KATE CHOPIN (continued 2)

"I'm mighty glad to see you, 'Tite Heine," he said from his heart. She had for some reason been unable to speak; now she panted somewhat hysterically:—

"You mus' escuse me, Mista Grégoire. It's the truth I did n' know you firs', stan'in' up there." A deep flush had supplanted the former pallor of her face, and her eyes shone with tears and ill-concealed excitement.

"I thought you all lived yonda in Grant," remarked Grégoire carelessly, making talk for the purpose of diverting Aiken's attention away from his wife's evident embarrassment, which he himself was at a loss to understand.

"Why, we did live a right smart while in Grant; but Grant ain't no parish to make a livin' in. Then I tried Winn and Caddo a spell; they was n't no better. But I tell you, suh, Sabine's a damn' sight worse than any of 'em. Why, a man can't git a drink o' whiskey here without going out of the parish fer it, or across into Texas. I'm fixin' to sell out an' try Vernon."

Bud Aiken's household belongings surely would not count for much in the contemplated "selling out." The one room that constituted his home was extremely bare of furnishing,—a cheap bed, a pine table, and a few chairs, that was all. On a rough shelf were some paper parcels representing the larder. The mud daubing had fallen out here and there from between the logs of the cabin; and into the largest of these apertures had been thrust pieces of ragged bagging and wisps of cotton. A tin basin outside on the gallery offered the only bathing facilities to be seen. Notwithstanding these drawbacks, Grégoire announced his intention of passing the night with Aiken.

"I'm jus' goin' to ask the privilege o' layin' down yere on yo' gall'ry to-night, Mr. Aiken. My hoss ain't in firs'-class trim; an' a night's res' ain't goin' to hurt him o' me either." He had begun by declaring his intention of pushing on across the Sabine, but an imploring look from 'Tite Reine's eyes had stayed the words upon his lips. Never had he seen in a woman's eyes a look of such heartbroken entreaty. He resolved on the instant to know the meaning of it before setting foot on Texas soil. Grégoire had never learned to steel his heart against a woman's eyes, no matter what language they spoke.

An old patchwork quilt folded double and a moss pillow which 'Tite Reine gave him out on the gallery made a bed that was, after all, not too uncomfortable for a young fellow of rugged habits.

Grégoire slept quite soundly after he laid down upon his improvised bed at nine o'clock. He was awakened toward the middle of the night by some one gently shaking him. It was 'Tite Reine stooping over him; he could see her plainly, for the moon was shining. She had not removed the clothing she had worn during the day; but her feet were bare and looked wonderfully small and white. He arose on his elbow, wide awake at once. "W'y, 'Tite Reine! w'at the devil you mean? w'ere's yo' husban'?"

"The house kin fall on 'im, 'ten goin' wake up Bud w'en he's sleepin'; he drink' too much." Now that she had aroused Grégoire, she stood up, and sinking her face in her bended arm like a child, began to cry softly. In an instant he was on his feet.

"My God, 'Tite Reine! w'at's the matta? you got to tell me w'at's the matta." He could no longer recognize the imperious 'Tite Reine, whose will had been the law in her father's household. He led her to the edge of the low gallery and there they sat down.

Grégoire loved women. He liked their nearness, their atmosphere; the tones of their voices and the things they said; their ways of moving and turning about; the brushing of their garments when they passed him by pleased him. He was fleeing now from the pain that a woman had inflicted upon him. When any overpowering sorrow came to Grégoire he felt a singular longing to cross the Sabine River and lose himself in Texas. He had done this once before when his home, the old Santien place, had gone into the hands of creditors. The sight of 'Tite Reine's distress now moved him painfully.

"W'at is it, 'Tite Reine? tell me w'at it is," he kept asking her. She was attempting to dry her eyes on her coarse sleeve. He drew a handkerchief from his back pocket and dried them for her.

"They all well, yonda?" she asked, haltingly, "my popa? my moma? the chil'en?" Grégoire knew no more of the Baptiste Choupic family than the post beside him. Nevertheless he answered: "They all right well, 'Tite Reine, but they mighty lonesome of you."

"My popa, he got a putty good crop this yea'?"

"He made right smart o' cotton fo' Bayou Pierre."

