Introductory material (continued 2)

To these advantageous conditions, which, being physical, existed before the Roman conquest, the conquest added some others: it broke down the political barrier that previously cut off these convenient means of penetration, the rivers; it suppressed the wars between the Gallic tribes, the privileges, the tyrannies, the tolls, the monopolies; it saved the enormous resources that were previously wasted in these constant drains; it put again the hoe, the spade, the tools of the artisan, into hands that had before been wielding the sword; and finally, it consolidated (and this was perhaps the most important effect) the jurisdiction of property. When Cæsar invaded Gaul, the great landowners still cultivated cereals and textile plants but little; they put the greater part of their fortune into cattle, exactly because in that regime of continual war and revolution lands easily kept changing proprietors. Furthermore, the more frequent contact with Rome acquainted the Gauls with Roman agriculture and its abler methods, with Latin life and its studied order.

By the combination of all these causes, population and production increased rapidly. The gain in population was so considerable that the ancients themselves noticed it. Strabo (Bk. 4, ch. i, §2) observes that the Gallic women are fecund mothers and excellent nurses. With the population, wealth increased on all sides, in agriculture as in industry and in trade.

The new and more stable jurisdiction of the landed proprietary generated another most important effect; it promoted rapidly the cultivation of cereals and textile plants, of wheat and flax. "All Gaul produces much wheat," says Strabo, and we read his notice without surprise, because we know that France is, even to-day, the region of Europe most fertile in cereals. There is no reason to suppose that it must have been barren of them twenty centuries ago. Other documentary evidence, particularly inscriptions, confirms Strabo, informing us that, especially in the second century, Rome bought the customary grain to feed the metropolis not only in Egypt, but also in Gaul. In short, Gaul seems to have been the sole region of Europe fertile enough to be able to export grain, to have been for Rome a kind of Canada or Middle West of the time, set not beyond oceans but beyond the Alps.

The cultivation of flax, to the ancient world what cotton is to-day, progressed rapidly in Gaul along with that of wheat, so that Gaul was early able to rival Egypt also in this respect. That Gaul and Egypt should have so much in common at the same time, was something so interesting and seemed so strange that Pliny himself wrote:

Flax is sowed only in sandy places and after a single ploughing. Perhaps Egypt may be pardoned for sowing it, because with it she buys the merchandise of India and Arabia. But, look you!—even Gaul is famous for this plant. What matters it, if huge mountains shut away the sea; if on the ocean side it has for confines what is called emptiness? Notwithstanding that, Gaul cultivates flax like Egypt: the Cadurci, the Caleti, the Ruteni, the Biturigi, the Morini, who are considered tribes of the ends of the earth … but what am I saying? All Gaul makes sails,—till the enemies beyond the Rhine imitate them, and the linen is more beautiful to the eyes than are their women.

These descriptions show Gaul to be one of the new countries, like the Argentine Republic or the United States, in which the land has still almost its natural pristine fecundity and brings forth a marvellous abundance of plants that clothe and nourish man. We know that in Gaul under the Empire there were immense fortunes in land in face of which the fortunes of wealthy Italian proprietors shrink like the fortunes of Europe when compared with the great ranch fortunes of the Argentine Republic or the United States. Twenty years ago they began to excavate in France the ruins of the great Gallo-Roman villas: these are constructed on the plan of the Italian villa, decorated in the same way, but are much larger, more sumptuous, more sightly; one feels in them the pride of a new people which has adopted the Latin civilisation, but has infused into that, derived from the wealth of their land, a spirit of grandeur and of luxury that poorer and older Latins did not know, exactly as to-day the Americans infuse a spirit of greater magnitude and boldness into so many things that they take from timid, old Europe. Perhaps there was also in this Gallic luxury, as in the American, a bit of ostentation, intended to humiliate the masters remaining poorer and more modest.

But Gaul was a nation not only rich in fertilest agriculture; side by side with that, progressed its industry. This, according to my notion, is one of the vital points in ancient history. Under the Roman domination, Gaul was not restricted to the better cultivation of its productive soil; but alone among the peoples of the Occident, became, as we might now say, an industrial nation, that manufactured not only by and for itself, but like Asia Minor, Egypt, Syria, sold also to other peoples of the Empire and outside of its own boundaries; in a word, exported. The more frequent contact with the Orient better acquainted the Gauls with the beautiful objects made by the artisans of Laodicea, of Tyre, of Sidon; and the clever genius of the Celt, always apt in industry, drew from them incentive to create a Gallic industry, partly imitative, partly original, and to seek a large clientèle for these industries in Italy, in Spain, beyond the Rhine, among the Germans, in the Danube provinces. This is proved by a number of important passages in Pliny, confirmed by inscriptions and archæological discoveries.

Pliny has already told us that the Gauls manufactured many linen sails; we know also that they made not only rough sails, but also fine linen for clothing, which had a wide market. There have been found in the Orient numerous fragments of an inscription containing the famous edict of Diocletian on maximum sale prices allowed, an inscription of value to us for its nomenclature of ancient fabrics. In this nomenclature is mentioned the birrus of Laodicea, an imitation of the birrus of the Nervii, which was a very fine linen cloth, worn by ladies of fashion. Laodicea was one of the most ancient centres of Oriental textile fabrics; the Nervii were one of the most remote of the Gallic peoples, living—the coincidence is noteworthy—about where Flanders is now. If at Laodicea they made at the end of the third century an imitation of Nervian linen, that means that the Nervii had succeeded in manufacturing and finding market for cloth so desirable as to rouse the Laodiceans, competing for trade, to imitate it. What proof more persuasive that during the early centuries of the Empire the Gauls greatly improved their industries and widened their markets?

They had mastered weaving, but they did not stop there; they invented new methods of dyeing, using vegetable dyes instead of the customary animal colours of the Orient. Pliny says:

The Gaul imitates with herbs all colours, including Tyrian purple; they do not seek the mollusk on the sea bottom; they run no risk of being devoured by sea monsters; they do not exploit the anchorless deep to multiply the attractions of the courtesan, or to increase the powers of the seducer of another's wife. They gather the herbs like cereals, standing on the dry ground; although the colour that they derive does not bear washing. Luxury could thus be gratified with greater show at the cost of fewer dangers.

It is clear, then, according to Pliny, at one time, it was believed that the competition of Gallic dyers might have ruined the Oriental, and would have done so, had the tenacity of their vegetable colouring equalled its beauty. In another passage Pliny tells us that these Gallic stuffs were used especially by the slaves and the populace.

The wool industry made no less progress in Gaul than weaving and dyeing. From numerous passages in Juvenal and Martial it appears that the woollen clothing worn by the populace of Rome in the second century was woven in Gaul, particularly in the districts to-day known as Arras, Langres, Saintonge. Pliny attributes to the Gauls the invention of a wool, that, soaked in acid, became incombustible, and was used to make mattresses.

Glass-making was another art carried from the East across the Mediterranean into Gaul. Still another industry, metallurgy, after weaving, contributed greatly to enrich Gaul. Undoubtedly even before the Roman conquest, Gaul worked gold mines; it seems, however, that silver mines remained untouched until about the time of Augustus. At any rate, the discovery of some deposits of gold and silver then gave a spur to several flourishing industries; jewelry-making, and—an original Gallic industry of much importance—silver-plating and tinning. Here is another extract from Pliny, from which you will see that in those times they already made in France "Christofle" silver-plate:

They cover [writes Pliny] the copper with tin in such a way that it is difficult to distinguish it from silver. It is a Gallic invention. Later they began to do the same thing with silver, silver-plating especially the ornaments of horses and carriages. The merit of the invention belongs to the Biturigi, and the industry was developed in the city of Alesia. After the same fashion there has been spread everywhere a foolish profusion of objects not only silver-, but gold-plated. All that is called cultus, elegance!

We might almost say that Gallic industry did to the old industries of the ancient world what German wares have done compared with older and more aristocratic products of France, of England, popularising objects of luxury for the many and the merely well-to-do.

Finally, if any one hesitated to trust fully these very important passages in Pliny, he would be quite convinced by reading the great work of Dechelette. This author, studying with Carthusian patience and the ablest critical acumen the Gallic ceramics to be found scattered among the museums, has demonstrated most commendably that in the first century of the Empire many manufactories of ceramics were opened and flourished in Gaul, especially in the valley of the Allier, and that they sold their vases in Spain, in the Danube regions, to the Germans, and in Italy.

Dechelette has proved that many ceramics found among the ruins of Pompeii, now admired in the museums of Pompeii and Naples, were made in Gaul,—discoveries most noteworthy, which, in connection with the extracts from Pliny, disclose in essence that real Roman Gaul whose sumptuous relics but half tell the tale of its wealth.

This tremendous development of Gaul was without doubt an effect of the Roman conquest; but an effect that neither Cæsar, nor any other man of his times had foreseen or willed, but which Augustus was first to recognise in the winter of 15-14 B.C., and to which, astute man that he was, he gave heed as he ought; that is, not as due his own merit, but as an unexpected piece of good fortune. I have already said that one of the greatest cares of Augustus, as soon as the civil wars were finished, was to reorganise the finances of the Empire; that to find new entries for the treasury, he had turned his attention in 27 B.C. to the province conquered by his father, regarding it merely from the common point of view, as poor and of little worth like the other European territories. Then, at a stroke, he realised that that territory so lightly valued, was producing grain like Egypt, linen like Egypt; that the arts of civilisation for which Egypt was so rich and famous were beginning to prosper there! Augustus was not the man to let slip so tremendous a piece of good luck. Until then he had hesitated, like one who seeks his way; in that winter from 15-14 B.C., he found finally the grand climax of his career, to make Gaul the Egypt of the West, the province of the greatest revenues in Europe. From that time on to the end of his life, he did not move from Europe; he lived between Italy and Gaul. Like him, Tiberius, Drusus, all the men of his family, devoted all their efforts to Gaul, to consolidating Roman dominion there, to advancing its progress, to increasing the revenues, to making it actually the Occidental Egypt. From Velleius we learn that under Tiberius Gaul rendered to the Empire as much as did Egypt, and that Gaul and Egypt were considered alike the two richest imperial provinces.

