P.G. Wodehouse

PENGUIN BOOKS

Published by the Penguin Group Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Putnam Inc., 375 Hudson Street, New York, New York 10014, USA Penguin Books Australia Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia Penguin Books Canada Ltd, 10 Alcorn Avenue, Toronto, Ontario, Canada M4V 3B2 Penguin Books India (P) Ltd, 11 Community Centre, Panchsheel Park, New Delhi—110 017, India Penguin Books (NZ) Ltd, Cnr Rosedale and Airborne Roads, Albany, Auckland, New Zealand Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank 2196, South Africa Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

www.penguin.com

First published in Great Britain by Herbert Jenkins Ltd 1925 Published in Penguin Books 1957 This edition published 1999 30

Copyright by the Trustees of the Wodehouse Estate All rights reserved

The moral right of the author has been asserted

Set in 9/11pt Monotype Trump Typeset by Rowland Phototypesetting Ltd, Bury St Edmunds, Suffolk Printed in England by Clays Ltd, St Ives plc

Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser

ISBN-13: 978-0-140-28408-9 ISBN-10: 0-140-28408-7

All the characters in this book are purely imaginary and have no relation whatsoever to any living person or persons

TO BERNARD LE STRANGE

Contents

1—Jeeves Takes Charge1

2—The Artistic Career of Corky27

3—Jeeves and the Unbidden Guest46

4—Jeeves and the Hard-Boiled Egg69

5—The Aunt and the Sluggard91

6—The Rummy Affair of Old Biffy121

7—Without the Option148

8—Fixing it for Freddie176

9—Clustering Round Young Bingo198

10—Bertie Changes his Mind228

1—Jeeves Takes Charge

Now, touching this business of old Jeeves—my man, you know—how do we stand? Lots of people think I'm much too dependent on him. My Aunt Agatha, in fact, has even gone so far as to call him my keeper. Well, what I say is: Why not? The man's a genius. From the collar upward he stands alone, I gave up trying to run my own affairs within a week of his coming to me. That was about half a dozen years ago, directly after the rather rummy business of Florence Craye, my Uncle Willoughby's book, and Edwin, the Boy Scout.

The thing really began when I got back to Easeby, my uncle's place in Shropshire. I was spending a week or so there, as I generally did in the summer; and I had had to break my visit to come back to London to get a new valet. I had found Meadowes, the fellow I had taken to Easeby with me, sneaking my silk socks, a thing no bloke of spirit could stick at any price. It transpiring, moreover, that he had looted a lot of other things here and there about the place, I was reluctantly compelled to hand the misguided blighter the mitten and go to London to ask the registry office to dig up another specimen for my approval. They sent me Jeeves.

I shall always remember the morning he came. It so happened that the night before I had been present at a rather cheery little supper, and I was feeling pretty rocky. On top of this I was trying to read a book Florence Craye had given me. She had been one of the house-party at Easeby, and two or three days before I left we had got engaged. I was due back at the end of the week, and I knew she would expect me to have finished the book by then. You see, she was particularly keen on boosting me up a bit nearer her own plane of intellect. She was a girl with a wonderful profile, but steeped to the gills in serious purpose. I can't give you a better idea of the way things stood than by telling you that the book she'd given me to read was called Types of Ethical Theory, and that when I opened it at random I struck a page beginning:

The postulate or common understanding involved in speech is certainly co-extensive, in the obligation it carries, with the social organism of which language is the instrument, and the ends of which it is an effort to subserve.

All perfectly true, no doubt; but not the sort of thing to spring on a lad with a morning head.

I was doing my best to skim through this bright little volume when the bell rang. I crawled off the sofa and opened the door. A kind of darkish sort of respectful Johnnie stood without.

'I was sent by the agency, sir,' he said. 'I was given to understand that you required a valet.'

I'd have preferred an undertaker; but I told him to stagger in, and he floated noiselessly through the doorway like a healing zephyr. That impressed me from the start. Meadowes had had flat feet and used to clump. This fellow didn't seem to have any feet at all. He just streamed in. He had a grave, sympathetic face, as if he, too, knew what it was to sup with the lads.

'Excuse me, sir,' he said gently.

Then he seemed to flicker, and wasn't there any longer. I heard him moving about in the kitchen, and presently he came back with a glass on a tray.

'If you would drink this, sir,' he said, with a kind of bedside manner, rather like the royal doctor shooting the bracer into the sick prince. 'It is a little preparation of my own invention. It is the Worcester Sauce that gives it its colour. The raw egg makes it nutritious. The red pepper gives it its bite. Gentlemen have told me they have found it extremely invigorating after a late evening.'

I would have clutched at anything that looked like a lifeline that morning. I swallowed the stuff. For a moment I felt as if somebody had touched off a bomb inside the old bean and was strolling down my throat with a lighted torch, and then everything seemed suddenly to get all right. The sun shone in through the window; birds twittered in the tree-tops; and, generally speaking, hope dawned once more.

'You're engaged!' I said, as soon as I could say anything.

I perceived clearly that this cove was one of the world's workers, the sort no home should be without.

'Thank you, sir. My name is Jeeves.'

'You can start in at once?'

'Immediately, sir.'

'Because I'm due down at Easeby, in Shropshire, the day after tomorrow.'

'Very good, sir.' He looked past me at the mantelpiece. 'That is an excellent likeness of Lady Florence Craye, sir. It is two years since I saw her ladyship. I was at one time in Lord Worplesdon's employment. I tendered my resignation because I could not see eye to eye with his lordship in his desire to dine in dress trousers, a flannel shirt, and a shooting coat.'

He couldn't tell me anything I didn't know about the old boy's eccentricity. This Lord Worplesdon was Florence's father. He was the old buster who, a few years later, came down to breakfast one morning, lifted the first cover he saw, said 'Eggs! Eggs! Eggs! Damn all eggs!' in an overwrought sort of voice, and instantly legged it for France, never to return to the bosom of his family. This, mind you, being a bit of luck for the bosom of the family, for old Worplesdon had the worst temper in the county.

I had known the family ever since I was a kid, and from boyhood up this old boy had put the fear of death into me. Time, the great healer, could never remove from my memory the occasion when he found me—then a stripling of fifteen—smoking one of his special cigars in the stables. He got after me with a hunting-crop just at the moment when I was beginning to realize that what I wanted most on earth was solitude and repose, and chased me more than a mile across difficult country. If there was a flaw, so to speak, in the pure joy of being engaged to Florence, it was the fact that she rather took after her father, and one was never certain when she might erupt. She had a wonderful profile, though.

'Lady Florence and I are engaged, Jeeves,' I said.

'Indeed, sir?'

You know, there was a kind of rummy something about his manner. Perfectly all right and all that, but not what you'd call chirpy. It somehow gave me the impression that he wasn't keen on Florence. Well, of course, it wasn't my business. I supposed that while he had been valeting old Worplesdon she must have trodden on his toes in some way. Florence was a dear girl, and, seen sideways, most awfully good-looking; but if she had a fault it was a tendency to be a bit imperious with the domestic staff.

At this point in the proceedings there was another ring at the front door. Jeeves shimmered out and came back with a telegram. I opened it. It ran:

Return immediately. Extremely urgent. Catch first train. Florence.

'Rum!' I said.

'Sir?'

'Oh, nothing!'

It shows how little I knew Jeeves in those days that I didn't go a bit deeper into the matter with him. Nowadays I would never dream of reading a rummy communication without asking him what he thought of it. And this one was devilish odd. What I mean is, Florence knew I was going back to Easeby the day after tomorrow, anyway; so why the hurry call? Something must have happened, of course; but I couldn't see what on earth it could be.

'Jeeves,' I said, 'we shall be going down to Easeby this afternoon. Can you manage it?'

'Certainly, sir.'

'You can get your packing done and all that?'

'Without any difficulty, sir. Which suit will you wear for the journey?'

'This one.'

I had on a rather sprightly young check that morning, to which I was a good deal attached; I fancied it, in fact, more than a little. It was perhaps rather sudden till you got used to it, but, nevertheless, an extremely sound effort, which many lads at the club and elsewhere had admired unrestrainedly.

'Very good, sir.'

Again there was that kind of rummy something in his manner. It was the way he said it, don't you know. He didn't like the suit. I pulled myself together to assert myself. Something seemed to tell me that, unless I was jolly careful and nipped this lad in the bud, he would be starting to boss me. He had the aspect of a distinctly resolute blighter.

Well, I wasn't going to have any of that sort of thing, by Jove! I'd seen so many cases of fellows who had become perfect slaves to their valets. I remember poor old Aubrey Fothergill telling me—with absolute tears in his eyes, poor chap!—one night at the club, that he had been compelled to give up a favourite pair of brown shoes simply because Meekyn, his man, disapproved of them. You have to keep these fellows in their place, don't you know. You have to work the good old iron-hand-in-the-velvet-glove wheeze. If you give them a what's-its-name, they take a thingummy.

'Don't you like this suit, Jeeves?' I said coldly.

'Oh, yes, sir.'

'Well, what don't you like about it?'

'It is a very nice suit, sir.'

'Well, what's wrong with it? Out with it, dash it!'

'If I might make the suggestion, sir, a simple brown or blue, with a hint of some quiet twill—'

'What absolute rot!'

'Very good, sir.'

'Perfectly blithering, my dear man!'

