Browning and the Dramatic MonologuePART IIReading editionChapter navigation21 reading sectionsGo to chapterChoose a chapter…Front matterPART II. A NEW LITERARY FORMII. THE SPEAKERIII. THE HEARERIV. PLACE OR SITUATIONV. TIME AND CONNECTIONVI. ARGUMENTVII. THE MONOLOGUE AS A FORM OF LITERATUREVIII. HISTORY OF THE MONOLOGUEPART IIIX. NECESSITY OF ORAL RENDITIONX. ACTIONS OF MIND AND VOICEXI. ACTIONS OF MIND AND BODYXII. THE MONOLOGUE AND METREXIII. DIALECTXIV. PROPERTIESXV. FAULTS IN RENDERING A MONOLOGUEXVI. IMPORTANCE OF THE MONOLOGUEXVII. SOME TYPICAL MONOLOGUES FROM BROWNINGINDEXPrevious chapter ←Part 1 — VIII. HISTORY OF THE MONOLOGUENext chapter →Part 2 — IX. NECESSITY OF ORAL RENDITIONAll chapters and sections (21)Opening pagesFront matterParts1Part 1 · Other sectionsI. A NEW LITERARY FORMII. THE SPEAKERIII. THE HEARERIV. PLACE OR SITUATIONV. TIME AND CONNECTIONVI. ARGUMENTVII. THE MONOLOGUE AS A FORM OF LITERATUREVIII. HISTORY OF THE MONOLOGUEParts2Part 2 · Other sectionsIX. NECESSITY OF ORAL RENDITIONX. ACTIONS OF MIND AND VOICEXI. ACTIONS OF MIND AND BODYXII. THE MONOLOGUE AND METREXIII. DIALECTXIV. PROPERTIESXV. FAULTS IN RENDERING A MONOLOGUEXVI. IMPORTANCE OF THE MONOLOGUEXVII. SOME TYPICAL MONOLOGUES FROM BROWNINGINDEXDRAMATIC RENDERING OF THE MONOLOGUE◇← VIII. HISTORY OF THE MONOLOGUEIX. NECESSITY OF ORAL RENDITION →