"He done haul it to the relroad?"

"No, he ain't quite finish pickin'."

"I hope they all ent sole 'Putty Girl'?" she inquired solicitously.

"Well, I should say not! Yo' pa says they ain't anotha piece o' hossflesh in the pa'ish he'd want to swap fo' 'Putty Girl.'" She turned to him with vague but fleeting amazement,—"Putty Girl" was a cow!

The autumn night was heavy about them. The black forest seemed to have drawn nearer; its shadowy depths were filled with the gruesome noises that inhabit a southern forest at night time.

"Ain't you 'fraid sometimes yere, 'Tite Reine?" Grégoire asked, as he felt a light shiver run through him at the weirdness of the scene.

"No," she answered promptly, "I ent 'fred o' nothin' 'cep' Bud."

"Then he treats you mean? I thought so!"

"Mista Grégoire," drawing close to him and whispering in his face, "Bud's killin' me." He clasped her arm, holding her near him, while an expression of profound pity escaped him. "Nobody don' know, 'cep' Unc' Mort'mer," she went on. "I tell you, he beats me; my back an' arms—you ought to see—it's all blue. He would 'a' choke' me to death one day w'en he was drunk, if Unc' Mort'mer had n' make 'im lef go—with his axe ov' his head." Grégoire glanced back over his shoulder toward the room where the man lay sleeping. He was wondering if it would really be a criminal act to go then and there and shoot the top of Bud Aiken's head off. He himself would hardly have considered it a crime, but he was not sure of how others might regard the act.

"That's w'y I wake you up, to tell you," she continued. "Then sometime' he plague me mos' crazy; he tell me't ent no preacher, it's a Texas drummer w'at marry him an' me; an' w'en I don' know w'at way to turn no mo', he say no, it's a Meth'dis' archbishop, an' keep on laughin' 'bout me, an' I don' know w'at the truth!"

Then again, she told how Bud had induced her to mount the vicious little mustang "Buckeye," knowing that the little brute would n't carry a woman; and how it had amused him to witness her distress and terror when she was thrown to the ground.

"If I would know how to read an' write, an' had some pencil an' paper, it's long 'go I would wrote to my popa. But it's no pos'-office, it's no relroad,—nothin' in Sabine. An' you know, Mista Grégoire, Bud say he's goin' carry me yonda to Vernon, an' fu'ther off yet,—'way yonda, an' he's goin' turn me loose. Oh, don' leave me yere, Mista Grégoire! don' leave me behine you!" she entreated, breaking once more into sobs.

"'Tite Reine," he answered, "do you think I'm such a low-down scound'el as to leave you yere with that"—He finished the sentence mentally, not wishing to offend the ears of 'Tite Reine.

They talked on a good while after that. She would not return to the room where her husband lay; the nearness of a friend had already emboldened her to inward revolt. Grégoire induced her to lie down and rest upon the quilt that she had given to him for a bed. She did so, and broken down by fatigue was soon fast asleep.

He stayed seated on the edge of the gallery and began to smoke cigarettes which he rolled himself of perique tobacco. He might have gone in and shared Bud Aiken's bed, but preferred to stay there near 'Tite Reine. He watched the two horses, tramping slowly about the lot, cropping the dewy wet tufts of grass.

Grégoire smoked on. He only stopped when the moon sank down behind the pine-trees, and the long deep shadow reached out and enveloped him. Then he could no longer see and follow the filmy smoke from his cigarette, and he threw it away. Sleep was pressing heavily upon him. He stretched himself full length upon the rough bare boards of the gallery and slept until day-break.

Bud Aiken's satisfaction was very genuine when he learned that Grégoire proposed spending the day and another night with him. He had already recognized in the young creole a spirit not altogether uncongenial to his own.

'Tite Reine cooked breakfast for them. She made coffee; of course there was no milk to add to it, but there was sugar. From a meal bag that stood in the corner of the room she took a measure of meal, and with it made a pone of corn bread. She fried slices of salt pork. Then Bud sent her into the field to pick cotton with old Uncle Mortimer. The negro's cabin was the counterpart of their own, but stood quite a distance away hidden in the woods. He and Aiken worked the crop on shares.

