LETTER VIII. (continued 2)

Hastening back over the desert of locusts, I threw myself into the gondola; and, no wind or wave opposing, was soon wafted across to those venerable columns, so conspicuous in the Place of St. Mark. Directing my course immediately to the ducal palace, I entered the grand court, ascending the Giant’s stairs, and examined at my leisure its bas-reliefs. Then, taking the first guide that presented himself, I was shown along several cloisters and corridors, sustained by innumerable pillars, into the state apartments, which Tintoret and Paolo Veronese have covered with the triumphs of their country.

A swarm of lawyers filled the Sala del Maggior Consiglio, and one of the first advocates in the republic was pleading with all his might, before a solemn row of senators. The eyes and ears of the assembly seemed equally affected. Clouds of powder and volleys of execrations issuing every instant from the disputants, I got out of their way; and was led from hall to hall, and from picture to picture, with exemplary resignation. To be sure, I was heartily tired, but behaved with decency, having never once expressed how much I wished the chefs-d’œuvre I had been contemplating, less smoky and numerous.

At last, I reached once more the colonnades at the entrance, and caught the sea-breeze in the open porticos which front San Giorgio Maggiore. The walls are covered in most places with grim visages sculptured in marble, whose mouths gape for accusations, and swallow every lie that malice and revenge can dictate. I wished for a few ears of the same kind, dispersed about the Doge’s residence, to which one might apply one’s own, and catch some account of the mysteries within; some little dialogue between the Three Inquisitors, or debate in the Council of Ten.

This is the tribunal which holds the wealthy nobility in continual awe; before which they appear with trembling and terror: and whose summons they dare not disobey. Sometimes, by way of clemency, it condemns its victims to perpetual imprisonment in close, stifling cells, between the leads and beams of the palace; or, unwilling to spill the blood of a fellow-citizen, generously sinks them into dungeons, deep under the canals which wash its foundations; so that, above and below, its majesty is contaminated by the abodes of punishment. What other sovereign could endure the idea of having his immediate residence polluted with tears? or revel in his halls, conscious that many of his species were consuming their hours in lamentations above his head, and that but a few beams separated him from the scene of their tortures? How ever gaily disposed, could one dance with pleasure on a pavement, beneath which lie damp and gloomy caverns, whose inhabitants waste away by painful degrees, and feel themselves whole years a-dying? Impressed by these terrible ideas, I could not regard the palace without horror, and wished for the strength of a thousand antediluvians, to level it with the sea, lay open the secret recesses of punishment, and admit free gales and sunshine into every den.

When I had thus vented my indignation, I repaired to the statue of Neptune and invoked it to second my enterprise. Once upon a time no deity had a freer hand at razing cities. His execution was renowned throughout all antiquity, and the proudest monarchs deprecated the wrath of ΚΡΕΙΩΝ ΕΝΟΣΙΧΘΩΝ. But, like the other mighty ones of ancient days, his reign is past and his trident disregarded. Formerly any wild spirit found favour in the eyes of fortune, and was led along the career of glory to the deliverance of captives and the extirpation of monsters; but, in our degenerate times, this easy road to fame is no longer open, and the means of producing such signal events perplexed and difficult.

Abandoning, therefore, the sad tenants of the Piombi to their fate, I left the courts, and stepping into my bark, was rowed down a canal over which the lofty walls of the palace cast a tremendous shade. Beneath these fatal waters the dungeons I have also been speaking of are situated. There the wretches lie marking the sound of the oars, and counting the free passage of every gondola. Above, a marble bridge, of bold majestic architecture, joins the highest part of the prisons to the secret galleries of the palace; from whence criminals are conducted over the arch to a cruel and mysterious death. I shuddered whilst passing below; and believe it is not without cause, this structure is named PONTE DEl SOSPIRI. Horrors and dismal prospects haunted my fancy upon my return. I could not dine in peace, so strongly was my imagination affected; but snatching my pencil, I drew chasms and subterraneous hollows, the domain of fear and torture, with chains, racks, wheels, and dreadful engines, in the style of Piranesi. About sunset I went and refreshed myself with the cool air and cheerful scenery of the Fondamenti nuovi, a vast quay or terrace of white marble, which commands the whole series of isles, from San Michele’s to Torcello,

“That rise and glitter o’er the ambient tide.”

Nothing can be more picturesque than the groups of towers and cupolas which they present, mixed with flat roofs and low buildings, and now and then a pine or cypress. Afar off, a little woody isle, called Il Deserto, swells from the ocean and diversifies its expanse.

When I had spent a delightful half-hour in viewing the distant isles, M. de. B. accompanied me to the Mendicanti, one of the four conservatorios, which give the best musical education conceivable to near one hundred young women. You may imagine how admirably those of the Mendicanti in particular are taught, since their establishment is under Bertoni’s direction, who breathes around him the very soul of grace and harmony. The chapel in which we sat to hear the oratorio was dark and solemn; a screen of lofty pillars, formed of black marble and highly polished, excluded the glow of the western sky, and reflected the lamps which burn perpetually before the altar. Every tribune was thronged with people, whose profound silence showed them worthy auditors of Bertoni’s compositions. Here were no cackling old women, or groaning Methodists, such as infest our English churches, and scare one’s ears with hoarse coughs accompanied by the naso obligato. All were still and attentive, imbibing the plaintive notes of the voices with eagerness; and scarce a countenance but seemed deeply affected with David’s sorrows, the subject of the performance. I sat retired in a solitary tribune, and felt them as my own. Night came on before the last chorus was sung, and I still seem to hear its sacred melody.