'As you say, sir.'

I felt as if I had stepped on the place where the last stair ought to have been, but wasn't. I felt defiant, if you know what I mean, and there didn't seem anything to defy.

'All right, then,' I said.

'Yes, sir.'

And then he went away to collect his kit, while I started in again on Types of Ethical Theory and took a stab at a chapter headed 'Idiopsychological Ethics'.

Most of the way down in the train that afternoon, I was wondering what could be up at the other end. I simply couldn't see what could have happened. Easeby wasn't one of those country houses you read about in the society novels, where young girls are lured on to play baccarat and then skinned to the bone of their jewellery, and so on. The house-party I had left had consisted entirely of law-abiding birds like myself.

Besides, my uncle wouldn't have let anything of that kind go on in his house. He was a rather stiff, precise sort of old boy, who liked a quiet life. He was just finishing a history of the family or something, which he had been working on for the last year, and didn't stir much from the library. He was rather a good instance of what they say about its being a good scheme for a fellow to sow his wild oats. I'd been told that in his youth Uncle Willoughby had been a bit of a rounder. You would never have thought it to look at him now.

When I got to the house, Oakshott, the butler, told me that Florence was in her room, watching her maid pack. Apparently there was a dance on at a house about twenty miles away that night, and she was motoring over with some of the Easeby lot and would be away some nights. Oakshott said she had told him to tell her the moment I arrived; so I trickled into the smoking-room and waited, and presently in she came. A glance showed me that she was perturbed, and even peeved. Her eyes had a goggly look, and altogether she appeared considerably pipped.

'Darling!' I said, and attempted the good old embrace; but she side-stepped like a bantam-weight.

'Don't!'

'What's the matter?'

'Everything's the matter! Bertie, you remember asking me, when you left, to make myself pleasant to your uncle?'

'Yes.'

The idea being, of course, that as at that time I was more or less dependent on Uncle Willoughby I couldn't very well marry without his approval. And though I knew he wouldn't have any objection to Florence, having known her father since they were at Oxford together, I hadn't wanted to take any chances; so I had told her to make an effort to fascinate the old boy.

'You told me it would please him particularly if I asked him to read me some of his history of the family.'

'Wasn't he pleased?'

'He was delighted. He finished writing the thing yesterday afternoon, and read me nearly all of it last night. I have never had such a shock in my life. The book is an outrage. It is impossible. It is horrible!'

'But, dash it, the family weren't so bad as all that.'

'It is not a history of the family at all. Your uncle has written his reminiscences! He calls them "Recollections of a Long Life"!'

I began to understand. As I say, Uncle Willoughby had been somewhat on the tabasco side as a young man, and it began to look as if he might have turned out something pretty fruity if he had started recollecting his long life.

'If half of what he has written is true,' said Florence, 'your uncle's youth must have been perfectly appalling. The moment we began to read he plunged straight into a most scandalous story of how he and my father were thrown out of a music-hall in 1887!'

'Why?'

'I decline to tell you why.'

It must have been something pretty bad. It took a lot to make them chuck people out of music-halls in 1887.

'Your uncle specifically states that father had drunk a quart and a half of champagne before beginning the evening,' she went on. 'The book is full of stories like that. There is a dreadful one about Lord Emsworth.'

'Lord Emsworth? Not the one we know? Not the one at Blandings?'

A most respectable old Johnnie, don't you know. Doesn't do a thing nowadays but dig in the garden with a spud.

'The very same. That is what makes the book so unspeakable. It is full of stories about people one knows who are the essence of propriety today, but who seem to have behaved, when they were in London in the eighties, in a manner that would not have been tolerated in the fo'c'sle of a whaler. Your uncle seems to remember everything disgraceful that happened to anybody when he was in his early twenties. There is a story about Sir Stanley Gervase-Gervase at Rosherville Gardens which is ghastly in its perfection of detail. It seems that Sir Stanley—but I can't tell you!'

'Have a dash!'

'No!'

'Oh, well, I shouldn't worry. No publisher will print the book if it's as bad as all that.'

'On the contrary, your uncle told me that all negotiations are settled with Riggs and Ballinger, and he's sending off the manuscript tomorrow for immediate publication. They make a special thing of that sort of book. They published Lady Carnaby's Memories of Eighty Interesting Years.'

'I read 'em!'

'Well, then, when I tell you that Lady Carnaby's Memories are simply not to be compared with your uncle's Recollections, you will understand my state of mind. And father appears in nearly every story in the book! I am horrified at the things he did when he was a young man!'

'What's to be done?'

'The manuscript must be intercepted before it reaches Riggs and Ballinger, and destroyed!'

I sat up.

This sounded rather sporting.

'How are you going to do it?' I inquired.

'How can I do it? Didn't I tell you the parcel goes off tomorrow? I am going to the Murgatroyds' dance tonight and shall not be back till Monday. You must do it. That is why I telegraphed to you.'

'What!'

She gave me a look.

'Do you mean to say you refuse to help me, Bertie?'

'No; but—I say!'

'It's quite simple.'

'But even if I—What I mean is—Of course, anything I can do—but—if you know what I mean—'

'You say you want to marry me, Bertie?'

'Yes, of course; but still—'

For a moment she looked exactly like her old father.

'I will never marry you if those Recollections are published.'

'But, Florence, old thing!'

'I mean it. You may look on it as a test, Bertie. If you have the resource and courage to carry this thing through, I will take it as evidence that you are not the vapid and shiftless person most people think you. If you fail, I shall know that your Aunt Agatha was right when she called you a spineless invertebrate and advised me strongly not to marry you. It will be perfectly simple for you to intercept the manuscript, Bertie. It only requires a little resolution.'

'But suppose Uncle Willoughby catches me at it? He'd cut me off with a bob.'

'If you care more for your uncle's money than for me—'

'No, no! Rather not!'

'Very well, then. The parcel containing the manuscript will, of course, be placed on the hall table tomorrow for Oakshott to take to the village with the letters. All you have to do is to take it away and destroy it. Then your uncle will think it has been lost in the post.'

It sounded thin to me.

'Hasn't he got a copy of it?'

'No; it has not been typed. He is sending the manuscript just as he wrote it.'

'But he could write it over again.'

'As if he would have the energy!'

'But—'

'If you are going to do nothing but make absurd objections, Bertie—'

'I was only pointing things out.'

'Well, don't! Once and for all, will you do me this quite simple act of kindness?'

The way she put it gave me an idea.

'Why not get Edwin to do it? Keep it in the family, kind of, don't you know. Besides, it would be a boon to the kid.'

A jolly bright idea it seemed to me. Edwin was her young brother, who was spending his holidays at Easeby. He was a ferret-faced kid, whom I had disliked since birth. As a matter of fact, talking of Recollections and Memories, it was young blighted Edwin who, nine years before, had led his father to where I was smoking his cigar and caused all the unpleasantness. He was fourteen now and had just joined the Boy Scouts. He was one of those thorough kids, and took his responsibilities pretty seriously. He was always in a sort of fever because he was dropping behind schedule with his daily acts of kindness. However hard he tried, he'd fall behind; and then you would find him prowling about the house, setting such a clip to try and catch up with himself that Easeby was rapidly becoming a perfect hell for man and beast.

The idea didn't seem to strike Florence.

'I shall do nothing of the kind, Bertie. I wonder you can't appreciate the compliment I am paying you—trusting you like this.'

'Oh, I see that all right, but what I mean is, Edwin would do it so much better than I would. These Boy Scouts are up to all sorts of dodges. They spoor, don't you know, and take cover and creep about, and what-not.'

'Bertie, will you or will you not do this perfectly trivial thing for me? If not, say so now, and let us end this farce of pretending that you care a snap of the fingers for me.'

'Dear old soul, I love you devotedly!'

'Then will you or will you not—'

'Oh, all right,' I said. 'All right! All right! All right!'

And then I tottered forth to think it over. I met Jeeves in the passage just outside.

'I beg your pardon, sir. I was endeavouring to find you.'

'What's the matter?'

'I felt that I should tell you, sir, that somebody has been putting black polish on our brown walking shoes.'

'What! Who? Why?'

'I could not say, sir.'

'Can anything be done with them?'

'Nothing, sir.'

'Damn!'

'Very good, sir.'

I've often wondered since then how these murderer fellows manage to keep in shape while they're contemplating their next effort. I had a much simpler sort of job on hand, and the thought of it rattled me to such an extent in the night watches that I was a perfect wreck next day. Dark circles under the eyes—I give you my word! I had to call on Jeeves to rally round with one of those life-savers of his.

From breakfast on I felt like a bag-snatcher at a railway station. I had to hang about waiting for the parcel to be put on the hall table, and it wasn't put. Uncle Willoughby was a fixture in the library, adding the finishing touches to the great work, I supposed, and the more I thought the thing over the less I liked it. The chances against my pulling it off seemed about three to two, and the thought of what would happen if I didn't gave me cold shivers down the spine. Uncle Willoughby was a pretty mild sort of old boy, as a rule, but I've known him to cut up rough, and, by Jove, he was scheduled to extend himself if he caught me trying to get away with his life work.

It wasn't till nearly four that he toddled out of the library with the parcel under his arm, put it on the table, and toddled off again. I was hiding a bit to the south-east at the moment, behind a suit of armour. I bounded out and legged it for the table. Then I ripped upstairs to hide the swag. I charged in like a mustang and nearly stubbed my toe on young blighted Edwin, the Boy Scout. He was standing at the chest of drawers, confound him, messing about with my ties.

