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Elfin music

The Fairy Family.

Reading edition

THE ROLLS OF ELFIN EMPEROURS.

Prometheus did create A man of many parts from beasts deryv’d, And then stole fire from heven to animate His worke, for which he was by Jove depryv’d Of life himselfe, and hart-strings of an ægle ryv’d. That man so made, he called Elfe, to weet Quick, the first author of all Elfyn kynd; Who, wand’rin through the world with wearie feet, Did in the Gardins of Adonis find A goodly Creature, whom he deemd in mynd To be no earthly wight, but either spright Or angell, th’ author of all woman kynd; Therefore a Fay he her according hight, Of whom all Fayres spring, and fetch their lignage right. Of these a mighty people shortly grew, And puissant kinges, which all the world war-rayd, And to themselves all nations did subdew. The first and eldest, which that scepter swayd, Was Elfin; him all India obayd, And all that now America men call: Next him was noble Elfinan, who laid Cleopolis’ foundation first of all, But Elfiline enclosed it with a golden wall. His sonne was Elfinelle, who overcame The wicked Gobbelines in bloody field; But Elfant was of most renowned fame, Who all of crystal did Panthea build: Then Elfar, who two brethren gyaunts kild, The one of which had two heads, th’ other three; Then Elfinor, who was in magick skild; He built by art upon the glassy see A bridge of bras, whose sound heven’s thunder seemed to be. He left three sonnes, the which in order raynd, And all their offspring in their dew descents; Even seven hundred princes, which maintaynd With mightie deeds their sondry governments, That were too long their infinite contents Here to record, ne much materiall; Yet should they be most famous moniments, And have ensample, both of martiall And civil rule to kings and states imperiall. After all these Elficleos did rayne, The wise Elficleos! in great maiestie, Who mightily that scepter did sustayne, And with rich spoyles and famous victorie Did high advaunce the Crown of Faëry. He left two sonnes, of which fayre Elferon, The eldest brother, did untimely dy, Whose empty place the mighty Oberon Doubly supplide in spousall and dominion. Great was his power and glory over all, Which him before that sacred seate did fill, That yet remains his wide memoriall. He dying, left the fairest Tanaquill Him to succeede therein by his last will: Fairer and nobler liveth none this houre, Ne like in grace, ne like in learned skill; Therefore they Glorian call that glorious floure: Long mayst thou, Glorian! live in glory and great power.

Edmund Spenser.

Illustration from Elfin music: An anthology of English fairy poetry

THE FAERY KING.

When the monthly horned queene Grew jealous that the starrs had seene Her rising from Endymion’s arms, In rage she threw her misty charmes Into the bosome of the night, To dimme theire curious pryeing sight; Then did the dwarfish Faery elves, Having first attyr’d themselves, Prepare to dresse their Oberon King In light robes fitt for revelling: With a cobweb shirt more thinne, Than ever spider since could spin, Bleacht to the whiteness of the snow, By the stormie windes that blow In the vast and frozen ayre No shirt half so fine, so fayre. A rich wastcoat they did bring, Made of the trout-flies gilded wing: At which his elveship gan to fret, Swearing it would make him sweat Even with its weight: he needs would weare A wastcoat wrought of downy haire, New shaven from an eunuck’s chin, That pleas’d him well, ’twas wondrous thin; The outside of his doublet was Made of the foure-leav’d, true lov’d, grasse Chang’d into so fine a glosse, With the oyle of crispie mosse, It made a rainbow in the night, Which gave a lustre passing light: On every seame there was a lace Drawne by the unctious snail’s slow pace To which the fin’st, pur’st silver thread Compar’d, did looke like dull pale lead. Each button was a sparkling eye Tane from the speckled adder’s frye; And for coollness next the skin, ’Twas wᵗʰ white poppey linde wᵗʰin. His breeches of the fleece was wrought, Which from Cholchos Jason brought; Spun into so fine a yarne, “No mortal wight might it discerne,” Weaved by Arachne on her loome, Just before she had her doome. A rich mantle he did weare, Made of tinsell gosameare; Beflowered over with a few Diamond stars of morning dew; Dyed crimson in a mayden’s blush; Lin’d with humble-bee’s soft plush. His cap was all of ladies’ love, So wondrous light that it would move, If any humming gnat or flie Buzz’d the air in passing by. About his necke a wreath of pearle Dropt from the eyes of some poore girle, Pinched, because she had forgot To leave clean water in the pot. And for’s feather he did weare, Old Nisus’ fatall purple haire, The sword ygirded to his thigh Was smallest blade of finest rye; A payre of buskins they did bringe Of yᵉ cowladye’s corrall winge, Powdred o’er with spots of jett, And lin’d wᵗʰ purple violett. His belt was made of myrtle leaues, Pleyted in small curious threavs, Besett wᵗʰ amber cowslip’s studs, And fringed about with daysey buds, In wᶜʰ his bugle home was hunge, Made of the babling Ecchoe’s tongue, Wᶜʰ Sett vnto his moone-burnt lip He winds, and then his Faeryes skipp; At that the lazy drone ’gan sound, And each did trip a fayrey round.

