Crayon portraitureTransparent Liquid Water Colors for Coloring Photographs.Reading editionChapter navigation60 reading sectionsGo to chapterChoose a chapter…Crayon Portraiture.CRAYON PORTRAITUREPREFACE.CONTENTS.LIST OF ILLUSTRATIONS.CRAYON PORTRAITURE.PHOTOGRAPHIC ENLARGEMENTS.CRAYON MATERIALS.THE SPECIFIC USE OF CRAYON MATERIALS.THE STRAINER.MOUNTING CRAYON PAPER AND PLATINUM AND SILVER ENLARGEMENTS.MOUNTING BROMIDE ENLARGEMENTS.OUTLINES—NEGATIVE OUTLINE.MAGIC LANTERN OUTLINE.TRANSFER OUTLINE.THE METROSCOPETHE PANTOGRAPH.FOUR METHODS OF MAKING THE BACKGROUND.FREE-HAND CRAYONS AND THOSE MADE FROM PHOTOGRAPHIC ENLARGEMENTS.FILLING IN THE FREE-HAND CRAYON.LINE EFFECT.STIPPLE EFFECTBACKGROUNDS—GENERAL PRINCIPLES.FIRST METHOD OF MAKING THE BACKGROUND—STUMP EFFECT.SECOND METHOD OF MAKING THE BACKGROUND.THIRD METHOD OF MAKING THE BACKGROUND—LINE EFFECT.FOURTH METHOD OF MAKING THE BACKGROUND—STIPPLE EFFECT.FACE—LINE EFFECT.DRESS—LINE EFFECT.BROMIDE CRAYONS.FINISHING BROMIDE ENLARGEMENTS.MONOCHROMES.[B]VALUES.STUDIO.FRAMING.PASSEPARTOUT MOUNTING.Transparent Liquid Water Colors for Coloring Photographs.TRANSPARENT LIQUID WATER COLORS FOR COLORING PHOTOGRAPHSTHEORY OF COLOR.COLORS.YELLOW.BLUE.ROSE.VIOLET.MAGENTA.FLESH.BROWN.BLACK.GOLD.INSTRUCTIONS FOR USING LIQUID WATER COLORS.DRAPERY.LANDSCAPE.THE PRINCIPLE.French Crystals.FRENCH CRYSTALS.MATERIALS.THE METHOD.MOUNTING FRENCH CRYSTALS.FINISHING PHOTOGRAPHS IN INDIA INK.CONCLUSION.Previous chapter ←PASSEPARTOUT MOUNTING.Next chapter →TRANSPARENT LIQUID WATER COLORS FOR COLORING PHOTOGRAPHSAll chapters and sections (60)Crayon Portraiture.CRAYON PORTRAITUREPREFACE.CONTENTS.LIST OF ILLUSTRATIONS.CRAYON PORTRAITURE.PHOTOGRAPHIC ENLARGEMENTS.CRAYON MATERIALS.THE SPECIFIC USE OF CRAYON MATERIALS.THE STRAINER.MOUNTING CRAYON PAPER AND PLATINUM AND SILVER ENLARGEMENTS.MOUNTING BROMIDE ENLARGEMENTS.OUTLINES—NEGATIVE OUTLINE.MAGIC LANTERN OUTLINE.TRANSFER OUTLINE.THE METROSCOPETHE PANTOGRAPH.FOUR METHODS OF MAKING THE BACKGROUND.FREE-HAND CRAYONS AND THOSE MADE FROM PHOTOGRAPHIC ENLARGEMENTS.FILLING IN THE FREE-HAND CRAYON.LINE EFFECT.STIPPLE EFFECTBACKGROUNDS—GENERAL PRINCIPLES.FIRST METHOD OF MAKING THE BACKGROUND—STUMP EFFECT.SECOND METHOD OF MAKING THE BACKGROUND.THIRD METHOD OF MAKING THE BACKGROUND—LINE EFFECT.FOURTH METHOD OF MAKING THE BACKGROUND—STIPPLE EFFECT.FACE—LINE EFFECT.DRESS—LINE EFFECT.BROMIDE CRAYONS.FINISHING BROMIDE ENLARGEMENTS.MONOCHROMES.[B]VALUES.STUDIO.FRAMING.PASSEPARTOUT MOUNTING.Transparent Liquid Water Colors for Coloring Photographs.TRANSPARENT LIQUID WATER COLORS FOR COLORING PHOTOGRAPHSTHEORY OF COLOR.COLORS.YELLOW.BLUE.ROSE.VIOLET.MAGENTA.FLESH.BROWN.BLACK.GOLD.INSTRUCTIONS FOR USING LIQUID WATER COLORS.DRAPERY.LANDSCAPE.THE PRINCIPLE.French Crystals.FRENCH CRYSTALS.MATERIALS.THE METHOD.MOUNTING FRENCH CRYSTALS.FINISHING PHOTOGRAPHS IN INDIA INK.CONCLUSION.← PASSEPARTOUT MOUNTING.TRANSPARENT LIQUID WATER COLORS FOR COLORING PHOTOGRAPHS →