'Hallo!' he said.

'What are you doing here?'

'I'm tidying your room. It's my last Saturday's act of kindness.'

'Last Saturday's.'

'I'm five days behind. I was six till last night, but I polished your shoes.'

'Was it you—'

'Yes. Did you see them? I just happened to think of it. I was in here, looking round. Mr Berkeley had this room while you were away. He left this morning. I thought perhaps he might have left something in it that I could have sent on. I've often done acts of kindness that way.'

'You must be a comfort to one and all!'

It became more and more apparent to me that this infernal kid must somehow be turned out eftsoons or right speedily. I had hidden the parcel behind my back, and I didn't think he had seen it; but I wanted to get at that chest of drawers quick, before anyone else came along.

'I shouldn't bother about tidying the room,' I said.

'I like tidying it. It's not a bit of trouble—really.'

'But it's quite tidy now.'

'Not so tidy as I shall make it.'

This was getting perfectly rotten. I didn't want to murder the kid, and yet there didn't seem any other way of shifting him. I pressed down the mental accelerator. The old lemon throbbed fiercely. I got an idea.

'There's something much kinder than that which you could do,' I said. 'You see that box of cigars? Take it down to the smoking-room and snip off the ends for me. That would save me no end of trouble. Stagger along, laddie.'

He seemed a bit doubtful; but he staggered. I shoved the parcel into a drawer, locked it, trousered the key, and felt better. I might be a chump, but, dash it, I could out-general a mere kid with a face like a ferret. I went downstairs again. Just as I was passing the smoking-room door out curveted Edwin. It seemed to me that if he wanted to do a real act of kindness he would commit suicide.

'I'm snipping them,' he said.

'Snip on! Snip on!'

'Do you like them snipped much, or only a bit?'

'Medium.'

'All right. I'll be getting on, then.'

'I should.'

And we parted.

Fellows who know all about that sort of thing—detectives, and so on—will tell you that the most difficult thing in the world is to get rid of the body. I remember, as a kid, having to learn by heart a poem about a bird by the name of Eugene Aram, who had the deuce of a job in this respect. All I can recall of the actual poetry is the bit that goes:

But I recollect that the poor blighter spent much of his valuable time dumping the corpse into ponds and burying it, and what-not, only to have it pop out at him again. It was about an hour after I had shoved the parcel into the drawer when I realized that I had let myself in for just the same sort of thing.

Florence had talked in an airy sort of way about destroying the manuscript; but when one came down to it, how the deuce can a chap destroy a great chunky mass of paper in somebody else's house in the middle of summer? I couldn't ask to have a fire in my bedroom, with the thermometer in the eighties. And if I didn't burn the thing, how else could I get rid of it? Fellows on the battlefield eat dispatches to keep them from falling into the hands of the enemy, but it would have taken me a year to eat Uncle Willoughby's Recollections.

I'm bound to say the problem absolutely baffled me. The only thing seemed to be to leave the parcel in the drawer and hope for the best.

I don't know whether you have ever experienced it, but it's a dashed unpleasant thing having a crime on one's conscience. Towards the end of the day the mere sight of the drawer began to depress me. I found myself getting all on edge; and once when Uncle Willoughby trickled silently into the smoking-room when I was alone there and spoke to me before I knew he was there, I broke the record for the sitting high jump.

I was wondering all the time when Uncle Willoughby would sit up and take notice. I didn't think he would have time to suspect that anything had gone wrong till Saturday morning, when he would be expecting, of course, to get the acknowledgement of the manuscript from the publishers. But early on Friday evening he came out of the library as I was passing and asked me to step in. He was looking considerably rattled.

'Bertie,' he said—he always spoke in a precise sort of pompous kind of way—'an exceedingly disturbing thing has happened. As you know, I dispatched the manuscript of my book to Messrs Riggs and Ballinger, the publishers, yesterday afternoon. It should have reached them by the first post this morning. Why I should have been uneasy I cannot say, but my mind was not altogether at rest respecting the safety of the parcel. I therefore telephoned to Messrs Riggs and Ballinger a few moments back to make inquiries. To my consternation they informed me that they were not yet in receipt of my manuscript.'

'Very rum!'

'I recollect distinctly placing it myself on the hall table in good time to be taken to the village. But here is a sinister thing. I have spoken to Oakshott, who took the rest of the letters to the post office, and he cannot recall seeing it there. He is, indeed, unswerving in his assertions that when he went to the hall to collect the letters there was no parcel among them.'

'Sounds funny!'

'Bertie, shall I tell you what I suspect?'

'What's that?'

'The suspicion will no doubt sound to you incredible, but it alone seems to fit the facts as we know them. I incline to the belief that the parcel has been stolen.'

'Oh, I say! Surely not!'

'Wait! Hear me out. Though I have said nothing to you before, or to anyone else, concerning the matter, the fact remains that during the past few weeks a number of objects—some valuable, others not—have disappeared in this house. The conclusion to which one is irresistibly impelled is that we have a kleptomaniac in our midst. It is a peculiarity of kleptomania, as you are no doubt aware, that the subject is unable to differentiate between the intrinsic values of objects. He will purloin an old coat as readily as a diamond ring, or a tobacco pipe costing but a few shillings with the same eagerness as a purse of gold. The fact that this manuscript of mine could be of no possible value to any outside person convinces me that—'

'But, uncle, one moment; I know all about those things that were stolen. It was Meadowes, my man, who pinched them. I caught him snaffling my silk socks. Right in the act, by Jove!'

He was tremendously impressed.

'You amaze me, Bertie! Send for the man at once and question him.'

'But he isn't here. You see, directly I found that he was a sock-sneaker I gave him the boot. That's why I went to London—to get a new man.'

'Then, if the man Meadowes is no longer in the house it could not be he who purloined my manuscript. The whole thing is inexplicable.'

After which we brooded for a bit. Uncle Willoughby pottered about the room, registering baffledness, while I sat sucking at a cigarette, feeling rather like a chappie I'd once read about in a book, who murdered another cove and hid the body under the dining-room table, and then had to be the life and soul of a dinner party, with it there all the time. My guilty secret oppressed me to such an extent that after a while I couldn't stick it any longer. I lit another cigarette and started for a stroll in the grounds, by way of cooling off.

It was one of those still evenings you get in the summer, when you can hear a snail clear its throat a mile away. The sun was sinking over the hills and the gnats were fooling about all over the place, and everything smelled rather topping—what with the falling dew and so on—and I was just beginning to feel a little soothed by the peace of it all when suddenly I heard my name spoken.

'It's about Bertie.'

It was the loathsome voice of young blighted Edwin! For a moment I couldn't locate it. Then I realized that it came from the library. My stroll had taken me within a few yards of the open window.

I had often wondered how those Johnnies in books did it—I mean the fellows with whom it was the work of a moment to do about a dozen things that ought to have taken them about ten minutes. But, as a matter of fact, it was the work of a moment with me to chuck away my cigarette, swear a bit, leap about ten yards, dive into a bush that stood near the library window, and stand there with my ears flapping. I was as certain as I've ever been of anything that all sorts of rotten things were in the offing.

'About Bertie?' I heard Uncle Willoughby say.

'About Bertie and your parcel. I heard you talking to him just now. I believe he's got it.'

When I tell you that just as I heard these frightful words a fairly substantial beetle of sorts dropped from the bush down the back of my neck, and I couldn't even stir to squash the same, you will understand that I felt pretty rotten. Everything seemed against me.

'What do you mean, boy? I was discussing the disappearance of my manuscript with Bertie only a moment back, and he professed himself as perplexed by the mystery as myself.'

'Well, I was in his room yesterday afternoon, doing him an act of kindness, and he came in with a parcel. I could see it, though he tried to keep it behind his back. And then he asked me to go to the smoking-room and snip some cigars for him; and about two minutes afterwards he came down—and he wasn't carrying anything. So it must be in his room.'

I understand they deliberately teach these dashed Boy Scouts to cultivate their powers of observation and deduction and what-not. Devilish thoughtless and inconsiderate of them, I call it. Look at the trouble it causes.

'It sounds incredible,' said Uncle Willoughby, thereby bucking me up a trifle.

'Shall I go and look in his room?' asked young blighted Edwin. 'I'm sure the parcel's there.'

'But what could be his motive for perpetrating this extraordinary theft?'

'Perhaps he's a—what you said just now.'

'A kleptomaniac? Impossible!'

'It might have been Bertie who took all those things from the very start,' suggested the little brute hopefully. 'He may be like Raffles.'

'Raffles?'

'He's a chap in a book who went about pinching things.'

'I cannot believe that Bertie would—ah—go about pinching things.'

'Well, I'm sure he's got the parcel. I'll tell you what you might do. You might say that Mr Berkeley wired that he had left something here. He had Bertie's room, you know. You might say you wanted to look for it.'

'That would be possible. I—'

I didn't wait to hear any more. Things were getting too hot. I sneaked softly out of my bush and raced for the front door. I sprinted up to my room and made for the drawer where I had put the parcel. And then I found I hadn't the key. It wasn't for the deuce of a time that I recollected I had shifted it to my evening trousers the night before and must have forgotten to take it out again.