Early in the day Bud produced a grimy pack of cards from behind a parcel of sugar on the shelf. Grégoire threw the cards into the fire and replaced them with a spic and span new "deck" that he took from his saddle-bags. He also brought forth from the same receptacle a bottle of whiskey, which he presented to his host, saying that he himself had no further use for it, as he had "sworn off" since day before yesterday, when he had made a fool of himself in Cloutierville.

They sat at the pine table smoking and playing cards all the morning, only desisting when 'Tite Reine came to serve them with the gumbo-filé that she had come out of the field to cook at noon. She could afford to treat a guest to chicken gumbo, for she owned a half dozen chickens that Uncle Mortimer had presented to her at various times. There were only two spoons, and 'Tite Reine had to wait till the men had finished before eating her soup. She waited for Grégoire's spoon, though her husband was the first to get through. It was a very childish whim.

In the afternoon she picked cotton again; and the men played cards, smoked, and Bud drank.

It was a very long time since Bud Aiken had enjoyed himself so well, and since he had encountered so sympathetic and appreciative a listener to the story of his eventful career. The story of 'Tite Reine's fall from the horse he told with much spirit, mimicking quite skillfully the way in which she had complained of never being permitted "to teck a li'le pleasure," whereupon he had kindly suggested horseback riding. Grégoire enjoyed the story amazingly, which encouraged Aiken to relate many more of a similar character. As the afternoon wore on, all formality of address between the two had disappeared: they were "Bud" and "Grégoire" to each other, and Grégoire had delighted Aiken's soul by promising to spend a week with him. 'Tite Reine was also touched by the spirit of recklessness in the air; it moved her to fry two chickens for supper. She fried them deliciously in bacon fat. After supper she again arranged Grégoire's bed out on the gallery.

The night fell calm and beautiful, with the delicious odor of the pines floating upon the air. But the three did not sit up to enjoy it. Before the stroke of nine, Aiken had already fallen upon his bed unconscious of everything about him in the heavy drunken sleep that would hold him fast through the night. It even clutched him more relentlessly than usual, thanks to Grégoire's free gift of whiskey.

The sun was high when he awoke. He lifted his voice and called imperiously for 'Tite Reine, wondering that the coffee-pot was not on the hearth, and marveling still more that he did not hear her voice in quick response with its, "I'm comin', Bud. Yere I come." He called again and again. Then he arose and looked out through the back door to see if she were picking cotton in the field, but she was not there. He dragged himself to the front entrance. Grégoire's bed was still on the gallery, but the young fellow was nowhere to be seen.

Uncle Mortimer had come into the yard, not to cut wood this time, but to pick up the axe which was his own property, and lift it to his shoulder.

"Mortimer," called out Aiken, "whur's my wife?" at the same time advancing toward the negro. Mortimer stood still, waiting for him. "Whur's my wife an' that Frenchman? Speak out, I say, before I send you to h—l."

Uncle Mortimer never had feared Bud Aiken; and with the trusty axe upon his shoulder, he felt a double hardihood in the man's presence. The old fellow passed the back of his black, knotty hand unctuously over his lips, as though he relished in advance the words that were about to pass them. He spoke carefully and deliberately:

"Miss Reine," he said, "I reckon she mus' of done struck Natchitoches pa'ish sometime to'ard de middle o' de night, on dat 'ar swif' hoss o' Mr. Sanchun's."

Aiken uttered a terrific oath. "Saddle up Buckeye," he yelled, "before I count twenty, or I 'll rip the black hide off yer. Quick, thar! Thur ain't nothin' four-footed top o' this earth that Buckeye can't run down." Uncle Mortimer scratched his head dubiously, as he answered:—

"Yas, Mas' Bud, but you see, Mr. Sanchun, he done cross de Sabine befo' sun-up on Buckeye."

A VERY FINE FIDDLE.

When the half dozen little ones were hungry, old Cléophas would take the fiddle from its Hannel bag and play a tune upon it. Perhaps it was to drown their cries, or their hunger, or his conscience, or all three. One day Fifine, in a rage, stamped her small foot and clinched her little hands, and declared:

"It's no two way'! I'm goin' smash it, dat fiddle, some day in a t'ousan' piece'!"