As a political interest had at first impelled Cæsar to annex Gaul, an immediate financial interest urged Augustus to continue the work, to take care of the new province. Then the historic law that I have already enunciated to you, the law by which the efforts of men result far differently from that which they had intended, was verified anew by Augustus also, and in a new form. He had created his Gallic policy to augment the revenues of the Empire; the consequences of this fiscal policy, necessity-inspired, were greater than he and his friends ever dreamed. The winter of 15-14 B.C. is a notable date in the story of Latin civilisation, for then the destiny of the Empire was irrevocably settled; the Roman Empire will be made up of two parts, the Oriental and the Occidental, each part sufficiently strong to withstand being overcome by the other; it will be neither an Asiatic, nor a Celtic-Latin, but a mixed Empire: between both parts, Italy will rule for two centuries more, and Rome, an immense city, at once Oriental and Latin, will keep the metropolitan crown won from the enfeebled East, and dominate the immature barbarian West.

Speaking of Cleopatra, I have shown you how great was the Oriental peril that threatened in the last century of the Republic to wipe out Rome. What miraculous force saved it? Gaul. Suppose that the army of Cæsar had been exterminated at Alesia; suppose that Rome, discouraged, had abandoned its Gallic enterprise as it had done with Persia, after the disaster of Crassus and the failure of Antony; or suppose that Gaul had been a poor province, sterile and unpopulous, like many a Danube district; Rome could not have held out long as the seat of imperial government, just as to-day the capital of the Russian Empire could not maintain itself at Vladivostok or Harbin. It would have been necessary to move the metropolis to a richer and more populous region. That Gaul grew rich and was Romanised, changed the state of things. When Rome possessed beyond the Alps in Europe a province as large and as full of resources as Egypt; when there was the same interest in defending it as in defending Egypt, Italy was well placed to govern both. The Egypt of the Occident counterbalanced the Egypt of the Orient, and Rome, half way between, was the natural and necessary metropolis of the wide-spread Empire. Gaul alone, revived, so to speak, the Empire in the West and prevented the European provinces—even Italy itself—from becoming dead limbs safely amputable from the Oriental body. Gaul upheld Italy and Rome in Europe for three centuries longer; Gaul stopped it on the way to the Asiatic conquests run through by Alexander. Had it not been for Gaul, Asia Minor, Syria, and Egypt would have formed the real Empire of Rome, and Italy would have been lost in it: without Gaul, the Orientalised Empire would have tried to conquer Persia and probably succeeded in doing so, abandoning the poor and unproductive lands of the untamed Occident. In short, Gaul created in the Roman Empire that duality between East and West which gives shape to all the history of our civilisation; it kept the artificial form of the Empire, circular about an island sea; it inspired the Empire with that double self-contradictory spirit, Latin and Oriental, at once its strength and its weakness.

Next time I will show you the continuation of this struggle of two minds, in a characteristic episode, the story of the Emperor Nero. Now, before closing, let me set before you briefly some general considerations drawn from the history of Roman Gaul which are applicable to universal history.

From what I have told you, it follows that the fortunes of peoples and states depend in part on what might be called the historic situation of every age, the situation that is created by the general state of the world in every successive epoch and which no people or state can mould at its own pleasure. Without doubt, a nation will never conquer a noteworthy greatness if the men that compose it fail of a certain culture, a certain energy, a social morale sufficiently vigorous; but though these qualities are necessary, they are not equally productive in all periods, but serve more or less, in different periods, according as general circumstances are disposed about a people. Gaul was fertile, and its people possessed before the conquest the qualities that they displayed later: and yet, as long as Gaul remained apart from the Empire, without continuous and numerous communications with the vast Mediterranean world; as long as it was split into so many petty rival states, occupied in serious wars against the Germanic tribes, its fertility remained hidden in the earth, and the ability of its inhabitants dissipated itself in devastating wars, instead of spending itself in fruitful effort. All that changed, and without any one's foresight or intent, when the Roman policy, urged by the internal forces that stirred the Republic, had destroyed that old order of things.

The ancients understood that peoples, like individual men, can regulate their destiny only in part; that about us, above us, are forces complex and obscure, which we can hardly comprehend, which invest us, seize us, impel us whither we had not thought to go, now to shipwreck on the rocks of misadventure, now to the discovery of islands of happiness, or to find, like Columbus, an America on the way to India. The Greeks called this power; the Latins, Fortuna, and deified it; erected temples and made sacrifices to it; dedicated to it a cult, of which Augustus was a devotee, and which contained more secret wisdom of life than all the superb theories on human destiny conceived by European genius in the delirium of this quarter-hour of measureless might in which we are living. No, man is not the voluntary artificer of his whole destiny; fortune and misfortune, triumph and catastrophe, are never entirely proportioned to personal merit or blame; every generation finds the world organised in a certain order of interests, forces, traditions, relations, and as it enjoys the good that preceding generations have accomplished, so in part it expiates the errors they have committed; as it draws advantage from beneficent forces acting outside of it and independent of its merit, so it suffers from the sinister forces that it finds—even though blameless itself—acting through the great mass of the world, among men and their works. From this relation to the unseen follows a rule of wisdom that modern men, full of unbounded pride, and persuaded that they are the beginning and end of the universe, too often forget: we must indeed press on with all our powers to the accomplishment of a great task, for although our destiny is never entirely made by our own hands, there is no destiny on the earth for the lazy; but, since a part of what we are depends not on ourselves, but upon what the ancients called Fortune, we dare never be too much elated over success, nor abased by failure. The wheel of destiny turns by a mysterious law, alike for families and for peoples: those in high position may fall; those in low, may rise.

Certainly Cæsar never suspected when he was fighting the Gauls, that the great-grandsons of the vanquished would live in villas modelled on the Roman, but more sumptuous; that the great Gallic nobles would have the satisfaction of parading before the people that conquered them a latinity more impressive and magnificent; and that some day the Gaul put by him to fire and sword would get the better, in empire, in wealth, in culture, of even Italy.

Nero

On the 13th of October of 54 A.D., when Emperor Claudius died, the Senate chose as his successor his adopted son, Nero, a young man of seventeen, fat and short-sighted, who had until then studied only music, singing, and drawing. This choice of a child-emperor, who lacked imperial qualities and suggested the child kings of Oriental monarchies, was a scandalous novelty in the constitutional history of Rome. The ancient historians, especially Tacitus, considered the event as the result of an intrigue, cleverly arranged by Nero's mother, Agrippina, a daughter of Germanicus and granddaughter of Agrippa, the builder of the Pantheon. According to these historians, Agrippina, a highly ambitious woman, induced Claudius to marry her after Messalina's death, although she was a widow and had a child, and as soon as she entered the emperor's mansion she began to open the way for the election of her son. In order to exclude Britannicus, the son of Messalina, from succession, she persuaded Claudius to adopt Nero; then, with the help of the two tutors of the young man, Seneca and Burrhus, created in the Senate and among the Prætorians, a party favourable to her son; no sooner did she feel that she could rely on the Senate and the Prætorians, than she poisoned Claudius.

Too many difficulties prevent our accepting this version. To cite one of them will suffice: if Agrippina wished—as she surely did—that her son should succeed Claudius, she must also have wished that Claudius would live at least eight or ten years longer. As a great-grandson of Drusus, a grandson of Germanicus and the last descendant of his line, the only line in the whole family enjoying a real popularity, Nero was sure of election if he were of age at the death of Claudius. After the terrible scandal in which his mother had disappeared, Britannicus was no longer a competitor to be feared. There was only one danger for Nero, if Claudius should die too soon, the Senate might refuse to trust the Empire to a child.

I believe that Claudius died of disease, probably, if we can judge from Tacitus's account, of gastroenteritis, and that Agrippina's coterie, surprised by this sudden death, which upset all their plans, decided to put through Nero's election in spite of his youth, in order to insure the power to the line of Drusus, which had so much sympathy among the masses. As a matter of fact, the admiration for Drusus and his family triumphed over all other considerations: Nero became emperor at seventeen; but when the election was over, Rome—again according to the tales of the ancient historians—saw a still greater scandal than his election. The young man—and this is credible—hastened to engage as his master the first zither-player of Rome, Terpnos; continued his study of singing; and bought statues, pictures, bronzes, beautiful slaves, while his mother seized the actual control of the State.

Agrippina insisted on being kept informed of all affairs; directed the home and foreign policy; and if she did not reach the point of partaking in the sessions of the Senate, which would have been the supreme scandal, she called it to meet in her palace and, concealed behind a black curtain, listened to its discussions. In short, the Empire fell into the hands of a woman; Rome saw the evolution of customs, through which woman had for four centuries been freeing herself from her ancient slavery, suddenly a fact accomplished by her visible intervention in politics—the intervention that the great keepers of tradition, first among them Cato, had always decried as the most frightful cataclysm that could menace the city.