Where the dickens were my evening things? I had looked all over the place before I remembered that Jeeves must have taken them away to brush. To leap at the bell and ring it was, with me, the work of a moment. I had just rung it when there was a footstep outside, and in came Uncle Willoughby.

'Oh, Bertie,' he said, without a blush, 'I have—ah—received a telegram from Berkeley, who occupied this room in your absence, asking me to forward him his—er—his cigarette-case, which, it would appear, he inadvertently omitted to take with him when he left the house. I cannot find it downstairs; and it has, therefore, occurred to me that he may have left it in this room. I will—er—just take a look round.'

It was one of the most disgusting spectacles I've ever seen—this white-haired old man, who should have been thinking of the hereafter, standing there lying like an actor.

'I haven't seen it anywhere,' I said.

'Nevertheless, I will search. I must—ah—spare no effort.'

'I should have seen it if it had been here—what?'

'It may have escaped your notice. It is—er—possibly in one of the drawers.'

He began to nose about. He pulled out drawer after drawer, pottering round like an old bloodhound, and babbling from time to time about Berkeley and his cigarette-case in a way that struck me as perfectly ghastly. I just stood there, losing weight every moment.

Then he came to the drawer where the parcel was.

'This appears to be locked,' he said, rattling the handle.

'Yes; I shouldn't bother about that one. It—it's—er—locked, and all that sort of thing.'

'You have not the key?'

A soft, respectful voice spoke behind me.

'I fancy, sir, that this must be the key you require. It was in the pocket of your evening trousers.'

It was Jeeves. He had shimmered in, carrying my evening things, and was standing there holding out the key. I could have massacred the man.

'Thank you,' said my uncle.

'Not at all, sir.'

The next moment Uncle Willoughby had opened the drawer. I shut my eyes.

'No,' said Uncle Willoughby, 'there is nothing here. The drawer is empty. Thank you, Bertie. I hope I have not disturbed you. I fancy—er—Berkeley must have taken his case with him after all.'

When he had gone I shut the door carefully. Then I turned to Jeeves. The man was putting my evening things out on a chair.

'Er—Jeeves!'

'Sir?'

'Oh, nothing.'

It was deuced difficult to know how to begin.

'Er—Jeeves!'

'Sir?'

'Did you—Was there—Have you by chance—'

'I removed the parcel this morning, sir.'

'Oh—ah—why?'

'I considered it more prudent, sir.'

I mused for a while.

'Of course, I suppose all this seems tolerably rummy to you, Jeeves?'

'Not at all, sir. I chanced to overhear you and Lady Florence speaking of the matter the other evening, sir.'

'Did you, by Jove?'

'Yes, sir.'

'Well—er—Jeeves, I think that, on the whole, if you were to—as it were—freeze on to that parcel until we get back to London—'

'Exactly, sir.'

'And then we might—er—so to speak—chuck it away somewhere—what?'

'Precisely, sir.'

'I'll leave it in your hands.'

'Entirely, sir.'

'You know, Jeeves, you're by way of being rather a topper.'

'I endeavour to give satisfaction, sir.'

'One in a million, by Jove!'

'It is very kind of you to say so, sir.'

'Well, that's about all, then, I think.'

'Very good, sir.'

Florence came back on Monday. I didn't see her till we were all having tea in the hall. It wasn't till the crowd had cleared away a bit that we got a chance of having a word together.

'Well, Bertie?' she said.

'It's all right.'

'You have destroyed the manuscript?'

'Not exactly; but—'

'What do you mean?'

'I mean I haven't absolutely—'

'Bertie, your manner is furtive!'

'It's all right. It's this way—'

And I was just going to explain how things stood when out of the library came leaping Uncle Willoughby, looking as braced as a two-year-old. The old boy was a changed man.

'A most remarkable thing, Bertie! I have just been speaking with Mr Riggs on the telephone, and he tells me he received my manuscript by the first post this morning. I cannot imagine what can have caused the delay. Our postal facilities are extremely inadequate in the rural districts. I shall write to headquarters about it. It is insufferable if valuable parcels are to be delayed in this fashion.'

I happened to be looking at Florence's profile at the moment, and at this juncture she swung round and gave me a look that went right through me like a knife. Uncle Willoughby meandered back to the library, and there was a silence that you could have dug bits out of with a spoon.

'I can't understand it,' I said at last. 'I can't understand it, by Jove!'

'I can. I can understand it perfectly, Bertie. Your heart failed you. Rather than risk offending your uncle you—'

'No, no! Absolutely!'

'You preferred to lose me rather than risk losing the money. Perhaps you did not think I meant what I said. I meant every word. Our engagement is ended.'

'But—I say!'

'Not another word!'

'But, Florence, old thing!'

'I do not wish to hear any more. I see now that your Aunt Agatha was perfectly right. I consider that I have had a very lucky escape. There was a time when I thought that, with patience, you might be moulded into something worth while. I see now that you are impossible!'

And she popped off, leaving me to pick up the pieces. When I had collected the debris to some extent I went to my room and rang for Jeeves. He came in looking as if nothing had happened or was ever going to happen. He was the calmest thing in captivity.

'Jeeves!' I yelled. 'Jeeves, that parcel has arrived in London!'

'Yes, sir?'

'Did you send it?'

'Yes, sir. I acted for the best, sir. I think that both you and Lady Florence overestimated the danger of people being offended at being mentioned in Sir Willoughby's Recollections. It has been my experience, sir, that the normal person enjoys seeing his or her name in print, irrespective of what is said about them. I have an aunt, sir, who a few years ago was a martyr to swollen limbs. She tried Walkinshaw's Supreme Ointment and obtained considerable relief—so much so that she sent them an unsolicited testimonial. Her pride at seeing her photograph in the daily papers in connexion with descriptions of her lower limbs before taking, which were nothing less than revolting, was so intense that it led me to believe that publicity, of whatever sort, is what nearly everybody desires. Moreover, if you have ever studied psychology, sir, you will know that respectable old gentlemen are by no means averse to having it advertised that they were extremely wild in their youth. I have an uncle—'

I cursed his aunts and his uncles and him and all the rest of the family.

'Do you know that Lady Florence has broken off her engagement with me?'

'Indeed, sir?'

Not a bit of sympathy! I might have been telling him it was a fine day.

'You're sacked!'

'Very good, sir.'

He coughed gently.

'As I am no longer in your employment, sir, I can speak freely without appearing to take a liberty. In my opinion you and Lady Florence were quite unsuitably matched. Her ladyship is of a highly determined and arbitrary temperament, quite opposed to your own. I was in Lord Worplesdon's service for nearly a year, during which time I had ample opportunities of studying her ladyship. The opinion of the servants' hall was far from favourable to her. Her ladyship's temper caused a good deal of adverse comment among us. It was at times quite impossible. You would not have been happy, sir!'

'Get out!'

'I think you would also have found her educational methods a little trying, sir. I have glanced at the book her ladyship gave you—it has been lying on your table since our arrival—and it is, in my opinion, quite unsuitable. You would not have enjoyed it. And I have it from her ladyship's own maid, who happened to overhear a conversation between her ladyship and one of the gentlemen staying here—Mr Maxwell, who is employed in an editorial capacity by one of the reviews—that it was her intention to start you almost immediately upon Nietzsche. You would not enjoy Nietzsche, sir. He is fundamentally unsound.'

'Get out!'

'Very good, sir.'

It's rummy how sleeping on a thing often makes you feel quite different about it. It's happened to me over and over again. Somehow or other, when I woke next morning the old heart didn't feel half so broken as it had done. It was a perfectly topping day, and there was something about the way the sun came in at the window and the row the birds were kicking up in the ivy that made me half wonder whether Jeeves wasn't right. After all, though she had a wonderful profile, was it such a catch being engaged to Florence Craye as the casual observer might imagine? Wasn't there something in what Jeeves had said about her character? I began to realize that my ideal wife was something quite different, something a lot more clinging and drooping and prattling, and what-not.

I had got as far as this in thinking the thing out when that Types of Ethical Theory caught my eye. I opened it, and I give you my honest word this was what hit me:

Of the two antithetic terms in the Greek philosophy one only was real and self-subsisting; and that one was Ideal Thought as opposed to that which it has to penetrate and mould. The other, corresponding to our Nature, was in itself phenomenal, unreal, without any permanent footing, having no predicates that held true for two moments together; in short, redeemed from negation only by including indwelling realities appearing through.

Well—I mean to say—what? And Nietzsche, from all accounts, a lot worse than that!

'Jeeves,' I said, when he came in with my morning tea, 'I've been thinking it over. You're engaged again.'

'Thank you, sir.'

I sucked down a cheerful mouthful. A great respect for this bloke's judgement began to soak through me.

'Oh, Jeeves,' I said; 'about that check suit.'

'Yes, sir?'

'Is it really a frost?'

'A trifle too bizarre, sir, in my opinion.'

'But lots of fellows have asked me who my tailor is.'

'Doubtless in order to avoid him, sir.'

'He's supposed to be one of the best men in London.'

'I am saying nothing against his moral character, sir.'

I hesitated a bit. I had a feeling that I was passing into this chappie's clutches, and that if I gave in now I should become just like poor old Aubrey Fothergill, unable to call my soul my own. On the other hand, this was obviously a cove of rare intelligence, and it would be a comfort in a lot of ways to have him doing the thinking for me. I made up my mind.

