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Early Greek Philosophy & Other Essays, Collected Works, Volume Two

FRIEDRICH NIETZSCHE (continued 3)

Maximilian A. (Maximilian August) Mügge translation

13

Moreover against Parmenides could be produced a strong couple of argumenta ad hominem or ex concessis, by which, it is true, truth itself could not be brought to light, but at any rate the untruth of that absolute separation of the world of the senses and the world of the ideas, and the untruth of the identity of "Being" and Thinking could be demonstrated. Firstly, if the Thinking of Reason in ideas is real, then also Plurality and Motion must have reality, for rational Thinking is mobile; and more precisely, it is a motion from idea to idea, therefore within a plurality of realities. There is no subterfuge against that; it is quite impossible to designate Thinking as a rigid Permanence, as an eternally immobile, intellectual Introspection of Unity. Secondly, if only fraud and illusion come from the senses, and if in reality there exists only the real identity of "Being" and Thinking, what then are the senses themselves? They too are certainly Appearance only since they do not coincide with the Thinking, and their product, the world of senses, does not coincide with "Being." If however the senses themselves are Appearance to whom then are they Appearance? How can they, being unreal, still deceive? The "Non-Existent" cannot even deceive. Therefore the Whence? of deception and Appearance remains an enigma, yea, a contradiction. We call these argumenta ad hominem: The Objection Of The Mobile Reason and that of The Origin Of Appearance. From the first would result the reality of Motion and of Plurality, from the second the impossibility of the Parmenidean Appearance, assuming that the chief-doctrine of Parmenides on the "Being" were accepted as true. This chief-doctrine however only says: The "Existent" only has a "Being," the "Non-Existent" does not exist. If Motion however has such a "Being," then to Motion applies what applies to the "Existent" in general: it is increate, eternal, indestructible, without increase or decrease. But if the "Appearance" is denied and a belief in it made untenable, by means of that question as to the Whence? of the "Appearance," if the stage of the so-called Becoming, of change, our many-shaped, restless, coloured and rich Existence is protected from the Parmenidean rejection, then it is necessary to characterise this world of change and alteration as a sum of such really existing Essentials, existing simultaneously into all eternity. Of a change in the strict sense, of a Becoming there cannot naturally be any question even with this assumption. But now Plurality has a real "Being," all qualities have a real "Being" and motion not less; and of any moment of this world—although these moments chosen at random lie at a distance of millenniums from one another—it would have to be possible to say: all real Essentials extant in this world are without exception co-existent, unaltered, undiminished, without increase, without decrease. A millennium later the world is exactly the same. Nothing has altered. If in spite of that the appearance of the world at the one time is quite different from that at the other time, then that is no deception, nothing merely apparent, but the effect of eternal motion. The real "Existent" is moved sometimes thus, sometimes thus: together, asunder, upwards, downwards, into one another, pell-mell.

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With this conception we have already taken a step into the realm of the doctrine of Anaxagoras. By him both objections against Parmenides are raised in full strength; that of the mobile Thinking and that of the Whence? of "Appearance"; but in the chief proposition Parmenides has subjugated him as well as all the younger philosophers and nature-explorers. They all deny the possibility of Becoming and Passing, as the mind of the people conceives them and as Anaximander and Heraclitus had assumed with greater circumspection and yet still heedlessly. Such a mythological Originating out of the Nothing, such a Disappearing into the Nothing, such an arbitrary Changing of the Nothing into the Something, such a random exchanging, putting on and putting off of the qualities was henceforth considered senseless; but so was, and for the same reasons, an originating of the Many out of the One, of the manifold qualities out of the one primal-quality, in short the derivation of the world out of a primary substance, as argued by Thales and Heraclitus. Rather was now the real problem advanced of applying the doctrine of increate imperishable "Being" to this existing world, without taking one's refuge in the theory of appearance and deception. But if the empiric world is not to be Appearance, if the things are not to be derived out of Nothing and just as little out of the one Something, then these things must contain in themselves a real "Being," their matter and content must be unconditionally real, and all change can refer only to the form, i.e., to the position, order, grouping, mixing, separation of these eternally co-existing Essentials. It is just as in a game of dice; they are ever the same dice; but falling sometimes thus, sometimes thus, they mean to us something different. All older theories had gone back to a primal element, as womb and cause of Becoming, be this water, air, fire or the Indefinite of Anaximander. Against that Anaxagoras now asserts that out of the Equal the Unequal could never come forth, and that out of the one "Existent" the change could never be explained. Whether now one were to imagine that assumed matter to be rarefied or condensed, one would never succeed by such a condensation or rarefaction in explaining the problem one would like to explain: the plurality of qualities. But if the world in fact is full of the most different qualities then these must, in case they are not appearance, have a "Being," i.e., must be eternal, increate, imperishable and ever co-existing. Appearance, however, they cannot be, since the question as to the Whence? of Appearance remains unanswered, yea answers itself in the negative! The earlier seekers after Truth had intended to simplify the problem of Becoming by advancing only one substance, which bore in its bosom the possibilities of all Becoming; now on the contrary it is asserted: there are innumerable substances, but never more, never less, and never new ones. Only Motion, playing dice with them throws them into ever new combinations. That Motion however is a truth and not Appearance, Anaxagoras proved in opposition to Parmenides by the indisputable succession of our conceptions in thinking. We have therefore in the most direct fashion the insight into the truth of motion and succession in the fact that we think and have conceptions. Therefore at any rate the one rigid, resting, dead "Being" of Parmenides has been removed out of the way, there are many "Existents" just as surely as all these many "Existents" (existing things, substances) are in motion. Change is motion—but whence originates motion? Does this motion leave perhaps wholly untouched the proper essence of those many independent, isolated substances, and, according to the most severe idea of the "Existent," must not motion in itself be foreign to them? Or does it after all belong to the things themselves? We stand here at an important decision; according to which way we turn, we shall step into the realm either of Anaxagoras or of Empedocles or of Democritus. The delicate question must be raised: if there are many substances, and if these many move, what moves them? Do they move one another? Or is it perhaps only gravitation? Or are there magic forces of attraction and repulsion within the things themselves? Or does the cause of motion lie outside these many real substances? Or putting the question more pointedly: if two things show a succession, a mutual change of position, does that originate from themselves? And is this to be explained mechanically or magically? Or if this should not be the case is it a third something which moves them? It is a sorry problem, for Parmenides would still have been able to prove against Anaxagoras the impossibility of motion, even granted that there are many substances. For he could say: Take two Substances existing of themselves, each with quite differently fashioned, autonomous, unconditioned "Being"—and of such kind are the Anaxagorean substances—they can never clash together, never move, never attract one another, there exists between them no causality, no bridge, they do not come into contact with one another, do not disturb one another, they do not interest one another, they are utterly indifferent. The impact then is just as inexplicable as the magic attraction: that which is utterly foreign cannot exercise any effect upon another, therefore cannot move itself nor allow itself to be moved. Parmenides would even have added: the only way of escape which is left to you is this, to ascribe motion to the things themselves; then however all that you know and see as motion is indeed only a deception and not true motion, for the only kind of motion which could belong to those absolutely original substances, would be merely an autogenous motion limited to themselves without any effect. But you assume motion in order to explain those effects of change, of the disarrangement in space, of alteration, in short the causalities and relations of the things among themselves. But these very effects would not be explained and would remain as problematic as ever; for this reason one cannot conceive why it should be necessary to assume a motion since it does not perform that which you demand from it. Motion does not belong to the nature of things and is eternally foreign to them.