This story is also the exaggeration of a simpler truth. Even if Nero had been a very serious young man, at his age he could not by himself have governed the Empire; it would have been necessary for him to serve a long apprenticeship and to listen to experienced counsellors. Burrhus and Seneca, his two teachers, were naturally destined to be his counsellors; but why should not his mother also have helped him? Like all the women of her family, Agrippina was of superior mind, of high culture, and, as Tacitus himself admits, led a most respectable life, at least to the time of her marriage with Claudius. Brought up, as she was, in that family which for eighty years had been governing the Empire, she was well informed about affairs of State. Is it possible to suppose that such a woman would shut herself up in her home to weave wool, when, with her talent, her energy, her experience, she could be of so much service to her son and to the State? We do not need to attribute to Agrippina a monstrous ambition, as does Tacitus, in order to explain how the Empire was ruled during the first two years, by Seneca, Burrhus, and Agrippina; it was a natural consequence of the situation created by the premature death of Claudius. Tacitus himself is forced to recognise that the government was excellent.

Helping her son in the apprenticeship of the Empire, Agrippina did her duty; but during restless times when misunderstanding is almost a law of social life, it is often very dangerous to do one's duty. The period of Agrippina and Nero was full of confusion; though apparently quiet, Italy was deeply torn by the great struggle that gives the history of the Empire its marvellous character of actuality, the struggle between the old Roman military society and the intellectual civilisation of the Orient.

The ancient aristocratic and military Roman society had had so great and world-wide a success, that the ideas, the institutions and the customs, that had made it a perfect model of State, considered as an organ of political and military domination, exercised a great prestige on the following generations. Even during the time of which we speak, every one was forced after eight years of peace, to admit that the Empire had been created by those ideas, those institutions and those customs; that for the sake of the Empire they must be maintained, and alike in family as in State, must be opposed all that forms the essence of intellectual civilisation; that is to say, all that develops personal selfishness at the expense of collective interest—luxury, idleness, pleasure, celibacy, feminism, and at the same time, all that develops personality and intelligence at the expense of tradition—liberty of women, independence of children, variety of personal tendencies, and the critical spirit in all forms.

In spite of the resistance offered by traditions, peace and wealth favoured everywhere the diffusion of the intellectual civilisation of the Hellenised Orient. The woman now become free, and the intellectual man now become powerful, were the springs to set in motion this revolution. Under Claudius, in vain had they exiled Seneca, the brilliant philosopher and the peace-advocating humanitarian, who had diffused in high Roman society so many ideas and sentiments considered by the traditionalists pernicious to the force of the State; he had come back far more powerful, and ruled the Empire. Husbands, burdened by the excessive expenses, by the too frequent infidelities, by the tyrannical caprices of their wives, in vain regretted the good old time when husbands were absolute masters; the invading feminism weakened everywhere the strength of the aristocratic and military traditions.

So contradiction was everywhere. The Republic had still its old aristocratic constitution, but the nobility was no longer spurred by that absorbing and exclusive passion for politics and war, which had been its power. Society life, pleasure, amateur philosophy and literature, mysticism, and, above all, sports, dissipated in a thousand directions its energy and activity. Too many young men were to be found in the nobility who, like Nero, preferred singing, dancing, and driving, to caring for their clients or enduring the troubles of public office.

Augustus and Tiberius had done their utmost to strengthen the great Latin principle of parsimony in public and private life: in order to set a good example they had lived very simply; they had caused new sumptuary laws to be passed and tried to enforce the old ones; they had spent the State moneys, not for the keeping of artists and writers, nor for the building of monuments of useless size, but to build the great roads of the Empire, to strengthen the frontiers; they had made the public treasure into an aid fund for all suffering cities, stricken by earthquake, fire, or flood. And yet the Oriental influence, so favourable to unproductive and luxurious expenditure, gained ground steadily. The merchant of Syrian and Egyptian objects de luxe, in spite of the sumptuary laws, found a yearly increasing patronage in all the cities of Italy. The exactingness of the desire for public spectacles increased, even in secondary cities. The Italian people were losing their peasant's petty avarice and growing fond of things monumental and colossal, which was the great folly of the Orient. They found the monuments of Rome poor; everywhere, even in modest municipia, they demanded immense theatres, great temples, monumental basilicas, spacious forums, adorned with statues. In spite of the principles insisted upon with so much vigour by Augustus and Tiberius, public finances had, thanks to the weak Claudius and the extravagant Messalina, already gone through a period of great waste and disorder.

These contradictions, and the psychological disorder that followed, explain the discords and struggles very soon raging around the young Emperor. The public began to feel shocked by the attention that Agrippina gave to State affairs, as by a new and this time intolerable scandal of feminism. Agrippina was not a feminist, as a matter of fact, but a traditionalist, proud of the glory of her family, attached to the ancient Roman ideas, desirous only of seeing her son develop into a new Germanicus, a second Drusus. Solely the necessity of helping Nero had led her to meddle with politics. But not in vain had Cato declaimed so loudly in Rome against women who pretend to govern states; not in vain had Augustus's domination been at least partly founded on the great antifeminist legend of Antony and Cleopatra, which represented the fall of the great Triumvir as the consequence of a woman's influence. The public, although willing to give all possible freedom to women in other things, still remained quite firm on this point: politics must remain the monopoly of man. So to the popular imagination, Agrippina soon became a sort of Roman Cleopatra. Many interests gathered quickly to reinforce this antifeminist reaction, which, although exaggerated, had its origin in sincere feeling.

Agrippina, as a true descendant of Drusus, meant to prepare her son to rule the Empire according to the principles held by his great ancestors. Among these principles was to be counted not only the defence of Romanism and the maintenance of the aristocratic constitution, but also a wise economy in the management of finances. Agrippina is a good instance of that well-known fact—the British have noticed it more than once in India—that in public administration discreet and capable women keep, as a rule, the spirit of economy with which they manage the home. This is why, especially in despotic states, they rule better than men. Even before Claudius's death, Agrippina had vigorously opposed waste and plunder; it also appears that the reorganisation of finances after Messalina's death was due chiefly to her.

The continuation under Nero of this severe régime displeased a great number of persons, who dreamed of seeing again the easy sway of Messalina. From the moment they were satisfied that Agrippina, like Augustus and Tiberius, would not allow the public money to be stolen, many people found her insistent interference in public affairs unbearable. In short, Agrippina became unpopular, and, as always happens, because of faults she did not have. A noble deed, which she was trying to accomplish in defence of tradition, definitively compromised her situation.

Her son resembled neither Agrippina nor the great men of her family. He had a most indocile temperament, rebellious to tradition, in no sense Roman. Little by little, Agrippina saw the young Emperor develop into a precocious debauché, frightfully selfish, erratically vain, full of extravagant ideas, who, instead of setting the example of respect toward sumptuary laws, openly violated them all; and across whose mind from time to time flashed sinister lightnings of cruelty. Nero's youth—the fact is not surprising—did not resist the mortal seductions of immense power and immense riches; but Agrippina, the proud granddaughter of the conqueror of Germany, must have chafed at the idea of her son's preferring musical entertainments to the sessions of the Senate, singing lessons to the study of tactics and strategy.

She applied herself, therefore, with all her energy to the work of tearing her son from his pleasures, and bringing about his return to the great traditions of his family. Nero resisted: the struggle between mother and son grew complicated; it excited the passion of the public, which felt that this conflict had a greater importance than any other family quarrel, that it was actually a struggle between traditional Romanism and Oriental customs. Unfortunately, every one sided with Nero: the sincere friends of tradition, because they did not want the rule of a woman, whoever she might be; those that longed for Messalina's times, because they saw personified in Agrippina the austere and inflexible spirit of the gens Claudia. The situation was soon without an issue. The accord of Agrippina with Seneca and Burrhus was troubled, because the two teachers of the young Emperor, under the impression of public malcontent, had somewhat withdrawn from her. Nero, who was sullen, cynical, and lazy, feared his mother too much to have the courage to oppose her openly, but he did not fear her enough to mend his ways. The mother, on her side, was set to do her duty to the end. Like all situations without an issue, this one was suddenly solved by an unexpected event.

Insisting on wanting to make a Roman of this young debauché, Agrippina made him into a murderer. Nero, progressing from one caprice to another, finally imagined a great folly: to divorce Octavia and to raise to her place a beautiful freed-woman called Acte. According to one of the fundamental laws of the State, the great law of Augustus on marriage, which forbade marriages between senators and freedwomen, the union of Nero and Acte could be only a concubinage. Agrippina wanted to avoid this scandal; and, as Nero persisted in his idea, it seems that she actually thought of having him deposed and of securing the choice of Britannicus, a very serious young man, as his successor. A true Roman, Agrippina was ready to sacrifice her son for the sake of the Republic.

The threat was, or appeared to be, so serious to Nero, that it made him step over the threshold of crime. One day during a great dinner to which he had been invited by Nero, Britannicus was suddenly seized with violent convulsions. "It is an attack of epilepsy," said Nero calmly, giving orders to his slaves to remove Britannicus and care for him. The young man died in a few hours and every one believed that Nero had poisoned him.