'All right, Jeeves,' I said. 'You know! Give the bally thing away to somebody!'

He looked down at me like a father gazing tenderly at the wayward child.

'Thank you, sir. I gave it to the under-gardener last night. A little more tea, sir?'

2—The Artistic Career of Corky

You will notice, as you flit through these reminiscences of mine, that from time to time the scene of action is laid in and around the city of New York; and it is just possible that this may occasion the puzzled look and the start of surprise. 'What,' it is possible that you may ask yourselves, 'is Bertram doing so far from his beloved native land?'

Well, it's a fairly longish story; but, reefing it down a bit and turning it for the nonce into a two-reeler, what happened was that my Aunt Agatha on one occasion sent me over to America to try to stop young Gussie, my cousin, marrying a girl on the vaudeville stage, and I got the whole thing so mixed up that I decided it would be a sound scheme to stop on in New York for a bit instead of going back and having long, cosy chats with her about the affair.

So I sent Jeeves out to find a decent flat, and settled down for a spell of exile.

I'm bound to say New York's a most sprightly place to be exiled in. Everybody was awfully good to me, and there seemed to be plenty of things going on so, take it for all in all, I didn't undergo any frightful hardships. Blokes introduced me to other blokes, and so on and so forth, and it wasn't long before I knew squads of the right sort, some who rolled in the stuff in houses up by the Park, and others who lived with the gas turned down mostly around Washington Square—artists and writers and so forth. Brainy coves.

Corky, the bird I am about to treat of, was one of the artists. A portrait-painter, he called himself, but as a matter of fact his score up to date had been nil. You see, the catch about portrait-painting—I've looked into the thing a bit—is that you can't start painting portraits till people come along and ask you to, and they won't come and ask you to until you've painted a lot first. This makes it kind of difficult, not to say tough, for the ambitious youngster.

Corky managed to get along by drawing an occasional picture for the comic papers—he had rather a gift for funny stuff when he got a good idea—and doing bedsteads and chairs and things for the advertisements. His principal source of income, however, was derived from biting the ear of a rich uncle—one Alexander Worple, who was in the jute business. I'm a bit foggy as to what jute is, but it's apparently something the populace is pretty keen on, for Mr Worple had made quite an indecently large stack out of it.

Now, a great many fellows think that having a rich uncle is a pretty soft snap; but, according to Corky, such is not the case. Corky's uncle was a robust sort of cove, who looked like living for ever. He was fifty-one, and it seemed as if he might go to par. It was not this, however, that distressed poor Corky, for he was not bigoted and had no objection to the man going on living. What Corky kicked at was the way the above Worple used to harry him.

Corky's uncle, you see, didn't want him to be an artist. He didn't think he had any talent in that direction. He was always urging him to chuck Art and go into the jute business and start at the bottom and work his way up. And what Corky said was that, while he didn't know what they did at the bottom of a jute business, instinct told him that it was something too beastly for words. Corky, moreover, believed in his future as an artist. Some day, he said, he was going to make a hit. Meanwhile, by using the utmost tact and persuasiveness, he was inducing his uncle to cough up very grudgingly a small quarterly allowance.

He wouldn't have got this if his uncle hadn't had a hobby. Mr Worple was peculiar in this respect. As a rule, from what I've observed, the American captain of industry doesn't do anything out of business hours. When he has put the cat out and locked up the office for the night, he just relapses into a state of coma from which he emerges only to start being a captain of industry again. But Mr Worple in his spare time was what is known as an ornithologist. He had written a book called American Birds, and was writing another, to be called More American Birds. When he had finished that, the presumption was that he would begin a third, and keep on till the supply of American birds gave out. Corky used to go to him about once every three months and let him talk about American birds. Apparently you could do what you liked with old Worple if you gave him his head first on his pet subject, so these little chats used to make Corky's allowance all right for the time being. But it was pretty rotten for the poor chap. There was the frightful suspense, you see, and, apart from that, birds, except when broiled and in the society of a cold bottle, bored him stiff.

To complete the character-study of Mr Worple, he was a man of extremely uncertain temper, and his general tendency was to think that Corky was a poor chump and that whatever step he took in any direction on his own account was just another proof of his innate idiocy. I should imagine Jeeves feels very much the same about me.

So when Corky trickled into my apartment one afternoon, shooing a girl in front of him, and said, 'Bertie, I want you to meet my fiancée, Miss Singer,' the aspect of the matter which hit me first was precisely the one which he had come to consult me about. The very first words I spoke were, 'Corky, how about your uncle?'

The poor chap gave one of those mirthless laughs. He was looking anxious and worried, like a man who has done the murder all right but can't think what the deuce to do with the body.

'We're so scared, Mr Wooster,' said the girl. 'We were hoping that you might suggest a way of breaking it to him.'

Muriel Singer was one of those very quiet, appealing girls who have a way of looking at you with their big eyes as if they thought you were the greatest thing on earth and wondered that you hadn't got on to it yet yourself. She sat there in a sort of shrinking way, looking at me as if she were saying to herself, 'Oh, I do hope this great strong man isn't going to hurt me.' She gave a fellow a protective kind of feeling, made him want to stroke her hand and say, 'There, there, little one!' or words to that effect. She made me feel that there was nothing I wouldn't do for her. She was rather like one of those innocent-tasting American drinks which creep imperceptibly into your system so that, before you know what you're doing, you're starting out to reform the world by force if necessary and pausing on your way to tell the large man in the corner that, if he looks at you like that, you will knock his head off. What I mean is, she made me feel alert and dashing, like a knight-errant or something of that kind. I felt that I was with her in this thing to the limit.

'I don't see why your uncle shouldn't be most awfully bucked,' I said to Corky. 'He will think Miss Singer the ideal wife for you.'

Corky declined to cheer up.

'You don't know him. Even if he did like Muriel, he wouldn't admit it. That's the sort of pig-headed ass he is. It would be a matter of principle with him to kick. All he would consider would be that I had gone and taken an important step without asking his advice, and he would raise Cain automatically. He's always done it.'

I strained the old bean to meet this emergency.

'You want to work it so that he makes Miss Singer's acquaintance without knowing that you know her. Then you come along—'

'But how can I work it that way?'

I saw his point. That was the catch.

'There's only one thing to do,' I said.

'What's that?'

'Leave it to Jeeves.'

And I rang the bell.

'Sir?' said Jeeves, kind of manifesting himself. One of the rummy things about Jeeves is that, unless you watch like a hawk, you very seldom see him come into a room. He's like one of those weird birds in India who dissolve themselves into thin air and nip through space in a sort of disembodied way and assemble the parts again just where they want them. I've got a cousin who's what they call a Theosophist, and he says he's often nearly worked the thing himself, but couldn't quite bring it off, probably owing to having fed in his boyhood on the flesh of animals slain in anger and pie.

The moment I saw the man standing there, registering respectful attention, a weight seemed to roll off my mind. I felt like a lost child who spots his father in the offing.

'Jeeves,' I said, 'we want your advice.'

'Very good, sir.'

I boiled down Corky's painful case into a few well-chosen words.

'So you see what it amounts to, Jeeves. We want you to suggest some way by which Mr Worple can make Miss Singer's acquaintance without getting on to the fact that Mr Corcoran already knows her. Understand?'

'Perfectly, sir.'

'Well, try to think of something.'

'I have thought of something already, sir.'

'You have!'

'The scheme I would suggest cannot fail of success, but it has what may seem to you a drawback, sir, in that it requires a certain financial outlay.'

'He means,' I translated to Corky, 'that he has got a pippin of an idea, but it's going to cost a bit.'

Naturally the poor chap's face dropped, for this seemed to dish the whole thing. But I was still under the influence of the girl's melting gaze, and I saw that this was where I started in as the knight-errant.

'You can count on me for all that sort of thing, Corky,' I said. 'Only too glad. Carry on, Jeeves.'

'I would suggest, sir, that Mr Corcoran take advantage of Mr Worple's attachment to ornithology.'

'How on earth did you know that he was fond of birds?'

'It is the way these New York apartments are constructed, sir. Quite unlike our London houses. The partitions between the rooms are of the flimsiest nature. With no wish to overhear, I have sometimes heard Mr Corcoran expressing himself with a generous strength on the subject I have mentioned.'

'Oh! Well?'

'Why should not the young lady write a small volume, to be entitled—let us say—The Children's Book of American Birds and dedicate it to Mr Worple? A limited edition could be published at your expense, sir, and a great deal of the book would, of course, be given over to eulogistic remarks concerning Mr Worple's own larger treatise on the same subject. I should recommend the dispatching of a presentation copy to Mr Worple, immediately on publication, accompanied by a letter in which the young lady asks to be allowed to make the acquaintance of one to whom she owes so much. This would, I fancy, produce the desired result, but as I say, the expense involved would be considerable.'

I felt like the proprietor of a performing dog on the vaudeville stage when the tyke has just pulled off his trick without a hitch. I had betted on Jeeves all along, and I had known that he wouldn't let me down. It beats me sometimes why a man with his genius is satisfied to hang around pressing my clothes and what-not. If I had half Jeeves's brain I should have a stab at being Prime Minister or something.

'Jeeves,' I said, 'that is absolutely ripping! One of your very best efforts.'