Those opponents of the Eleatean unmoved Unity were induced to make light of such an argument by prejudices of a perceptual character. It seems so irrefutable that each veritable "Existent" is a space-filling body, a lump of matter, large or small but in any case spacially dimensioned; so that two or more such lumps cannot be in one space. Under this hypothesis Anaxagoras, as later on Democritus, assumed that they must knock against each other; if in their motions they came by chance upon one another, that they would dispute the same space with each other, and that this struggle was the very cause of all Change. In other words: those wholly isolated, thoroughly heterogeneous and eternally unalterable substances were after all not conceived as being absolutely heterogeneous but all had in addition to a specific, wholly peculiar quality, also one absolutely homogeneous substratum: a piece of space-filling matter. In their participation in matter they all stood equal and therefore could act upon one another, i.e., knock one another. Moreover all Change did not in the least depend on the heterogeneity of those substances but on their homogeneity, as matter. At the bottom of the assumption of Anaxagoras is a logical oversight; for that which is the "Existent-In-Itself" must be wholly unconditional and coherent, is therefore not allowed to assume as its cause anything,—whereas all those Anaxagorean substances have still a conditioning Something: matter, and already assume its existence; the substance "Red" for example was to Anaxagoras not just merely red in itself but also in a reserved or suppressed way a piece of matter without any qualities. Only with this matter the "Red-In-Itself" acted upon other substances, not with the "Red," but with that which is not red, not coloured, nor in any way qualitatively definite. If the "Red" had been taken strictly as "Red," as the real substance itself, therefore without that substratum, then Anaxagoras would certainly not have dared to speak of an effect of the "Red" upon other substances, perhaps even with the phrase that the "Red-In-Itself" was transmitting the impact received from the "Fleshy-In-Itself." Then it would be clear that such an "Existent" par excellence could never be moved.

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One has to glance at the opponents of the Eleates, in order to appreciate the extraordinary advantages in the assumption of Parmenides. What embarrassments,—from which Parmenides had escaped,—awaited Anaxagoras and all who believed in a plurality of substances, with the question, How many substances? Anaxagoras made the leap, closed his eyes and said, "Infinitely many"; thus he had flown at least beyond the incredibly laborious proof of a definite number of elementary substances. Since these "Infinitely Many" had to exist without increase and unaltered for eternities, in that assumption was given the contradiction of an infinity to be conceived as completed and perfect. In short, Plurality, Motion, Infinity driven into flight by Parmenides with the amazing proposition of the one "Being," returned from their exile and hurled their projectiles at the opponents of Parmenides, causing them wounds for which there is no cure. Obviously those opponents have no real consciousness and knowledge as to the awful force of those Eleatean thoughts, "There can be no time, no motion, no space; for all these we can only think of as infinite, and to be more explicit, firstly infinitely large, then infinitely divisible; but everything infinite has no 'Being,' does not exist," and this nobody doubts, who takes the meaning of the word "Being" severely and considers the existence of something contradictory impossible, e.g., the existence of a completed infinity. If however the very Actuality shows us everything under the form of the completed infinity then it becomes evident that it contradicts itself and therefore has no true reality. If those opponents however should object: "but in your thinking itself there does exist succession, therefore neither could your thinking be real and consequently could not prove anything," then Parmenides perhaps like Kant in a similar case of an equal objection would have answered: "I can, it is true, say my conceptions follow upon one another, but that means only that we are not conscious of them unless within a chronological order, i.e., according to the form of the inner sense. For that reason time is not a something in itself nor any order or quality objectively adherent to things." We should therefore have to distinguish between the Pure Thinking, that would be timeless like the one Parmenidean "Being," and the consciousness of this thinking, and the latter would already translate the thinking into the form of appearance, i.e., of succession, plurality and motion. It is probable that Parmenides would have availed himself of this loophole; however, the same objection would then have to be raised against him which is raised against Kant by A. Spir ("Thinking And Reality," 2nd ed., vol. i., pp. 209, &c). "Now, in the first place however it is clear, that I cannot know anything of a succession as such, unless I have the successive members of the same simultaneously in my consciousness. Thus the conception of a succession itself is not at all successive, hence also quite different from the succession of our conceptions. Secondly Kant's assumption implies such obvious absurdities that one is surprised that he could leave them unnoticed. Cæsar and Socrates according to this assumption are not really dead, they still live exactly as they did two thousand years ago and only seem to be dead, as a consequence of an organisation of my inner sense." Future men already live and if they do not now step forward as living that organisation of the "inner sense" is likewise the cause of it. Here above all other things the question is to be put: How can the beginning and the end of conscious life itself, together with all its internal and external senses, exist merely in the conception of the inner sense? The fact is indeed this, that one certainly cannot deny the reality of Change. If it is thrown out through the window it slips in again through the keyhole. If one says: "It merely seems to me, that conditions and conceptions change,"—then this very semblance and appearance itself is something objectively existing and within it without doubt the succession has objective reality, some things in it really do succeed one another.—Besides one must observe that indeed the whole critique of reason only has cause and right of existence under the assumption that to us our conceptions themselves appear exactly as they are. For if the conceptions also appeared to us otherwise than they really are, then one would not be able to advance any solid proposition about them, and therefore would not be able to accomplish any gnosiology or any "transcendental" investigation of objective validity. Now it remains however beyond all doubt that our conceptions themselves appear to us as successive."

The contemplation of this undoubted succession and agitation has now urged Anaxagoras to a memorable hypothesis. Obviously the conceptions themselves moved themselves, were not pushed and had no cause of motion outside themselves. Therefore he said to himself, there exists a something which bears in itself the origin and the commencement of motion; secondly, however, he notices that this conception was moving not only itself but also something quite different, the body. He discovers therefore, in the most immediate experience an effect of conceptions upon expansive matter, which makes itself known as motion in the latter. That was to him a fact; and only incidentally it stimulated him to explain this fact. Let it suffice that he had a regulative schema for the motion in the world,—this motion he now understood either as a motion of the true isolated essences through the Conceptual Principle, the Nous, or as a motion through a something already moved. That with his fundamental assumption the latter kind, the mechanical transmission of motions and impacts likewise contained in itself a problem, probably escaped him; the commonness and every-day occurrence of the effect through impact most probably dulled his eye to the mysteriousness of impact. On the other hand he certainly felt the problematic, even contradictory nature of an effect of conceptions upon substances existing in themselves and he also tried therefore to trace this effect back to a mechanical push and impact which were considered by him as quite comprehensible. For the Nous too was without doubt such a substance existing in itself and was characterised by him as a very delicate and subtle matter, with the specific quality of thinking. With a character assumed in this way, the effect of this matter upon other matter had of course to be of exactly the same kind as that which another substance exercises upon a third, i.e., a mechanical effect, moving by pressure and impact. Still the philosopher had now a substance which moves itself and other things, a substance of which the motion did not come from outside and depended on no one else: whereas it seemed almost a matter of indifference how this automobilism was to be conceived of, perhaps similar to that pushing themselves hither and thither of very fragile and small globules of quicksilver. Among all questions which concern motion there is none more troublesome than the question as to the beginning of motion. For if one may be allowed to conceive of all remaining motions as effect and consequences, then nevertheless the first primal motion is still to be explained; for the mechanical motions, the first link of the chain certainly cannot lie in a mechanical motion, since that would be as good as recurring to the nonsensical idea of the causa sui. But likewise it is not feasible to attribute to the eternal, unconditional things a motion of their own, as it were from the beginning, as dowry of their existence. For motion cannot be conceived without a direction whither and whereupon, therefore only as relation and condition; but a thing is no longer "entitative-in-itself" and "unconditional," if according to its nature it refers necessarily to something existing outside of it. In this embarrassment Anaxagoras thought he had found an extraordinary help and salvation in that Nous, automobile and otherwise independent; the nature of that Nous being just obscure and veiled enough to produce the deception about it, that its assumption also involves that forbidden causa sui. To empiric observation it is even an established fact that Conception is not a causa sui but the effect of the brain, yea, it must appear to that observation as an odd eccentricity to separate the "mind," the product of the brain, from its causa and still to deem it existing after this severing. This Anaxagoras did; he forgot the brain, its marvellous design, the delicacy and intricacy of its convolutions and passages and he decreed the "Mind-In-Itself." This "Mind-In-Itself" alone among all substances had Free-will,—a grand discernment! This Mind was able at any odd time to begin with the motion of the things outside it; on the other hand for ages and ages it could occupy itself with itself—in short Anaxagoras was allowed to assume a first moment of motion in some primeval age, as the Chalaza of all so-called Becoming; i.e., of all Change, namely of all shifting and rearranging of the eternal substances and their particles, Although the Mind itself is eternal, it is in no way compelled to torment itself for eternities with the shifting about of grains of matter; and certainly there was a time and a state of those matters—it is quite indifferent whether that time was of long or short duration—during which the Nous had not acted upon them, during which they were still unmoved. That is the period of the Anaxagorean chaos.