Sir Simeon Steward.

Illustration from Elfin music: An anthology of English fairy poetry

QUEEN MAB.

This is Mab, the mistress Fairy, That doth nightly rob the dairy, And can help or hurt the cherning, As she please without discerning. She that pinches country wenches, If they rub not clean their benches, And with sharper nails remembers When they rake not up their embers: But if so they chance to feast her, In a shoe she drops a tester. This is she that empties cradles, Takes out children, puts in ladles: Trains forth midwives in their slumber, With a sieve the holes to number; And then leads them from her burrows, Home through ponds and water-furrows. She can start our Franklin’s daughters, In their sleep, with shrieks and laughters; And on sweet St. Anna’s night, Feed them with a promised sight, Some of husbands, some of lovers, Which an empty dream discovers.

Ben Jonson.

Illustration from Elfin music: An anthology of English fairy poetry

THE FAIRY QUEEN.

Come, follow, follow me, You, fairy elves that be; Which circle on the greene, Come follow Mab, your queene. Hand in hand let’s dance around, For this place is fairy ground. When mortals are at rest And snoring in their nest, Unheard and unespy’d, Through key-holes we do glide; Over tables, stools, and shelves, We trip it with our fairy elves. And, if the house be foul With platter, dish, or bowl, Upstairs we nimbly creep, And find the sluts asleep; Then we pinch their arms and thighs; None escapes, nor none espies. But if the house be swept, And from uncleanness kept, We praise the household maid, And duely she is paid: For we use before we goe To drop a tester in her shoe. Upon a mushroomes head Our table-cloth we spread; A grain of rye, or wheat, Is manchet, which we eat; Pearly drops of dew we drink In acorn cups fill’d to the brink. The brains of nightingales, With unctuous fat of snailes, Between two cockles stew’d, Is meat that’s easily chew’d; Tails of wormes and marrow of mice, Do make a dish that’s wonderous nice. The grasshopper, gnat, and fly Serve for our minstrelsie; Grace said, we dance awhile, And so the time beguile; And if the moon doth hide her head, The gloe-worm lights us home to bed. On tops of dewie grasse So nimbly do we passe The young and tender stalk Ne’er bends when we do walk; Yet in the morning may be seen Where we the night before have been.

Old Poem.

Illustration from Elfin music: An anthology of English fairy poetry

QUEEN MAB.

O then, I see, Queen Mab hath been with you. She is the fairies’ midwife, and she comes In shape no bigger than an agate stone On the forefinger of an alderman; Drawn with a team of little atomies Athwart men’s noses as they lie asleep: Her wagon spokes made of long spinners’ legs; The cover, of the wings of grasshoppers; The traces, of the smallest spider’s web; The collars, of the moonshine’s watery beams; Her whip, of cricket’s bone, the lash, of film; Her wagoner, a small grey-coated gnat, Not half so big as a round little worm, Pricked from the lazy finger of a maid: Her chariot is an empty hazel nut, Made by the joiner squirrel, or old grub, Time out of mind the fairies’ coachmakers. And in this state she gallops night by night, Through lovers’ brains, and then they dream of love; On courtiers’ knees that dream on court’sies straight; O’er lawyers’ fingers, who straight dream on fees; O’er ladies’ lips, who straight on kisses dream.

William Shakespeare.

Illustration from Elfin music: An anthology of English fairy poetry

LULLABY FOR TITANIA.

First Fairy. You spotted snakes with double tongue, Thorny hedgehogs, be not seen; Newts, and blind-worms, do no wrong; Come not near our fairy queen. Chorus. Philomel with melody Sing in our sweet lullaby; Lulla, lulla, lullaby; lulla, lulla, lullaby! Never harm, nor spell, nor charm, Come our lovely lady nigh! So good night, with lullaby. Second Fairy. Weaving spiders, come not here; Hence, you long-legg’d spinners, hence; Beetles black, approach not near; Worm, nor snail, do no offence. Chorus. Philomel with melody Sing in our sweet lullaby; Lulla, lulla, lullaby; lulla, lulla, lullaby! Never harm, nor spell, nor charm, Come our lovely lady nigh! So good night, with lullaby.

William Shakespeare.

Illustration from Elfin music: An anthology of English fairy poetry

THE FAIRY QUEEN SLEEPING.

