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Chats on Old Sheffield Plate

INDEX

Reading edition

Abbotsford, Scott's introduction of gas at, 116

Adam design, example of hot water jug, 228

Adam style of design, the, 85

Addison omits Shakespeare from list of great poets, 51

Advertisement of Pinchbeck (1732), 54

Allan David, copyist of old masters, 21

Anonymity of Sheffield plated ware, 289

Arrows, the crossed, as a mark, various types of, 286

Artistic value of old Sheffield plate, 60, 61

Assay offices, examples of marks used at, 274-282

"Below the salt," its meaning, 136

Birmingham Assay Office, institution of, 41

Birmingham— hall marks on silver plate, 281 its silver plated marks registered at Sheffield, 68 silver platers, rise of, 68

Boulsover, Thomas (1704-1788), inventor of Sheffield silver plating, 46 obituary notice of, 47

Boulton, Matthew, Birmingham (Boulton and Fothergill), (M. Boulton and Co.), 68

Buckle makers, the, 262

Buttons made by Thomas Boulsover, 47, 53

Button makers in Dublin (1792), 73

Cabinet makers, French, stamped marks of, 237

Caddies, tea, and their makers, 196

Cadman, Robert, and Co., (Sheffield), 89

Cake baskets, Sheffield plated, 165

Candelabra— and candlesticks, 79-131 old silver, London makers of, 274

Candelabrum, the— its varieties, 90 the tri-form, 115

Candlestick— the chamber, 119 the table, 120

Candlesticks— early types, 81 from eighteenth century Pattern Books, 74, 86, 89 old silver, London makers of, 274 Sheffield plated, their price, 269

Carteret's "Drunken Administration," 48

Centrepiece, the, 245

Centrepieces, old silver, London makers of, 274

Chair-backs, a test to apply to their beauty, 109

Chester hall marks on silver plate, 277

Chester—Liverpool, and Birmingham silversmiths' work assayed at, 278

China factories, Derby and Worcester, origin of, 49

Chippendale chair-backs, the test of their beauty, 109

Christie's, price of Sheffield plated candlesticks sold at, 269

Close plating, 261

Coasters (decanter stands), 166

Coffee pots, 206

Coffee pots, old silver, London makers of, 274

Contemporary silver designs in Sheffield plated period, 274, 278, 281, 282

Continental trade, Sheffield platers and, 154

Copyists of old masters, 21

Cream jugs, old silver, London makers of, 274

Danger of public clamour for marks, 293

Date of examples, Sheffield plated, absence of proof of, 289

Death penalties for tampering with silver plate, Geo. III (1815), 48

Decanter stands, 166

Decadence in design, in candlesticks, 126

Design Book, Sheffield Plate, eighteenth century, 139

Designer, the, his greatest asset, what to omit, 109

Destruction of old Sheffield plate, 253

Die work in Sheffield plating, 82

Dies, destruction of old Sheffield plate, 250

Dinner table, passing of the, 254

Dish rings, Sheffield plated, 177

Drunken habits of eighteenth century, 189

Duties on silver, eighteenth and nineteenth centuries, 48

Economic substitution, 22

Electro plating, its invention, 290

Empire style candelabrum, 116

English craftsmanship, imitativeness of, 27

English porcelain factories, origin of Derby and Worcester, 49

Engraving, not an imitative art, 28

Engravings, when printed in colours, imitative art, 28

Epigram by Porson on Pitt, 189 on weight in plate, 202

European imitativeness, 25

Exeter hall marks on silver plate, 277

Factory system, the, 268

Fashion of buckles, decline of the, 263

Foreign policy, Carteret's pronouncement on his, 48

Foreign silver plating in Sheffield style, 290

Fraud by silversmiths, penalties against, 35

French— marks on silver-plated ware, 290 plating, an early process, 39 plated ware, regulations regarding, 209

