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Dress design

INDEX

Reading edition

Aprons— 17 century, 186, 280 18 c., 192, 198, 206

Bags, 193, 262, 272

Bertha, 238, 252

Bouquet Holder, 262

Breeches— Mediæval, 54 16 c., 122, 132 17 c., 152, 164, 281 19 c., 248, 256, 264

Bustle, 226

Calash, 217

Capes— 16 c., 132, 279 17 c., 184 19 c., 244, 262, 264, 274, 281

Chain Ornaments— to 15 c., 62, 72 16 c., 110, 124

Cloaks— to 15 c., 54, 70 17 c., 152, 164, 176, 180, 279 18 c., 222

Collars— 16 c., 112, 128, 129, 139, 278 17 c., 145, 158, 160, 172, 174 19 c., 244, 246

Corsets— to 15 c., 62, 66 16 c., 110, 116, 138 17 c., 158, 169, 172 18 c., 211, 278 19 c., 250

Crinolines, 270, 278

Decorative Styles— Black-stitch work, 122, 129 Braided, 110, 111, 132, 142, 143, 144, 145, 146, 182, 188, 200, 238, 244, 272 Button, 110, 143, 144, 146, 182, 210 Laced, 70, 88, 92, 110, 116 Piped, 238, 244 Pleated, 111, 140 Pricked, 111, 140, 142, 152 Punched, 111, 140, 142, 152 Puffed, 88, 92, 110, 116, 118, 122, 129, 142, 146, 150, 180, 260 Purfled, 145, 164, 190 Ribbon, 145, 172, 176, 178, 191, 253 Serrated or shaped edging, 71, 96, 110, 146, 191, 214, 252 Slashing, 92, 111, 112, 113, 116, 118, 122, 140, 142, 145, 152, 158, 164 Straw-work, 111, 191 Tassel, 238 Tinsel, 237 Tulle, 238

Doublets, 132, 139

Dress— Prehistoric, female, 40; male, 41 to 10 c., female, 45, 46, 48; male, 52, 54 10 to 15 c., female, 62, 66, 68, 70; male, 76, 78, 80 15 c., female, 84, 88, 92; male, 92, 100, 104, 108 16 c., 278, 279, 281. Henry VIII, female, 113, 116; male, 118, 122. Ed. VI and Mary, female, 124, 128; male, 129, 132. Eliz., female, 133, 136, 138; male, 139, 281 17 c., James I, female, 147, 150; male, 152, 154. Chas. I, female, 158; male, 160, 164, 168. Commonwealth, female and male, 168, 169. Chas. II, female, 169, 172; male, 174, 176. James II, female, 178, 180; male, 182. William and Mary, female, 184, 185; male, 186, 188. Anne, female, 196; male, 200. George I, female, 206; male, 210 18 c., George II, female, 221; male, 214. George III to 1800, female, 217, 222, 224, 226, 230; male, 232, 234 19 c., George III (continued), female, 244, 247; male, 247. George IV, female, 250; male, 254. William IV, female, 260; male, 263. Victorian, female, 268; male, 274. Note also page 39

Drill petticoat, 238

Ear-rings, 62-72

Epaulets— 16 c., 128, 129, 136 17 c., 143, 152, 280, 281 19 c., 250

Fans— 16 c., 129, 138 18 c., 193, 230 19 c., 240, 253, 262

Farthingale, 111, 136

Foot-wear— to the end of 14 c., 44, 48, 56, 70, 80, 82, 92 15 c., 108 16 c., Henry VIII, 116, 122; Ed. VI and Mary, 128, 132; Elizabeth, 138, 140 17 c., James I, 150, 154; Chas. I, 158, 164; Commonwealth, 168; Chas, II, 172, 176; James II, 180, 184; William and Mary, 186, 188 18 c., 193; Anne, 198, 201; George I, 207, 210; George II, 214, 216; George III to 1800, 230, 234 19 c., George III, 246, 248; George IV, 253, 258; William IV, 262, 264; Victoria, 272, 275

Girdles— to 15 c., 68, 78, 92 16 c., 116

Gloves— 16 c., 116, 129, 138 17 c., 168, 172 18 c., 193, 201, 214, 226

Head-dress— Prehistoric, female, 40; male, 42 to 10 c., female, 45; male, 49 10 to 15 c., female, 57; male, 71 15 c., female, 84; male, 92 16 c., Henry VIII, female, 113; male, 118. Ed. VI and Mary, female, 124; male, 129. Eliz., female, 133; male, 138 17 c., James I, female, 147; male, 150. Chas. I, female, 154; male, 160. Commonwealth, 168. Chas. II, female, 169; male, 174. James II, female, 178; male, 180. William and Mary, female, 184; male, 186 18 c., Anne, female, 193; male, 198. George I, female, 201; male, 207. George II, female, 211; male, 214. George III, female, 217, 241; male, 231, 246. George IV, female, 248; male, 254. William IV, female, 258; male, 263. Victoria, female, 264; male, 273

