Note 13 — C

The following additional information concerning Chapparbands is contained in the Illustrated Criminal Investigation and Law Digest13:—“They travel generally in small gangs, and their women never follow them. They consult omens before leaving their villages. They do not leave their villages dressed as fakirs. They generally visit some place far away from their residence, and there disguise themselves as Madari fakirs, adding Shah to their names. They also add the title Sahib, and imitate the Sawals, a sing-song begging tone of their class. Their leader, Khagda, is implicitly obeyed. He is the treasurer of the gangs, and keeps with him the instruments used in coining, and the necessary metal pieces. But the leader rarely keeps the coins with him. The duty of passing the false coins belongs to the Bhondars. A boy generally accompanies a gang. He is called Handiwal. He acts as a handy chokra (youngster), and also as a watch over the camp when the false coins are being prepared. They generally camp on high ground in close vicinity to water, which serves to receive the false coins and implements, should danger be apprehended. When moving from one camp to another, the Khagda and his chokra travel alone, the former generally riding a small pony. The rest of the gang keep busy passing the coins in the neighbourhood, and eventually join the pair in the place pre-arranged. If the place be found inconvenient for their purpose, another is selected by the Khagda, but sufficient indication is given to the rest that the rendezvous might be found out. This is done by making a mark on the chief pathway leading to the place settled first, at a spot where another pathway leads from it in the direction he is going. The mark consists of a mud heap on the side of the road, a foot in length, six inches in breadth, and six in height, with an arrow mark pointing in the direction taken. The Khagda generally makes three of these marks at intervals of a hundred yards, to avoid the chance of any being effaced. Moulds are made of Multāni or some sticky clay. Gopichandan and badap are also used. The clay, after being powdered and sifted, is mixed with a little water and oil, and well kneaded. The two halves of the mould are then roughly shaped with the hand, and a genuine coin is pressed between them, so as to obtain the obverse on one half and the reverse impression on the other. The whole is then hardened in an extempore oven, and the hole to admit the metal is bored, so as to admit of its being poured in from the edge. The halves are then separated, and the genuine rupee is tilted out; the molten alloy of tin or pewter is poured in, and allowed to cool. According to the other method, badap clay brought from their own country is considered the most suitable for the moulds, though Multāni clay may be used when they run out of badap. Two discs are made from clay kneaded with water. These discs are then highly polished on the inner surface with the top of a jvari stalk called danthal. A rupee, slightly oiled, is then placed between the discs, which are firmly pressed over it. The whole is then thoroughly hardened in the fire. The alloy used in these moulds differs from that used in the others, and consists of an alloy of lead and copper. In both cases, the milling is done by the hand with a knife or a piece of shell. The Chapperbands select their victims carefully. They seem to be fairly clever judges of persons from their physiognomy. They easily find out the duffer and the gull in both sexes, and take care to avoid persons likely to prove too sharp for them. They give preference to women over men. The commonest method is for the Bhondar to show a quantity of copper collected by him in his character of beggar, and ask for silver in its place. The dupe produces a rupee, which he looks at. He then shakes his head sadly, and hands back a counterfeit coin, saying that such coins are not current in his country, and moves on to try the same trick elsewhere. Their dexterity in changing the rupees is very great, the result of long practice when a Handiwal.”