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Crosby Lockwood & Son's Catalogue of Scientific, Technical and Industrial Books, January, 1901

DECORATIVE ARTS, &c.

Reading edition

SCHOOL OF PAINTING FOR THE IMITATION OF WOODS AND MARBLES.

As Taught and Practised by A. R. Van der Burg and P. Van der Burg, Directors of the Rotterdam Painting Institution. Royal folio, 18½ by 12½ in., Illustrated with 24 full-size Coloured Plates; also 12 plain Plates, comprising 154 Figures. Third Edition, cloth.

[Just Published. £1 11s. 6d.

List of Plates:—1. Various Tools Required for Wood Painting.—2, 3. Walnut; Preliminary Stages of Graining and Finished Specimen.—4. Tools Used for Marble Painting and Method of Manipulation.—5, 6. St. Remi Marble; Earlier Operations and Finished Specimen.—7. Methods of Sketching Different Grains, Knots, &c.—8, 9. Ash: Preliminary Stages and Finished Specimen.—10. Methods of Sketching Marble Grains.—11, 12. Breche Marble; Preliminary Stages of Working and Finished Specimen.—13. Maple; Methods of Producing the Different Grains.—14, 15. Bird’s-Eye Maple; Preliminary Stages and Finished Specimen.—16. Methods of Sketching the Different Species of White Marble.—17, 18. White Marble; Preliminary Stages of Process and Finished Specimen.—19. Mahogany; Specimens of Various Grains and Methods of Manipulation.—20, 21. Mahogany; Earlier Stages and Finished Specimen.—22, 23, 24. Sienna Marble; Varieties of Grain, Preliminary Stages and Finished Specimen.—25, 26, 27. Juniper Wood; Methods of Producing Grain, &c.; Preliminary Stages and Finished Specimen.—28, 29, 30. Vert de Mer Marble; Varieties of Grain and Methods of Working, Unfinished and Finished Specimens.—31, 32, 33. Oak; Varieties of Grain, Tools Employed and Methods of Manipulation, Preliminary Stages and Finished Specimen.—34, 35, 36. Waulsort Marble; Varieties of Grain, Unfinished and Finished Specimens.

“Those who desire to attain skill in the art of painting woods and marbles will find advantage in consulting this book.... Some of the Working Men’s Clubs should give their young men the opportunity to study it.”—Builder.

“A comprehensive guide to the art. The explanations of the processes, the manipulation and management of the colours, and the beautifully executed plates will not be the least valuable to the student who aims at making his work a faithful transcript of nature.”—Building News.

“Students and novices are fortunate who are able to become the possessors of so noble a work.”—The Architect.

ELEMENTARY DECORATION.

A Guide to the Simpler Forms of Everyday Art. Together with PRACTICAL HOUSE DECORATION. By James W. Facey. With numerous Illustrations. In One Vol., strongly half-bound

5/0

HOUSE PAINTING, GRAINING, MARBLING, AND SIGN WRITING.

A Practical Manual of. By Ellis A. Davidson. Eighth Edition. With Coloured Plates and Wood Engravings. 12mo, cloth boards

6/0

“A mass of information of use to the amateur and of value to the practical man.”—English Mechanic.

THE DECORATOR’S ASSISTANT.

A Modern Guide for Decorative Artists and Amateurs, Painters, Writers, Gilders, &c. Containing upwards of 600 Receipts, Rules, and Instructions; with a variety of Information for General Work connected with every Class of Interior and Exterior Decorations, &c. Seventh Edition. 152 pp., cr. 8vo.

1/0

“Full of receipts of value to decorators, painters, gilders, &c. The book contains the gist of larger treatises on colour and technical processes. It would be difficult to meet with a work so full of varied information on the painter’s art.”—Building News.

MARBLE DECORATION

And the Terminology of British and Foreign Marbles. A Handbook for Students. By George H. Blagrove, Author of “Shoring and its Application,” &c. With 28 Illustrations. Crown 8vo, cloth

3/6

“This most useful and much wanted handbook should be in the hands of every architect and builder.”—Building World.