Heraldic fashion, 66, 71, 109, 132

Hoop skirts— 16 c., 116, 128, 136 17 c., 147, 185 18 c., 222

Jackets— to 15 c., 66, 68, 88, 100 16 c., 112, 182 17 c., 143 18 c., 224, 226 19 c., 270

Lapets, 184, 193, 206, 239

Maccaroni fashion, 214

Mantles, 262, 271

Masks, 186

Muffs, 160, 172, 180, 186, 189, 193, 201, 230, 253

Neck-wear, 174, 182, 186, 200, 207, 232, 246, 250, 254, 263, 275

Overcoats, 232, 254, 274

Panniers, 211, 222

Parasols, 230, 234, 244, 272

Patterns scaled, 276

Pelisses, 244, 250, 262

Plates (collotypes), frontispiece, 39, 42, 55, 58, 71, 74, 87, 90, 103, 106, 119, 122, 135, 138, 151, 154, 167, 170, 183, 186, 199, 202, 215, 218, 231, 234, 247, 250, 259, 263, 266, 270, 279, 282

Pockets, 192, 224

Polonaise, 238, 262

Purses, 236, 240, 246

Quilting, 111, 128, 146, 172, 192, 198, 211, 222, 278

Ruffs, 112, 118, 128, 129, 133, 136, 139, 143, 147, 158, 160, 172, 250, 280

Sack-back (or Watteau) dress, 136, 185, 191, 196, 206, 211, 222

Sashes, 168, 182, 279

Sequins, 112

Shawls, 272

Spats, 273

Spencers, 244, 250

Sticks, 181, 188, 201, 211, 214, 226, 234

Stockings, 138, 140, 154, 168, 182, 184, 189, 201, 210, 216, 234, 270

Stomachers, 66, 112, 136, 142, 144, 146, 147, 154, 158, 172, 178, 184, 196, 207, 278

Printed by Spottiswoode, Ballantyne & Co. Ltd. Colchester, London & Eton, England

DRESSMAKING

SIMPLE DRESSMAKING. By ETHEL R. HAMBRIDGE, Art Teachers' Certificate, etc. In foolscap 4to, cloth, 200 pp., with 750 plates and black-and-white diagrams. 7s. 6d. net.

This book deals exhaustively with the various stitches and fastenings used in Dressmaking and their applications, Pressing, Making-up Processes, Taking Measurements, Cutting-out; and also contains some notes on Fitting.

Simplicity and completeness have been the dual purpose of the Author, and her systematic treatment of the subject, aided by her remarkable gift of lucid explanation, and her unique practical experience, has produced a valuable contribution to the literature of Domestic Science.

DRESS CUTTING AND MAKING. For the Classroom, Workroom, and Home. By EMILY WALLBANK, Head of the Needlework and Dressmaking Department, National Training School of Cookery, and MARIAN WALLBANK. In foolscap 4to, cloth, 271 pp., with 265 diagrams and illustrations. 6s. net.

The object of this work will be realized in some degree if it helps the practical reader so to mobilize her knowledge of underlying causes that she is able to produce any desired effect in the cut and fashion of a garment.

SIR ISAAC PITMAN & SONS, LIMITED 1 Amen Corner, London, E.C. 4.

EMBROIDERY

AN EMBROIDERY PATTERN BOOK. By MARY E. WARING. With a Foreword by Professor W. R. Lethaby, Royal College of Art. In cloth gilt, 170 pp., 2 coloured plates, with 84 full-page black-and-white diagrams. 8s. 6d. net.

"Designing of this sort is no mystery that requires 'genius'; it is of the same kind as planting a garden border.... Most embroideresses, who will begin by adapting the elements given in this Pattern Book, and gain interest and confidence in so doing, will go forward insensibly to varying the elements themselves, and to taking flowers and animals direct from Nature. This ... is the work of a highly competent designer of embroidery, and I heartily recommend it."—W. R. Lethaby in the Foreword.

EMBROIDERY & DESIGN. By JOAN H. DREW. In foolscap 4to, cloth, about 115 pp., with 82 black-and-white illustrations and designs. 5s. net.