This dastardly crime aroused at first a sense of horror and fright among the people, but the impression did not last long. In spite of all his faults, Nero was liked. In Rome they had respected Augustus and hated Tiberius; they had killed Caligula and jeered at Claudius; Nero seemed to be the first of the Roman Emperors who stood a chance of becoming popular. Contrary to Agrippina's ideas, it was his frivolity that pleased the great masses, because this frivolity corresponded to the slow but progressive decay of the old Roman virtues in them. They expected from Nero a less hard, less severe, less parsimonious government—in a word, a government less Roman than the rule of his predecessors, a government which, instead of force, glory, and wisdom, meant pleasure and ease.

So it happened that many soon forgot the unfortunate Britannicus, and some even tried to justify Nero by invoking State necessity. Agrippina alone remained the object of the universal hatred, as the sole cause of so many misfortunes. Implacable enemies, concealed in the shadow, were subtly at work against her; they organised a campaign of absurd calumnies in the Court itself, and it is this campaign from which Tacitus drew his material.

Some wretches finally dared even accuse her of conspiracy against the life of her son. Agrippina, refusing to plead for herself, still weathered the storm, because Nero was afraid of her, and though he tried to escape from her authority, did not dare to initiate any energetic move against her. To engage in a final struggle with so indomitable a woman, another woman was necessary. This woman was Poppæa Sabina, a very handsome and able dame of the great Roman nobility. Poppæa represented Oriental feminism in its most dangerous form: a woman completely demoralised by luxury, elegance, society life, and voluptuousness, who eluded all her duties toward the species in order to enjoy and make others enjoy her beauty.

Corrupted as that age was, Poppæa was more corrupt. As soon as she observed the strong impression she had made on Nero, she conceived the plan of becoming his wife; her beauty would then be admired by the whole Empire, would be surrounded by a luxury for which the means of her husband were not sufficient, and with which no other Roman dame could compete. There was one obstacle—Agrippina.

Agrippina protected Octavia, a true Roman woman, simple and honest: Agrippina would never consent to this absolutely unjustifiable divorce. To force Nero to a decisive move against his mother, Poppæa had her husband sent on some mission to Lusitania and became the mistress of the Emperor. From that point the situation changed. Dominated by Poppæa's influence, Nero found the courage to force Agrippina to abandon his palace and seek refuge in Antony's house; he took from her the privilege of Prætorian guards, which he himself had granted her; he reduced to a minimum the number and time of his visits, and carefully avoided being left alone with her. Agrippina's influence, to the general satisfaction, rapidly declined, while Nero gained every day in popularity. Agrippina, however, was too energetic a woman peaceably to resign herself: she began a violent campaign against the two adulterers, which deeply troubled the public. In Rome, where Augustus had promulgated his stern law against adultery; in Rome, where Augustus himself had been obliged to submit to his own law, when he exiled his daughter and his grand-daughter and almost exterminated the whole family; in Rome, a young man of twenty-two dared all but officially introduce adultery and polygamy into the Palatine! In her struggle against Nero, Agrippina once more stood on tradition: and Nero was afraid.

Poppæa was probably the one who suggested to Nero the idea of killing Agrippina. The idea had been, as it were, floating in the air for a long time, because Agrippina was embarrassing to many persons and interests. It was chiefly the party that wanted to sack the imperial budget, to introduce the finance of great expenditure, which could not tolerate this clever and energetic woman, who was so faithful to the great traditions of Augustus and Tiberius, who could neither be frightened nor corrupted. One should not consider the assassination of Agrippina as a simple personal crime of Nero, as the result of his and Poppæa's quarrels with his mother. This crime, besides personal causes, had a political origin. Nero would never have dared commit such a misdeed, in the eyes of the Roman almost a sacrilege, if he had not been encouraged by Agrippina's unpopularity, by the violent hatred of so many against his mother.

Nero hesitated long; he decided only when his freedman, Anicetus, the commander of the fleet, proposed a plan that seemed to guarantee secrecy for the crime: to have a ship built with a concealed trap. It was the spring of the year 59 A.D.; the Court had moved to Baiæ, on the Gulf of Naples. If Nero succeeded in getting his mother on board the vessel, Anicetus would take upon himself the task of burying quickly below the waves the secret of her death; the people who hated Agrippina would easily be satisfied with the explanations to be given them.

Nero executed his part of the plan in perfect cold-blood. He made believe he had repented and was anxious for a reconciliation with his mother; he invited her to Baiæ and so profusely lavished kindnesses and amiabilities upon her, that Agrippina finally believed in his sincerity.

After spending a few days at Baiæ, Agrippina decided to return to Antium; in a very happy frame of mind and full of hopes that her son would soon show himself to the world the man she had dreamed, the descendant of Drusus, she boarded one evening the fatal ship; Nero had escorted her thither and pressed her to his heart with the most demonstrative tenderness.

A calm night diffused its starry shadows over the quiet sea, which with subdued murmur lulled in their sleep the great summer homes along the shore. The ship departed, carrying toward her sombre destiny Agrippina, absorbed in her smiling dreams. When the moment came and the wrecking machine was set to work, the vessel did not sink as fast as they had hoped: it listed, overturning people and things. Agrippina had time to understand the danger; with admirable presence of mind she jumped overboard and escaped by swimming, while, during the confusion on the boat, the hired murderers killed one of Agrippina's freedwomen, mistaking her for Agrippina herself. The ship finally sank; the murderers also took to the water; everything returned to its wonted calm; the starry night still diffused its silent shadows; the sea still cradled with subdued murmur the homes along the coast—all men slept except one.

Within this one, Anxiety watched: a son was awaiting the news that his mother was dead, and that he was free to celebrate a criminal marriage. The escaped murderers soon brought the news so impatiently expected—but Nero's joy was short. At dawn, a freedman of Agrippina arrived at the Emperor's villa. Agrippina, picked up by a boat, had succeeded in reaching one of her villas near by; she sent the freedman to tell the Emperor about the accident and to assure him of her safety. Agrippina alive! It was like a thunderbolt to Nero, and he lost his head: he saw his mother hurrying on to Rome, denouncing the abominable attempt to Senate and people, rousing against him the Prætorian guard and the legions. Thoroughly frightened, he summoned Seneca and Burrhus and laid before them the terrible situation. It is easy to imagine the shock of the old preceptors. How could he risk such a grave imprudence? And yet there was no time to lose in reproaches. Nero begged for advice: Seneca and Burrhus were silent, but they, also frightened, asked of themselves what Agrippina would do. Would she not provoke a colossal scandal, which would ruin everything? An expedient, the same one, occurred to both of them: but so sinister was the idea that they dared not speak it. This time, however, both the philosopher and the general were deceived as well as Nero: Agrippina had guessed the truth and given up the struggle. What could she, a lone woman do against an Emperor who did not stop even at the plan of murdering his mother? She realised, during that awful night, that only one chance of safety was left to her—to ignore what had taken place; and she sent her freedman with the message that meant forgiveness. But fear kept Nero and his counsellors from understanding; and when they could easily have remedied the preceding mistake, they compromised all by a supreme error. Finally Seneca, the pacificator and humanitarian philosopher, thought he had found the way of making half-openly the only suggestion which seemed wise to him: he turned to Burrhus and asked what might happen, if an order were given the Prætorians to kill Nero's mother. Burrhus understood that his colleague, although the first to give the fatal advice, was trying to shift upon him the much more serious responsibility of carrying it out; since, if they reached the decision of having Agrippina disposed of by the Prætorians, no one but he, the commander of the guard, could utter the order. He therefore protested with the greatest energy that the Prætorians would never lay murderous hands on the daughter of Germanicus. Then he added cogitatively that, if it were thought necessary, Anicetus and his sailors could finish the work already begun. Thus Burrhus gave the same advice as Seneca, but he, like his colleague, meant to pass on to some one else the task of execution. He chose better than Seneca: Anicetus, if Agrippina lived, ran a serious risk of becoming the scapegoat of all this affair. In fact, as soon as Nero gave his assent, Anicetus and a few sailors hastened to the villa of Agrippina and stabbed her.

The crime was abominable. Nero and his circle were so awed by it that they attempted to make the people believe that Agrippina had committed suicide, when her conspiracy against her son's life had been discovered. This was the official version of Agrippina's death, sent by Nero to the Senate. But this audacious mystification had no success. The public divined the truth, and roused by the voice of their age-long instincts, they cried out that the Emperor no less than any peasant of Italy must revere his father and his mother. Through a sudden turn of public feeling, Agrippina, who had been so much hated during her life, became the object of a kind of popular veneration; Nero, on the other hand, and Poppæa inspired a sentiment of profound horror.

If Nero had found the living Agrippina unbearable, he soon realised that his dead mother was much more to be feared. In fact, scared as he was by the popular agitation, not only had he temporarily to give up the plan of divorcing Octavia and marrying Poppæa, but felt obliged to stay several months at Baiæ, not daring to return to Rome. He was, however, no longer a child: he was twenty-three years old and had some talent. Men of intelligence and energy were also not wanting in his entourage. The first shock once over, the Emperor and his coterie rallied. The first impression had indeed been disastrous, but had brought about no irreparable consequences—the only consequences that count in politics. One could therefore hope that the public would gradually forget this murder as they had forgotten that of Britannicus. One only needed to help them forget. Nero resolved to give Italy and Rome the administrative revolution that had found in Agrippina so determined an opponent, the easy, splendid, generous government that seemed to suit the popular taste.

