← Table of contents
Chambers's Journal of Popular Literature, Science, and Art, No. 715, September 8, 1877

PART II.—NOON.

Reading edition

CHAPTER THE FIRST.

'Hath he gone, Lady Deb? Hath Finton gone?' It was Dame Marjory who spoke, treading cautiously as she entered the young mistress's presence.

Deborah tossed her head, and gave a short laugh. 'Ay; he blustered, though. It is the third time he has come to dun father. My dame, these are hard times; but all may yet be well. Look you, I have saved so much for father; if Finton could see it, how his eyes would glitter like a wolf's. I hate that man; I hate all money-hunters. I care not if it be the law or not; it is dirty work! Take you this gold, dame; hide it well, lest I covet to buy a new gay scarf like Mistress Dinnage's. Away with it! and let me see the stuff no more.'

Dame Marjory took the gold, but she looked back over her shoulder, and her old eyes gleamed: 'Thou to want for what Jordan's daughter has for askin'!' she said. 'What right has Mistress Dinnage to flaunt in silken scarfs—and my child, my mistress, my lady "rose o' Enderby" to pine and pine? My child'—and the old woman faced Deborah, and the hot fierce tears welled into her eyes—'I was wont to dress thee better than a queen; now, look at thy dress! What right, what call hath Sir Vincent Fleming's daughter to wear such dress as thine? A gipsy hag would scorn it! An' thy poor mother would have cursed the day that saw thee in this strait.'

'Hush, Marjory—hush!'

'I will not hush! It is thy father's an' thy brother's sin. I will not hush! O child, child, my heart is harried for thee!' And the old woman fell from her vehemence, and began to weep most bitterly.

Deborah softened at that; she flew to her nurse's side in wonderment, and kneeled at her feet in tender trouble. 'Dame, dame!' she said, 'it is not thy habit to give way to tears—and all for me, for me, dear dame, who am not worthy to have thee shed a tear! Hearken! Do you think I care to flaunt in silks? Do you think indeed Sir Vincent Fleming's daughter would wear fine feathers while he owed a penny? You might then weep for shame. But I am too proud for that. Now kiss me; and do not weep, oldest, truest friend. I cannot have thee weep!' Impossible to describe the tenderness of tone in those last words. Some thought Deborah Fleming cold, hard, haughty; they would not have thought so then.

Left alone, the girl resumed her gay debonair air. She gazed at herself in one of the long mirrors; she smiled and courtesied low, in mockery; then drawing herself up, she gazed again. Now Deborah would utter her thoughts aloud; it was a way she had. Regarding herself, she said: 'Nay; you are not fit; you cut a sorry figure in the world. She says truly. Yet what would you have me do? Beg borrowed plumes? Use ill-gotten gains? Would Deborah Fleming be the fairer for that? The fairer, perchance, but not the nobler. Oh, you are a sorry bird, Deb! The old barn-hen has a richer dress than you.' Then again, jerking her head upward once, twice, thrice: 'No wonder Kingston Fleming does not love you. "Master Kingston Fleming!"' she added—and her lip curled with superb scorn—'loves fine dresses and silk shoes. He loves to see "beauty go beautifully." I am not a "Mistress May" or "Mistress Blancheflower."' With that, Deborah shot off all her satire; and laughing, tripped from the room.

In a few moments more she was running with the fleet foot of her childhood across meadow and holt, gay as a skylark. Presently she stopped, for in her course, with her back to a tree, stood a tall gipsy woman, with a red and yellow scarf upon her head. 'What do you here?' asked Deborah haughtily. The old scene in the camp came back; the fugitive retreat at night; she and Charlie and the old beldam huddled in a covered cart together; and outside, the tramp, tramp of horses and of men, and the mysterious jingle of pots and kettles, and the angry blows received from the old beldam for the noise she and Charlie made. The gipsy too recognised Deborah: this was not the child, though, who eyed her through the gate, but a proud imperious lady. In spite of the plain rough dress, the woman, with the nice discernment of a peasant and a gipsy, knew the lady, and the Lady of Enderby to boot. With unabashed impudence the gipsy stepped forward: 'I was waitin' to see ye, pretty lady.'

'And what do you want with me?' asked Deborah. 'This place is not for such as you. Honest poor folk may seek me here, and welcome; not gipsy vagabonds and thieves. If you have a petition, refer it to the back door and the cook, not to Mistress Fleming.'