Garrick, David, his revival of Shakespeare, 50

Gas introduced to light Abbotsford, 116

George IV and the fashion of buckles, 263

German silver and other white metals, 267

Gin bottle covered with bead work, 26

Glass designs imitate silver, 35

Glass, Venetian, copied in Germany, 25

Goltzins simulates prints of old masters, 20

Grease pans, their indication of date, 99

Guido picture fabricated by Mignard, 20

Hall marks on old silver, illustrated, 275, 279, 283

Hancock, Joseph (Sheffield), his share in developing silver plating, 61

Herculaneum— design from, 116 influence of art of, 116

Hogarth, "the Scottish," David Allan, 21

Imitativeness, European, 25

Imitation— as a fine art, 19 of hall marks by Sheffield platers, 289, 290 decadence of wood engraving, 41

Imitations of Sheffield plate, 158

Inkstands, 181

Invention of silver plating by fusion, 45

Ireland, silver plating by fusion carried on in, 71

Irish dish or potato rings, 177

Irish Government offers premium (1783) for plated ware made in Ireland, 71

Irish hall marks on silver plate, 281, 282

Irish plated skewer marked "Sly," 262

Jackson, John, copyist of Reynolds, 21

Jugs, hot water, 227

Kettles, tea, 205

Knick-knacks, a world of (eighteenth century), 54

Knife handle of stamped Sheffield plate, 50

Lamb, Charles, quoted, 136

Liverpool silversmiths' work assayed at Chester, 278

Liverseege, Henry, copyist of Vandyck, 21

London, silver plating carried on at, 68

Louis XIV— orders silver plate to be melted, 23 his extravagant use of silver plate, 23

Marks— on French cabinet work, 237 on porcelain, 232 on Sheffield plate, 62, 63, 231;(illustrated), 286-293 (Sheffield plate) fear of platers to stamp any, 64, 67 on Sheffield plate resembling silver marks, 62, 63 on silver, position of, 273

Melting down of old Sheffield plate, 253

Mignard fabricates a Guido picture, 20

Missionary-fostered art, 26

Mustard pot, the, 148

Newcastle-upon-Tyne— hall marks on silver plate, 277 silversmiths at, 278

Nottingham, silver plated ware made at, 68

Nozzles, removable, their indication of date, 96

Old masters, drawings of, copied by David Allan, 21

Old masters, prints of, simulated by Goltzins, 20

Original silver plate design copied by platers, 143

Ornament— spiral, its abuse, 106 useless, failure of, 110

Parliamentary Committee on conduct of assay offices (1773), 63

Parsons and Co., Pattern Book, 181

Patch boxes, Sheffield plated, 54

Pattern Books, eighteenth century, silver platers', 74, 86, 89, 139

Penalties— counterfeiting Duty Mark (1815) punishable by death, 48 for fraud in old plate, 36, 62, 63 for wrongly stamping Sheffield plate, 67

Petition of the buckle makers, the, 264

Pinchbeck, Christopher, and his imitations, 54

Pipe lighter— Sheffield plate, 241 illustrated, 239

Pitt, epigrams by Porson on, 189

Plating, silver— early, 35 pre-fusion period, 35, 39 process described, 58 used fraudulently, 35

Pompeii, influence of art of, 116

Poor relations and their foibles, 136

Porcelain factories, Derby and Worcester, origin of, 49

Potato rings, Sheffield plated, 177

Potters, copy of silversmiths' designs by, 28, 31

Pottery, French, supplants silver plate, 24

Pounce pot, the, and its use, 182

Prince of Wales's feathers used in design, 153

Process of Sheffield silver plating described, 58

Rise in value of old Sheffield plate, 269

Romney picture of Serena (Miss Sneyd), 119

Ruskin and copies of Turner drawings, 22

"Salt, below the," its meaning, 136

Salt cellar, the, 135 the new style, 147

Sauce boats, old silver, London makers of, 274

Scott, Sir Walter, his introduction of gas at Abbotsford, 116

Scottish hall marks on silver plate, 281

Seams a test of genuineness in Sheffield plate, 293

Sevrès porcelain makers' marks, 232

Shakespeare neglected by Addison and Steele, 51 revival of study of, 50

Sheffield— Assay Office, institution of, 40, 41 hall marks on silver plate, 277 origin of silver plating at, 39