He began by organising among the jeunesse dorée of Rome the "festivals of youth." In these true demonstrations against the old aristocratic education, now in the house of one and then in the garden of another, the young patricians met under the Emperor's directions. They sang, recited, and danced, displaying all the tendencies that tradition held unworthy of a Roman nobleman. Later, Nero built in the Vatican fields a private stadium, where he amused himself with driving, and invited his friends to join him. He surrounded himself with poets, musicians, singers; enormously increased the budget of popular festivals; planned and started immense constructions; introduced into all parts of the administration a new spirit of carelessness and ease. Not only the sumptuary laws, but all laws commanding the fulfilment of human duties toward the species, such as the great laws of Augustus on marriage and adultery, were no longer applied; the surveillance of the Senate over the governors, that of the governors over the cities, slackened. In Rome, in all Italy, in the provinces, the treasuries of the Republic, the possessions and the funds of the cities, were robbed. In the midst of this unbridled plundering, which appeared to make every man rich quickly, and without work, a delirium of luxury and pleasure reigned: in Rome especially, people lived in a continuous orgy; the nobility answered in crowds the invitations of Nero; the Senate, the great houses, where the conquerors of the world had been born, swarmed with young athletes and drivers, who had no other ambition but that of adding the prize of a race to the war trophies of their ancestors; the imperial palace was invaded by a noisy horde of zitherists, actors, jockeys, athletes, among whom Burrhus and, still more, Seneca, were beginning to feel most ill at ease.

Agrippina's death, even though it had yet deferred Nero's marrying Poppæa, had made possible the change in the government that a part of the people wished. We owe to this new principle the immense ruins of ancient Rome; but this fact does not authorise us to consider it a Roman principle: it was, instead, a principle of Oriental civilisation which had forced itself upon the Roman traditions after a long and painful effort. The revolution, however, had been long preparing and corresponded to the popular aspirations. It would, therefore, have redounded to the advantage of the Emperor, who had dared to break loose from a superannuated tradition, had not Agrippina's spectre still haunted Rome. To their honour be it said, the people of Rome and Italy had not yet become so corrupted by Oriental civilisation as to forget parricide in a few festivals.

The party of tradition, though weakened, existed. They began a brave fight against Nero, using the assassination of Agrippina as the adverse party had exploited the antifeminist prejudices of the masses against Agrippina herself. They denounced the parricide to the people, in order to attack the champion of Orientalism and irritate against him the indifferent mass, which, not understanding the great struggle between the Orient and Rome, remained unstirred. Hoping the excitement of spirit had somewhat subsided, Nero had finally carried out his old plan of divorcing Octavia and marrying Poppæa; but the divorce caused great popular demonstrations in Rome in favour of the abused wife and against the intruder.

Moreover, thanks to his extravagance, Nero made things very easy for his enemies, the defenders of tradition. His habits of dissipation exaggerated all the faults of his character, chiefly his morbid need of showing himself off, of defying the public, their prejudices, their opinions. It is difficult to discern how much is true and how much is false in the hideous stories of debauchery handed down to us by the ancient writers, particularly Suetonius.

Although one might believe—and I believe it for my part—that there is a great deal of exaggeration in such tales, it is certain that Nero's personality played too conspicuous a part in his administrative revolution. Ready as the people were to admire a more generous and luxurious government than that of Augustus, Tiberius, and Claudius, they still liked to look to the chief of State as to a man of gravity and austerity, who let others amuse themselves, though he himself be bored. The vain and bizarre young man, who was always the guest of honour at his own fêtes, who never hesitated to satisfy his most extravagant caprices, who spent so much money to divert himself, shocked the last republican susceptibilities of Italy. The wise felt alarmed: with such expenses, would it not all end in bankruptcy? For all these causes, they soon began to reproach Nero for his prodigality, although the people enjoyed it, just as they had been malcontent with Tiberius for his parsimony. His caprices, ever stranger, little by little roused even that part of the public which was not fanatically attached to tradition. At that time Nero developed his foolish vanity of actor, his caprice for the theatre, which soon was to become an all-absorbing mania. The chief of the Empire, the heir of Julius Cæsar, dreamed of nothing else than descending from the height of human grandeur to the scene of a theatre, to experience before the public the sensations of those players whom the Roman nobility had always regarded as instruments of infamous pleasure!

Disgusted with Nero's mismanagement and follies, Seneca took the death of Burrhus as an opportunity to retire. Then Nero, freed from the last person who still retained any influence over him, gave himself up entirely to the insane swirl of his caprices. He ended one day by presenting himself in the theatre of Naples. Naples was yet then a Greek city. Nero had chosen it for this reason; he was applauded with frenzy. But the Italians of the other cities protested: the chief of the Empire appearing in a theatre, his hand on the zither and not on the sword! Imagine what would be the impression if some day a sovereign went on the stage of the folies Bergères as a "number" for a sleight-of-hand performance!

Public attention, however, was turned from this immense scandal by a frightful calamity—the famous conflagration of Rome, which began the nineteenth of July of the year 64 and devastated almost all quarters of the city for ten days. What was the cause of the great disaster? This very obscure point has much interested historians, who have tried in vain to throw light on the subject. As far as I am concerned, I by no means exclude the hypothesis that the fire might have been accidental. But when they are crushed under the weight of a great misfortune, men always feel sure that they are the victims of human wickedness: a sad proof of their distrust in their fellow men. The plebs, reduced to utter misery by the disaster, began to murmur that mysterious people had been seen hurrying through the different quarters, kindling the fire and cumbering the work of help; these incendiaries must have been sent by some one in power—by whom?

A strange rumour circulated: Nero himself had ordered the city to be burned, in order to enjoy a unique sight, to get an idea of the fire of Troy, to have the glory of rebuilding Rome on a more magnificent scale. The accusation seems to me absurd. Nero was a criminal, but he was not a fool to the point of provoking the wrath of the whole people for so light a motive, especially after Agrippina's death. Tacitus himself, in spite of his hatred of all Cæsar's family and his readiness to make them responsible for the most serious crimes, does not venture to express belief in this story—sufficient proof that he considers it absurd and unlikely. Nevertheless, the hatred that surrounded Nero and Poppæa made every one, not only among the ignorant populace, but also among the higher classes, accept it readily. It was soon the general opinion that Nero had accomplished what Brennus and Catiline's conspirators could not do. Was a more horrible monster ever seen? Parricide, actor, incendiary!

The traditionalist party, the opposition, the unsatisfied, exploited without scruple this popular attitude, and Nero, responsible for a sufficient number of actual crimes, found himself accused also of an imaginary one. He was so frightened that he decided to give the clamouring people a victim, some one on whom Rome could avenge its sorrow. An inquiry into the causes of the conflagration was ordered. The inquest came to a strange conclusion. The fire had been started by a small religious sect, recently imported from the Orient, a sect whose name most people then learned for the first time: the Christians.

How did the Roman authorities come to such a conclusion? That is one of the greatest mysteries of universal history, and no one will ever be able to clear it. If the explanation of the disaster as accepted by the people was absurd, the official explanation was still more so. The Christian community of Rome, the pretended volcano of civil hatred, which had poured forth the destructive fire over the great metropolis, was a small and peaceful congregation of pious idealists.

A great and simple man, Paul of Tarsus, had taken up again among them the great work in which Augustus and Tiberius had failed: he aimed at the remaking of popular conscience, but used means until then unknown in the Græco-Latin civilisation. Not in the name of the ancestors, of the traditions, of ideals of political power, did he seek to persuade men to work, to refrain from vice, to live honestly and simply; but in the name of a single God, whom man had in the beginning offended through his pride, in the name of the Son of God, who had taken human form and volunteered to die as a criminal on the cross, to appease the Father's wrath against the rebellious creature. On the Græco-Roman idea of duty, Paul grafted the Christian idea of sin. Doubtless the new theology must have seemed at first obscure to Greeks and Romans; but Paul put into it that new spirit, mutual love, which the dry Latin soul had hardly ever known, and he vivified it with the example of an obscure life of sacrifice.

Paul was born of a noble Hebrew family of Tarsus, and was a man of high culture. He had, to use a modern expression, simplified himself, renounced his position in a time when few could resist the passion for luxury, and taken up a trade for his living; with the scanty profit from his work as a tent-maker, alone and on foot he made measureless journeys through the Empire, everywhere preaching the redemption of man. Finally, after numberless adventures and perils, he had come to Rome and had, in the great city frenzied by the delirium of luxury and pleasure, repeated to the poor, who alone were willing to hear him: "Be chaste and pure, do not deceive each other, love one another, help one another, love God."

If Nero had known the little society of pious idealists, he surely would have hated it, but for other motives than the imaginary accusations of his police. In this story St. Paul is exactly the antithesis of Nero. The latter represents the atrocious selfishness of rich, peaceful, highly civilised epochs; the former, the ardent moral idealism which tries to react against the cardinal vices of power and wealth through universal self-sacrifice and asceticism. Neither of these men is to be comprehended without the other, because the moral doctrine of Paul is partly a reaction against, the violent folly for which Nero stood the symbol; but it certainly was not philosophical considerations of this kind that led the Roman authorities to rage against the Christians. The problem, I repeat, is insoluble. However this may be, the Christians were declared responsible for the fire; a great number were taken into custody, sentenced to death, executed in different ways, during the festivals that Nero offered to the people to appease them. Possibly Paul himself was one of the victims of this persecution.

This diversion, however, was of no use. The conflagration definitely ruined Nero. With the conflagration begins the third period of his life, which lasts four years. It is characterised by absurd exaggerations of all kinds, which hastened the inevitable catastrophe. One grandiose idea dominates it: the idea of building on the ruins a new Rome, immense and magnificent, a true metropolis for the Empire. In order to carry out this plan, Nero did not economise; he began to spend in it the moneys laid aside to pay the legions. The people of Italy, however, and even of Rome, which grew rich on these public expenditures, did not show themselves thankful for this immense architectural effort. Every one was sure that the new city would be worse than the old one!