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The Anaxagorean chaos is not an immediately evident conception; in order to grasp it one must have understood the conception which our philosopher had with respect to the so-called "Becoming." For in itself the state of all heterogeneous "Elementary-existences" before all motion would by no means necessarily result in an absolute mixture of all "seeds of things," as the expression of Anaxagoras runs, an intermixture, which he imagined as a complete pell-mell, disordered in its smallest parts, after all these "Elementary-existences" had been, as in a mortar, pounded and resolved into atoms of dust, so that now in that chaos, as in an amphora, they could be whirled into a medley. One might say that this conception of the chaos did not contain anything inevitable, that one merely needed rather to assume any chance position of all those "existences," but not an infinite decomposition of them; an irregular side-by-side arrangement was already sufficient; there was no need of a pell-mell, let alone such a total pell-mell. What therefore put into Anaxagoras' head that difficult and complex conception? As already said: his conception of the empirically given Becoming. From his experience he drew first a most extraordinary proposition on the Becoming, and this proposition necessarily resulted in that doctrine of the chaos, as its consequence.

The observation of the processes of evolution in nature, not a consideration of an earlier philosophical system, suggested to Anaxagoras the doctrine, that All originated from All; this was the conviction of the natural philosopher based upon a manifold, and at the bottom, of course, excessively inadequate induction. He proved it thus: if even the contrary could originate out of the contrary, e.g., the Black out of the White, everything is possible; that however did happen with the dissolution of white snow into black water. The nourishment of the body he explained to himself in this way: that in the articles of food there must be invisibly small constituents of flesh or blood or bone which during alimentation became disengaged and united with the homogeneous in the body. But if All can become out of All, the Firm out of the Liquid, the Hard out of the Soft, the Black out of the White, the Fleshy out of Bread, then also All must be contained in All. The names of things in that case express only the preponderance of the one substance over the other substances to be met with in smaller, often imperceptible quantities. In gold, that is to say, in that which one designates a potiore by the name "gold," there must be also contained silver, snow, bread, and flesh, but in very small quantities; the whole is called after the preponderating item, the gold-substance.

But how is it possible, that one substance preponderates and fills a thing in greater mass than the others present? Experience shows, that this preponderance is gradually produced only through Motion, that the preponderance is the result of a process, which we commonly call Becoming. On the other hand, that "All is in All" is not the result of a process, but, on the contrary, the preliminary condition of all Becoming and all Motion, and is consequently previous to all Becoming. In other words: experience teaches, that continually the like is added to the like, e.g., through nourishment, therefore originally those homogeneous substances were not together and agglomerated, but they were separate. Rather, in all empiric processes coming before our eyes, the homogeneous is always segregated from the heterogeneous and transmitted (e.g., during nourishment, the particles of flesh out of the bread, &c), consequently the pell-mell of the different substances is the older form of the constitution of things and in point of time previous to all Becoming and Moving. If all so-called Becoming is a segregating and presupposes a mixture, the question arises, what degree of intermixture this pell-mell must have had originally. Although the process of a moving on the part of the homogeneous to the homogeneous—i.e., Becoming—has already lasted an immense time, one recognises in spite of that, that even yet in all things remainders and seed-grains of all other things are enclosed, waiting for their segregation, and one recognises further that only here and there a preponderance has been brought about; the primal mixture must have been a complete one, i.e., going down to the infinitely small, since the separation and unmixing takes up an infinite length of time. Thereby strict adherence is paid to the thought: that everything which possesses an essential "Being" is infinitely divisible, without forfeiting its specificum.

According to these hypotheses Anaxagoras conceives of the world's primal existence: perhaps as similar to a dust-like mass of infinitely small, concrete particles of which every one is specifically simple and possesses one quality only, yet so arranged that every specific quality is represented in an infinite number of individual particles. Such particles Aristotle has called Homoiomere in consideration of the fact that they are the Parts, all equal one to another, of a Whole which is homogeneous with its Parts. One would however commit a serious mistake to equate this primal pell-mell of all such particles, such "seed-grains of things" to the one primal matter of Anaximander; for the latter's primal matter called the "Indefinite" is a thoroughly coherent and peculiar mass, the former's primal pell-mell is an aggregate of substances. It is true one can assert about this Aggregate of Substances exactly the same as about the Indefinite of Anaximander, as Aristotle does: it could be neither white nor grey, nor black, nor of any other colour; it was tasteless, scentless, and altogether as a Whole defined neither quantitatively nor qualitatively: so far goes the similarity of the Anaximandrian Indefinite and the Anaxagorean Primal Mixture. But disregarding this negative equality they distinguish themselves one from another positively by the latter being a compound, the former a unity. Anaxagoras had by the assumption of his Chaos at least so much to his advantage, that he was not compelled to deduce the Many from the One, the Becoming out of the "Existent."

Of course with his complete intermixture of the "seeds" he had to admit one exception: the Nous was not then, nor is It now admixed with any thing. For if It were admixed with only one "Existent," It would have, in infinite divisions, to dwell in all things. This exception is logically very dubious, especially considering the previously described material nature of the Nous, it has something mythological in itself and seems arbitrary, but was however, according to Anaxagorean prœmissa, a strict necessity. The Mind, which is moreover infinitely divisible like any other matter, only not through other matters but through Itself, has, if It divides Itself, in dividing and conglobating sometimes in large, sometimes in small masses, Its equal mass and quality from all eternity; and that which at this minute exists as Mind in animals, plants, men, was also Mind without a more or less, although distributed in another way a thousand years ago. But wherever It had a relation to another substance, there It never was admixed with it, but voluntarily seized it, moved and pushed it arbitrarily—in short, ruled it. Mind, which alone has motion in Itself, alone possesses ruling power in this world and shows it through moving the grains of matter. But whither does It move them? Or is a motion conceivable, without direction, without path? Is Mind in Its impacts just as arbitrary as it is, with regard to the time when It pushes, and when It does not push? In short, does Chance, i.e., the blindest option, rule within Motion? At this boundary we step into the Most Holy within the conceptual realm of Anaxagoras.

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What had to be done with that chaotic pell-mell of the primal state previous to all motion, so that out of it, without any increase of new substances and forces, the existing world might originate, with its regular stellar orbits, with its regulated forms of seasons and days, with its manifold beauty and order,—in short, so that out of the Chaos might come a Cosmos? This can be only the effect of Motion, and of a definite and well-organised motion. This Motion itself is the means of the Nous, Its goal would be the perfect segregation of the homogeneous, a goal up to the present not yet attained, because the disorder and the mixture in the beginning was infinite. This goal is to be striven after only by an enormous process, not to be realized suddenly by a mythological stroke of the wand. If ever, at an infinitely distant point of time, it is achieved that everything homogeneous is brought together and the "primal-existences" undivided are encamped side by side in beautiful order, and every particle has found its comrades and its home, and the great peace comes about after the great division and splitting up of the substances, and there will be no longer anything that is divided ind split up, then the Nous will again return into Its automobilism and, no longer Itself divided, roam through the world, sometimes in larger, sometimes in smaller masses, as plant-mind or animal-mind, and no longer will It take up Its new dwelling-place in other matter. Meanwhile the task has not been completed; but the kind of motion which the Nous has thought out, in order to solve the task, shows a marvellous suitableness, for by this motion the task is further solved in each new moment. For this motion has the character of concentrically progressive circular motion; it began at some one point of the chaotic mixture, in the form of a little gyration, and in ever larger paths this circular movement traverses all existing "Being," jerking forth everywhere the homogeneous to the homogeneous. At first this revolution brings everything Dense to the Dense, everything Rare to the Rare, and likewise all that is Dark, Bright, Moist, Dry to their kind; above these general groups or classifications there are again two still more comprehensive, namely Ether, that is to say everything that is Warm, Bright, Rare, and Aër, that is to say everything that is Dark, Cold, Heavy, Firm. Through the segregation of the ethereal masses from the aërial, there is formed, as the most immediate effect of that epicycle whose centre moves along in the circumference of ever greater circles, a something as in an eddy made in standing water; heavy compounds are led towards the middle and compressed. Just in the same way that travelling waterspout in chaos forms itself on the outer side out of the Ethereal, Rare, Bright Constituents, on the inner side out of the Cloudy, Heavy, Moist Constituents. Then in the course of this process out of that Aërial mass, conglomerating in its interior, water is separated, and again out of the water the earthy element, and then out of the earthy element, under the effect of the awful cold are separated the stones. Again at some juncture masses of stone, through the momentum of the rotation, are torn away sideways from the earth and thrown into the realm of the hot light Ether; there in the latter's fiery element they are made to glow and, carried along in the ethereal rotation, they irradiate light, and as sun and stars illuminate and warm the earth, in herself dark and cold. The whole conception is of a wonderful daring and simplicity and has nothing of that clumsy and anthropomorphical teleology, which has been frequently connected with the name of Anaxagoras. That conception has its greatness just in this, that it derives the whole Cosmos of Becoming out of the moved circle, whereas Parmenides contemplated the true "Existent" as a resting, dead ball. Once that circle is put into motion and caused to roll by the Nous, then all the order, law and beauty of the world is the natural consequence of that first impetus. How very much one wrongs Anaxagoras if one reproaches him for the wise abstention from teleology which shows itself in this conception and talks scornfully of his Nous as of a deus ex machina. Rather, on account of the elimination of mythological and theistic miracle-working and anthropomorphic ends and utilities, Anaxagoras might have made use of proud words similar to those which Kant used in his Natural History of the Heavens. For it is indeed a sublime thought, to retrace that grandeur of the cosmos and the marvellous arrangement of the orbits of the stars, to retrace all that, in all forms to a simple, purely mechanical motion and, as it were, to a moved mathematical figure, and therefore not to reduce all that to purposes and intervening hands of a machine-god, but only to a kind of oscillation, which, having once begun, is in its progress necessary and definite, and effects result which resemble the wisest computation of sagacity and extremely well thought-out fitness without being anything of the sort. "I enjoy the pleasure," says Kant, of seeing how a well-ordered whole produces itself without the assistance of arbitrary fabrications, under the impulse of fixed laws of motion—a well-ordered whole which looks so similar to that world-system which is ours, that I cannot abstain from considering it to be the same. It seems to me that one might say here, in a certain sense without presumption: 'Give me matter and I will build a world out of it.'"

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Suppose now, that for once we allow that primal mixture as rightly concluded, some considerations especially from Mechanics seem to oppose the grand plan of the world edifice. For even though the Mind at a point causes a circular movement its continuation is only conceivable with great difficulty, especially since it is to be infinite and gradually to make all existing masses rotate. As a matter of course one would assume that the pressure of all the remaining matter would have crushed out this small circular movement when it had scarcely begun; that this does not happen presupposes on the part of the stimulating Nous, that the latter began to work suddenly with awful force, or at any rate so quickly, that we must call the motion a whirl: such a whirl as Democritus himself imagined. And since this whirl must be infinitely strong in order not to be checked through the whole world of the Infinite weighing heavily upon it, it will be infinitely quick, for strength can manifest itself originally only in speed. On the contrary the broader the concentric rings are, the slower will be this motion; if once the motion could reach the end of the infinitely extended world, then this motion would have already infinitely little speed of rotation. Vice versa, if we conceive of the motion as infinitely great, i.e., infinitely quick, at the moment of the very first beginning of motion, then the original circle must have been infinitely small; we get therefore as the beginning a particle rotated round itself, a particle with an infinitely small material content. This however would not at all explain the further motion; one might imagine even all particles of the primal mass to rotate round themselves and yet the whole mass would remain unmoved and unseparated. If, however, that material particle of infinite smallness, caught and swung by the Nous, was not turned round itself but described a circle somewhat larger than a point, this would cause it to knock against other material particles, to move them on, to hurl them, to make them rebound and thus gradually to stir up a great and spreading tumult within which, as the next result, that separation of the aërial masses from the ethereal had to take place. Just as the commencement of the motion itself is an arbitrary act of the Nous, arbitrary also is the manner of this commencement in so far as the first motion circumscribes a circle of which the radius is chosen somewhat larger than a point.

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Here of course one might ask, what fancy had at that time so suddenly occurred to the Nous, to knock against some chance material particle out of that number of particles and to turn it around in whirling dance and why that did not occur to It earlier. Whereupon Anaxagoras would answer: "The Nous has the privilege of arbitrary action; It may begin at any chance time, It depends on Itself, whereas everything else is determined from outside. It has no duty, and no end which It might be compelled to pursue; if It did once begin with that motion and set Itself an end, this after all was only—the answer is difficult, Heraclitus would say—play!"

That seems always to have been the last solution or answer hovering on the lips of the Greek. The Anaxagorean Mind is an artist and in truth the most powerful genius of mechanics and architecture, creating with the simplest means the most magnificent forms and tracks and as it were a mobile architecture, but always out of that irrational arbitrariness which lies in the soul of the artist. It is as though Anaxagoras was pointing at Phidias and in face of the immense work of art, the Cosmos, was calling out to us as he would do in front of the Parthenon: "The Becoming is no moral, but only an artistic phenomenon." Aristotle relates that, to the question what made life worth living, Anaxagoras had answered: "Contemplating the heavens and the total order of the Cosmos." He treated physical things so devotionally, and with that same mysterious awe, which we feel when standing in front of an antique temple; his doctrine became a species of free-thinking religious exercise, protecting itself through the odi profanum vulgus et arceo and choosing its adherents with precaution out of the highest and noblest society of Athens. In the exclusive community of the Athenian Anaxagoreans the mythology of the people was allowed only as a symbolic language; all myths, all gods, all heroes were considered here only as hieroglyphics of the interpretation of nature, and even the Homeric epic was said to be the canonic song of the sway of the Nous and the struggles and laws of Nature. Here and there a note from this society of sublime free-thinkers penetrated to the people; and especially Euripides, the great and at all times daring Euripides, ever thinking of something new, dared to let many things become known by means of the tragic mask, many things which pierced like an arrow through the senses of the masses and from which the latter freed themselves only by means of ludicrous caricatures and ridiculous re-interpretations.

The greatest of all Anaxagoreans however is Pericles, the mightiest and worthiest man of the world; and Plato bears witness that the philosophy of Anaxagoras alone had given that sublime flight to the genius of Pericles. When as a public orator he stood before his people, in the beautiful rigidity and immobility of a marble Olympian and now, calm, wrapped in his mantle, with unruffled drapery, without any change of facial expression, without smile, with a voice the strong tone of which remained ever the same, and when he now spoke in an absolutely un-Demosthenic but merely Periclean fashion, when he thundered, struck with lightnings, annihilated and redeemed—then he was the epitome of the Anaxagorean Cosmos, the image of the Nous, who has built for Itself the most beautiful and dignified receptacle, then Pericles was as it were the visible human incarnation of the building, moving, eliminating, ordering, reviewing, artistically-undetermined force of the Mind. Anaxagoras himself said man was the most rational being or he must necessarily shelter the Nous within himself in greater fulness than all other beings, because he had such admirable organs as his hands; Anaxagoras concluded therefore, that that Nous, according to the extent to which It made Itself master of a material body, was always forming for Itself out of this material the tools corresponding to Its degree of power, consequently the Nous made the most beautiful and appropriate tools, when It was appearing in his greatest fulness. And as the most wondrous and appropriate action of the Nous was that circular primal-motion, since at that time the Mind was still together, undivided, in Itself, thus to the listening Anaxagoras the effect of the Periclean speech often appeared perhaps as a simile of that circular primal-motion; for here too he perceived a whirl of thoughts moving itself at first with awful force but in an orderly manner, which in concentric circles gradually caught and carried away the nearest and farthest and which, when it reached its end, had reshaped—organising and segregating—the whole nation.

To the later philosophers of antiquity the way in which Anaxagoras made use of his Nous for the interpretation of the world was strange, indeed scarcely pardonable; to them it seemed as though he had found a grand tool but had not well understood it and they tried to retrieve what the finder had neglected. They therefore did not recognise what meaning the abstention of Anaxagoras, inspired by the purest spirit of the method of natural science, had, and that this abstention first of all in every case puts to itself the question: "What is the cause of Something"? (causa efficiens)—and not "What is the purpose of Something"? (causa finalis). The Nous has not been dragged in by Anaxagoras for the purpose of answering the special question: "What is the cause of motion and what causes regular motions?"; Plato however reproaches him, that he ought to have, but had not shown that everything was in its own fashion and its own place the most beautiful, the best and the most appropriate. But this Anaxagoras would not have dared to assert in any individual case, to him the existing world was not even the most conceivably perfect world, for he saw everything originate out of everything, and he found the segregation of the substances through the Nous complete and done with, neither at the end of the filled space of the world nor in the individual beings. For his understanding it was sufficient that he had found a motion, which, by simple continued action could create the visible order out of a chaos mixed through and through; and he took good care not to put the question as to the Why? of the motion, as to the rational purpose of motion. For if the Nous had to fulfil by means of motion a purpose innate in the noumenal essence, then it was no longer in Its free will to commence the motion at any chance time; in so far as the Nous is eternal, It had also to be determined eternally by this purpose, and then no point of time could have been allowed to exist in which motion was still lacking, indeed it would have been logically forbidden to assume a starting point for motion: whereby again the conception of original chaos, the basis of the whole Anaxagorean interpretation of the world would likewise have become logically impossible. In order to escape such difficulties, which teleology creates, Anaxagoras had always to emphasise and asseverate that the Mind has free will; all Its actions, including that of the primal motion, were actions of the "free will," whereas on the contrary after that primeval moment the whole remaining world was shaping itself in a strictly determined, and more precisely, mechanically determined form. That absolutely free will however can be conceived only as purposeless, somewhat after the fashion of children's play or the artist's bent for play. It is an error to ascribe to Anaxagoras the common confusion of the teleologist, who, marvelling at the extraordinary appropriateness, at the agreement of the parts with the whole, especially in the realm of the organic, assumes that that which exists for the intellect had also come into existence through intellect, and that that which man brings about only under the guidance of the idea of purpose, must have been brought about by Nature through reflection and ideas of purpose. (Schopenhauer, "The World As Will And Idea," vol. ii., Second Book, chap. 26: On Teleology). Conceived in the manner of Anaxagoras, however, the order and appropriateness of things on the contrary is nothing but the immediate result of a blind mechanical motion; and only in order to cause this motion, in order to get for once out of the dead-rest of the Chaos, Anaxagoras assumed the free-willed Nous who depends only on Itself. He appreciated in the Nous just the very quality of being a thing of chance, a chance agent, therefore of being able to act unconditioned, undetermined, guided neither by causes nor by purposes.

Notes for a Continuation

(Early Part of 1873)

1

That this total conception of the Anaxagorean doctrine must be right, is proved most clearly by the way in which the successors of Anaxagoras, the Agrigentine Empedocles and the atomic teacher Democritus in their counter-systems actually criticised and improved that doctrine. The method of this critique is more than anything a continued renunciation in that spirit of natural science mentioned above, the law of economy applied to the interpretation of nature. That hypothesis, which explains the existing world with the smallest expenditure of assumptions and means is to have preference: for in such a hypothesis is to be found the least amount of arbitrariness, and in it free play with possibilities is prohibited. Should there be two hypotheses which both explain the world, then a strict test must be applied as to which of the two better satisfies that demand of economy. He who can manage this explanation with the simpler and more known forces, especially the mechanical ones, he who deduces the existing edifice of the world out of the smallest possible number of forces, will always be preferred to him who allows the more complicated and less-known forces, and these moreover in greater number, to carry on a world-creating play. So then we see Empedocles endeavouring to remove the superfluity of hypotheses from the doctrine of Anaxagoras.

The first hypothesis which falls as unnecessary is that of the Anaxagorean Nous, for its assumption is much too complex to explain anything so simple as motion. After all it is only necessary to explain the two kinds of motion: the motion of a body towards another, and the motion away from another.

2

If our present Becoming is a segregating, although not a complete one, then Empedocles asks: what prevents complete segregation? Evidently a force works against it, i.e., a latent motion of attraction.

Further: in order to explain that Chaos, a force must already have been at work; a movement is necessary to bring about this complicated entanglement.

Therefore periodical preponderance of the one and the other force is certain. They are opposites.

The force of attraction is still at work; for otherwise there would be no Things at all, everything would be segregated.

This is the actual fact: two kinds of motion. The Nous does not explain them. On the contrary, Love and Hatred; indeed we certainly see that these move as well as that the Nous moves.

Now the conception of the primal state undergoes a change: it is the most blessed. With Anaxagoras it was the chaos before the architectural work, the heap of stones as it were upon the building site.

3

Empedocles had conceived the thought of a tangential force originated by revolution and working against gravity ("de coelo," i., p. 284), Schopenhauer, "W. A. W.," ii. 390.

He considered the continuation of the circular movement according to Anaxagoras impossible. It would result in a whirl, i.e., the contrary of ordered motion.

If the particles were infinitely mixed, pell-mell, then one would be able to break asunder the bodies without any exertion of power, they would not cohere or hold together, they would be as dust.

The forces, which press the atoms against one another, and which give stability to the mass, Empedocles calls "Love." It is a molecular force, a constitutive force of the bodies.

4

Against Anaxagoras.

1. The Chaos already presupposes motion.

2. Nothing prevented the complete segregation.

3. Our bodies would be dust-forms. How can motion exist, if there are not counter-motions in all bodies?

4. An ordered permanent circular motion impossible; only a whirl. He assumes the whirl itself to be an effect of the νεῑκος.—ἀπορροιαί. How do distant things operate on one another, sun upon earth? If everything were still in a whirl, that would be impossible. Therefore at least two moving powers: which must be inherent in Things.

5. Why infinite ὄντα? Transgression of experience. Anaxagoras meant the chemical atoms. Empedocles tried the assumption of four kinds of chemical atoms. He took the aggregate states to be essential, and heat to be co-ordinated. Therefore the aggregate states through repulsion and attraction; matter in four forms.

6. The periodical principle is necessary.

7. With the living beings Empedocles will also deal still on the same principle. Here also he denies purposiveness. His greatest deed. With Anaxagoras a dualism.

5

The symbolism of sexual love. Here as in the Platonic fable the longing after Oneness shows itself, and here, likewise, is shown that once a greater unity already existed; were this greater unity established, then this would again strive after a still greater one. The conviction of the unity of everything living guarantees that once there was an immense Living Something, of which we are pieces; that is probably the Sphairos itself. He is the most blessed deity. Everything was connected only through love, therefore in the highest degree appropriate. Love has been torn to pieces and splintered by hatred, love has been divided into her elements and killed—bereft of life. In the whirl no living individuals originate. Eventually everything is segregated and now our period begins. (He opposes the Anaxagorean Primal Mixture by a Primal Discord.) Love, blind as she is, with furious haste again throws the elements one against another endeavouring to see whether she can bring them back to life again or not. Here and there she is successful. It continues. A presentiment originates in the living beings, that they are to strive after still higher unions than home and the primal state. Eros. It is a terrible crime to kill life, for thereby one works back to the Primal Discord. Some day everything will be again one single life, the most blissful state.

The Pythagorean-orphean doctrine re-interpreted in the manner of natural science. Empedocles consciously masters both means of expression, therefore he is the first rhetor. Political aims.

The double-nature—the agonal and the loving, the compassionate.

Attempt of the Hellenic total reform.

All inorganic matter has originated out of organic, it is dead organic matter. Corpse and man.

6

DEMOCRITUS

The greatest possible simplification of the hypotheses.

1. There is motion, therefore vacuum, therefore a "Non-Existent." Thinking is motion.

2. If there is a "Non-Existent" it must be indivisible, i.e., absolutely filled. Division is only explicable in case of empty spaces and pores. The "Non-Existent" alone is an absolutely porous thing.

3. The secondary qualities of matter, νόμῳ, not of Matter-In-Itself.

4. Establishment of the primary qualities of the ἄτομα. Wherein homogeneous, wherein heterogeneous?

5. The aggregate-states of Empedocles (four elements) presuppose only the homogeneous atoms, they themselves cannot therefore be ὄντα.

6. Motion is connected indissolubly with the atoms, effect of gravity. Epicur. Critique: what does gravity signify in an infinite vacuum?

7. Thinking is the motion of the fire-atoms. Soul, life, perceptions of the senses.

. . . . . . .

Value of materialism and its embarrassment.

Plato and Democritus.

The hermit-like homeless noble searcher for truth. Democritus and the Pythagoreans together find the basis of natural sciences.

. . . . . . .

What are the causes which have interrupted a flourishing science of experimental physics in antiquity after Democritus?

7

Anaxagoras has taken from Heraclitus the idea that in every Becoming and in every Being the opposites are together.

He felt strongly the contradiction that a body has many qualities and he pulverised it in the belief that he had now dissolved it into its true qualities.

. . . . . . .

Plato: first Heraclitean, later Sceptic: Everything, even Thinking, is in a state of flux.

Brought through Socrates to the permanence of the good, the beautiful.

These assumed as entitative.

All generic ideals partake of the idea of the good, the beautiful, and they too are therefore entitative, being (as the soul partakes of the idea of Life). The idea is formless.

Through Pythagoras' metempsychosis has been answered the question: how we can know anything about the ideas.

Plato's end: scepticism in Parmenides. Refutation of ideology.

8

CONCLUSION

Greek thought during the tragic age is pessimistic or artistically optimistic.

Their judgment about life implies more.

The One, flight from the Becoming. Aut unity, aut artistic play.

Deep distrust of reality: nobody assumes a good god, who has made everything optime.

{Pythagoreans, religious sect. {Anaximander. {Empedocles. Eleates. {Anaxagoras. {Heraclitus. Democritus: the world without moral and æsthetic meaning, pessimism of chance.

If one placed a tragedy before all these, the three former would see in it the mirror of the fatality of existence, Parmenides a transitory appearance, Heraclitus and Anaxagoras an artistic edifice and image of the world-laws, Democritus the result of machines.

. . . . . . .

With Socrates Optimism begins, an optimism no longer artistic, with teleology and faith in the good god; faith in the enlightened good man. Dissolution of the instincts, Socrates breaks with the hitherto prevailing knowledge and culture; he intends returning to the old citizen-virtue and to the State.

Plato dissociates himself from the State, when he observes that the State has become identical with the new Culture.

The Socratic scepticism is a weapon against the hitherto prevailing culture and knowledge.

ON TRUTH AND FALSITY IN THEIR ULTRAMORAL SENSE

(1873)

1.

In some remote corner of the universe, effused into innumerable solar-systems, there was once a star upon which clever animals invented cognition. It was the haughtiest, most mendacious moment in the history of this world, but yet only a moment. After Nature had taken breath awhile the star congealed and the clever animals had to die.—Someone might write a fable after this style, and yet he would not have illustrated sufficiently, how wretched,; shadow-like, transitory, purposeless and fanciful the human intellect appears in Nature. There were eternities during which this intellect did not exist, and when it has once more passed away there will be nothing to show that it has existed. For this intellect is not concerned with any further mission transcending the sphere of human life. No, it is purely human and none but its owner and procreator regards it so pathetically as to suppose that the world revolves around it. If, however, we and the gnat could understand each other we should learn that even the gnat swims through the air with the same pathos, and feels within itself the flying centre of the world. Nothing in Nature is so bad or so insignificant that it will not, at the smallest puff of that force cognition, immediately swell up like a balloon, and just as a mere porter wants to have his admirer, so the very proudest man, the philosopher, imagines he sees from all sides the eyes of the universe telescopically directed upon his actions and thoughts.

It is remarkable that this is accomplished by the intellect, which after all has been given to the most unfortunate, the most delicate, the most transient beings only as an expedient, in order to detain them for a moment in existence, from which without that extra-gift they would have every cause to flee as swiftly as Lessing's son.[1] That haughtiness connected with cognition and sensation, spreading blinding fogs before the eyes and over the senses of men, deceives itself therefore as to the value of existence owing to the fact that it bears within itself the most flattering evaluation of cognition. Its most general effect is deception; but even its most particular effects have something of deception in their nature.

The intellect, as a means for the preservation of the individual, develops its chief power in dissimulation; for it is by dissimulation that the feebler, and less robust individuals preserve themselves, since it has been denied them to fight the battle of existence with horns or the sharp teeth of beasts of prey. In man this art of dissimulation reaches its acme of perfection: in him deception, flattery, falsehood and fraud, slander, display, pretentiousness, disguise, cloaking convention, and acting to others and to himself in short, the continual fluttering to and fro around the one flame—Vanity: all these things are so much the rule, and the law, that few things are more incomprehensible than the way in which an honest and pure impulse to truth could have arisen among men. They are deeply immersed in illusions and dream-fancies; their eyes glance only over the surface of things and see "forms"; their sensation nowhere leads to truth, but contents itself with receiving stimuli and, so to say, with playing hide-and-seek on the back of things. In addition to that, at night man allows his dreams to lie to him a whole life-time long, without his moral sense ever trying to prevent them; whereas men are said to exist who by the exercise of a strong will have overcome the habit of snoring. What indeed does man know about himself? Oh! that he could but once see himself complete, placed as it were in an illuminated glass-case! Does not nature keep secret from him most things, even about his body, e.g., the convolutions of the intestines, the quick flow of the blood-currents, the intricate vibrations of the fibres, so as to banish and lock him up in proud, delusive knowledge? Nature threw away the key; and woe co the fateful curiosity which might be able for a moment to look out and down through a crevice in the chamber of consciousness, and discover that man, indifferent to his own ignorance, is resting on the pitiless, the greedy, the insatiable, the murderous, and, as it were, hanging in dreams on the back of a tiger. Whence, in the wide world, with this state of affairs, arises the impulse to truth?

As far as the individual tries to preserve himself against other individuals, in the natural state of things he uses the intellect in most cases only for dissimulation; since, however, man both from necessity and boredom wants to exist socially and gregariously, he must needs make peace and at least endeavour to cause the greatest bellum omnium contra omnes to disappear from his world. This first conclusion of peace brings with it a something which looks like the first step towards the attainment of that enigmatical bent for truth. For that which henceforth is to be "truth" is now fixed; that is to say, a uniformly valid and binding designation of things is invented and the legislature of language also gives the first laws of truth: since here, for the first time, originates the contrast between truth and falsity. The liar uses the valid designations, the words, in order to make the unreal appear as real; e.g., he says, "I am rich," whereas the right designation for his state would be "poor." He abuses the fixed conventions by convenient substitution or even inversion of terms. If he does this in a selfish and moreover harmful fashion, society will no longer trust him but will even exclude him. In this way men avoid not so much being defrauded, but being injured by fraud. At bottom, at this juncture too, they hate not deception, but the evil, hostile consequences of certain species of deception. And it is in a similarly limited sense only that man desires truth: he covets the agreeable, life-preserving consequences of truth; he is indifferent towards pure, ineffective knowledge; he is even inimical towards truths which possibly might prove harmful or destroying. And, moreover, what after all are those conventions op language? Are they possibly products of knowledge, of the love of truth; do the designations and the things coincide? Is language the adequate expression of all realities?

Only by means of forgetfulness can man ever arrive at imagining that he possesses "truth" in that degree just indicated. If he does not mean to content himself with truth in the shape of tautology, that is, with empty husks, he will always obtain illusions instead of truth. What is a word? The expression of a nerve-stimulus in sounds. But to infer a cause outside us from the nerve-stimulus is already the result of a wrong and unjustifiable application of the proposition of causality. How should we dare, if truth with the genesis of language, if the point of view of certainty with the designations had alone been decisive; how indeed should we dare to say: the stone is hard; as if "hard" was known to us otherwise; and not merely as an entirely subjective stimulus! We divide things according to genders; we designate the tree as masculine,[2] the plant as feminine:[3] what arbitrary metaphors! How far flown beyond the canon of certainty! We speak of a "serpent";[4] the designation fits nothing but the sinuosity, and could therefore also appertain to the worm. What arbitrary demarcations! what one-sided preferences given sometimes to this, sometimes to that quality of a thing! The different languages placed side by side show that with words truth or adequate expression matters little: for otherwise there would not be so many languages. The "Thing-in-itself" (it is just this which would be the pure ineffective truth) is also quite incomprehensible to the creator of language and not worth making any great endeavour to obtain. He designates only the relations of things to men and for their expression he calls to his help the most daring metaphors. A nerve-stimulus, first transformed into a percept! First metaphor! The percept again copied into a sound! Second metaphor! And each time he leaps completely out of one sphere right into the midst of an entirely different one. One can imagine a man who is quite deaf and has never had a sensation of tone and of music; just as this man will possibly marvel at Chladni's sound figures in the sand, will discover their cause in the vibrations of the string, and will then proclaim that now he knows what man calls "tone"; even so does it happen to us all with language. When we talk about trees, colours, snow and flowers, we believe we know something about the things themselves, and yet we only possess metaphors of the things, and these metaphors do not in the least correspond to the original essentials. Just as the sound shows itself as a sand-figure, in the same way the enigmatical x of the Thing-in-itself is seen first as nerve-stimulus, then as percept, and finally as sound. At any rate the genesis of language did not therefore proceed on logical lines, and the whole material in which and with which the man of truth, the investigator, the philosopher works and builds, originates, if not from Nephelococcygia, cloud-land, at any rate not from the essence of things.

Let us especially think about the formation of ideas. Every word becomes at once an idea not by having, as one might presume, to serve as a reminder for the original experience happening but once and absolutely individualised, to which experience such word owes its origin, no, but by having simultaneously to fit innumerable, more or less similar (which really means never equal, therefore altogether unequal) cases. Every idea originates through equating the unequal. As certainly as no one leaf is exactly similar to any other, so certain is it that the idea "leaf" has been formed through an arbitrary omission of these individual differences, through a forgetting of the differentiating qualities, and this idea now awakens the notion that in nature there is, besides the leaves, a something called the "leaf," perhaps a primal form according to which all leaves were woven, drawn, accurately measured, coloured, crinkled, painted, but by unskilled hands, so that no copy had turned out correct and trustworthy as a true copy of the primal form. We call a man "honest"; we ask, why has he acted so honestly to-day? Our customary answer runs, "On account of his honesty." The Honesty! That means again: the "leaf" is the cause of the leaves. We really and truly do not know anything at all about an essential quality which might be called the honesty, but we do know about numerous individualised, and therefore unequal actions, which we equate by omission of the unequal, and now designate as honest actions; finally out of them we formulate a qualitas occulta with the name "Honesty." The disregarding of the individual and real furnishes us with the idea, as it likewise also gives us the form; whereas nature knows of no forms and ideas, and therefore knows no species but only an x, to us inaccessible and indefinable. For our antithesis of individual and species is anthropomorphic too and does not come from the essence of things, although on the other hand we do not dare to say that it does not correspond to it; for that would be a dogmatic assertion and as such just as undemonstrable as its contrary.

What therefore is truth? A mobile army of metaphors, metonymies, anthropomorphisms: in short a sum of human relations which became poetically and rhetorically intensified, metamorphosed, adorned, and after long usage seem to a nation fixed, canonic and binding; truths are illusions of which one has forgotten that they are illusions; worn-out metaphors which have become powerless to affect the senses; coins which have their obverse effaced and now are no longer of account as coins but merely as metal.

Still we do not yet know whence the impulse to truth comes, for up to now we have heard only about the obligation which society imposes in order to exist: to be truthful, that is, to use the usual metaphors, therefore expressed morally: we have heard only about the obligation to lie according to a fixed convention, to lie gregariously in a style binding for all. Now man of course forgets that matters are going thus with him; he therefore lies in that fashion pointed out unconsciously and according to habits of centuries' standing—and by this very unconsciousness, by this very forgetting, he arrives at a sense for truth. Through this feeling of being obliged to designate one thing as "red," another as "cold," a third one as "dumb," awakes a moral emotion relating to truth. Out of the antithesis "liar" whom nobody trusts, whom all exclude, man demonstrates to himself the venerableness, reliability, usefulness of truth. Now as a "rational" being he submits his actions to the sway of abstractions; he no longer suffers himself to be carried away by sudden impressions, by sensations, he first generalises all these impressions into paler, cooler ideas, in order to attach to them the ship of his life and actions. Everything which makes man stand out in bold relief against the animal depends on this faculty of volatilising the concrete metaphors into a schema, and therefore resolving a perception into an idea. For within the range of those schemata a something becomes possible that never could succeed under the first perceptual impressions: to build up a pyramidal order with castes and grades, to create a new world of laws, privileges, sub-orders, delimitations, which now stands opposite the other perceptual world of first impressions and assumes the appearance of being the more fixed, general, known, human of the two and therefore the regulating and imperative one. Whereas every metaphor of perception is individual and without its equal and therefore knows how to escape all attempts to classify it, the great "edifice of ideas shows the rigid regularity of a Roman Columbarium and in logic breathes forth the sternness and coolness which we find in mathematics. He who has been breathed upon by this coolness will scarcely believe, that the idea too, bony and hexa-hedral, and permutable as a die, remains however only as the residuum of a metaphor, and that the illusion of the artistic metamorphosis of a nerve-stimulus into percepts is, if not the mother, then the grand-mother of every idea. Now in this game of dice, "Truth" means to use every die as it is designated, to count its points carefully, to form exact classifications, and never lo violate the order of castes and the sequences of rank. Just as the Romans and Etruscans for their benefit cut up the sky by means of strong mathematical lines and banned a god as it were into a templum, into a space limited in this fashion, so every nation has above its head such a sky of ideas divided up mathematically, and it understands the demand for truth to mean that every conceptual god is to be looked for only in his own sphere. One may here well admire man, who succeeded in piling up an infinitely complex dome of ideas on a movable foundation and as it were on running water, as a powerful genius of architecture. Of course in order to obtain hold on such a foundation it must be as an edifice piled up out of cobwebs, so fragile, as to be carried away by the waves: so firm, as not to be blown asunder by every wind. In this way man as an architectural genius rises high above the bee; she builds with wax, which she brings together out of nature; he with the much more delicate material of ideas, which he must first manufacture within himself. He is very much to be admired here—but not on account of his impulse for truth, his bent for pure cognition of things. If somebody hides a thing behind a bush, seeks it again and finds it in the self-same place, then there is not much to boast of, respecting this seeking and finding; thus, however, matters stand with the seeking and finding of "truth" within the realm of reason. If I make the definition of the mammal and then declare after inspecting a camel, "Behold a mammal," then no doubt a truth is brought to light thereby, but it is of very limited value, I mean it is anthropomorphic through and through, and does not contain one single point which is "true-in-itself," real and universally valid, apart from man. The seeker after such truths seeks at the bottom only the metamorphosis of the world in man, he strives for an understanding of the world as a human-like thing and by his battling gains at best the feeling of an assimilation. Similarly, as the astrologer contemplated the stars in the service of man and in connection with their happiness and unhappiness, such a seeker contemplates the whole world as related to man, as the infinitely protracted echo of an original sound: man; as the multiplied copy of the one arch-type: man. His procedure is to apply man as the measure of all things, whereby he starts from the error of believing that he has these things immediately before him as pure objects. He therefore forgets that the original metaphors of perception are metaphors, and takes them for the things themselves.

Only by forgetting that primitive world of metaphors, only by the congelation and coagulation of an original mass of similes and percepts pouring forth as a fiery liquid out of the primal faculty of human fancy, only by the invincible faith, that this sun, this window, this table is a truth in itself: in short only by the fact that man forgets himself as subject, and what is more as an artistically creating subject: only by all this does he live with some repose, safety and consequence. If he were able to get out of the prison walls of this faith, even for an instant only, his "self-consciousness would be destroyed at once. Already it costs him some trouble to admit to himself that the insect and the bird perceive a world different from his own, and that the question, which of the two world-perceptions is more accurate, is quite a senseless one, since to decide this question it would be necessary to apply the standard of right perception, i.e., to apply a standard which does not exist. On the whole it seems to me that the "right perception"—which would mean the adequate expression of an object in the subject—is a nonentity full of contradictions: for between two utterly different spheres, as between subject and object, there is no causality, no accuracy, no expression, but at the utmost an æsthetical relation, I mean a suggestive metamorphosis, a stammering translation into quite a distinct foreign language, for which purpose however there is needed at any rate an intermediate sphere, an intermediate force, freely composing and freely inventing. The word "phenomenon" contains many seductions, and on that account I avoid it as much as possible, for it is not true that the essence of things appears in the empiric world. A painter who had no hands and wanted to express the picture distinctly present to his mind by the agency of song, would still reveal much more with this permutation of spheres, than the empiric world reveals about the essence of things. The very relation of a nerve-stimulus to the produced percept is in itself no necessary one; but if the same percept has been reproduced millions of times and has been the inheritance of many successive generations of man, and in the end appears each time to all mankind as the result of the same cause, then it attains finally for man the same importance as if it were the unique, necessary percept and as if that relation between the original nerve-stimulus and the percept produced were a close relation of causality: just as a dream eternally repeated, would be perceived and judged as though real. But the congelation and coagulation of a metaphor does not at all guarantee the necessity and exclusive justification of that metaphor.

Surely every human being who is at home with such contemplations has felt a deep distrust against any idealism of that kind, as often as he has distinctly convinced himself of the eternal rigidity, omni-presence, and infallibility of nature's laws: he has arrived at the conclusion that as far as we can penetrate the heights of the telescopic and the depths of the microscopic world, everything is quite secure, complete, infinite, determined, and continuous. Science will have to dig in these shafts eternally and successfully and all things found are sure to have to harmonise and not to contradict one another. How little does this resemble a product of fancy, for if it were one it would necessarily betray somewhere its nature of appearance and unreality. Against this it may be objected in the first place that if each of us had for himself a different sensibility, if we ourselves were only able to perceive sometimes as a bird, sometimes as a worm, sometimes as a plant, or if one of us saw the same stimulus as red, another as blue, if a third person even perceived it as a tone, then nobody would talk of such an orderliness of nature, but would conceive of her only as an extremely subjective structure. Secondly, what is, for us in general, a law of nature? It is not known in itself but only in its effects, that is to say in its relations to other laws of nature, which again are known to us only as sums of relations. Therefore all these relations refer only one to another and are absolutely incomprehensible to us in their essence; only that which we add: time, space, i.e., relations of sequence and numbers, are really known to us in them. Everything wonderful, however, that we marvel at in the laws of nature, everything that demands an explanation and might seduce us into distrusting idealism, lies really and solely in the mathematical rigour and inviolability of the conceptions of time and space. These however we produce within ourselves and throw them forth with that necessity with which the spider spins; since we are compelled to conceive all things under these forms only, then it is no longer wonderful that in all things we actually conceive none but these forms: for they all must bear within themselves the laws of number, and this very idea of number is the most marvellous in all things. All obedience to law which impresses us so forcibly in the orbits of stars and in chemical processes coincides at the bottom with those qualities which we ourselves attach to those things, so that it is we who thereby make the impression upon ourselves. Whence it clearly follows that that artistic formation of metaphors, with which every sensation in us begins, already presupposes those forms, and is therefore only consummated within them; only out of the persistency of these primal forms the possibility explains itself, how afterwards—out of the metaphors themselves a structure of ideas, could again be compiled. For the latter is an imitation of the relations of time, space and number in the realm of metaphors.

2

As we saw, it is language which has worked originally at the construction of ideas; in later times it is science. Just as the bee works at the same time at the cells and fills them with honey, thus science works irresistibly at that great columbarium of ideas, the cemetery of perceptions, builds ever newer and higher storeys; supports, purifies, renews the old cells, and endeavours above all to fill that gigantic framework and to arrange within it the whole of the empiric world, i.e., the anthropomorphic world. And as the man of action binds his life to reason and its ideas, in order to avoid being swept away and losing himself, so the seeker after truth builds his hut close to the towering edifice of science in order to collaborate with it and to find protection. And he needs protection. For there are awful powers which continually press upon him, and which hold out against the "truth" of science "truths" fashioned in quite another way, bearing devices of the most heterogeneous character.

That impulse towards the formation of metaphors, mat fundamental impulse of man, which we cannot reason away for one moment—for thereby we should reason away man himself—is in truth not defeated nor even subdued by the fact that out of its evaporated products, the ideas, a regular and rigid new world has been built as a stronghold for it. This impulse seeks for itself a new realm of action and another river-bed, and finds it in Mythos and more generally in Art. This impulse constantly confuses the rubrics and cells of the ideas, by putting up new figures of speech, metaphors, metonymies; it constantly shows its passionate longing for shaping the existing world of waking man as motley, irregular, inconsequentially incoherent, attractive, and eternally new as the world of dreams is. For indeed, waking man per se is only clear about his being awake through the rigid and orderly woof of ideas, and it is for this very reason that he sometimes comes to believe that he was dreaming when that woof of ideas has for a moment been torn by Art. Pascal is quite right, when he asserts, that if the same dream came to us every night we should be just as much occupied by it as by the things which we see every day; to quote his words, "If an artisan were certain that he would dream every night for fully twelve hours that he was a king, I believe that he would be just as happy as a king who dreams every night for twelve hours that he is an artisan." The wide-awake day of a people mystically excitable, let us say of the earlier Greeks, is in fact through the continually-working wonder, which the mythos presupposes, more akin to the dream than to the day of the thinker sobered by science. If every tree may at some time talk as a nymph, or a god under the disguise of a bull, carry away virgins, if the goddess Athene herself be suddenly seen as, with a beautiful team, she drives, accompanied by Pisistratus, through the markets of Athens—and every honest Athenian did believe this—at any moment, as in a dream, everything is possible; and all nature swarms around man as if she were nothing but the masquerade of the gods, who found it a huge joke to deceive man by assuming all possible forms.

Man himself, however, has an invincible tendency to let himself be deceived, and he is like one enchanted with happiness when the rhapsodist narrates to him epic romances in such a way that they appear real or when the actor on the stage makes the king appear more kingly than reality shows him. Intellect, that master of dissimulation, is free and dismissed from his service as slave, so long as It is able to deceive without injuring, and then It celebrates Its Saturnalia. Never is It richer, prouder, more luxuriant, more skilful and daring; with a creator's delight It throws metaphors into confusion, shifts the boundary-stones of the abstractions, so that for instance It designates the stream as the mobile way which carries man to that place whither he would otherwise go. Now It has thrown off Its shoulders the emblem of servitude. Usually with gloomy officiousness It endeavours to point out the way to a poor individual coveting existence, and It fares forth for plunder and booty like a servant for his master, but now It Itself has become a master and may wipe from Its countenance the expression of indigence. Whatever It now does, compared with Its former doings, bears within itself dissimulation, just as Its former doings bore the character of distortion. It copies human life, but takes it for a good thing and seems to rest quite satisfied with it. That enormous framework and hoarding of ideas, by clinging to which needy man saves himself through life, is to the freed intellect only a scaffolding and a toy for Its most daring feats, and when It smashes it to pieces, throws it into confusion, and then puts it together ironically, pairing the strangest, separating the nearest items, then It manifests that It has no use for those makeshifts of misery, and that It is now no longer led by ideas but by intuitions. From these intuitions no regular road leads into the land of the spectral schemata, the abstractions; for them the word is not made, when man sees them he is dumb, or speaks in forbidden metaphors and in unheard-of combinations of ideas, in order to correspond creatively with the impression of the powerful present intuition at least by destroying and jeering at the old barriers of ideas.

There are ages, when the rational and the intuitive man stand side by side, the one full of fear of the intuition, the other full of scorn for the abstraction; the latter just as irrational as the former is inartistic. Both desire to rule over life; the one by knowing how to meet the most important needs with foresight, prudence, regularity; the other as an "over-joyous" hero by ignoring those needs and taking that life only as real which simulates appearance and beauty. Wherever intuitive man, as for instance in the earlier history of Greece, brandishes his weapons more powerfully and victoriously than his opponent, there under favourable conditions, a culture can develop and art can establish her rule over life. That dissembling, that denying of neediness, that splendour of metaphorical notions and especially that directness of dissimulation accompany all utterances of such a life. Neither the house of man, nor his way of walking, nor his clothing, nor his earthen jug suggest that necessity invented them; it seems as if they all were intended as the expressions of a sublime happiness, an Olympic cloudlessness, and as it were a playing at seriousness. Whereas the man guided by ideas and abstractions only wards off misfortune by means of them, without even enforcing for himself happiness out of the abstractions; whereas he strives after the greatest possible freedom from pains, the intuitive man dwelling in the midst of culture has from his intuitions a harvest: besides the warding off of evil, he attains a continuous in-pouring of enlightenment, enlivenment and redemption. Of course when he does suffer, he suffers more: and he even suffers more frequently since he cannot learn from experience, but again and again falls into the same ditch into which he has fallen before. In suffering he is just as irrational as in happiness; he cries aloud and finds no consolation. How different matters are in the same misfortune with the Stoic, taught by experience and ruling himself by ideas! He who otherwise only looks for uprightness, truth, freedom from deceptions and shelter from ensnaring and sudden attack, in his misfortune performs the masterpiece of dissimulation, just as the other did in his happiness; he shows no twitching mobile human face but as it were a mask with dignified, harmonious features; he does not cry out and does not even alter his voice; when a heavy thundercloud bursts upon him, he wraps himself up in his cloak and with slow and measured step walks away from beneath it.

THE END.

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