The writer endeavours to arouse in her readers a desire for better designs, and greater individuality and thought in the home embroidery of to-day. The difference between decorative and undecorative work is clearly explained with the aid of many illustrations, and these are of the right size for tracing and working.

SIR ISAAC PITMAN & SONS, LIMITED

ART

THE ART OF PAINTING IN PASTEL. By J. LITTLEJOHNS, R.B.A., and L. RICHMOND, R.A. With a frontispiece and foreword by FRANK BRANGWYN, R.A. With 40 beautiful full-page coloured plates and 15 other illustrations. In demy 4to, cloth gilt. 15s. net.

Extract from The Connoisseur:

"The beautiful volume may quicken public interest in the method. The 40 plates in colour afford a fine series of examples of the resources of the medium and the best methods of exploiting them."

DRAWING AND DESIGN. A School Course in Composition. By SAMUEL CLEGG, Headmaster of the County Secondary School, Long Eaton, Derbyshire, with a foreword by WILLIAM ROTHENSTEIN, Professor of Civic Art, Sheffield University. 10 in. by 7½ in. 12s. 6d. net.

A feature of the book is the inclusion of plates printed by scholars from wood-blocks of their own making and designing. It also contains good sections on lettering and pen and ink drawing, as well as on pencil work, colour work, etc.

SIR ISAAC PITMAN & SONS, LIMITED

FROM THE ARTISTIC CRAFTS SERIES

HAND-LOOM WEAVING. By LUTHER HOOPER. 125 Drawings by the Author and NOEL ROOKE. Coloured and collotype reproduction. Small Crown 8vo, 368 pp. 8s. 6d. net.

Extract from The Morning Post:

"... Every phase and process in weaving is described with so clear and careful an exactitude, that, helped as the text is by the Author's sketches and diagrams, the reader should have no difficulty in conquering with its aid the rudiments of the craft."

EMBROIDERY & TAPESTRY WEAVING. By Mrs. A. H. CHRISTIE. Fourth Edition. 178 diagrams and illustrations by the Author, 16 pp. of collotype reproductions. Small Crown 8vo, 320 pp. 10s. 6d. net.

Extract from The Pall Mall Gazette:

"Mrs. Christie has performed her task to admiration, ... and her lucid explanations of various kinds of stitches ... should be of value to all workers at embroidery or tapestry weaving and to novices anxious to learn."

SIR ISAAC PITMAN & SONS, LIMITED

FROM THE ARTISTIC CRAFTS SERIES

MANUSCRIPT WRITING & LETTERING. By An Educational Expert. Showing the historical development and practical application to modern handwriting of several manuscript styles derived from ancient Roman letters. Fully illustrated. Foolscap 4to. 6s. net.

Extract from The Times:

"This book supplies and supplies generously a need which has become urgent.... For purposes purely practical, no teacher of plain handwriting need know more than this book tells him; nor should be content to know less."

HERALDRY FOR CRAFTSMEN AND DESIGNERS. By W. H. ST. JOHN HOPE, Litt.D., D.C.L. Small Crown 8vo, 496 pp., 300 diagrams and designs, 24 collotype reproductions, and 8 coloured plates, 10s. 6d. net.

Extract from The Athenæum:

"A series which includes three such books as Mr. Douglas Cockerell's 'Bookbinding,' Mr. Edward Johnston's 'Writing,' and this ranks almost as a national possession.... No artist can see this book without wanting to buy it, if it were only for the beauty of the objects selected for illustration."

SIR ISAAC PITMAN & SONS, LIMITED

FROM THE ARTISTIC CRAFTS SERIES

WRITING AND ILLUMINATING & LETTERING. By EDWARD JOHNSTON. Tenth Edition. 227 illustrations and diagrams by the Author and NOEL ROOKE, 8 pp. of examples in red and black, 24 pp. of collotype reproductions, 512 pp. Small Crown 8vo. 8s. 6d. net.

Extract from The Athenæum:

"... This book belongs to that extremely rare class in which every line bears the impress of complete mastery of the subject. We congratulate Mr. Johnston on having produced a work at once original and complete."

BOOKBINDING AND THE CARE OF BOOKS. By DOUGLAS COCKERELL. Fourth Edition. 122 drawings by NOEL ROOKE, 8 pages collotype reproductions. Small Crown 8vo, 352 pp. 7s. 6d. net.

Extract from The Times:

"... A capital proof of the reasoned thoroughness in workmanship, which is the first article in the creed of those who ... are attempting to carry into practice the industrial teaching of Ruskin and William Morris."

SIR ISAAC PITMAN & SONS, LIMITED

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