Sheffield plate— old, destruction of, 253 wonderful technique of, 161

Sheffield platers— as to their originality, 143 deterred from placing any marks, 64, 67

Sheffield silver plate, makers of, eighteenth century, 278

Sheffield, silver plating process described, 58

Silver— duties in eighteenth and nineteenth centuries, 48 price of, in eighteenth century, 47 lustre ware imitates silver plate, 35 marks, simulation of, by marks on Sheffield plate, 62, 63 plate designs copied by platers, 143 plate made at Sheffield assayed in London, 63 plate, value of hall marks on, 274 plating at Sheffield, origin of, 39 plating by fusion, its invention, 45 plating, early, 35 plating, the great period, 73

Silversmiths— copy of potters' designs by, 28, 31 list of late eighteenth century, 77 (London) who influenced Sheffield platers, 274

Simulation in art, 25, 28

Smith, J. R., engraving of Serena after Romney, 119

Spiral forms in candelabra, 100

Spectator, advertisement in (1712), 140

Spurious candelabra and their errors, 95

Steele, Richard, omits Shakespeare from list of great poets, 51

Steel toys, the, of Sheffield, 140

Sugar basin, the, 210 basins, old silver, London makers of, 274

Supper table, the, 238

Taper holders, 181

Tea and coffee sets, 201

Tea caddies and their makers, 196

Tea kettles, 205

Teapots, 189 old silver, London makers of, 274

Tea urn, the, 202

Technique, wonderful, of Sheffield plate, 161

Tinder boxes, Sheffield plated, 286

Toasted cheese dishes, old silver, London makers of, 274

Trencher salts, their use, 147

Tureens— old silver, London makers of, 274 soup, 220

Turner drawings, facsimiles of, 22

Tutenag, an alloy of antimony and zinc, 267

Urn, the tea, 202

Utility the true test of ornament, 110

Value of old Sheffield plate, 269

Ward, his replicas of Turner drawings, 22

Wedgwood, Josiah— shell-forms, adoption of, 31 carved wood models, use of, 31 indebted to metal-workers of Sheffield, 32

White metals, German silver, etc., 267

Wine coolers, old silver, London makers of, 274

Wine labels, Sheffield plated, 53

Wood engraving, decadence of, 41

Worcester china, workmen's marks on, 289

York, silversmiths at, 278

Printed in Great Britain by

UNWIN BROTHERS, LIMITED, LONDON AND WOKING

UNWIN'S "CHATS" SERIES

LIST OF VOLUMES

Chats on English China. By Arthur Hayden. Illustrated with reproductions of 156 marks and 89 specimens of china. Cloth, 9s. net.

Tenth Impression.

This is the standard work on the subject. The volume will enable the possessors of old china to determine the factories at which their ware was produced.

"It gives in a few chapters just what the beginner wants to know about the principal varieties of English ware. We can warmly commend the book to the china collector."

Pall Mall Gazette.

"So simply yet so thoroughly written, that it is a sage guide to the veriest tyro in china collecting."

Bookman.

Chats on Old Furniture. By Arthur Hayden. With a coloured frontispiece and 104 other Illustrations. Cloth, 9s. net.Fourth Edition.

Twelfth Impression.

"The hints to collectors are the best and clearest we have seen; so that altogether this is a model book of its kind."

Athenæum.

"A fully illustrated practical guide for collectors."

The Times.

"Mr. Hayden has worked at his subject on systematic lines, and has made his book what it purports to be—a practical guide for the collector."

The Saturday Review.

Chats on Old Prints. How to Collect and Identify. By Arthur Hayden. With a coloured frontispiece and 72 full-page plates. Cloth, 9s. net.

Seventh Impression.

Every branch of the subject is carefully and explicitly handled in this book, and valuable information as to technical processes and identification of prints is given.