She lay upon a bank, the favourite haunt Of the spring wind in its first sunshine hour, For the luxuriant strawberry blossoms spread Like a snow-shower there, and violets Bow’d down their purple vases of perfume About her pillow,—link’d in a gay band Floated fantastic shapes, these were her guards, Her lithe and rainbow elves. ... We have been o’er land and sea, Seeking lovely dreams for thee,— Where is there we have not been Gathering gifts for our sweet queen? We are come with sound and sight Fit for fairy’s sleep to-night;— First around thy couch shall sweep Odours, such as roses weep When the earliest spring rain Calls them into life again; Next upon thine ear shall float Many a low and silver note, Stolen from a dark-eyed maid, When her lover’s serenade, Rising as the stars grew dim, Waken’d her from thoughts of him;— There shall steal o’er lip and cheek Gales, but all too light to break Thy soft rest,—such gales as hide All day orange-flowers inside, Or that, while hot noontide, dwell In the purple hyacinth bell; And before thy sleeping eyes Shall come glorious pageantries,— Palaces of gems and gold, Such as dazzle to behold,— Gardens, in which every tree Seems a world of bloom to be,— Fountains, whose clear waters show The white pearls that lie below.— During slumber’s magic reign Other times shall live again; First thou shalt be young and free In thy days of liberty,— Then again be woo’d and won By thy stately Oberon. Or thou shalt descend to earth, And see all of mortal birth.— No, that world’s too full of care For e’en dreams to linger there. But, behold, the sun is set, And the diamond coronet Of the young moon is on high Waiting for our revelry; And the dew is on the flower, And the stars proclaim our hour; Long enough thy rest has been, Wake, Titania, wake, our queen!

L. E. L.

Illustration from Elfin music: An anthology of English fairy poetry

ROBIN GOOD-FELLOW.

From Oberon, in fairye land, The King of ghosts and shadows there, Mad Robin I, at his command, Am sent to view the night-sports here. What revell rout Is kept about, In every corner where I go, I will o’ersee, And merry bee, And make good sport, with ho, ho, ho! More swift than lightning can I flye About this aery welkin soone, And, in a minute’s apace, descrye Each thing that’s done below the moone. There’s not a hag Or ghost shall wag Or cry, “’Ware Goblins!” where I go, But Robin I Their feates will spy, And send them home, with ho, ho, ho! Whene’er such wanderers I meete, As from their night-sports they trudge home, With counterfeiting voice I greete And call them on with me to roame Thro’ woods, thro’ lakes, Thro’ bogs, thro’ brakes; Or else, unseene, with them I go, All in the nicke To play some tricke And frolicke it, with ho! ho! ho! Sometimes I meete them like a man; Sometimes, an ox; sometimes, a hound! And to a horse I turn me can, To trip and trot about them round. But if, to ride, My backe they stride, More swift than wind away I go, O’er hedge and lands, Thro’ pools and ponds I whirry, laughing, ho, ho, ho! When lads and lasses merry be, With possets and with juncates fine, Unseene of all the company, I eat their cakes and sip their wine; And, to make sport I fart and snort, And out the candles I do blow; The maids I kiss; They shrieke,—“Who’s this?” I answer nought, but ho, ho, ho! Yet now and then, the maids to please, At midnight I card up their wooll; And while they sleepe and take their ease, With whee to threads their wax I pull. I grind at mill Their malt up still; I dress their hemp, I spin their tow. If any ’wake And would me take, I wend me, laughing, ho, ho, ho! When house or harth doth sluttish lye, I pinch the maidens black and blue; The bed-clothes from the bedd pull I, And lay them naked all to view. ’Twixt sleepe and wake I do them take, And on the key-cold floor them throw. If out they cry, Then forth I fly, And loudly laugh out, ho, ho, ho! When any need to borrowe ought, We lend them what they do require, And for the use demand we nought, Our owne is all we do desire. If to repay They do delay, Abroad amongst them then I go, And night by night I them affright With pinchings, dreames, and ho, ho, ho! When lazie queans have nought to do But study how to cog and lye, To make debate and mischief too, ’Twixt one another secretlye, I marke their gloze, And it disclose To them whom they have wronged so; When I have done I get me gone, And leave them scolding, ho, ho, ho! When men do traps and engins set In loop holes, where the vermine creep, Who from their foldes and houses get Their ducks and geese, and lambes and sheepe, I spy the gin, And enter in, And seeme a vermine taken so; But when they there Approach me neare, I leap out laughing, ho, ho, ho! By wells and rills, in meadowes greene, We nightly dance our hey-day guise, And to our fairye king and queene We chant our moonlight minstrelsies. When larks ’gin sing, Away we fling; And babes new borne steal as we go, And elfe in bed We leave instead, And wend us laughing, ho, ho, ho! From hag-bred Merlin’s time have I Thus nightly revell’d to and fro, And for my pranks men call me by The name of Robin Good-fellow. Fiends, ghosts, and sprites Who haunt the nightes, The hags and goblins do me know, And beldames old My feats have told, So vale, vale; ho, ho, ho!

Old Poem.

Illustration from Elfin music: An anthology of English fairy poetry

PUCK’S SONG.

Over hill, over dale, Through bush, through brier, Over park, over pale, Thorough flood, thorough fire, I do wander everywhere, Swifter than the moone’s sphere; And I serve the fairy queen, To dew the orbs upon the green: The cowslips tall her pensioners be; In their gold coats spots you see; Those be rubies, fairy favours; In those freckles live their savours: I must go seek some dewdrops here, And hang a pearl in every cowslip’s ear.

William Shakespeare.

Illustration from Elfin music: An anthology of English fairy poetry

THE FAIR TEMPLE; OR, OBERON’S CHAPEL.