Nero himself, exasperated by this invincible hate, exhausted by his own excesses, lost what reason he had still left, and his government degenerated into a complete tyranny, suspicious, violent, and cruel.

Piso's conspiracy caused him to order a massacre of patricians, which left terrible rancour in its wake; in an access of fury, he killed Poppæa; he began to imagine accusations against the richest men of the Empire, in order to confiscate their estates. His prodigality and the general carelessness had completely disorganised the finances of the Empire; he had to recur to all kinds of expedients to find money. Finally he undertook a great artistic tour in Greece—that province which had been the mother of arts—to play in its most celebrated theatres. This time indignation burst all bounds. The armies of Gaul and Spain, for a long time irregularly paid, led by their officers, revolted. This act of energy sufficed. On the 9th of June, 68 A.D., abandoned by all the world, Nero was compelled to commit suicide.

So the family of Julius Cæsar disappears from history. After so much greatness, genius, and wisdom, the fall may seem petty and almost laughable. It is absurd to lose the Empire for the pleasure of singing in a theatre. And yet, bizarre as the end may seem, it was not the result of the vices, the follies, and the crimes of Nero alone. In his way, Nero himself was, like all members of his family, the victim of the contradictory situation of his times.

It has been repeated for centuries, that the foundation of monarchy was the great mission of Cæsar's family. I believe this to be a great mistake. The lot of the family would have been simple and easy, if it had been able to found a monarchy. The family of Cæsar had to solve another problem, much more difficult,—in fact insoluble; a problem that may be compared, from a certain point of view, to that which confronted the Bonapartes in the nineteenth century. The Bonapartes found old monarchical, legitimistic, theocratic Europe agitated by forces which, although making it impossible for the ancient regime to continue, were not yet able to establish a new society, entirely democratic, republican, and lay. The family of Cæsar found the opposite situation: an old military and aristocratic republic, which was changing into an intellectual and monarchical civilisation, based on equality, but opposing formidable resistance to the forces of transformation. In these situations the two families tried in all ways to reconcile things not to be conciliated, to realise the impossible: one, the popular monarchy and imperial democracy; the other, the monarchical republic and Orientalised Latinity. The contradiction was for both families the law of life, the cause of greatness; this explains why neither was ever willing to extricate itself from it, in spite of the advice of philosophers, the malcontent of the masses, the pressure of parties, and the evident dangers. This contradiction was also the fatality of both families, the cause of their ruin; it explains the shortness of their power, their restless existence, and the continuous catastrophes that opened the way to the final crash.

Waterloo and Sedan, the exile of Julia and the tragic failure of Tiberius's government, all the misfortunes great and small which struck the two families, were always consequences of the insoluble contradiction they tried to solve. You have had a perfectly characteristic example of it in the brief story I have been telling you. Agrippina becomes an object of universal hatred and dies by assassination because she defends tradition; her son disregards tradition and, chiefly for this very reason, is finally forced to kill himself. Doubtless the fate of the Bonapartes is less tragic, because they, at least, escaped the infamous legend created by contemporary hatred against Cæsar's family, and artfully developed by the historians of successive generations. I hope to be able to prove in the continuation of my Greatness and Decline of Rome, that the history of Cæsar's family, as it has been told by Tacitus and Suetonius, is a sensational novel, a legend containing not much more truth than the legend of Atrides. The family of Cæsar, placed in the centre of the great struggle going on in Rome between the old Roman militarism, and the intellectual civilisation of the Orient, between nationalism and cosmopolitism, between Asiatic mysticism and traditional religion, between egoism over-excited by culture and wealth, and the supreme interests of the species, had to injure too many interests, to offend too many susceptibilities. The injured interests, the offended susceptibilities, revenged themselves through defaming legends.

The case of Nero is particularly instructive. He was half insane and a veritable criminal: it would be absurd to attempt in his favour the historical rehabilitation to which other members of the family, Tiberius for instance, have a right. And yet it has not been enough for succeeding generations that he atoned for his follies and crimes by death and infamy. They have fallen upon his memory: they have overlooked that extenuating circumstance of considerable importance, his age when elected; they have gone so far as to make him into a unique monster, no longer human and even the Antichrist!

Surely he first shed Christian blood; but if we consider the tendency he represented in Roman history, we can hardly classify him among the great enemies of Christianity. Unwittingly, Augustus and Tiberius were two great enemies of the Christian teachings, because they sought by all means to reinforce Roman tradition, and struggled against everything that would one day form the essence of Christianity—cosmopolitism, mysticism, the domination of intellectual people, the influence of the philosophical and metaphysical spirit on life. Nero, on the contrary, with his repeated efforts to spread Orientalism in Rome, and chiefly with his taste for art, was unconsciously a powerful collaborator of future Christian propaganda. We must not forget this: the masses in the Empire became Christian only because they had first been imbued with the Oriental spirit.

Nero and St. Paul, the man that wished to enjoy all, and the man that suffered all, are in their time two extreme antitheses: with the passing of centuries, they become two collaborators. While one suffered hunger and persecution to preach the doctrine of redemption, the other called to Italy and to Rome, to amuse himself, the goldsmiths, weavers, sculptors, painters, architects, musicians, whom Rome had always rebuffed.

Both disappeared, cut off by the violent current of their epoch; centuries went by: the name of the Emperor grew infamous, while that of the tent-maker radiated glory. In the midst of the immense disorder that accompanied the dissolution of the Roman Empire, as the bonds among men relaxed, and the human mind seemed to be incapable of reasoning and understanding, the disciples of the saint realised that the goldsmiths, weavers, sculptors, painters, architects, and musicians of the Emperor could collect the masses around the churches and make them patiently listen to what they could still comprehend of Paul's sublime morality. When you regard St. Mark or Notre Dame or any other stupendous cathedral of the Middle Ages, like museums for the work of art they hold, you see the luminous symbol of this paradoxical alliance between victim and executioner.

Only through the alliance of Paul and Nero could the Church dominate the disorder of the Middle Ages, and, from antiquity to the modern world, carry through that formidable storm the essential principles from which our civilisation developed: a decisive proof that, if history in its details is a continuous strife, as a whole it is the inevitable final reconciliation of antagonistic forces, obtained in spite of the resistance of individuals and by sacrificing them.

Julia and Tiberius

"He walked with head bent and fixed, the face stern, a taciturn man exchanging no word with those about him…. Augustus realised these severe and haughty manners, and more than once tried to excuse them in the Senate and to the people, saying that they were defects of temperament, not signs of a sinister spirit."

This is the picture that Suetonius gives us of Tiberius, the man who, in 9 B.C., after the death of Agrippa and Drusus, stood next to Augustus, his right hand and pre-established successor. At that time Augustus was fifty-four years old; not an old man, but he was ill and had presided over the Republic for twenty-one years. Many people must have asked themselves what would happen if Augustus should die, or should definitely retire to private life. The answer was not uncertain: since Rome was engaged in the conquest of Germany, the chief of the Empire and of the army ought to be a valiant general and a man of expert acquaintance with Germanic affairs. Tiberius was the first general of his time and knew Germany and the Germans better than any other Roman.

The passage from Suetonius, just quoted, indicates that Tiberius was not altogether popular, yet it was the accepted opinion that Rome and Italy might well be content to rely upon so capable a general and diplomat, if Augustus failed. This attitude, however, changed when the death of Drusus entirely removed the alternative of choice between himself and Tiberius, and the latter, up to that time universally admired, began to be met, even among the nobility, by a strong opposition. How can this apparently inexplicable fact be made clear? The theory of corruption so dear to the ancients, which I have already explained, gives us the key to the mystery. Those who have been disposed to see in that theory merely a plaything of poets, orators, philosophers, will now realise that it had power enough to kill the person and destroy the family of the first citizen of the Empire. That kind of continuous fear of luxury, of amusements, of prodigality, on account of which the ancients called corruption so many things that we define as progress, was not a sentiment always equally alive in the mind of the multitude. The Romans, like ourselves, loved to live and to enjoy; this is so true that philosophers and legislators constantly took pains to remind them of the danger of allowing too much liberty to the appetites; but more effective than the counsels of philosophers and the threats of the law, great public calamities inspired in the masses, at least temporarily, a spirit of puritanism and austerity. Of this the consequences of the battle of Actium afforded noteworthy proof.

Those who have read the fourth volume of The Greatness and Decline of Rome may perhaps remember how I have described the conservative and traditionalist movement of the first decade of the government of Augustus. Frightened by the revolution, men's minds had reverted precipitously to the past. A new party, which one might call the traditionalist, had sought to re-establish the old-time order, in the state, in customs, in ideas; to combat the corruption of customs; and of this party Augustus had been the right arm. Indeed, to so great an extent had this party stirred up public spirit and prevailed upon those in power that in 18 B.C. it succeeded in passing some great social laws on luxury, on matrimony, on dress. With these laws, Rome proposed to remake, by terrible measures, the old, prolific, austere nobility of the aristocratic era. The lex de maritandis ordinibus aimed with a thousand vexatious restrictions to constrain the nobility to marry and have children; the lex sumptuaria studied to restrain extravagance; the lex de adulteriis proclaimed martial law in the family, menacing an unfaithful wife and her accomplice with exile for life and the confiscation of half their substance; legislation of the harshest, this, which should scourge Rome to blood, to keep her from falling anew into the inveterate vices from which the civil wars were born.