The woman turned aside her head; for the moment her dark face was distorted by impotent rage and passion; but when again turned on Deborah, it was calm. She darted forward and clasped her hands, for Deborah was passing on.

'I am no thief,' said the woman, with shortened breath. 'I am an honest woman, lady, an' honester than many folk that live in great housen, like yonder. Pretty lady, don't be so hard on the poor gipsy. I've had troubles I tell ye, to which yours are nought—an' I don't ask yer pity.'

'Then what do you ask?' asked Deborah, turning full upon her.

'Yer hand—to let me see yer hand.'

'For the sake of gold! I have no gold to give you.'

'Nay, for no gold,' said the woman eagerly; 'but to read yer fate. A silver piece will do it. There! I will tell ye yer fortune for that.'

'And to what end? Have you an interest in me? in one whom you would have gladly lured away to a life of sin and misery? or as a hostage for my father's gold? You have done me grievous wrong. You take too much heed by half to the interests of the Flemings, woman; it is for no good.'

'Yes,' said the gipsy, in a strange low tone, 'I take interest in ye, but more in yours. Lady, let me see yer hand. I tell ye I have interest in yer fate, and in the fate o' one yer soul loves. Come!'

'You shall not wheedle me into it,' said Deborah. 'If I consent to let you, it will be of mine own free-will and after thought, not from words of yours. Some tell me it is vain; some say that fortune-telling sells you to the evil one—that it is grievous sin to seek your fate by signs and stars. I am not of these opinions.' The girl seemed talking to herself; the gipsy watched her keenly.

'Yes,' said Deborah, looking up and full at her, 'you shall tell my fortune. But can you trust me for the money?'

'Yes.'

'And why?'

'Because ye can't tell a lie.'

'That is well. I believe in witchcraft; this is why I hear you. Had you not come here, I would sooner or later have sought you, because time is slow, is slow, woman, and I want to know my fate! I will not say God forgive me: it seems almost mockery to ask forgiveness on what my heart knows to be wrong.'

'Wrong, lady?'

'Yes, wrong!' cried the maid, striking her foot on the ground. With that she held out her hand, a pink palm and tender lines, for the witch-woman's mystic reading. They both stood silent—the gipsy gazing downwards; Deborah gazing on the weird countenance before her, while the rich blood spread and deepened on her own with timidity and with shame. 'What do you see?' asked Deborah at length, with curling lip. 'I scarce believe you; it seems too vain!'

Then answered the gipsy woman, in low strange tones: 'You will be a great lady yet—ay, greater than Mistress Fleming. Ye will not go far to find yer greatness, either—it will meet ye at yer own gates; love and greatness will come hand in hand.'

Deborah's eyes sparkled. Then she said: 'Woman, that cannot be!' Then with the blood mounting to her brow like flame: 'What did you say—of one whom my soul loves? Who is he?'

'A fair tall youth. I know his title; but the title, look ye, will never be yours.'

'Then I care for nought!' said Deborah Fleming, and she flung away the gipsy's hand. 'Your craft is wanting. It is a vain, lying, deceitful craft! Look ye, Deborah Fleming will never be your great man's wife! You lie! I love power and riches; but I scorn them as you would foretell them to me. Gipsy, I have had enough of your fortunes and of you!'

She was gone—that proud young Mistress Fleming, whose will had never been crossed or curbed; tall beautiful young ash, that would yield neither to breeze nor tempest, but held its head so high.

The gipsy gazed after her; fierce passions made the woman's breast pant. 'I hate her!' she gasped between her clenched teeth—'I hate her! I hate all thy black race, my lass. But ye shall lick the dust, proud Mistress—I see it on yer palm. Ye shall have the pale-faced sweetheart, but it shall be across ruin and disgrace; an' by settin' yer foot on the two dead bodies o' them ye love like yer own soul, ye shall climb to yer lad. Take him! I wish ye joy o' him then! I care not, so long as I ha' vengeance, vengeance, vengeance!' and the wild woman's eyes glared with a fire like madness. She turned towards Enderby, and shook her clenched fist that way. 'I will have vengeance then, for all the dark hours thou hast caused me, pretty daughter o' mine! I will see thy boy dabbled in his blood; an' may thy dead eyes be opened to see it too. Heaven's malison light on thee!'

Explore with AITake your curiosity a little further.

Reading settings