A way enchased with glass and beads There is, that to the chapel leads, Whose structure, for his holy rest, Is here the Halcyon’s curious nest: Into the which who looks, shall see His temple of idolatry, Where he of godheads has such store, As Rome’s Pantheon had not more. His house of Rimmon this he calls, Girt with small bones, instead of walls. First, in a niche, more black than jet, His idol-cricket there is set; Then in a polished oval by, There stands his idol-beetle-fly: Next, in an arch, akin to this, His idol-canker seated is: Then in a round, is placed by these His golden god, Cantharides. So that where’er ye look, ye see No capital, no cornice free, Or frieze, from this fine frippery. Now, this the fairies would have known, Theirs is a mixed religion: And some have heard the elves it call Part Pagan, part Papisticall. If unto me all tongues were granted, I could not speak the saints here painted. Saint Tit, Saint Nit, Saint Is, Saint Itis, Who ’gainst Mab’s state placed here right is. Saint Will-o’-th’-Wisp, of no great bigness, But alias called here fatuus ignis. Saint Frip, Saint Trip, Saint Fill, Saint Fillie, Neither those other saintships will I Here go about for to recite Their number, almost infinite, Which, one by one, here set down are In this most curious calendar. First, at the entrance of the gate, A little puppet-priest doth wait, Who squeaks to all the comers there, “Favour your tongues, who enter here, Pure hands bring hither, without stain.” A second pules, “Hence, hence, profane.” Hard by, i’ th’ shell of half a nut, The holy water there is put; A little brush of squirrels’ hairs, Composed of odd, not even pairs, Stands in the platter or close by To purge the fairy family. Near to the altar stands the priest, There off’ring up the Holy Grist; Ducking in mood and perfect tense, With (much good do’t him) reverence. The altar is not here four-square, Nor in a form triangular; Nor made of glass, or wood, or stone, But of a little transverse bone Which boys and bruckelled children call (Playing for points and pins) cockall. Whose linen drapery is a thin, Subtile, and ductile codlin’s skin: Which o’er the board is smoothly spread With little seal-work damaskëd. The fringe that circumbinds it, too, Is spangle work of trembling dew, Which, gently gleaming, makes a show, Like frost-work glitt’ring on the snow. Upon this fetuous board doth stand Something for shew-bread, and at hand (Just in the middle of the altar) Upon an end, the Fairy-psalter, Graced with the trout-fly’s curious wings, Which serve for watchet ribbonings. Now, we must know, the elves are led Right by the Rubric, which they read: And if report of them be true, They have their text for what they do, Ay, and their book of canons too. And, as Sir Thomas Parson tells, They have their Book of Articles: And if that Fairy Knight not lies, They have their Book of Homilies; And other Scriptures, that design A short, but righteous discipline. The basin stands the board upon To take the Free Oblatïon, A little pin-dust, which they hold More precious than we prize our gold; Which charity they give to many Poor of the parish, if there’s any. Upon the ends of these neat rails, Hatched with the silver-light of snails, The elves, in formal manner, fix Two pure and holy candlesticks, In either which a small tall bent Burns for the altar’s ornament. For sanctity, they have, to these, Their curious copes and surplices Of cleanest cobweb, hanging by In their religious vestery. They have their ash-pans and their brooms, To purge the chapel and the rooms; Their many mumbling mass-priests here, And many a dapper chorister. Their ushering vergers, here likewise, Their canons and their chanteries: Of cloister monks they have enow, Ay, and their abbey-lubbers too. And if their legend do not lie, They much affect the Papacy; And since the last is dead, there’s hope Elve Boniface shall next be Pope. They have their cups and chalices, Their pardons and indulgences; Their beads of nuts, bells, books, and wax, Candles, forsooth, and other knacks; Their holy oil, their fasting spittle, Their sacred salt here, not a little. Dry chips, old shoes, rags, grease, and bones, Besides their fumigatīons, To drive the devil from the cod-piece Of the friar, of work an odd piece, Many a trifle, too, and trinket, And for what use, scarce man would think it. Next then, upon the chanter’s side An apple’s core is hung up dried, With rattling kernels, which is rung To call to morn and even song. The saint, to which the most he prays And offers incense nights and days, The lady of the lobster is, Whose foot-pace he doth stroke and kiss, And humbly chives of saffron brings, For his most cheerful offerings. When, alter these, he’s paid his vows, He lowly to the altar bows: And then he dons the silkworms shed, Like a Turk’s turban on his head, And reverently departeth thence, Hid in a cloud of frankincense; And by the glow-worm’s light well-guided, Goes to the feast that’s now provided.

Robert Herrick.

Illustration from Elfin music: An anthology of English fairy poetry

OBERON’S FEAST.