The impression of the civil wars could not last forever. In fact, in the decade that followed the promulgation of the social laws, the puritan fervour, which had up to that time heated all Italy, began to cool. Wealth increased; the confidence that order and peace were actually re-established, spread everywhere; the generation that had seen the civil wars, disappeared; peace and growing prosperity stirred in the next generation a desire for freedom and pleasure that would not endure the narrow traditionalism and the puritanism of the preceding generation; consequently also the laws of 18 B.C. became intolerable.

To understand this change in public spirit which had such serious consequences, there is no better way than by studying the most celebrated writer of this new generation, Ovid, who represents it most admirably both in life and works. Ovid was born at Sulmona in 43 B.C. He was about the same age as Tiberius,—of a knight's family—that is, of the wealthy middle class. He was destined by his father to the study of oratory and jurisprudence, evidently to make a political man of him, a senator, a future consul or proconsul, and to contribute to the great national restoration that his generation proposed to itself and of which Augustus was architect, preparing a new family for the political aristocracy that was governing the Empire. Ovid's father had all the requirements demanded by law and custom: a considerable fortune, the half-nobility of the equestrian order, an intelligent son, the means to give him the necessary culture—a favourable combination of circumstances which was wholly undone by a bit of unforeseen contrariety, the son's invincible inclination for what his father called, with little respect, a "useless study," literature. The young man had indifferently studied oratory and law, gone to Rome, married, made friendships in the high society of the capital, been elected to the offices preceding the quæstorship; but when the time arrived for presenting himself as candidate for the quæstorship itself—that is, the time for beginning the true curriculum of the magistracies, he had declared that he would rather be a great poet than a consul, and there was no persuading him farther on the long road opened to political ambitions.

With the episode of Julia and Tiberius in mind, I have stated that Ovid's life epitomises the new generation, because it shows us in action the first of the forces that dissolved the aristocratic government and the nobility artificially reconstituted by Augustus at the close of the civil wars—intellectualism. The case of Ovid demonstrates that intellectual culture, literature, poetry, instead of being, for the Roman aristocracy, as in older times, a simple ornament, secondary to politics, had already a prime attraction for the man of genius; that even among the higher classes, devoted by tradition only to military and political life, there appeared, by the side of the leaders in war and politics, the professional literary man. The study of Ovid's work shows something even more noteworthy: that, profiting by the discords in the ruling class, these literary men feared no longer to express and to re-enforce the discontent, the bad feeling, the aversion, that the efforts of the State to re-establish a more vigorous social order was rousing in one part of the public.

Ovid's first important work was the Amores, which was certainly out by the year 8 B.C. although in a different form from that in which we now have it. To understand what this book really was when it was published, one must remember that it was written, read, and what is more, admired, ten years after the promulgation of the lex de maritandis ordinibus and of the lex de adulteriis; it should be read with what remains of the text of those laws in hand.

We are astonished at the book, full of excitements to frivolity, to dissipation, to pleasure, to those very activities that appeared to the ancients to form the most dangerous part of the "corruption." Extravagances of a libertine poet? The single-handed revolt of a corrupt youth, which cannot be considered a sign of the times? No. If there had not been in the public at large, in the higher classes, in the new generation, a general sympathy with this poetry, subversive of the solemn Julian laws, Ovid would never have been recognised in the houses of the great, petted and admired by high society. The great social laws of Augustus, the publication of which had been celebrated by Horace in the Carmen Seculare, wounded too many interests, tormented too many selfishnesses, intercepted too many liberties.

His revolutionary elegies had made Ovid famous, because these interests and these selfishnesses finally rebelled with the new generation, which had not seen the civil wars. Other incidents before and after the publication of the Amores also show this reaction against the social laws. Therefore Augustus proposed about this time to abolish the provision of the lex de maritandis ordinibus that excluded celibates from public spectacles; and by his personal intervention sought to put a check upon the scandalous trials for adultery that his law had originated—two acts that were so much admired by a part of the public that statues were erected to him by popular subscription.

In short, this new movement of public opinion explains the opposition exerted from this time on against Tiberius and makes us understand how there arose the conflict in which this mysterious personage was to be entangled for the rest of his life, and to lose, by no fault of his own, so great a part of his reputation. I hope to prove that the Tiberius of Tacitus and Suetonius is a fantastic personality, the hero of a wretched and improbable romance, invented by party hatred; that Tiberius remained, as a German historian has defined it, an undecipherable enigma, simply because there has never been the will to recognise how much alive the aristocratic republican traditions still were, and what force they still exerted in the State and in the family.

Tiberius was but an authentic Claudius—that is, a true descendant of one of the oldest, the proudest, the most aristocratic families of the Roman nobility, a man with all the good qualities and all the defects of the old Roman aristocracy, a man who regarded things and men with the eyes of a senator of the times of Scipio Africanus—a living anachronism, a fossil, if you will, from a by-gone age, in a world that wished to tolerate no more either the vices or the virtues of the old aristocracy. He thought that the Empire ought to be governed by a limited aristocracy of diplomats and warriors, rigidly authoritative, exclusively Roman, which should know how to check the general corrupting of customs, the current extravagance and dissipation, beginning its task by imposing upon itself an inexorable self-discipline. Even though he belonged to the generation of Ovid—to the generation that had not seen the civil wars—Tiberius, by singular exception, kept aloof from the undisciplined frivolity of his contemporaries. He desired the severe application of the social laws of the year 18, as of all the traditional norms of aristocratic discipline. His generation therefore soon found him an enemy, especially after Drusus's death seemed to leave neither doubt nor choice as to the successor of Augustus. From this contemporary attitude arises the tacit aversion in the midst of which, after the lapse of so many centuries, we still feel Tiberius living and working, an aversion which steadily grows even while he renders the most signal services to the Empire.

There was between him and his generation irreconcilable discord. However, it is not likely that this blind and secret hatred alone could have seriously injured Tiberius, whose power and merits were so great, if it had not been considerably helped by incidents of various nature. The first and most important of these was the discord that had arisen, shortly after the death of Drusus, between Tiberius and his wife Julia, the daughter of Augustus and the widow of Agrippa.

Tiberius had married her against his will in the year 11, after the death of Agrippa, by order of Augustus, and had at first tried to live in accord with her; the attempt was vain, and the spirits of the husband and wife were soon parted in fatal disagreement. "He lived at first," writes Suetonius, "in harmony with Julia; but soon grew cool toward her, and finally the estrangement reached such a point after the death of their boy born at Aquileia, that Tiberius lived in a separate apartment"—a separation, as we would call it, in "bed and board." What was the reason of this discord? No ancient historian has revealed it; however, we can guess with sufficient probability from what we know of the characters of the pair and the discord that divided Roman society. If Tiberius was not the monster of Capri, Julia was certainly not the miserable Bacchante of the scandalous Roman chronicle. Macrobius has pictured her in human lights and shadows, a probable image, describing her as a highly cultured woman, lavish in tastes and expenditure, fond of beautiful literature, of the fine arts, and of the company of handsome and elegant young men. She belonged to the new generation of which Ovid was spokesman and poet; while Tiberius represented archaic traditionalism, the spirit of a past generation.

It is easy to understand how these two persons, incarnating the irreconcilable opposition of two epochs, two morales, two societies, of Roman militarism and of Oriental culture, could not live together. A man like Tiberius, severe, simple, who detested frivolous pleasures, caring more for war than for society life, could not live in peace with this beautiful and vivacious creature, who loved luxury, prodigality, brilliant company. It is not rash to suppose that the lex sumptuaria of the year 18 was the first grave cause of disagreement. Julia, given, as Macrobius describes her, to profuse expenditure and pretentious elegance, could not take this law seriously; while it was the duty of Tiberius, who always protested by deed as by word against the barren pomp of the rich, to see that his wife serve as an example of simplicity to the other matrons of Rome.

Very soon there occurred an accident, not uncommon in unfortunate marriages, but which for special reasons was, in the family of Tiberius, far more than wontedly dangerous. Tacitus tells us that after Julia was out of favour with Tiberius, she contracted a relation with an elegant young aristocrat, one Sempronius Gracchus, of the family of the famous tribunes. Accepting as true the affirmation of Tacitus, in itself likely, we can very well explain the behaviour and acts of Tiberius in these years. The misdoing of Julia offended not only the man and husband, but placed also the statesman, the representative of the traditionalist party, in the gravest perplexity.

According to the lex de adulteriis, made by Augustus in the year 18, the husband ought either to punish the unfaithful wife himself or denounce her to the prætor. Could he, Tiberius, provoke so frightful a scandal in the house of the "First Citizen of the Republic"; drive from Rome, defamed, the daughter of Augustus, the most noted lady of Rome, who had so many friends in all circles of its society? Suetonius speaks of the disgust of Tiberius for Julia, "quam neque criminari aut demittere auderet"—whom he dared neither incriminate nor repudiate. On the other hand, did not he, the intransigeant traditionalist, who kept continually reproving the nobility for their laxity in self-discipline, merit rebuke, for allowing this thing to go on, not applying the law? The difficulty was serious; the lex de adulteriis began to be a torment to its creators. Unable to separate from, unwilling to live with, this woman who had traduced him and whom he despised, Tiberius was reduced to maintaining a merely apparent union to avoid the scandal of a trial and divorce.

