Note 36 — S (continued 2)

At Malayanūr a ceremony called mayāna or smasāna kollai (looting the burning-ground) is performed. The village of Malayanūr is famous for its Ankalamman temple, and, during the festival which takes place immediately after the Sivarātri, some thousands of people congregate at the temple, which is near the burning-ground. In front of the stone idol is a large ant-hill, on which two copper idols are placed, and a brass vessel, called korakkūdai, is placed at the base of the hill, to receive the various votive offerings. Early in the day, the pūjāri (a Sembadavan) goes to a tank, and brings a decorated pot, called pūngkaragam, to the temple. Offerings are made to a new pot, and, after a sheep has been sacrificed, the pot is filled with water, and carried on the head of the pūjāri, who shows signs of possession by the deity, through the streets of the village to the temple, dancing wildly, and never touching the pot with his hands. It is believed that the pot remains on the head, without falling, through the influence of the goddess. When the temple is reached, another pūjāri takes up a framework, to which are tied a head made of rice flour, with three faces coloured white, black and red, representing the head of Brahma which was cut off by Siva, and a pot with three faces on it. The eyes of the flour figure are represented by hen’s eggs. The pot is placed beneath the head. Carrying the framework, and accompanied by music, the pūjāri goes in procession to the burning-ground, and, after offerings of a sheep, arrack, betel and fruits have been made to the head of Brahma, it is thrown away. Close to the spot where corpses are burnt, the pūjāris place on the ground five conical heaps (representing Ganēsa), made of the ashes of a corpse. To these are offered the various articles brought by those who have made vows, which include cooked pulses, bangles, betel, parts of the human body modelled in rice flour, etc. The offerings are piled up in a heap, which is said to reach ten or twelve feet in height. Soon afterwards, the people assembled fall on the heap, and carry off whatever they can secure. Hundreds of persons are said to become possessed, eat the ashes of the corpses, and bite any human bones, which they may come across. The ashes and earth are much prized, as they are supposed to drive away evil spirits, and secure offspring to barren women. Some persons make a vow that they will disguise themselves as Siva, for which purpose they smear their faces with ashes, put on a cap decorated with feathers of the crow, egret, and peacock, and carry in one hand a brass vessel called Brahma kapālam. Round their waist they tie a number of strings, to which are attached rags and feathers. Instead of the cap, Paraiyans and Valluvans wear a crown. The brass vessel, cap, and strings are said to be kept by the pūjāri, and hired out for a rupee or two per head. The festival is said to be based on the following legend. Siva and Brahma had the same number of faces. During the swayamvaram, Parvati, the wife of Siva, found it difficult to recognise her husband, so Siva cut off Brahma’s head. The head stuck on to Siva’s hand, and he could not get rid of it. To get rid of the skull, and throw off the crime of murder, Siva wandered far and wide, and came to the burning-ground at Malayanūr, where various bhūthas (devils) were busy eating the remains of corpses. Parvati also arrived there, and failed to recognise Siva. Thereon the skull laughed, and fell to the ground. The bhūthas were so delighted that they put various kinds of herbs into a big vessel, and made of them a sweet liquor, by drinking which Siva was absolved from his crime. For this reason arrack is offered to him at the festival. A very similar rite is carried out at Walajapet. A huge figure, representing the goddess, is made at the burning-ground out of the ashes of burnt bodies mixed with water, the eyes being made of hen’s eggs painted black in the centre to represent the pupils. It is covered over with a yellow cloth, and a sweet-smelling powder (kadampam) is sprinkled over it. The following articles, which are required by a married woman, are placed on it:—a comb, pot containing colour-powder, glass bangles, rolls of palm leaf for dilating the ear-lobes, and a string of black beads. Devotees present as offerings limes, plantains, arrack, toddy, sugar-cane, and various kinds of cooked grains, and other eatables. The goddess is taken in procession from her shrine to the burning-ground, and placed in front of the figure. The pūjāri (fisherman), who wears a special dress for the occasion, walks in front of the idol, carrying in one hand a brass cup representing the skull which Siva carried in his hand, and in the other a piece of human skull bone, which he bites and chews as the procession moves onward. When the burning-ground is reached, he performs pūja by breaking a cocoanut, and going round the figure with lighted camphor in his hand. Goats and fowls are sacrificed. A woman, possessed by a devil, seats herself at the feet of the figure, and becomes wild and agitated. The pūja completed, the assembled multitude fall on the figure, and carry off whatever they can grab of the articles placed on it, which are believed to possess healing and other virtues. They also smear their bodies with the ashes. The pūjāri, and some of the devotees, then become possessed, and run about the burning-ground, seizing and gnawing partly burnt bones. Tradition runs to the effect that, in olden times, they used to eat the dead bodies, if they came across any. And the people are so afraid of their doing this that, if a death should occur, the corpse is not taken to the burning-ground till the festival is over. “In some cases,” Herbert Spencer writes,36 “parts of the dead are swallowed by the living, who seek thus to inspire themselves with the good qualities of the dead; and we saw that the dead are supposed to be honoured by this act.”