"If there is a better book of its kind on print collecting we have not yet come across it."

Daily Graphic.

"A very useful handbook for beginners, intended to help any reader of artistic tastes, but very moderate means, to collect to good purpose."

The Times.

Chats on Costume. By G. Woolliscroft Rhead, R.E. With a coloured frontispiece and 117 other Illustrations. Cloth, 9s. net.

Second Impression.

A practical guide to historic dress. "Clothes" is a subject that has been neglected by collectors, and this book will be a useful guide to those who desire to repair that neglect by forming a collection.

"A book that is at once the work of an authority on the subject of costumes, and one that helps to enlarge our range of selection."

Pall Mall Gazette.

Chats on Old Miniatures. By J. J. Foster, F.S.A. With a coloured frontispiece and 116 other Illustrations. Cloth, 9s. net.

Second Impression.

This book presents in a concise and popular form a variety of valuable information on the collection and preservation of miniatures, on the leading English and French artists, and on the specimens exhibited in public galleries.

"Mr. Foster is truly a guide, philosopher and friend. He tells us not only how to judge and how to buy miniatures, but how to take proper care of them.... The splendid photographs by which the book is enriched adds in a great measure to its attractiveness and utility."

Aberdeen Free Press.

Chats on Old Lace and Needlework. By Mrs. Lowes. With a frontispiece and 74 other Illustrations. Cloth, 9s. net.

Third Impression.

Written by an expert and enthusiast in these most interesting branches of art. The low price at which the work is issued is exceptional in dealing with these subjects, and it is remarkable in view of the technical knowledge displayed and the many photographic illustrations which practically interleave the book.

"In commendable, clear and concise style Mrs. Lowes explains the technical features distinguishing each example, making the book the utmost value in identifying samples of old lace."—Weldon's Ladies' Jour.

Chats on Oriental China. By J. F. Blacker. With a coloured frontispiece and 70 other Illustrations. Cloth, 9s. net.

Fifth Impression.

Will be of the utmost service to collectors and to all who may have old Chinese and Japanese porcelain in their possession. It deals with oriental china from the various standpoints of history, technique, age, marks and values, and is richly illustrated with admirable reproductions.

"A treatise that is so informing and comprehensive that it commands the prompt recognisation of all who value the choice productions of the oriental artists.... The illustrations are numerous and invaluable to the attainment of expert knowledge, and the result is a handbook that is as indispensable as it is unique."

Pall Mall Gazette.

Chats on English Earthenware. A companion volume to "Chats on English China." By Arthur Hayden. With a coloured frontispiece, 150 Illustrations and tables of over 200 illustrated marks.

Cloth,9s. net.

Fourth Impression.

"To the ever-increasing number of collectors who are taking an interest in old English pottery... will be found one of the most delightful, as it is a practical work on a fascinating subject."

Hearth and Home.

"Here we have a handbook, written by a well-known authority, which gives in the concisest possible form all the information that the beginner in earthenware collecting is likely to need. Moreover, it contains one or two features that are not usually found in the multifarious 'guides' that are produced to-day."

Nation.

Chats on Autographs. By A. M. Broadley. With 130 Illustrations.

Cloth, 9s. net.

"Being an expert collector, Mr. Broadley not only discourses on the kinds of autograph he owns, but gives some excellent cautionary advice and a valuable 'caveat emptor' chapter for the benefit of other collectors."

Westminster Gazette.

"It is assuredly the best work of the kind yet given to the public; and supplies the intending collector with the various sources of information necessary to his equipment."

Manchester Guardian.

Chats on Old Pewter. By H. J. L. J. Massé, M.A. With 52 half-tone and numerous other Illustrations. Cloth, 9s. net.

Third Impression.

"It is a remarkably thorough and well-arranged guide to the subject, supplied with useful illustrations and with lists of pewterers and of their marks so complete as to make it a very complete and satisfactory book of reference."

Manchester Guardian.