“A carefully and usefully written treatise; the work is essentially practical.”—Scotsman.

DELAMOTTE’S WORKS ON ALPHABETS AND ILLUMINATION.

ORNAMENTAL ALPHABETS, ANCIENT & MEDIÆVAL.

From the Eighth Century, with Numerals; including Gothic, Church-Text, large and small, German, Italian, Arabesque, Initials for Illumination, Monograms, Crosses, &c., &c., for the use of Architectural and Engineering Draughtsmen, Missal Painters, Masons, Decorative Painters, Lithographers, Engravers, Carvers, &c., &c. Collected and Engraved by F. Delamotte, and printed in Colours. New and Cheaper Edition. Royal 8vo, oblong, ornamental boards

2/6

“For those who insert enamelled sentences round gilded chalices, who blazon shop legends over shop-doors, who letter church walls with pithy sentences from the Decalogue, this book will be useful.”—Athenæum.

MODERN ALPHABETS, PLAIN AND ORNAMENTAL.

Including German, Old English, Saxon, Italic, Perspective, Greek, Hebrew; Court Hand, Engrossing, Tuscan, Riband, Gothic, Rustic, and Arabesque; with several Original Designs, and an Analysis of the Roman and Old English Alphabets, large and small, and Numerals, for the use of Draughtsmen, Surveyors, Masons, Decorative Painters, Lithographers, Engravers, Carvers, &c. Collected and Engraved by F. Delamotte, and printed in Colours. New and Cheaper Edition. Royal 8vo, oblong, ornamental boards

2/6

“There is comprised in it every possible shape into which the letters of the alphabet and numerals can be formed, and the talent which has been expended in the conception of the various plain and ornamental letters is wonderful.”—Standard.

MEDIÆVAL ALPHABETS AND INITIALS FOR ILLUMINATORS.

By F. G. Delamotte. Containing 21 Plates and Illuminated Title, printed in Gold and Colours. With an Introduction by J. Willis Brooks. Fourth and Cheaper Edition. Small 4to, ornamental boards

4/0

“A volume in which the letters of the alphabet come forth glorified in gilding and all the colours of the prism interwoven and intertwined and intermingled.”—Sun.

A PRIMER OF THE ART OF ILLUMINATION.

For the Use of Beginners; with a Rudimentary Treatise on the Art, Practical Directions for its Exercise, and Examples taken from Illuminated MSS., printed in Gold and Colours. By F. Delamotte. New and Cheaper Edition. Small 4to, ornamental boards

6/0

“The examples of ancient MSS. recommended to the student, which, with much good sense, the author chooses from collections accessible to all, are selected with judgment and knowledge as well as taste.”—Athenæum.

THE EMBROIDERER’S BOOK OF DESIGN.

Containing Initials, Emblems, Cyphers, Monograms, Ornamental Borders Ecclesiastical Devices, Mediæval and Modern Alphabets, and National Emblems. Collected by F. Delamotte, and printed in Colours. Oblong royal 8vo, ornamental wrapper

1/6

“The book will be of great assistance to ladies and young children who are endowed with the art of plying the needle in this most ornamental and useful pretty work.”—East Anglian Times.

INSTRUCTIONS IN WOOD-CARVING FOR AMATEURS.

With Hints on Design. By A Lady. With 10 Plates. New and Cheaper Edition. Crown 8vo, in emblematic wrapper

2/0

“The handicraft of the wood-carver, so well as a book can impart it, may be learnt from ‘A Lady’s’ publication.”—Athenæum.

PAINTING POPULARLY EXPLAINED.

By Thomas John Gullick, Painter, and John Timbs, F.S.A. Including Fresco, Oil, Mosaic, Water-Colour, Water-Glass, Tempera, Encaustic, Miniature, Painting on Ivory, Vellum, Pottery, Enamel, Glass, &c. Fifth Edition. Crown 8vo, cloth

5/0

⁂ Adopted as a Prize Book at South Kensington.

“Much may be learned, even by those who fancy they do not require to be taught, from the careful perusal of this unpretending but comprehensive treatise.”—Art Journal.

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