'Thank you, sir.'

The girl made an objection.

'But I'm sure I couldn't write a book about anything. I can't even write good letters.'

'Muriel's talents,' said Corky, with a little cough, 'lie more in the direction of the drama, Bertie. I didn't mention it before, but one of our reasons for being a trifle nervous as to how Uncle Alexander will receive the news is that Muriel is in the chorus of that show Choose your Exit at the Manhattan. It's absurdly unreasonable, but we both feel that that fact might increase Uncle Alexander's natural tendency to kick like a steer.'

I saw what he meant. I don't know why it is—one of these psychology sharps could explain it, I suppose—but uncles and aunts, as a class, are always dead against the drama, legitimate or otherwise. They don't seem able to stick it at any price.

But Jeeves had a solution, of course.

'I fancy it would be a simple matter, sir, to find some impecunious author who would be glad to do the actual composition of the volume for a small fee. It is only necessary that the young lady's name should appear on the title page.'

'That's true,' said Corky. 'Sam Patterson would do it for a hundred dollars. He writes a novelette, three short stories, and ten thousand words of a serial for one of the all-fiction magazines under different names every month. A little thing like this would be nothing to him. I'll get after him right away.'

'Fine!'

'Will that be all, sir?' said Jeeves. 'Very good, sir. Thank you, sir.'

I always used to think that publishers had to be devilish intelligent fellows, loaded down with the grey matter; but I've got their number now. All a publisher has to do is to write cheques at intervals, while a lot of deserving and industrious chappies rally round and do the real work. I know, because I've been one myself. I simply sat tight in the old flat with a fountain-pen, and in due season a topping, shiny book came along.

I happened to be down at Corky's place when the first copies of The Children's Book of American Birds bobbed up. Muriel Singer was there, and we were talking of things in general when there was a bang at the door and the parcel was delivered.

It was certainly some book. It had a red cover with a fowl of some species on it, and underneath the girl's name in gold letters. I opened a copy at random.

'Often of a spring morning,' it said at the top of page twenty-one, 'as you wander through the fields, you will hear the sweet-toned, carelessly flowing warble of the purple finch linnet. When you are older you must read all about him in Mr Alexander Worple's wonderful book, American Birds.'

You see. A boost for the uncle right away. And only a few pages later there he was in the limelight again in connexion with the yellow-billed cuckoo. It was great stuff. The more I read, the more I admired the chap who had written it and Jeeves's genius in putting us on to the wheeze. I didn't see how the uncle could fail to drop. You can't call a chap the world's greatest authority on the yellow-billed cuckoo without rousing a certain disposition towards chumminess in him.

'It's a cert!' I said.

'An absolute cinch!' said Corky.

And a day or two later he meandered up the Avenue to my flat to tell me that all was well. The uncle had written Muriel a letter so dripping with the milk of human kindness that if he hadn't known Mr Worple's handwriting Corky would have refused to believe him the author of it. Any time it suited Miss Singer to call, said the uncle, he would be delighted to make her acquaintance.

Shortly after this I had to go out of town. Divers sound sportsmen had invited me to pay visits to their country places, and it wasn't for several months that I settled down in the city again. I had been wondering a lot, of course, about Corky, whether it all turned out right, and so forth, and my first evening in New York, happening to pop into a quiet sort of little restaurant which I go to when I don't feel inclined for the bright lights, I found Muriel Singer there, sitting by herself at a table near the door. Corky, I took it, was out telephoning. I went up and passed the time of day.

'Well, well, well, what?' I said.

'Why, Mr Wooster! How do you do?'

'Corky around?'

'I beg your pardon?'

'You're waiting for Corky, aren't you?'

'Oh, I didn't understand. No, I'm not waiting for him.'

It seemed to me that there was a sort of something in her voice, a kind of thingummy, you know.

'I say, you haven't had a row with Corky, have you?'

'A row?'

'A spat, don't you know—little misunderstanding—faults on both sides—er—and all that sort of thing.'

'Why, whatever makes you think that?'

'Oh, well, as it were, what? What I mean is—I thought you usually dined with him before you went to the theatre.'

'I've left the stage now.'

Suddenly the whole thing dawned on me. I had forgotten what a long time I had been away.

'Why, of course, I see now! You're married!'

'Yes.'

'How perfectly topping! I wish you all kinds of happiness.'

'Thank you so much. Oh, Alexander,' she said, looking past me, 'this is a friend of mine—Mr Wooster.'

I spun round. A bloke with a lot of stiff grey hair and a red sort of healthy face was standing there. Rather a formidable Johnnie, he looked, though peaceful at the moment.

'I want you to meet my husband, Mr Wooster. Mr Wooster is a friend of Bruce's, Alexander.'

The old boy grasped my hand warmly, and that was all that kept me from hitting the floor in a heap. The place was rocking. Absolutely.

'So you know my nephew, Mr Wooster?' I heard him say. 'I wish you would try to knock a little sense into him and make him quit this playing at painting. But I have an idea that he is steadying down. I noticed it first that night he came to dinner with us, my dear, to be introduced to you. He seemed altogether quieter and more serious. Something seemed to have sobered him. Perhaps you will give us the pleasure of your company at dinner tonight, Mr Wooster? Or have you dined?'

I said I had. What I needed then was air, not dinner. I felt that I wanted to get into the open and think this thing out.

When I reached my flat I heard Jeeves moving about in his lair. I called him.

'Jeeves,' I said, 'now is the time for all good men to come to the aid of the party. A stiff b-and-s first of all, and then I've a bit of news for you.'

He came back with a tray and a long glass.

'Better have one yourself, Jeeves. You'll need it.'

'Later on, perhaps, thank you, sir.'

'All right. Please yourself. But you're going to get a shock. You remember my friend, Mr Corcoran?'

'Yes, sir.'

'And the girl who was to slide gracefully into his uncle's esteem by writing the book on birds?'

'Perfectly, sir.'

'Well, she's slid. She's married the uncle.'

He took it without blinking. You can't rattle Jeeves.

'That was always a development to be feared, sir.'

'You don't mean to tell me that you were expecting it?'

'It crossed my mind as a possibility.'

'Did it, by Jove! Well, I think you might have warned us!'

'I hardly liked to take the liberty, sir.'

Of course, as I saw after I had had a bite to eat and was in a calmer frame of mind, what had happened wasn't my fault, if you came down to it. I couldn't be expected to foresee that the scheme, in itself a cracker-jack, would skid into the ditch as it had done; but all the same I'm bound to admit that I didn't relish the idea of meeting Corky again until time, the great healer, had been able to get in a bit of soothing work. I cut Washington Square out absolutely for the next few months. I gave it the complete miss-in-baulk. And then, just when I was beginning to think I might safely pop down in that direction and gather up the dropped threads, so to speak, time, instead of working the healing wheeze, went and pulled the most awful bone and put the lid on it. Opening the paper one morning, I read that Mrs Alexander Worple had presented her husband with a son and heir.

I was so dashed sorry for poor old Corky that I hadn't the heart to touch my breakfast. I was bowled over. Absolutely. It was the limit.

I hardly knew what to do. I wanted, of course, to rush down to Washington Square and grip the poor blighter silently by the hand; and then, thinking it over, I hadn't the nerve. Absent treatment seemed the touch. I gave it him in waves.

But after a month or so I began to hesitate again. It struck me that it was playing it a bit low-down on the poor chap, avoiding him like this just when he probably wanted his pals to surge round him most. I pictured him sitting in his lonely studio with no company but his bitter thoughts, and the pathos of it got me to such an extent that I bounded straight into a taxi and told the driver to go all out for the studio.

I rushed in, and there was Corky, hunched up at the easel, painting away, while on the model throne sat a severe-looking female of middle age, holding a baby.

A fellow has to be ready for that sort of thing.

'Oh, ah!' I said, and started to back out.

Corky looked over his shoulder.

'Hallo, Bertie. Don't go. We're just finishing for the day. That will be all this afternoon,' he said to the nurse, who got up with the baby and decanted it into a perambulator which was standing in the fairway.

'At the same hour tomorrow, Mr Corcoran?'

'Yes, please.'

'Good afternoon.'

'Good afternoon.'

Corky stood there, looking at the door, and then he turned to me and began to get it off his chest. Fortunately, he seemed to take it for granted that I knew all about what had happened, so it wasn't as awkward as it might have been.

'It's my uncle's idea,' he said. 'Muriel doesn't know about it yet. The portrait's to be a surprise for her on her birthday. The nurse takes the kid out ostensibly to get a breather, and they beat it down here. If you want an instance of the irony of fate, Bertie, get acquainted with this. Here's the first commission I have ever had to paint a portrait, and the sitter is that human poached egg that has butted in and bounced me out of my inheritance. Can you beat it! I call it rubbing the thing in to expect me to spend my afternoons gazing into the ugly face of a little brat who to all intents and purposes has hit me behind the ear with a black-jack and swiped all I possess. I can't refuse to paint the portrait, because if I did my uncle would stop my allowance; yet every time I look up and catch that kid's vacant eye, I suffer agonies. I tell you, Bertie, sometimes when he gives me a patronizing glance and then turns away and is sick, as if it revolted him to look at me, I come within an ace of occupying the entire front page of the evening papers as the latest murder sensation. There are moments when I can almost see the headlines: "Promising Young Artist Beans Baby With Axe."'