A little mushroom-table spread, After short prayers they set on bread, A moon-parched grain of purest wheat, With some small glitt’ring grit, to eat His choice bits with; then in a trice They make a feast less great than nice. But all this while his eye is served, We must not think his ear was starved; But that there was in place to stir His spleen, the chirring grasshopper, The merry cricket, puling fly, The piping gnat for minstrelsy. And now, we must imagine first, The elves present, to quench his thirst, A pure seed-pearl of infant dew, Brought and besweetened in a blue And pregnant violet; which done, His kitling eyes begin to run Quite through the table, where he spies The horns of papery butterflies, Of which he eats; and tastes a little Of that we call the cuckoo’s spittle. A little fuz-ball puddling stands By, yet not blessed by his hands, That was too coarse; but then forthwith He ventures boldly on the pith Of sugared rush, and eats the sagg And well be-strutted bee’s sweet bag; Gladding his palate with some store Of emmets’ eggs; what would he more, But beards of mice, a newt’s stewed thigh, A bloated earwig, and a fly; With the red-capped worm, that’s shut Within the concave of a nut, Brown as his tooth. A little moth, Late fattened in a piece of cloth; With withered cherries, mandrake’s ears, Mole’s eyes; to these the slain stag’s tears; The unctuous dewlaps of a snail, The broke-heart of a nightingale O’ercome in music; with a wine Ne’er ravished from the flattering vine, But gently pressed from the soft side Of the most sweet and dainty bride, Brought in a dainty daisy, which He fully quaffs up to bewitch His blood to height; this done, commended Grace by his priest; the feast is ended.

Robert Herrick.

Illustration from Elfin music: An anthology of English fairy poetry

OBERON’S PALACE.

Full as a bee with thyme, and red As cherry harvest, now high fed For lust and action! on he’ll go To lie with Mab, though all say no. Lust has no ears; he’s sharp as thorn, And fretful, carries hay in ’s horn, And light’ning in his eyes; and flings Among the elves, if mov’d, the stings Of pettish wasps; well know his guard, Kings, though they’re hated, will be feared. Wine led him on. Thus to a grove, Sometimes devoted unto love, Tinselled with twilight, he and they Led by the shine of snails, a way Beat with their num’rous feet, which by Many a neat perplexity, Many a turn, and many a cross- Track, they redeem a bank of moss Spongy and swelling, and far more Soft then the finest Lemster ore: Mildly disparkling, like those fires Which break from the enjewelled tyres Of curious brides; or like those mites Of candied dew in moony nights. Upon this convex, all the flowers Nature begets by th’ sun and showers, Are to a wild digestion brought, As if Love’s sampler here was wrought; Or Citherea’s ceston, which All with temptation doth bewitch. Sweet airs move here, and more divine Made by the breath of great-eyed kine, Who, as they low, empearl with milk The fern-leav’d grass, or moss like silk. The breath of monkeys met to mix With musk-flies, are th’ aromatics Which cense this arch; and here and there, And farther off, and everywhere Throughout that brave mosaic yard, Those picks or diamonds in the card, With pips of hearts, of club and spade, Are here most neatly interlaid. Many a counter, many a die, Half rotten and without an eye, Lies hereabouts; and for to pave The excellency of this cave, Squirrels’ and children’s teeth late shed, Are neatly here enchequerèd, With brownest toadstones, and the gum That shines upon the bluer plum. The nails fall’n off by whit-flows: Art’s Wise hand enchasing here those warts Which we to others (from ourselves) Sell, and brought hither by the elves. The tempting mole, stol’n from the neck Of the shy virgin, seems to deck The holy entrance; where within, The room is hung with the blue skin Of shifted snake; enfriezed throughout With eyes of peacocks’ trains, and trout- Flies’ curious wings; and these among Those silver-pence, that cut the tongue Of the red infant, neatly hung. The glow-worm’s eyes, the shining scales Of silv’ry fish, wheat-straws, the snail’s Soft candle-light, the kitling’s eyne, Corrupted wood, serve here for shine. No glaring light of bold-faced day, Or other over-radiant ray, Ransacks this room; but what weak beams Can make reflected from these gems, And multiply; such is the light, But ever doubtful, day or night. By this quaint taper-light, he winds His errors up; and now he finds His moon-tanned Mab, as somewhat sick, And, love knows, tender as a chick. Upon six plump dandélions, high- Reared, lies her elvish majesty, Whose woolly bubbles seemed to drown Her Mabship in obedient down; For either sheet was spread the caul That doth the infant’s face enthral, When it is born, by some enstyled The lucky omen of the child; And next to these, two blankets o’er- Cast of the finest gossamer; And then a rug of carded wool, Which, sponge-like, drinking in the dull Light of the moon, seemed to comply, Cloud-like, the dainty deity. Thus soft she lies; and overhead A spinner’s circle is bespread With cobweb curtains, from the roof So neatly sunk, as that no proof Of any tackling can declare What gives it hanging in the air. The fringe about this, are those threads Broke at the loss of maidenheads; And all behung with these pure pearls Dropt from the eyes of ravished girls Or writhing brides, when panting they Give unto love the straighter way. In music now he has the cries Of fainèd-lost virginities; The which the elves make to excite A more unconquered appetite. The king’s undressed; and now upon The gnat’s watchword the elves are gone. And now the bed, and Mab possessed Of this great-little kingly quest, We’ll nobly think what’s to be done, He’ll do no doubt. This flax is spun.

