Bessy's weakness, that stirred Mrs. Glegg's sisterly compassion: Bessy went far too well drest, considering.

But when Mrs. Pullet was alone with Mrs. Tulliver up-stairs, the remarks were naturally to the disadvantage of Mrs. Glegg, and they agreed, in confidence, that there was no knowing what sort of fright sister Jane would come out next.

George Eliot.

AFTER THE MARCH RAIN.

I.

The Cock is crowing, The stream is flowing, The small birds twitter, The lake doth glitter, The green field sleeps in the sun; The oldest and youngest Are at work with the strongest; The cattle are grazing, Their heads never raising; There are forty feeding like one!

II.

Like an army defeated The snow hath retreated, And now doth fare ill On the top of the bare hill; The ploughboy is whooping—anon—anon: There's joy in the mountains; There's life in the fountains; Small clouds are sailing, Blue sky prevailing; The rain is over and gone!

William Wordsworth.

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