August 18th.—It rains; the air is refreshed and I have courage to resume my pen, which the sultry weather had forced to lie dormant so long. I like this odd town of Venice, and find every day some new amusement in rambling about its innumerable canals and alleys. Sometimes I go and pry about the great church of Saint Mark, and examine the variety of marbles and mazes of delicate sculpture with which it is covered. The cupola, glittering with gold, mosaic, and paintings of half the wonders in the Apocalypse, never fails transporting me to the period of the Eastern empire. I think myself in Constantinople, and expect Michael Paleologus with all his train. One circumstance alone prevents my observing half the treasures of the place, and holds down my fancy, just springing into the air: I mean the vile stench which exhales from every recess and corner of the edifice, and which all the altars cannot subdue.

When oppressed by this noxious atmosphere, I run up the Campanile in the piazza, and seating myself amongst the pillars of the gallery, breathe the fresh gales which blow from the Adriatic; survey at my leisure all Venice beneath me, with its azure sea, white sails, and long tracts of islands shining in the sun. Having thus laid in a provision of wholesome breezes, I brave the vapours of the canals, and venture into the most curious and murky quarters of the city, in search of Turks and Infidels, that I may ask as many questions as I please about Damascus and Suristan, those happy countries which nature has covered with roses.

Asiatics find Venice very much to their liking, and all those I conversed with allowed its customs and style of living had a good deal of conformity to their own. The eternal lounging in coffee-houses and sipping of sorbets, agrees perfectly well with the inhabitants of the Ottoman empire, who stalk about here in their proper dresses, and smoke their own exotic pipes, without being stared and wondered at, as in most other European capitals. Some few of these Orientals are communicative and enlightened; but, generally speaking, they know nothing beyond the rule of three, and the commonest transactions of mercantile affairs.

The Greeks are by far a more lively generation, still retaining their propensity to works of genius and imagination. Metastasio has been lately translated into their modern jargon, and some obliging papa or other has had the patience to put the long-winded romance of Clelia into a Grecian dress. I saw two or three of these volumes exposed on a stall, under the grand arcades of the public library, as I went one day to admire the antiques in its vestibules.

Whilst I was intent upon my occupation, a little door, I never should have suspected, flew open, and out popped Monsieur de V., from a place where nothing, I believe, but broomsticks and certain other utensils were ever before deposited. This gentleman, the most active investigator of Homer since the days of the good bishop of Thessalonica, bespatters you with more learning in a minute than others communicate in half a year; quotes Arabic, Greek, Hebrew, Syriac, etc., with a formidable fluency; and drove me from one end of the room to the other with all the thunder of erudition. Syllables fell thicker than hail, and in an instant I found myself so weighed down and covered, that I prayed, for mercy’s sake, to be introduced, by way of respite, to a Laplander whom he leads about as a curiosity; a poor, harmless, good sort of a soul, calm and indifferent, who has acquired the words of several Oriental languages to perfection: ideas he has, in none.

We went together to view a collection of medals in one of the Gradanigo palaces, and two or three inestimable volumes, filled with paintings that represent the dress of the ancient Venetians; so that I had an opportunity of observing to perfection all the Lapland nothingness of my companion. What a perfect void! Cold and silent as the polar regions, not one passion ever throbbed in his bosom; not one bright ray of fancy ever glittered in his mind; without love or anger, pleasure or pain, his days fleet smoothly along: all things considered, I must confess I envied such comfortable apathy.

After having passed a peaceful hour in dreaming over the medals and rarities, M. de V. was for conducting me to the Armenian convent, but I begged to be excused, and went to S. Giovanni e Paolo’s, a church ever celebrated in the annals of painting, since it contains that masterpiece of Titian, “The Martyrdom of St. Peter.” It being a festival, the huge Gothic pillars were covered with red damask, and the shrines of saints and worthies glimmered with tapers. The dim chapels on each side the nave received a feeble light, and discovered the tombs of ancient Doges, and the equestrian statues of many a doughty General. I admired them all, but liked nothing so much as a snug bas-relief I found out in a corner, which represents St. Mark and some other good souls a-prosing, whilst his lion and the old serpent squabble and scratch in the foreground of the sculpture, like cat and dog by the fireside. After dinner, when the shadows of domes and palaces began lengthening across the waves, I rowed out

“On the clear hyaline, the glassy sea,”

to observe the last sunbeams fade on the tufted gardens of the Giudecca, and to contemplate the distant Euganean hills, once the happiest region of Italy; where wandering nations enjoyed the simplicity of a pastoral life, long before the arrival of Antenor. In those ancient times, deep forests and extensive pastures covered the shores [170a] of the Adriatic, and innumerable flocks hung on the brow of the mountains. This golden period ended upon the incursion of the Trojans and Heneti; who, led by Antenor, drove away the unfortunate savages, and possessed themselves of their habitations. [170b] The form of the hillocks is varied and picturesque, and the sun, sinking behind them, suffuses their summits with tints of the brightest orange. Scarce one evening have I failed to remark the changeful scenery of the clouds, and to fill my mind with recollections of primeval days and happier ages. Night generally surprises me in the midst of my reveries; I return, lulled in my gondola by the murmur of waters, pass about an hour with M. de R., whose imagination and sensibility almost equal your own; then, retire to sleep, and dream of the Euganeans.