← Table of contents
Dorothy, and Other Italian Stories

A TRANSPLANTED BOY (continued 2)

Reading edition

It was a long walk. The little body which had been so light in life weighed now like lead; but it might have been twice as heavy, he would not have been conscious of it. He reached the place at last, the house where Giulio's wife lived, with her five children, near one of the hill-side villages which, as seen from Pisa, shine like white spots on the verdure. Paola came out from her dark dwelling, and listened to his brief explanation with wonder. To take so much trouble for a dog! But she was a mild creature, her ample form cowlike, her eyes cowlike also, and therefore beautiful; she accompanied him, and she kept the curious crowding children in some kind of order while the boy, with her spade, dug a grave in the corner of a field which she pointed out. Maso dug and dug in the heat. He was so afraid of the peasant cupidity that he did not dare to leave the dog wrapped in the cotton handkerchief, lest the poor little tomb should be rifled to obtain it; he gave it, therefore, to one of the children, and, gathering fresh leaves, he made a bed of them at the bottom of the hole; then leaning down, he laid his pet tenderly on the green, and covered him thickly with more foliage, the softest he could find. When the last trace of the little black head had disappeared he took up the spade, and with eyes freshly wet again in spite of his efforts to prevent it, he filled up the grave as quickly as he could, levelling the ground smoothly above it. He had made his excavation very deep, in order that no one should meddle with the place later: it would be too much trouble.

It was now nearly noon. He gave Paola three francs, which was half of all he possessed. Then, with one quick glance towards the corner of the field, he started on his long walk back to Pisa.

VI

"DO you know where you'll end, Roberta! You'll end with us," said Mrs. Harrowby.

"With you?"

"Yes; in the Church. You've tried everything, beginning with geology and ending with music (I can't help laughing at the last; you never had any ear), and you have found no satisfaction. You are the very kind to come to us; they always do."

The speaker, an American who lived in Naples, had entered the Roman Catholic Church ten years before; in Boston she had been a Unitarian. It was the 10th of September, and she was staying for a day in Pisa on her way southward; she had encountered Miss Spring by chance in the piazza of Santa Caterina at sunset, and the two had had a long talk with the familiarity which an acquaintance in childhood carries with it, though years of total separation may have intervened.

"There is one other alternative," answered Miss Spring; "it was suggested by a pretty little woman who used to be here. She advised me to try crystal scent-bottles and dissipation." This being a joke, Miss Spring had intended to smile; but at this instant her attention was attracted by something on the other side of the street, and her face remained serious.

"Crystal scent-bottles? Dissipation? Mercy!" exclaimed Mrs. Harrowby. "What do you mean?"

But her companion had gone; she was hurrying across the street. "It isn't possible, Maso, that this is you!" She spoke to a ragged, sick-looking boy.

Two hours after her question Maso was in bed in the Palazzo Rondinelli. Madame Corti never came back till October, and the pension was not open, but servants were there. The house-keeper went through the form of making protest: "The signora has always such great alarm about fever."

"You will refer Madame Corti to me; I will pay for her alarm," answered Roberta, marching past her to direct the driver of the carriage, who was assisting Maso up the stairs. "It's not infectious fever. Only malarial." Roberta was something of a doctor herself. She superintended in person the opening of a large, cool room on the second floor, the making of the bed, and then the installation of Maso between linen sheets. The servants were all fond of the boy; in addition, Madame Corti was in Sorrento, and Miss Spring's francs were here. Her francs were few, but she spent them for Maso as generously as though they had been many.

The boy, as soon as he was in bed, whispered to Giulio, "Pencil—paper." Then when Miss Spring had left the room, he scrawled on the page, Giulio holding a book under it, "My dog is ded," and signed his name. He told Giulio to give this to her when she came in; then, as he heard her step, he quickly closed his eyes.

Miss Spring read, and understood. "He was afraid I would ask. And he could not speak of it. He remembers, poor little fellow, that I did not care for the dog."

Maso had refused to tell her where his mother was. "She's coming, on the 22d, to the Bagni di Lucca"; this was all he would say. The next morning at daylight she left him with the nurse (for she had sent immediately for Dr. Prior and for one of the best nurses in Pisa), and, driving to the Street of the Lily, she ascended the unclean stairs, with her skirts held high and her glasses on, to the room at the top of the house. Maso had himself gathered his few possessions together after his meeting with her in the piazza of Santa Caterina, but he had not had the strength to carry them down to the lower door. Miss Spring took the two parcels, which were tied up in newspapers, and after looking about to see that there was nothing left, she descended in the same gingerly way, and re-entered the carriage which was waiting at the door, its wheels grazing the opposite house. "Yes, he is ill; malarial fever. But we hope he will recover," she said to the cobbler's wife, who inquired with grief and affection, and a very dirty face.

To find Mrs. Roscoe's address, so that she could telegraph to her, Miss Spring was obliged to look through Maso's parcels. She could not ask his permission, for he recognized no one now; his mind wandered. One of the bundles contained the best suit, still carefully saved for his mother's arrival. The other held his few treasures: his mother's letters, with paper and envelopes for his own replies; the old fairy-book; and Mr. Tiber's blanket, coverlid, and little collar, wrapped in a clean handkerchief. The latest letter gave the Paris address.

"My dear little boy! If I could only have known!" moaned Violet Roscoe, sitting on the edge of the bed with her child in her arms. She had just arrived; her gloves were still on. "Oh, Maso, why didn't you tell me?"

Maso's face, gaunt and brown, lay on her shoulder; his eyes were strange, but he knew her. "You mustn't get sick again, mother," he murmured, anxiously, the fixed idea of the summer asserting itself. Then a wider recollection dawned. "Oh, mother," he whispered with his dry lips, "Mr. Tiber's dead. Little Tiber!"

His fever-hot eyes could not shed tears, but his mother cried for him, overwhelmed by the thought of his lonely sorrow. Then she tried to comfort him: "Tiber was an old dog, Maso; he was not young when we bought him, and we have had him many years. Dogs do not live very long, even the oldest; he had to die some time. And he had a very happy little life with you, always; you loved him, and gave him everything, and he loved you. No dog could have had more."

Roberta overheard this attempt; she came to the bedside to add her item also to the consolation. "Perhaps you will see your pet again, Maso. For he had his vital spark as well as we have, though in a less degree. If ours is to reappear in a future existence, I am inclined to think that his will also. Why not?"

Maso did not understand her; his mother's voice alone reached his dulled intelligence. But at least Roberta had done her best.

A month later Mr. Reuben J. Coe, of Coesville, New Hampshire, said to his brother David: "That foolish wife of Tom's is coming home at last. In spite of every effort on my part, she has made ducks and drakes of almost all her money."

"Is that why she is coming back?"

"No; thinks it will be better for the boy. But I'm afraid it's too late for that."

Explore with AITake your curiosity a little further.

Reading settings