Note 56 — S (continued 2)

The South Indian goldsmith at work has been well described as follows.56 “A hollow, scooped out in the middle of the mud floor (of a room or verandah), does duty for the fireplace, while, close by, there is raised a miniature embankment, semi-circular in shape, with a hole in the middle of the base for the insertion of the bellows. Crucibles of clay or cow-dung, baked hard in the sun, tongs and hammers, potsherds of charcoal, dirty tins of water, and little packets of sal-ammoniac, resin, or other similar substances, all lie scattered about the floor in picturesque confusion. Sitting, or rather crouching on their haunches, are a couple of the Pānchāla workmen. One of them is blowing a pan of charcoal into flame through an iron tube some eighteen inches long by one in diameter, and stirring up the loose charcoal. Another is hammering at a piece of silver wire on a little anvil before him. With his miserable tools the Hindu goldsmith turns out work that well might, and often deservedly does, rank with the greatest triumphs of the jeweller’s art.”