"You mus' n' do dat, Fifine," expostulated her father. "Dat fiddle been ol'er 'an you an' me t'ree time' put togedder. You done yaird me tell often 'nough 'bout dat Italien w'at give it to me w'en he die, 'long yonder befo' de war. An' he say, 'Cléophas, dat fiddle—dat one part my life—w'at goin' live w'en I be dead—Dieu merci! 'You talkin' too fas', Fifine."

"Well, I'm goin' do some'in' wid dat fiddle, va!" returned the daughter, only half mollified. "Mine w'at I say."

So once when there were great carryings-on up at the big plantation—no end of ladies and gentlemen from the city, riding, driving, dancing, and making music upon all manner of instruments—Fifine, with the fiddle in its flannel bag, stole away and up to the big house where these festivities were in progress.

No one noticed at first the little barefoot girl seated upon a step of the veranda and watching, lynx-eyed, for her opportunity.

"It's one fiddle I got for sell," she announced, resolutely, to the first who questioned her.

It was very funny to have a shabby little girl sitting there wanting to sell a fiddle, and the child was soon surrounded.

The lustreless instrument was brought forth and examined, first with amusement, but soon very seriously, especially by three gentlemen: one with very long hair that hung down, another with equally long hair that stood up, the third with no hair worth mentioning.

These three turned the fiddle upside down and almost inside out. They thumped upon it, and listened. They scraped upon it, and listened. They walked into the house with it, and out of the house with it, and into remote corners with it. All this with much putting of heads together, and talking together in familiar and unfamiliar languages. And, finally, they sent Fifine away with a fiddle twice as beautiful as the one she had brought, and a roll of money besides!

The child was dumb with astonishment, and away she flew. But when she stopped beneath a big chinaberry-tree, to further scan the roll of money, her wonder was redoubled. There was far more than she could count, more than she had ever dreamed of possessing. Certainly enough to top the old cabin with new shingles; to put shoes on all the little bare feet and food into the hungry mouths. Maybe enough—and Fifine's heart fairly jumped into her throat at the vision—maybe enough to buy Blanchette and her tiny calf that Unc' Siméon wanted to sell!

"It's jis like you say, Fifine," murmured old Cléophas, huskily, when he had played upon the new fiddle that night. "It's one fine fiddle; an' like you say, it shine' like satin. But some way or udder, 't ain' de same. Yair, Fifine, take it—put it 'side. I b'lieve, me, I ain' goin' play de fiddle no mo'."

BEYOND THE BAYOU.

The bayou curved like a crescent around the point of land on which La Folle's cabin stood. Between the stream and the hut lay a big abandoned field, where cattle were pastured when the bayou supplied them with water enough. Through the woods that spread back into unknown regions the woman had drawn an imaginary line, and past this circle she never stepped. This was the form of her only mania.

She was now a large, gaunt black woman, past thirty-five. Her real name was Jacqueline, but every one on the plantation called her La Folle, because in childhood she had been frightened literally "out of her senses," and had never wholly regained them.

It was when there had been skirmishing and sharpshooting all day in the woods. Evening was near when P'tit Maître, black with powder and crimson with blood, had staggered into the cabin of Jacqueline's mother, his pursuers close at his heels. The sight had stunned her childish reason.

She dwelt alone in her solitary cabin, for the rest of the quarters had long since been removed beyond her sight and knowledge. She had more physical strength than most men, and made her patch of cotton and corn and tobacco like the best of them. But of the world beyond the bayou she had long known nothing, save what her morbid fancy conceived.

People at Bellissime had grown used to her and her way, and they thought nothing of it. Even when "Old Mis'" died, they did not wonder that La Folle had not crossed the bayou, but had stood upon her side of it, wailing and lamenting.

P'tit Maître was now the owner of Bellissime. He was a middle-aged man, with a family of beautiful daughters about him, and a little son whom La Folle loved as if he had been her own. She called him Chéri, and so did every one else because she did.

None of the girls had ever been to her what Chéri was. They had each and all loved to be with her, and to listen to her wondrous stories of things that always happened "yonda, beyon' de bayou."

But none of them had stroked her black hand quite as Chéri did, nor rested their heads against her knee so confidingly, nor fallen asleep in her arms as he used to do. For Chéri hardly did such things now, since he had become the proud possessor of a gun, and had had his black curls cut off.