"Before setting out to collect old pewter it would be as well to read Mr. Massé's book, which is exhaustive in its information and its lists of pewterers, analytical index, and historical and technical chapters."

Spectator.

Chats on Postage Stamps. By Fred J. Melville. With 57 half-tone and 17 line Illustrations. Cloth, 9s. net.

Second Impression.

"The whole book, with its numerous illustrations of excellent quality, is a vade mecum for stamp collectors, even though their efforts may be but modest; we congratulate Mr. Melville on a remarkably good guide, which makes fascinating reading."

Academy.

"There is no doubt that Mr. Melville's book fills a void. There is nothing exactly like it. Agreeably written in a popular style and adequately illustrated, it is certainly one of the best guides to philatelic knowledge that have yet been published."

World.

Chats on Old Jewellery and Trinkets. By MacIver Percival. With nearly 300 Illustrations. Cloth, 9s. net.

"The book is very thorough, dealing as it does with classic, antique and modern ornaments; with gold, silver, steel and pinchbeck; with the precious stones, the commoner stones and imitation."—Outlook.

"'Chats on Old Jewellery and Trinkets' is a book which will enable every woman to turn over her jewel-case with a fresh interest and a new intelligence; a practical guide for the humble but anxious collector.... A good glossary of technicalities and many excellent illustrations complete a valuable contribution to collector's lore."

Illustrated London News.

Chats on Cottage and Farmhouse Furniture. A companion volume to "Chats on Old Furniture." By Arthur Hayden. With a coloured frontispiece and 75 other Illustrations. Cloth, 9s. net.

Third Impression.

"One gets very much for one's money in this book. Seventy-three full-page illustrations in half-tone embellish a letterpress which is replete with wise description and valuable hints."

Vanity Fair.

"Mr. Hayden's book is a guide to all sorts of desirable and simple furniture, from Stuart to Georgian, and it is a delight to read as well as a sure help to selection."

Pall Mall Gazette.

"Mr. Hayden writes lucidly and is careful and accurate in his statements; while the advice he gives to collectors is both sound and reasonable."

Westminster Gazette.

Chats on Old Coins. By Fred W. Burgess. With a coloured frontispiece and 258 other Illustrations. Cloth, 9s. net.

Second Impression.

"A most useful and instructive book... will prove a boon to the intending collector of old coins and tokens, and full of interest to every collector. As was to be expected of any volume of this series, the illustrations are numerous and good, and greatly assist the reader to grasp the essentials of the author's descriptions."

Outlook.

"The author has not only produced 'a practical guide for the collector' but a handy book of reference for all. The volume is wonderfully cheap."

Notes and Queries.

Chats on Old Copper and Brass. By Fred W. Burgess. With a coloured frontispiece and 86 other Illustrations.

Cloth, 9s. net.

"Mr. F. W. Burgess is an expert on old copper and bronze, and in his book there is little information lacking which the most ardent collector might want."

The Observer.

"Italian bronzes, African charms, Chinese and Japanese enamels, bells, mortars, Indian idols, dials, candlesticks, and snuff boxes, all come in for their share of attention, and the reader who has mastered Mr. Burgess's pages can face his rival in the auction-room or the dealer in his shop with little fear of suffering by the transaction."

The Nation.

Chats on Household Curios. By Fred W. Burgess. With 94 Illustrations.

Cloth, 9s. net.

"Mr. Burgess gives much information about such attractive antiques as old glass and enamels, old leather work, old clocks and watches, old pipes, old seals, musical instruments, and even old samplers and children's toys. The book is, in short, an excellent and comprehensive guide for what one may call the general collector, that is, the collector who does not confine himself to one class of antique, but buys whatever he comes across in the curio line, provided that it is interesting and at moderate price."

Aberdeen Free Press.

Chats on Japanese Prints. By Arthur Davison Ficke. With a coloured frontispiece and 56 Illustrations.

Cloth, 9s. net. Fourth Impression.

"Mr. Ficke writes with the knowledge of the expert, and his history of Japanese printing from very early times and his criticism of the artists' work are wonderfully interesting."