I patted his shoulder silently. My sympathy for the poor old scout was too deep for words.

I kept away from the studio for some time after that, because it didn't seem right to me to intrude on the poor chappie's sorrow. Besides, I'm bound to say that nurse intimidated me. She reminded me so infernally of Aunt Agatha. She was the same gimlet-eyed type.

But one afternoon Corky called me on the phone.

'Bertie!'

'Hallo?'

'Are you doing anything this afternoon?'

'Nothing special.'

'You couldn't come down here, could you?'

'What's the trouble? Anything up?'

'I've finished the portrait.'

'Good boy! Stout work!'

'Yes.' His voice sounded rather doubtful. 'The fact is, Bertie, it doesn't look quite right to me. There's something about it—My uncle's coming in half an hour to inspect it, and—I don't know why it is, but I kind of feel I'd like your moral support!'

I began to see that I was letting myself in for something. The sympathetic cooperation of Jeeves seemed to me to be indicated.

'You think he'll cut up rough?'

'He may.'

I threw my mind back to the red-faced chappie I had met at the restaurant, and tried to picture him cutting up rough. It was only too easy. I spoke to Corky firmly on the telephone.

'I'll come,' I said.

'Good!'

'But only if I may bring Jeeves.'

'Why Jeeves? What's Jeeves got to do with it? Who wants Jeeves? Jeeves is the fool who suggested the scheme that has led—'

'Listen, Corky, old top! If you think I am going to face that uncle of yours without Jeeves's support, you're mistaken. I'd sooner go into a den of wild beasts and bite a lion on the back of the neck.'

'Oh, all right,' said Corky. Not cordially, but he said it; so I rang for Jeeves, and explained the situation.

'Very good, sir,' said Jeeves.

We found Corky near the door, looking at the picture with one hand up in a defensive sort of way, as if he thought it might swing on him.

'Stand right where you are, Bertie,' he said, without moving. 'Now, tell me honestly, how does it strike you?'

The light from the big window fell right on the picture. I took a good look at it. Then I shifted a bit nearer and took another look. Then I went back to where I had been at first, because it hadn't seemed quite so bad from there.

'Well?' said Corky anxiously.

I hesitated a bit.

'Of course, old man, I only saw the kid once, and then only for a moment, but—but it was an ugly sort of kid, wasn't it, if I remember rightly?'

'As ugly as that?'

I looked again, and honesty compelled me to be frank.

'I don't see how it could have been, old chap.'

Poor old Corky ran his fingers through his hair in a temperamental sort of way. He groaned.

'You're quite right, Bertie. Something's gone wrong with the darned thing. My private impression is that, without knowing it, I've worked that stunt that Sargent used to pull—painting the soul of the sitter. I've got through the mere outward appearance, and have put the child's soul on canvas.'

'But could a child of that age have a soul like that? I don't see how he could have managed it in the time. What do you think, Jeeves?'

'I doubt it, sir.'

'It—it sort of leers at you, doesn't it?'

'You've noticed that, too?' said Corky.

'I don't see how one could help noticing.'

'All I tried to do was to give the little brute a cheerful expression. But, as it has worked out, he looks positively dissipated.'

'Just what I was going to suggest, old man. He looks as if he were in the middle of a colossal spree, and enjoying every minute of it. Don't you think so, Jeeves?'

'He has a decidedly inebriated air, sir.'

Corky was starting to say something, when the door opened and the uncle came in.

For about three seconds all was joy, jollity and goodwill. The old boy shook hands with me, slapped Corky on the back, said he didn't think he had ever seen such a fine day, and whacked his leg with his stick. Jeeves had projected himself into the background, and he didn't notice him.

'Well, Bruce, my boy; so the portrait is really finished, is it—really finished? Well, bring it out. Let's have a look at it. This will be a wonderful surprise for your aunt. Where is it? Let's—'

And then he got it—suddenly, when he wasn't set for the punch; and he rocked back on his heels.

'Oosh!' he exclaimed. And for perhaps a minute there was one of the scaliest silences I've ever run up against.

'Is this a practical joke?' he said at last, in a way that set about sixteen draughts cutting through the room at once.

I thought it was up to me to rally round old Corky.

'You want to stand a bit farther away from it,' I said.

'You're perfectly right!' he snorted. 'I do! I want to stand so far away from it that I can't see the thing with a telescope!' He turned on Corky like an untamed tiger of the jungle who has just located a chunk of meat. 'And this—this—is what you have been wasting your time and my money for all these years! A painter! I wouldn't let you paint a house of mine. I gave you this commission, thinking that you were a competent worker, and this—this—this extract from a comic supplement is the result!' He swung towards the door, lashing his tail and growling to himself. 'This ends it. If you wish to continue this foolery of pretending to be an artist because you want an excuse for idleness, please yourself. But let me tell you this. Unless you report at my office on Monday morning, prepared to abandon all this idiocy and start in at the bottom of the business to work your way up, as you should have done half a dozen years ago, not another cent—not another cent—not another—Boosh!'

Then the door closed and he was no longer with us. And I crawled out of the bomb-proof shelter.

'Corky, old top!' I whispered faintly.

Corky was standing staring at the picture. His face was set. There was a hunted look in his eye.

'Well, that finishes it!' he muttered brokenly.

'What are you going to do?'

'Do? What can I do? I can't stick on here if he cuts off supplies. You heard what he said. I shall have to go to the office on Monday.'

I couldn't think of a thing to say. I knew exactly how he felt about the office. I don't know when I've been so infernally uncomfortable. It was like hanging round trying to make conversation to a pal who's just been sentenced to twenty years in quod.

And then a soothing voice broke the silence.

'If I might make a suggestion, sir!'

It was Jeeves. He had slid from the shadows and was gazing gravely at the picture. Upon my word, I can't give you a better idea of the shattering effect of Corky's Uncle Alexander when in action than by saying that he had absolutely made me forget for the moment that Jeeves was there.

'I wonder if I have ever happened to mention to you, sir, a Mr Digby Thistleton, with whom I was once in service? Perhaps you have met him? He was a financier. He is now Lord Bridgworth. It was a favourite saying of his that there is always a way. The first time I heard him use the expression was after the failure of a patent depilatory which he promoted.'

'Jeeves,' I said, 'what on earth are you talking about?'

'I mentioned Mr Thistleton, sir, because his was in some respects a parallel case to the present one. His depilatory failed, but he did not despair. He put it on the market again under the name of Hair-o, guaranteed to produce a full crop of hair in a few months. It was advertised, if you remember, sir, by a humorous picture of a billiard ball, before and after taking, and made such a substantial fortune that Mr Thistleton was soon afterwards elevated to the peerage for services to his Party. It seems to me that, if Mr Corcoran looks into the matter, he will find, like Mr Thistleton, that there is always a way. Mr Worple himself suggested the solution of the difficulty. In the heat of the moment he compared the portrait to an extract from a coloured comic supplement. I consider the suggestion a very valuable one, sir. Mr Corcoran's portrait may not have pleased Mr Worple as a likeness of his only child, but I have no doubt that editors would gladly consider it as a foundation for a series of humorous drawings. If Mr Corcoran will allow me to make the suggestion, his talent has always been for the humorous. There is something about this picture—something bold and vigorous, which arrests the attention. I feel sure it would be highly popular.'

Corky was glaring at the picture, and making a sort of dry, sucking noise with his mouth. He seemed completely overwrought.

And then suddenly he began to laugh in a wild way.

'Corky, old man!' I said, massaging him tenderly. I feared the poor blighter was hysterical.

He began to stagger about all over the floor.

'He's right! The man's absolutely right! Jeeves, you're a life-saver. You've hit on the greatest idea of the age. Report at the office on Monday! Start at the bottom of the business! I'll buy the business if I feel like it. I know the man who runs the comic section of the Sunday Star. He'll eat this thing. He was telling me only the other day how hard it was to get a good new series. He'll give me anything I ask for a real winner like this. I've got a gold mine. Where's my hat? I've got an income for life! Where's that confounded hat? Lend me a five, Bertie. I want to take a taxi down to Park Row!'

Jeeves smiled paternally. Or, rather, he had a kind of paternal muscular spasm about the mouth, which is the nearest he ever gets to smiling.

'If I might make the suggestion, Mr Corcoran—for a title of the series which you have in mind—"The Adventures of Baby Blobbs".'

Corky and I looked at the picture, then at each other in an awed way. Jeeves was right. There could be no other title.

'Jeeves,' I said. It was a few weeks later, and I had just finished looking at the comic section of the Sunday Star. 'I'm an optimist. I always have been. The older I get, the more I agree with Shakespeare and those poet Johnnies about it always being darkest before the dawn and there's a silver lining and what you lose on the swings you make up on the roundabouts. Look at Mr Corcoran, for instance. There was a fellow, one would have said, clear up to the eyebrows in the soup. To all appearances he had got it right in the neck. Yet look at him now. Have you seen these pictures?'

'I took the liberty of glancing at them before bringing them to you, sir. Extremely diverting.'

'They have made a big hit, you know.'

'I anticipated it, sir.'

I leaned back against the pillows.

'You know, Jeeves, you're a genius. You ought to be drawing a commission on these things.'

'I have nothing to complain of in that respect, sir. Mr Corcoran has been most generous. I am putting out the brown suit, sir.'