That summer—the summer Chéri gave La Folle two black curls tied with a knot of red ribbon—the water ran so low in the bayou that even the little children at Bellissime were able to cross it on foot, and the cattle were sent to pasture down by the river. La Folle was sorry when they were gone, for she loved these dumb companions well, and liked to feel that they were there, and to hear them browsing by night up to her own inclosure.

It was Saturday afternoon, when the fields were deserted. The men had flocked to a neighboring village to do their week's trading, and the women were occupied with household affairs,—La Folle as well as the others. It was then she mended and washed her handful of clothes, scoured her house, and did her baking.

In this last employment she never forgot Chéri. To-day she had fashioned croquignoles of the most fantastic and alluring shapes for him. So when she saw the boy come trudging across the old field with his gleaming little new rifle on his shoulder, she called out gayly to him, "Chéri! Chéri!"

But Chéri did not need the summons, for he was coming straight to her. His pockets all bulged out with almonds and raisins and an orange that he had secured for her from the very fine dinner which had been given that day up at his father's house.

He was a sunny-faced youngster of ten. When he had emptied his pockets, La Folle patted his round red cheek, wiped his soiled hands on her apron, and smoothed his hair. Then she watched him as, with his cakes in his hand, he crossed her strip of cotton back of the cabin, and disappeared into the wood.

He had boasted of the things he was going to do with his gun out there.

"You think they got plenty deer in the wood, La Folle?" he had inquired, with the calculating air of an experienced hunter.

"Non, non,!" the woman laughed. "Don't you look fo' no deer, Chéri. Dat's too big. But you bring La Folle one good fat squirrel fo' her dinner to-morrow, an' she goin' be satisfi'."

"One squirrel ain't a bite. I 'll bring you mo' 'an one, La Folle," he had boasted pompously as he went away.

When the woman, an hour later, heard the report of the boy's rifle close to the wood's edge, she would have thought nothing of it if a sharp cry of distress had not followed the sound.

She withdrew her arms from the tub of suds in which they had been plunged, dried them upon her apron, and as quickly as her trembling limbs would bear her, hurried to the spot whence the ominous report had come.

It was as she feared. There she found Chéri stretched upon the ground, with his rifle beside him. He moaned piteously:—

"I'm dead, La Folle! I'm dead! I'm gone!"

"Non, non!" she exclaimed resolutely, as she knelt beside him. "Put you' arm 'roun' La Folle's nake, Chéri. Dat's nuttin'; dat goin' be nuttin'." She lifted him in her powerful arms.

Chéri had carried his gun muzzle-downward. He had stumbled,—he did not know how. He only knew that he had a ball lodged somewhere in his leg, and he thought that his end was at hand. Now, with his head upon the woman's shoulder, he moaned and wept with pain and fright.

"Oh, La Folle! La Folle! it hurt so bad! I can' stan' it, La Folle!"

"Don't cry, mon bébé mon bébé, mon Chéri!" the woman spoke soothingly as she covered the ground with long strides. "La Folle goin' mine you; Doctor Bonfils goin' come make mon Chéri well agin."

She had reached the abandoned field. As she crossed it with her precious burden, she looked constantly and restlessly from side to side. A terrible fear was upon her,—the fear of the world beyond the bayou, the morbid and insane dread she had been under since childhood.

When she was at the bayou's edge she stood there, and shouted for help as if a life depended upon it:—

"Oh, P'tit Maître! P'tit Maître! Venez done! Au secours! Au secours!"

No voice responded. Chéri's hot tears were scalding her neck. She called for each and every one upon the place, and still no answer came.

She shouted, she wailed; but whether her voice remained unheard or unheeded, no reply came to her frenzied cries. And all the while Chéri moaned and wept and entreated to be taken home to his mother.

La Folle gave a last despairing look around her. Extreme terror was upon her. She clasped the child close against her breast, where he could feel her heart beat like a muffled hammer. Then shutting her eyes, she ran suddenly down the shallow bank of the bayou, and never stopped till she had climbed the opposite shore.

She stood there quivering an instant as she opened her eyes. Then she plunged into the footpath through the trees.