Robert Herrick.

Illustration from Elfin music: An anthology of English fairy poetry

THE WATER-LADY.

Alas, the moon should ever beam To show what man should never see!— I saw a maiden on a stream, And fair was she! I staid awhile, to see her throw Her tresses back, that all beset The fair horizon of her brow With clouds of jet. I staid a little while to view Her cheek, that wore in place of red, The bloom of water, tender blue,[1] Daintily spread. I staid to watch, a little space, Her parted lips if she would sing; The waters closed above her face With many a ring. And still I staid a little more, Alas! she never comes again! I throw my flowers from the shore, And watch in vain. I know my life will fade away, I know that I must vainly pine, For I am made of mortal clay, But she’s divine.

Thomas Hood.

Illustration from Elfin music: An anthology of English fairy poetry

THE PIXIES.

The frost hath spread a shining net Where last the autumn roses blew; On lake and stream a seal is set Where floating lilies charmed the view; So silently the wonder grew Beneath pale Dian’s mystic light, I know my fancies whisper true, The Pixies are abroad to-night. When at the midnight chime are met Together elves of every hue, I trow the gazer will regret That peers upon their retinue; For limb awry and eye askew Have oft proclaimed a fairy’s spite— Peep slyly, gallants, lest ye rue, The Pixies are abroad to-night. ’Tis said their forms are tiny, yet All human ills they can subdue, Or with a wand or amulet Can win a maiden’s heart for you; And many a blessing know to strew To make the way to wedlock bright; Give honour to the dainty crew, The Pixies are abroad to-night. ENVOY. Prince, e’en a prince might vainly sue, Unaided by a fairy’s might; Remember Cinderella’s shoe, The Pixies are abroad to-night.

Samuel Minton Peck.

Illustration from Elfin music: An anthology of English fairy poetry

SONG OF THE WATER SPRITE.

The weary sun, all goldën red, Sinks in the sea; All fiery glows his ocean bed— There seek me; For there, my floating tresses lave In the golden fires of the crystal wave, For ever free! When Vesper first peers through the sky O’er wild Tiree, And twinkling darts her light from high— There find me; The clear air nerves my gossamer wing, And I love to hear the star-sprites sing, For ever free! The mildly radiant Queen of Night Dreams o’er the sea, And bathes the deep in silv’ry light— There seek me; For there I skim her watery glass, And I merrily watch each spirit pass, For ever free! I love the Sun—I love the Moon— So fair to see; I love the little twinkling stars, And they love me; I, too, love my emerald home, With its coral cells ’neath the sparkling foam, For ever free! For there, we lightly trip around The coral tree, And quickly beat the pearly ground All merrily: While o’er us, as we gaily sing, All the crystal domes with music ring, For ever free! When sun, or stars, are shining bright Down through the sea, When pure domes flushed in sunset light Change gloriously, We play with murmuring rose-lipp’d shells, Or we sail a-down clear waterfalls, For ever free! We hear, in each cool sparry cave, Plaint melody Sung by the mermaids of the wave, Æōlianly! While ocean’s coral groves around, With the witching syren-notes resound, For ever free! Hark! hark! the sweet-voiced choir renew Their symphony! All quivering with a rainbow hue In ecstasy, Our spangled wings now waft us high, Through the mazy paths of the starry sky, For ever free!

Andrew James Symington.

Illustration from Elfin music: An anthology of English fairy poetry

A LEGEND OF THE WATER-SPIRIT CALLED NECKAN.

Dark and deep and calm as night Flows the stream along; Quiet in the evening light, As love’s fulness strong Flowing, flowing, flowing on Swift as sweet days come and gone, Low murmuring like Eternity, Softly step two children bright, Hearkening for the Water-Sprite, Nigh unto the alder-tree Where at evening singeth he As he doth sing to-night, Floating on the azure tide Fairer than an earthly bride. While the river flows along, Hearken to the spirit’s song: “Softly falls the summer Over all the land, Softly flows the river Past its mossy strand, Over-arched by wild-rose bowers, Clustered with the woodbine flowers Hanging down their fragrant tresses Over shady cool recesses, Where the water-lilies gleam Tranquil on the moving stream. Deep beneath, the spirits glide Who know not sorrow, hate, nor pride; Loving earth with its fair things, Mountain and valley and sunny lea, But most the rivers so pure and free, Sparkling fountains, secret springs, Dewy flowers in radiant bloom, Morning glories, midnight gloom, Loving all things pure and bright With unspeakable delight. Learning from the starry skies Everlasting mysteries.” Sudden ceased both lyre and song (Softly flowed the stream along), For thus spake those children young: “Oh, Neckan, what availeth thee To sing and play so gloriously In perfect exultation? What avail the starry skies, Or the splendour of thine eyes, Or the unsealed mysteries? For thee is no salvation!” Weeping sore the Spirit threw Far his golden-stringèd lyre, Piteous wailing, wild and shrill, Sank he in the waters blue; In a fairy-ring of fire Once they flashed and then were still. Homeward turned the children bright Through the meadows green and wide, Soon their father’s knee beside Told they of the Water-Sprite. Grave he heard them, answering then “Nay, my children, ye were wrong Thus to mar the Spirit’s song. Hasten to-morrow to the glen When the light is fair and dim That the sunset giveth, Tell the Spirit that for him, Him too the Saviour liveth.” On the morrow when the sun To the western gates had run, Forth there stepped those children bright Hearkening for the Water-Sprite. Soon they heard him wailing low In his sad extreme of woe, Underneath the alder-tree Weeping in his misery. Softly drew the children near, Softly spake: “Oh, Spirit, hear, Our sire this comfort giveth: God has sent His Son to be The World’s Redeemer, then for thee See! the Redeemer liveth!” Then the Spirit wept no more, Golden-stringèd lyre he strung, Soon melodious echoes rung From the farther, wooded shore. Gloriously he played and sung, Whilst the sun withdrew his light, Slowly rose behind the trees Orion and the Pleiades, And still went singing on the joyful Water Sprite.