Tatler.

"This is one of the most delightful and notable members of an attractive series.... A beginner who shall have mastered and made thoroughly his own the beauty of line and the various subtlety and boldness of linear composition displayed in these sixty and odd photographs will have no mean foundation for further study."—Notes and Queries.

Chats on Old Clocks. By Arthur Hayden. With a frontispiece and 80 Illustrations. 2nd Ed. Cloth, 9s. net.

"A practical handbook dealing with the examples of old clocks likely to come under the observation of the collector. Charmingly written and illustrated."

Outlook.

"One specially useful feature of the work is the prominence Mr. Hayden has given to the makers of clocks, dealing not only with those of London, but also those of the leading provincial towns. The lists he gives of the latter are highly valuable, as they are not to be found in any similar book. The volume is, as usual with this series, profusely illustrated, and may be recommended as a highly interesting and useful general guide to collectors of clocks."

The Connoisseur.

Chats on Old Silver. By Arthur Hayden. With a frontispiece, 99 full-page Illustrations, and illustrated table of marks.

Cloth, 9s. net. Fourth Impression.

"Mr. Hayden's 'Chats on Old Silver' deals very thoroughly with a popular branch of collecting. There are a hundred full-page illustrations together with illustrated tables and charts, and the student of this book can wander round the old curiosity shops of these islands with a valuable equipment of knowledge.... Altogether we have here a well-written summary of everything that one could wish to know about this branch of collecting."

The Sphere.

"The information it gives will be of exceptional value at this time, when so many families will be forced to part with their treasures—and old silver is among the most precious possessions of the present day."

Morning Post.

Chats on Military Curios. By Stanley C. Johnson, M.A., D.Sc. With a coloured frontispiece and 79 other Illustrations.

Cloth, 9s. net.

"Mr. Johnson in this book describes many of the articles a collector should be on the look out for, giving short but informative notes on medals, helmet and cap badges, tunic buttons, armour, weapons of all kinds, medallions, autographs, original documents relating to Army work, military pictures and prints, newspaper cuttings, obsolete uniforms, crests, stamps, postmarks, memorial brasses, money and curios made by prisoners of war, while there is also an excellent biography on the subject. The author has, indeed, presented the reader with a capital working handbook, which should prove a friendly and reliable guide when he goes collecting."

Field.

Chats on Royal Copenhagen Porcelain. By Arthur Hayden. With a frontispiece, 56 full-page Illustrations and illustrated tables of marks.

Cloth, 9s. net.

"This very beautiful and very valuable book will be eagerly welcomed by lovers of porcelain.... Mr. Hayden describes with great skill and preciseness all the quality and beauty of technique in which this porcelain excels; he loves it and understands it, and the examples he has chosen as illustrations are a valuable supplement to his descriptions."

Bookman.

Chats on Old Sheffield Plate. By Arthur Hayden. With frontispiece and 58 full-page Illustrations, together with makers' marks.

Cloth, 9s. net.

Old plated ware has, by reason of its artistic excellence and its technique, deservedly won favour with collectors. The art of making plated ware, which originated at Sheffield (hence the name of "Sheffield plate"), was continued at Birmingham and London, where a considerable amount of "old Sheffield plate" was made, in the manner of its first inventors, by welding sheets of silver upon copper. The manufacture lasted roughly a hundred years. Its best period was from 1776 (American Declaration of Independence) to 1830 (Accession of William IV). The author shows reasons why this old Sheffield plate should be collected, and the volume is illustrated with many examples giving various styles and the development of the art, together with makers' marks. Candlesticks and candelabra, tea-caddies, sugar-baskets, salt-cellars, teapots, coffee-pots, salvers, spoons, and many other articles shown and described in the volume indicate the exquisite craftsmanship of the best period. The work stands as a companion volume to the author's "Chats on Old Silver," the standard practical guide to old English silver collecting.

T. FISHER UNWIN LTD. 1 ADELPHI TERRACE, LONDON, W.C. 2

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