This proceeding, however, was an expedient in that condition of things both insufficient and dangerous. The discord between Tiberius and Julia put into the hands of the young nobility, up to that time unarmed, a terrible weapon against the illustrious general, who was, meanwhile, fighting the Germans. The young nobility, inimical to the social laws and to Tiberius, rallied about Julia, and the effects of this alliance were not slow in appearing. Julia had had five sons by Agrippa, of whom the eldest two, Caius and Lucius, had been adopted by Augustus. In the year 6 B.C., the eldest, Caius, reached the age of fourteen. He was therefore but a lad; notwithstanding his youth, there was suddenly brought forward the strange, almost incredible, proposal to make a law by which he might at once be elected consul for the year 754 A.U.C, when he would be twenty years old.

Who made this proposal? Augustus, if we believe Suetonius, out of excessive fondness for his adopted sons. Dion, on the contrary, tells these things differently. He says that from the beginning Augustus opposed the law, and so leads us to doubt that it was either proposed or desired by that Prince. The facts are that a party in Rome kept insisting till Augustus supported this law with his authority, and that from the first he was unwilling to be accessory to an election that overturned without reason every Roman constitutional right.

Who then were these strange admirers of a child of fourteen, who to make him consul did not hesitate to do violence to tradition, to the laws, to good sense, and, finally, to the adoptive father? It was the opposition to Tiberius, the party of the young nobility and Julia, who were seeking a rule less severe, and, if not the abolition, at least the mitigated application of the great social laws. They aimed to put forward the young Caius, to set him early before public attention, to hasten his political career, in order to oppose a rival to Tiberius; to prepare another collaborator and successor of Augustus, to make Tiberius less indispensable and therefore less powerful.

In brief, here was the hope of using against Tiberius at once the maternal pride and affection of Julia, the tenderness of Augustus, and the popularity of the name of Cæsar, which Caius carried. The people had never greatly loved the name of the Claudii, a haughty line of invincible aristocrats, always hard and overbearing with the poor, always opposed to the democratic party. The party against Tiberius hoped that when to a Claudius there should be opposed a Cæsar, the public spirit would revert to the dazzling splendour of the name.

Now we understand why Augustus had at first objected. The privileges that he had caused to be conceded to Marcellus, to Drusus, to Tiberius, were all of less consequence than those demanded for Caius and had all been justified either by urgent needs of State, or services already rendered; but how could it be tolerated that without any reason, without the slightest necessity, there should be made consul a lad of fourteen, of whom it would be difficult to predict even whether he would become a man of common sense? Moreover Augustus could not so easily bring himself to offend Tiberius, who would not admit that the chief of the Republic should help his enemies offer him so great an affront. How could it be, that while he, amid fatigues and perils in cold and savage regions, was fighting the Germans and holding in subjection the European provinces, that jeunesse dorée of good-for-nothings, cynics, idlers, poets, which infested the new generation, was conniving with his wife to set against him a child of fourteen?—to gain, as it were, sanction from a law that the State would not be safe till by the side of this Claudius should be placed a Cæsar, beardless and inexpert, as if the name of the latter outweighed the genius and experience of the former? And Augustus, the head of the Republic, would he have tolerated such an outrage? Tiberius not only resisted the law but exacted the open disapproval of Augustus; in fact, at the beginning, Augustus stood out against it as Tiberius wished; but difficulties grew by the way and became grave.

Julia and her friends knew how to dispose public opinion ably in their own favour, to intrigue in the Senate, to exploit the increasing unpopularity of the social laws, of the spreading aversion to Tiberius and the admiration for other members of Augustus's family. The proposal to make Caius consul became in a short time so popular for one or another of these reasons, and as the symbol of a future government less severe and traditionalistic, that Augustus felt less and less able to withstand the current. On the other hand, to yield meant mortally to offend Tiberius. Finally, as was his wont, this astute politician thought to extricate himself from the difficulty by a transaction and an expedient. Dion, shortly after having said that Augustus finally yielded to the popular will, adds that, to make Caius more modest, he gave Tiberius the tribunician power for five years and charged him with subduing the revolt in Armenia. Augustus's idea is clear: he was trying to please everybody—the partisans of Caius Cæsar by not opposing the law, and Tiberius, by giving the most splendid compensation, making him his colleague in place of Agrippa.

Unfortunately, Tiberius was not the man to accept this compensation. No honour could make up for the insult Augustus had done him, though yielding but in part to his enemies, because by so doing even Augustus had seemed to think it necessary to set him beside a lad of fourteen; he would go away; they might do as they pleased and charge Caius with directing the war in Germany. Indignant at the timid opportunism of Augustus, disgusted with the wife whom he could neither accuse nor repudiate, Tiberius demanded permission of Augustus to retire to Rodi to private life, saying that he was tired and in need of repose. Naturally Augustus was frightened, begged and pleaded with him to remain, sent his mother Livia to beseech him, but every effort was futile; Tiberius was obstinate, and finally, since Augustus did not permit his departure, he threatened to let himself die of hunger. Augustus still tried to stand firm; one day, two days, three days, he let him fast without giving the required consent. At the end of the fourth day, Augustus had to recognise that Tiberius had serious intent to kill himself, and yielded. The Senate granted him permission to depart; and Tiberius at once started for Ostia, "without saying a word," writes Suetonius, "to those who accompanied him, and kissing but a few."

It would be impossible to decide whether this retaliation of Tiberius's self-love was equal to the offence; and perhaps it is useless to discuss the point. It is certain, however, that the consequences of the departure of Tiberius were weighty. The first result was that the party of the young nobility, the party averse to the laws of the year 18, found itself master of the field; perhaps because the opposing party lost with Tiberius its most authoritative leader; perhaps because Augustus, irritated against Tiberius, inclined still more toward the contrary party; perhaps because public opinion judged severely the departure of Tiberius, who, already little admired, became decidedly unpopular. Julia and her friends triumphed, and not content with having conquered, wished to domineer; shortly afterward they obtained the concession of the same privileges as those granted to Caius for his younger brother Lucius. At the same time, Augustus prepared to make Caius and Lucius his two future collaborators in place of Tiberius; Ovid set his hand to a book still more scandalous and subversive than the Amores, the Ars Amandi; public indulgence covered with its protection all those accused on grounds of the laws of the year 18; and finally, the two boys, Caius and Lucius, became popular, like great personages, all over Italy. There have been found in different cities of the peninsula inscriptions in their honour, one of which, very long and curious, is at Pisa; it is full of absurd eulogies of the two lads, who had as yet done nothing, good or bad. Italy must have been tired enough of a too conservative government, which had lasted twenty-five years, of an Empire reconquered by traditional ideas, if, in order to protest, it lionised the two young sons of Agrippa in ways that contradicted every idea and sentiment of Roman tradition.

In conclusion, the departure of Tiberius, and the severe judgment the public gave it, still further weakened the conservative party, already for some years in decline, by a natural transformation of the public spirit. Perhaps the party of tradition would have been entirely spent, had not events soon reminded Rome that its spirit was the life of the military order. The departure of Tiberius, the man who represented this spirit, rapidly disorganised the army and the external policy of Rome. Up to that time Augustus had had beside him a powerful helper—first Agrippa, afterwards Tiberius; but then he found himself alone at the head of the Empire, a man already well on in years; and for the first time it appeared that this zealous bureaucrat, this fastidious administrator, this intellectual idler, who could do an enormous amount of work on condition that he be not forced to issue from his study and encounter currents of air too strong for him, was insufficient to direct alone the politics of an immense empire, which required, in addition to the sagacity of the administrator and the ingenuity of the legislator, the resoluteness of the warrior and the man of action.

The State rapidly fell into a stupor. In Germany, where it was necessary to proceed to the ordering of the province, everything was suspended; the people, apparently subdued, were not bound to pay any tribute, and were left to govern themselves solely and entirely by their own laws—a strange anomaly in the history of the Roman conquests, which only the departure of Tiberius can explain. At such a distance, when he was no longer counselled by Tiberius who so well understood German affairs, Augustus trusted no other assistants, fearing lack of zeal and intelligence; distrusting himself also, he dared initiate nothing in the conquered province. The Senate, inert as usual, gave it not a thought. So Germany remained an uncertainty, neither a province nor independent, for fifteen years, a fact wherein is perhaps to be found the real cause of the catastrophe of Varus, which ruined the whole German policy of Rome.

Furthermore, in Pannonia and Dalmatia, when it was known that the most valiant general of Rome was in disgrace at Rodi, the malcontents took fresh courage, reopened an agitation that could but terminate in a revolt, much more dangerous than any preceding. In the Orient, Palestine arose in 4 B.C., on the death of Herod the Great, against his son, Archelaus, and against the Hellenised monarchy, demanding to be made a Roman province like Syria, and a frightful civil war illumined with its sinister glare the cradle of Jesus. The governor of Syria, Quintilius Varus, threw himself into Judea and succeeded in crushing the revolt; but Augustus, unable to bring himself either to give full satisfaction to the Hebrew people or to execute entirely the testament of Herod, decided as usual on a compromise: he divided the ancient kingdom of Herod the Great among three of his sons, and changed Archelaus's title of king to the more modest one of ethnarch. Then new difficulties arose with the Empire of the Parthians. In short, vaguely, in every part of the Empire and beyond its borders, there began to grow the sense that Rome was again weakening; a sense of doubt due to the decadence of the spirit of tradition and of the party representing it; to the new spirit of the new generation; and finally, to the absence of Tiberius, the one capable general of the time, which gradually disorganised even the western armies, the best in the Empire.