She spoke no more to Chéri, but muttered constantly, "Bon Dieu, ayez pitié La Folle! Bon Dieu, ayez pitié moi!"

Instinct seemed to guide her. When the pathway spread clear and smooth enough before her, she again closed her eyes tightly against the sight of that unknown and terrifying world.

A child, playing in some weeds, caught sight of her as she neared the quarters. The little one uttered a cry of dismay.

"La Folle!" she screamed, in her piercing treble. "La Folle done cross de bayer!"

Quickly the cry passed down the line of cabins.

"Yonda, La Folle done cross de bayou!"

Children, old men, old women, young ones with infants in their arms, flocked to doors and windows to see this awe-inspiring spectacle. Most of them shuddered with superstitious dread of what it might portend.

"She totin' Chéri!" some of them shouted.

Some of the more daring gathered about her, and followed at her heels, only to fall back with new terror when she turned her distorted face upon them. Her eyes were bloodshot and the saliva had gathered in a white foam on her black lips.

Some one had run ahead of her to where P'tit Maître sat with his family and guests upon the gallery.

"P'tit Maître! La Folle done cross de bayou! Look her! Look her yonda totin' Chéri!" This startling intimation was the first which they had of the woman's approach.

She was now near at hand. She walked with long strides. Her eyes were fixed desperately before her, and she breathed heavily, as a tired ox.

At the foot of the stairway, which she could not have mounted, she laid the boy in his father's arms. Then the world that had looked red to La Folle suddenly turned black,—like that day she had seen powder and blood.—

She reeled for an instant. Before a sustaining arm could reach her, she fell heavily to the ground.

When La Folle regained consciousness, she was at home again, in her own cabin and upon her own bed. The moon rays, streaming in through the open door and windows, gave what light was needed to the old black mammy who stood at the table concocting a tisane of fragrant herbs. It was very late.

Others who had come, and found that the stupor clung to her, had gone again. P'tit Maître had been there, and with him Doctor Bonfils, who said that La Folle might die.

But death had passed her by. The voice was very clear and steady with which she spoke to Tante Lizette, brewing her tisane there in a corner.

"Ef you will give me one good drink tisane, Tante Lizette, I b'lieve I'm goin' sleep, me."

And she did sleep; so soundly, so healthfully, that old Lizette without compunction stole softly away, to creep back through the moonlit fields to her own cabin in the new quarters.

The first touch of the cool gray morning awoke La Folle. She arose, calmly, as if no tempest had shaken and threatened her existence but yesterday.

She donned her new blue cottonade and white apron, for she remembered that this was Sunday. When she had made for herself a cup of strong black coffee, and drunk it with relish, she quitted the cabin and walked across the old familiar field to the bayou's edge again.

She did not stop there as she had always done before, but crossed with a long, steady stride as if she had done this all her life.

When she had made her way through the brush and scrub cottonwood-trees that lined the opposite bank, she found herself upon the border of a field where the white, bursting cotton, with the dew upon it, gleamed for acres and acres like frosted silver in the early dawn.

La Folle drew a long, deep breath as she gazed across the country. She walked slowly and uncertainly, like one who hardly knows how, looking about her as she went.

The cabins, that yesterday had sent a clamor of voices to pursue her, were quiet now. No one was yet astir at Bellissime. Only the birds that darted here and there from hedges were awake, and singing their matins.

When La Folle came to the broad stretch of velvety lawn that surrounded the house, she moved slowly and with delight over the springy turf, that was delicious beneath her tread.

She stopped to find whence came those perfumes that were assailing her senses with memories from a time far gone.

There they were, stealing up to her from the thousand blue violets that peeped out from green, luxuriant beds. There they were, showering down from the big waxen bells of the magnolias far above her head, and from the jessamine clumps around her.

There were roses, too, without number. To right and left palms spread in broad and graceful curves. It all looked like enchantment beneath the sparkling sheen of dew.

When La Folle had slowly and cautiously mounted the many steps that led up to the veranda, she turned to look back at the perilous ascent she had made. Then she caught sight of the river, bending like a silver bow at the foot of Bellissime. Exultation possessed her soul.

La Folle rapped softly upon a door near at hand. