INDEX
Reading edition
There is no mention either of the Plate illustrations or of the Figure illustrations in the index; these may be found in a list of the illustrations in the front of the book.
Acid Azo Colors, 123, 124
Acid Colors, 52, 54, 123-131, 131-136, 148-150, 152, 165-168, 219, 258
After-treatment, 18, 67, 68, 89
Alizarine and Alizarine Dyestuffs, 22, 23, 42
Alizarine Assistant or Turkey Red Oil, 88, 106, 232
Aniline, 40, 41
Aniline Black—for Stencilling, 224-228
Aniline Colors, 109. Also see Basic Colors
Aniline Red or Fuchsine, Magenta, 40, 109
Animal Dyes, 11-14.
Also see Cochineal, Kermes, Lac, Tyrian purple
Artificial Silk, 39, 87, 112, 181, 184-192
Artificial or Synthetic Indigo, 92, 93
Bagobo Tied Work, 196, 199, 200, 202, 206
Basic Colors, 52, 54, 108-123, 148-153, 220-223, 258
Basketry, Dyeing of, 113, 114, 116-123, 258
Batik or Wax Resist, 241-260
Benedict, Miss Laura (Tied Work from Philippines), 199, 200, 206
Bismarck Brown, 109, 115, 124
Bistre or Permanganate Bronze, 32-35
Black Dyeing—with Coal-Tar Colors, 69, 86, 89, 114, 168, 169
Black Dyeing—with Logwood, 21, 138, 169-172
Black Stencilling, 224-228
Bleaching Powder, 208-211, 234-236
Boiled-off Liquor, 161, 162, 164, 168, 174
Bone-colored by Batik Process, 258
British uniforms, dyed with cochineal, 19
Bronze on Leather, 153-155
Bronze (Permanganate) or Bistre, 32-35
Brown (Bismarck), 109, 115, 124
Brown, dyed with Permanganate of Potash, 32-35
Cachou de Laval, 85
Catechu. See Cutch
Chardonnet Silk, 184, 185, 189
Chloride of Lime. See Bleaching Powder
Chrome Orange, 32
Chrome Yellow, 32
Chrome Tanning, 144
Chundries or Chunaries (Indian Tied Work), 196-199
Classification of Coal-Tar Colors, for Craftsmen, 51, 52
Cochineal, 11, 18, 19
Congo Red, 55, 56, 57
Cordovan Leather, 142
Cotton Colors. See Salt Colors
Cotton Dyeing, 59-64, 86, 88-90, 98, 99
“Covering,” 83
Crackle Effect—in Batik, 244, 246, 247
Cutch, 18, 85, 146, 171
Direct Coloring, 193
Direct Cotton Dyeing. See Salt Colors and Sulphur Colors. Also 17, 53, 55, 85
Discharge Stencilling, 233-241
Discharge work, 193, 208-211
Discovery of Acid Colors, 123, 124;
Aniline or Coal-Tar Colors, 40, 41, 46;
Basic Colors, 108, 109;
Indigo, 9, 10, 91, 92;
Salt Colors, 55, 56;
Sulphur Colors, 85, 86;
Vat Colors, modern, 103
Discovery (Perkin’s), 40, 41, 46, 54, 108, 109
Dyeing Directions—for Acid Colors, 127-131, 132-137, 148-153, 162, 163;
Artificial Silk, 187, 189, 190;
Basic Colors, 117-123, 148-150;
Basketry, 117-123;
Batik, 254-258;
Cotton and Linen, 27, 30, 33, 59-64, 87-89, 98, 99, 105-108;
Feathers, 132-137;
Imitation Silk, 183;
Indigo, 98, 99;
Iron Buff (Iron Rust), 27-29;
Iron Grey, 30;
Leather, 148-150;
Permanganate Bronze, 33;
Raffia, 120-123;
Resist Stencilling, 232;
Salt Colors, 59-64, 175, 176, 233;
Silk, 162-165, 174-181, 207;
Straw, 117-120;
Sulphur Colors, 87-89, 180, 207, 232;
Tied and Dyed Work, 206, 207;
Vat Colors, 105-108, 177-181;
Wild Silk, 164, 165;
Wool, 24, 127-131
Eastern Dyes, 10, 13, 17-21, 22, 199, 200, 245
Elberfeld Silk, 185, 189
Embroidery-fast Silk, 175-181
Equipment needed for Dyeing, 35-39
Fastness to Light, 42, 49, 63-66, 89, 100, 102, 103, 112, 114, 126, 153
Fastness to Washing, 64-67, 89, 100, 103, 124, 137, 174-181
Feathers and Feather-dyeing, 39, 131-141
Fermentation Method of Vat dyeing, 94
Finishing—Artificial Silk, 39, 189, 190;
Feathers, 39, 134, 135;
Leather, 153;
Silk, 39, 163, 164
Fustic, 20
Gambier, 146, 171
Gelatin or Glue, used as Reagent, 87
Glanzstoff (Elberfeld Silk), 185, 189
Glucose, 33, 87, 179
Grain Colors (Cochineal, Kermes, Lac), 11, 12, 19
Grey, Miss Mary—Tied Work, 203
Grey, from mixture of colors, 72, 73, 82, 83
Grey, from Iron Salts and Tannin, 29, 31
Heating devices, used in Dyeing, 36
History. See Discovery.
Also Ancient Dyestuffs, 8-16;
Artificial Silk, 184-187;
Batik, 241-245;
Dyes of our Ancestors, 17-24;
Imitation Silk, 182, 183;
Leather, 141-144;
Silk, 156, 157;
Stencils and Stencilling, 211, 212;
Tied and Dyed Work, 192-200
Horses, dyed Brown with Permanganate, 34
Hydrosulphite of Sodium, 35, 97, 98, 104, 105, 118, 209, 210, 237-241
Imitation Silk, 181-184
Indian Dyes, 17, 18, 199
Indian Tied and Dyed Work, 196-199, 202, 206
Indigo and Vat Colors, 9, 10, 14, 91-108, 222-225
Indigo, Application of, 93, 98-100
Introduction, 5-8
Iron Buff (Iron Rust), 25-29, 103
Iron Grey, 29-31
Japanese Practice, 31, 211-219, 228-231
Javanese Practice (Batik), 242-256
Kermes, 12
Khaki, 28
Lac Dye, 11, 19, 20
Leather, 141-156;
Dyeing and Staining of, 111, 148-153;
Finishing of, 153;
History of, 141-144;
Preparation of, 143-148;
Stencilling of, 219
Linen—Dyeing of. See Cotton Dyeing, 59-64, 86, 88-90, 98, 99
Local Dyeing Formulæ, 24
Logwood, 21, 138, 169-172
Madder, 10
Manufacturers of Coal-Tar Colors, 48
Matching Shades, 77, 78, 101
Matching Shades by Night, 84
Mauvine (Perkin’s Violet), 40, 41, 108, 109
Metal, Etching of by Batik Process, 259
Methyl Violet. See Basic Colors, also 49, 108
Methylene Blue. See Basic Colors, also 109, 112, 114, 149
Mineral Dyes, 25-35
Mixed Shades, with Diagram, 78-84
Modern and Ancient Dyestuffs, compared, 5, 6
Mordants and Mordanting, 11, 18-25, 53, 55, 110
Murex Brandaris (Tyrian Purple Fish), 12
Murex Trunculus, 12
Night, Matching Shades by, 84
North Carolina Practice, 24
Perkin, Sir Wm. Henry, 40-43, 46, 108, 109
Perkin’s Discovery. See Perkin
Permanganate Bronze (Permanganate Brown, Bistre), 32-35
Peruvian Tied Work, 196
Philippine Tied Work, 196, 199-201
Primary Colors, 72, 73
Purpura Lapillus (Tyrian Purple Fish), 12
Raffia, Dyeing of, 120, 121
Rainbow Dyeing, 74, 75, 82, 83, 119-122, 129, 136
Rajput Tied Work (Chundries), 196-199, 202, 206
Resist Stencil Paste, 229-234
Resist Work, 194, 195, also 196-209, 229-234, 241-260
Rubber Gloves—Useful for Dyeing, 37
“Rubbing,” 101, 102
Rush, Dr. Benjamin, 211
Ruskin, John, Opinion on Modern Dyestuffs, 5
Safflower, 17, 55
Saffron, 10
Saffron, Indian (Turmeric), 17
Salt—used in Dyeing, 62, 87, 88, 107
Salt Colors (Direct Cotton Colors), 51, 55-71, 111, 175, 220, 237, 238-240;
List of Properties and Uses, 69
Sarongs, 243
Selected Dyestuffs, Lists of—
Acid Colors, 127, 152, 166;
Basic Colors, 114, 115, 149;
Salt Colors, 66;
Sulphur Colors, 90;
Vat Colors, 103, 179
Shades, Matching of, 81
Shikar, Chundries (Tied Work from India), 197
Silk, Artificial, 39, 87, 112, 181, 184-192
Silk, 156-181;
Dyeing, 58, 86, 87, 161-164, 174-181;
Imitation, 181-184;
Preparation of for Dyeing, 159-162;
Stencilling of, 219-223, 240;
Tests for Weighted, 173, 174;
Varieties of, 157-160;
Weighting of, 169-175;
Wild, 157-159, 164-167
Skein Dyeing 129, 130, 163
Soap, uses of, in Dyeing, 60, 61, 161-166, 171
Soda Ash (Sodium Carbonate), 27, 28, 88
Sodium Bicarbonate, 27, 28
Sodium Carbonate. See Soda Ash
Sodium Hydrosulphite, 35, 97, 98, 104, 105, 118, 209, 210, 237-241
Sodium Hydroxide (Caustic Soda), 97, 105
Sodium Sulphate (Glauber’s Salt), 128
Sodium Sulphide, 85, 86, 88
Starching (for Feathers), 134-136
Stencils and Stencilling, 211-228, 228-241
Stencil Salt, 223, 224, 239
Stripping, 126, 137, 166, 167
Sulphur Colors, 85-90, 102, 111, 179, 180, 224, 237, 238
Tannin (Tannic Acid), 18, 30, 31, 145, 146, 171
Tanning, 143-148
Three-Color Shades, 79-81
Tied and Discharged Work, 208-211
Tied and Dyed Work, 31, 192-211
Ties and Stops, 214-217
Tin salts as Mordants, 11, 19
Tin Weighting of Silk, 171-175
Tjantings. See Batik, 244-254
“Topping,” 111
Turkey Red, 11, 22, 56, 57
Turkey Red Oil (Alizarine Assistant), 88, 106, 232
Turmeric (Indian Saffron), 17
Tussah Silk. See Wild Silk
Tyrian Purple, 12-16, 91
Vat Colors. See Indigo, also 102-108, 222-225
Vat Dyeing, 94-100, 178-180
Vegetable Colors, 8-11, 17-19, 20-25
Viscose (in Artificial Silk), 185, 186
Washing, Fastness to, 64-67, 89, 100, 103, 124, 125, 137, 166, 174-181
Weighting of Silk, 170-175
Woad, 9, 10
Wood, Dyeing of, 258
Wood, Etching of, by Batik Process, 259
Wool, Dyeing of, 58, 86, 128-131
Wool, Stencilling on, 221
Wringers, Use of in Dyeing, 38