Margaret Dixon.

Illustration from Elfin music: An anthology of English fairy poetry

THE MERMAID.

“Oh, where won ye, my bonny lass, Wi’ look sae wild an’ cheery? There’s something in that witching face That I lo’e wonder dearly.” “I live where the harebell never grew, Where the streamlet never ran, Where the winds o’ Heaven never blew— Now find me gin you can.” “’Tis but your wild an’ wily way, The gloaming makes you eerie, For ye are the lass o’ the Braken-Brae, An nae lad maun come near ye: “But I am sick, an’ very sick, Wi’ a passion strange and new, For ae kiss of thy rosy cheeks And lips o’ coral hue.” ... “Go, hie you from this lonely brake, Nor dare your walk renew; For I’m the Maid of the Mountain Lake, An’ I come wi’ the falling dew.” “Be you the maid of the Crystal Wave, Or she of the Braken-Brae; One tender kiss I mean to have; You shall not say me nay. “For beauty’s like the daisy’s vest, That shrinks from the early dew; But soon it opes its bonny breast, An’ sae may it fare wi’ you.” “Kiss but this hand, I humbly sue, Ev’n there I’ll rue the stain; For the breath of men will dim its hue, It will ne’er be pure again. “For passion’s like the burning beal Upon the mountain’s brow, That wastes itself to ashes pale, And sae will it fare with you.” ... “Oh, mother, mother, make my bed, And make it soft and easy; And with the cold dew bathe my head, For pains of anguish seize me: “Or stretch me in the chill blue lake, To quench this bosom’s burning; An’ lay me by yon lonely brake, For hope there’s none returning. “I’ve been where man should not have been, Oft in my lonely roaming; And seen what man should not have seen By greenwood in the gloaming. “Oh, passion’s deadlier than the grave, A’ human things undoing; The Maiden of the Mountain Wave Has lured me to my ruin!” ... ’Tis now an hundred years an’ more, An’ all these scenes are over, Since rose his grave on yonder shore Beneath the wild wood cover; An’ late I saw the Maiden there, Just as the daylight faded, Braiding her locks o’ gowden hair, And singing as she braided: MERMAID’S SONG. Lie still, my love, lie still and sleep, Long is thy night of sorrow; The Maiden of the mountain deep Shall meet you on the morrow. But oh, when shall that morrow be That my true love shall waken? When shall we meet, refined an’ free, Amid the moorland braken? Full low and lonely is thy bed, The worm even flies thy pillow; Where now the lips, so comely red, That kissed me ’neath the willow? Oh, I must laugh, do as I can, Ev’n mid my song of mourning, At all the fuming freaks of man, To which there’s no returning. Lie still, my love, lie still and sleep— Hope lingers o’er thy slumber; What though thy years beneath the steep Should all its stones outnumber? Though moons steal o’er an’ seasons fly On time’s swift wing unstaying, Yet there’s a spirit in the sky, That lives o’er thy decaying. In domes beneath the water-springs, No end hath my sojourning; An’ to this land of fading things Far hence be my returning; For spirits now have left the deep, Their long last farewell taken: Lie still, my love, lie still an’ sleep, The day is near the breaking! When my loved flood from fading day No more its gleam shall borrow, Nor heath-fowl from the moorland grey Bid the blue dawn good-morrow; The Mermaid o’er thy grave shall weep, Without one breath of scorning: Lie still, my love, lie still an’ sleep, And fare thee well till morning!

James Hogg.

Illustration from Elfin music: An anthology of English fairy poetry

SONG OF THE WATER NIXIES.