'No, I think I'll wear the blue with the faint red stripe.'

'Not the blue with the faint red stripe, sir.'

'But I rather fancy myself in it.'

'Not the blue with the faint red stripe, sir.'

'Oh, all right, have it your own way.'

'Very good, sir. Thank you, sir.'

3—Jeeves and the Unbidden Guest

I'm not absolutely certain of my facts, but I rather fancy it's Shakespeare—or, if not, it's some equally brainy bird—who says that it's always just when a fellow is feeling particularly braced with things in general that Fate sneaks up behind him with the bit of lead piping. And what I'm driving at is that the man is perfectly right. Take, for instance, the business of Lady Malvern and her son Wilmot. That was one of the scaliest affairs I was ever mixed up with, and a moment before they came into my life I was just thinking how thoroughly all right everything was.

I was still in New York when the thing started, and it was about the time of year when New York is at its best. It was one of those topping mornings, and I had just climbed out from under the cold shower, feeling like a million dollars. As a matter of fact, what was bucking me up more than anything was the fact that the day before I had asserted myself with Jeeves—absolutely asserted myself, don't you know. You see, the way things had been going on I was rapidly becoming a dashed serf. The man had jolly well oppressed me. I didn't so much mind when he made me give up one of my new suits, because Jeeves's judgement about suits is sound and can generally be relied upon.

But I as near as a toucher rebelled when he wouldn't let me wear a pair of cloth-topped boots which I loved like a couple of brothers. And, finally, when he tried to tread on me like a worm in the matter of a hat, I put the Wooster foot down and showed him in no uncertain manner who was who.

It's a long story, and I haven't time to tell you now, but the nub of the thing was that he wanted me to wear the White House Wonder—as worn by President Coolidge—when I had set my heart on the Broadway Special, much patronized by the Younger Set; and the end of the matter was that, after a rather painful scene, I bought the Broadway Special. So that's how things were on this particular morning, and I was feeling pretty manly and independent.

Well, I was in the bathroom, wondering what there was going to be for breakfast while I massaged the spine with a rough towel and sang slightly, when there was a tap at the door. I stopped singing and opened the door an inch.

'What ho, without there!' I said.

'Lady Malvern has called, sir.'

'Eh?'

'Lady Malvern, sir. She is waiting in the sitting-room.'

'Pull yourself together, Jeeves, my man,' I said rather severely, for I bar practical jokes before breakfast. 'You know perfectly well there's no one waiting for me in the sitting-room. How could there be when it's barely ten o'clock yet?'

'I gathered from her ladyship, sir, that she had landed from an ocean liner at an early hour this morning.'

This made the thing a bit more plausible. I remembered that when I had arrived in America about a year before, the proceedings had begun at some ghastly hour like six, and that I had been shot out on to a foreign shore considerably before eight.

'Who the deuce is Lady Malvern, Jeeves?'

'Her ladyship did not confide in me, sir.'

'Is she alone?'

'Her ladyship is accompanied by a Lord Pershore, sir. I fancy that his lordship would be her ladyship's son.'

'Oh, well, put out rich raiment of sorts, and I'll be dressing.'

'Our heather-mixture lounge is in readiness, sir.'

'Then lead me to it.'

While I was dressing I kept trying to think who on earth Lady Malvern could be. It wasn't till I had climbed through the top of my shirt and was reaching out for the studs that I remembered.

'I've placed her, Jeeves. She's a pal of my Aunt Agatha.'

'Indeed, sir?'

'Yes. I met her at lunch one Sunday before I left London. A very vicious specimen. Writes books. She wrote a book on social conditions in India when she came back from the Durbar.'

'Yes, sir? Pardon me, sir, but not that tie.'

'Eh?'

'Not that tie with the heather-mixture lounge, sir.'

It was a shock to me. I thought I had quelled the fellow. It was rather a solemn moment. What I mean is, if I weakened now, all my good work the night before would be thrown away. I braced myself.

'What's wrong with this tie? I've seen you give it a nasty look before. Speak out like a man! What's the matter with it?'

'Too ornate, sir.'

'Nonsense! A cheerful pink. Nothing more.'

'Unsuitable, sir.'

'Jeeves, this is the tie I wear!'

'Very good, sir.'

Dashed unpleasant. I could see that the man was wounded. But I was firm. I tied the tie, got into the coat and waistcoat, and went into the sitting-room.

'Hullo-ullo-ullo!' I said. 'What?'

'Ah! How do you do, Mr Wooster? You have never met my son Wilmot, I think? Motty, darling, this is Mr Wooster.'

Lady Malvern was a hearty, happy, healthy, overpowering sort of dashed female, not so very tall but making up for it by measuring about six feet from the O. P. to the Prompt Side. She fitted into my biggest arm-chair as if it had been built round her by someone who knew they were wearing arm-chairs tight about the hips that season. She had bright, bulging eyes and a lot of yellow hair, and when she spoke she showed about fifty-seven front teeth. She was one of those women who kind of numb a fellow's faculties. She made me feel as if I were ten years old and had been brought into the drawing-room in my Sunday clothes to say how-d'you-do. Altogether by no means the sort of thing a chappie would wish to find in his sitting-room before breakfast.

Motty, the son, was about twenty-three, tall and thin and meek-looking. He had the same yellow hair as his mother, but he wore it plastered down and parted in the middle. His eyes bulged, too, but they weren't bright. They were a dull grey with pink rims. His chin gave up the struggle about half-way down, and he didn't appear to have any eyelashes. A mild, furtive, sheepish sort of blighter, in short.

'Awfully glad to see you,' I said, though this was far from the case, for already I was beginning to have a sort of feeling that dirty work was threatening in the offing. 'So you've popped over, eh? Making a long stay in America?'

'About a month. Your aunt gave me your address and told me to be sure to call on you.'

I was glad to hear this, for it seemed to indicate that Aunt Agatha was beginning to come round a bit. As I believe I told you before, there had been some slight unpleasantness between us, arising from the occasion when she had sent me over to New York to disentangle my cousin Gussie from the clutches of a girl on the music-hall stage. When I tell you that by the time I had finished my operations Gussie had not only married the girl but had gone on the Halls himself and was doing well, you'll understand that relations were a trifle strained between aunt and nephew.

I simply hadn't dared go back and face her, and it was a relief to find that time had healed the wound enough to make her tell her pals to call on me. What I mean is, much as I liked America, I didn't want to have England barred to me for the rest of my natural; and, believe me, England is a jolly sight too small for anyone to live in with Aunt Agatha, if she's really on the war-path. So I was braced at hearing these words and smiled genially on the assemblage.

'Your aunt said that you would do anything that was in your power to be of assistance to us.'

'Rather! Oh, rather. Absolutely.'

'Thank you so much. I want you to put dear Motty up for a little while.'

I didn't get this for a moment.

'Put him up? For my clubs?'

'No, no! Darling Motty is essentially a home bird. Aren't you, Motty, darling?'

Motty, who was sucking the knob of his stick, uncorked himself.

'Yes, mother,' he said, and corked himself up again.

'I should not like him to belong to clubs. I mean put him up here. Have him to live with you while I am away.'

These frightful words trickled out of her like honey. The woman simply didn't seem to understand the ghastly nature of her proposal. I gave Motty the swift east-to-west. He was sitting with his mouth nuzzling the stick, blinking at the wall. The thought of having this planted on me for an indefinite period appalled me. Absolutely appalled me, don't you know. I was just starting to say that the shot wasn't on the board at any price, and that the first sign Motty gave of trying to nestle into my little home I would yell for the police, when she went on, rolling placidly over me, as it were.

There was something about this woman that sapped one's will-power.

'I am leaving New York by the midday train, as I have to pay a visit to Sing-Sing prison. I am extremely interested in prison conditions in America. After that I work my way gradually across to the coast, visiting the points of interest on the journey. You see, Mr Wooster, I am in America principally on business. No doubt you read my book, India and the Indians? My publishers are anxious for me to write a companion volume on the United States. I shall not be able to spend more than a month in the country, as I have to get back for the season, but a month should be ample. I was less than a month in India, and my dear friend Sir Roger Cremorne wrote his America from Within after a stay of only two weeks. I should love to take dear Motty with me, but the poor boy gets so sick when he travels by train. I shall have to pick him up on my return.'

From where I sat I could see Jeeves in the dining-room, laying the breakfast-table. I wished I could have had a minute with him alone. I felt certain that he would have been able to think of some way of putting a stop to this woman.

'It will be such a relief to know that Motty is safe with you, Mr Wooster. I know what the temptations of a great city are. Hitherto dear Motty has been sheltered from them. He has lived quietly with me in the country. I know that you will look after him carefully, Mr Wooster. He will give very little trouble.' She talked about the poor blighter as if he wasn't there. Not that Motty seemed to mind. He had stopped chewing his walking-stick and was sitting there with his mouth open. 'He is a vegetarian and a teetotaller and is devoted to reading. Give him a nice book and he will be quite contented.' She got up. 'Thank you so much, Mr Wooster. I don't know what I should have done without your help. Come, Motty. We have just time to see a few of the sights before my train goes. But I shall have to rely on you for most of my information about New York, darling. Be sure to keep your eyes open and take notes of your impressions. It will be such a help. Good-bye, Mr Wooster. I will send Motty back early in the afternoon.'