By the ripple, ripple of the shallow sea, By the rocky sea, By the hollow sea, We have built a giant windmill, with its long arms free, And it grinds, that we May not hungry be. With a rumble and a roar, sounding all along the shore, We should vanish and should perish if our wheel were heard no more. Little hopes of fisher maidens in the far-off town, In our wheel go down, Evermore go down, For the fisher lads that hold them in the deep sea drown, By our grinding drown, For our pleasures drown. Rend the garment from the soul; let it go, we care not where; What do mortals want with spirit? ’Tis the bodies that are fair. Out beyond the green horizon lurks the vengeful day, Lurks the fateful day, Lurks the hateful day. When the winds shall cease to help us in our shark-like play, When our calm cold sway Shall have passed away, When the wreckers and the wrecked both at peace shall be,— When the threat shall be fulfilled, and there be no more sea.

Sarah Williams.

Illustration from Elfin music: An anthology of English fairy poetry

FLOWER FAIRIES.

Flower Fairies have you found them, When the summer dusk is falling, With the glow-worms all around them, Have you heard them softly calling? Calling through your garden spaces Notes like fairy bells set ringing, Heard from out enchanted places Whence the fairy bees come winging? Silent stand they through the noonlight In their flower shapes fair and quiet, But they quit them in the moonlight, In its beams to sing and riot. I have heard them, I have seen them, From their petals light-like raying, And the trees would fain have been them, The great trees too old for playing. Hundreds of them altogether, Flashing flocks of flying fairies, Crowding through the summer weather, Seeking where the coolest air is. And they tell the trees that know them, As upon their boughs they hover, Of the things that chance below them, How the rose has a new lover. And the roses laugh, protesting That the lilies are as fickle; Then they look where birds are nesting, And their feathers softly tickle. Then away they all go sweeping, Having had their fill of gladness, But the trees, their night-watch keeping, Feel a tender, loving sadness. For they know of bleak December, When each bough to pain left bare is, When they only shall remember Those bright visitings of fairies. When the roses and the lilies Shall be gone to come back never, To a land where all so still is That they sleep and sleep for ever.

Philip Bourke Marston.

Illustration from Elfin music: An anthology of English fairy poetry

SONG OF THE TWILIGHT FAIRIES.

Vestal moon, vestal moon, Star of Love’s delight, Rise, and gild our festal noon— Noon of Fairy-night. Vestal moon, vestal moon, Up the golden height, Thou art rising to thy noon— We to Love’s delight. Fairies hide in cowslip bells Through the garish light; Naiads rest in purple shells, By the sea-marge bright. Fairy-Queen, appear, appear, From thy citron nest; Wake, wake! come, Sweet, for here Shines the moonlight blest. Golden Fairies in the sun Wind their elfin horn, Where the dancing streamlets run, And the Day is born. Silver fairies haunt the night When the Sun’s asleep; Azure Fays the heavenly height, ’Mid the starry sheep. Fays of Silver, Gold, and Blue Wake to Love’s delight; Drink your fill of sweet May-dew, Chase the star-flakes bright. Lo! we come, we come, we come, From the foxglove bells, Some from golden brake, and some From the asphodels. Vestal moon, vestal moon, From your golden height, Gaze through all the fairy noon On our Love’s delight.

Thomas Lake Harris.

Illustration from Elfin music: An anthology of English fairy poetry

FAIRIES ON THE SEA-SHORE.

First Fairy. My home and haunt are in every leaf Whose life is a summer day bright and brief— I live in the depths of the tulip’s bower, I wear a wreath of the cistus flower, I drink the dew of the blue harebell, I know the breath of the violet well, The white and the azure violet; But I know not which is the sweetest yet, I have kiss’d the cheek of the rose, I have watch’d the lily unclose, My silver mine is the almond tree, Who will come dwell with flower and me? Chorus of Fairies. Dance we our round, ’tis a summer night, And our steps are led by the glow-worm’s light. Second Fairy. My dwelling is in the serpentine Of the rainbow’s colour’d line,— See how its rose and amber clings To the many hues of my radiant wings; Mine is the step that bids the earth Give to the iris flower its birth, And mine the golden cup to hide, Where the last faint hue of the rainbow died. Search the depths of an Indian mine,— Where are the colours to match with mine? Chorus. Dance we round, for the gale is bringing Songs the summer rose is singing. Third Fairy. I float on the breath of a minstrel’s lute, Or the wandering sounds of a distant flute, Linger I over the tones that swell From the pink-veined chords of an ocean-shell; I love the skylark’s morning hymn, Or the nightingale heard at the twilight dim, The echo, the fountain’s melody,— These, oh! these are the spells for me! Chorus. Hail to the summer night of June; See! yonder has risen our ladye moon. Fourth Fairy. My palace is in the coral cave Set with spars by the ocean wave; Would ye have gems, then seek them there,— There found I the pearls that bind my hair. I and the wind together can roam Over the green waves and their white foam,— See, I have got this silver shell, Mark how my breath will its smallness swell, For the Nautilus is my boat In which I over the waters float: The moon is shining over the sea,— Who is there will come sail with me? Chorus of Fairies. Our noontide sleep is on leaf and flower, Our revels are held in a moonlit hour,— What is there sweet, what is there fair, And we are not the dwellers there? Dance we round, for the morning light Will put us and our glow-worm lamps to flight!

L. E. L.

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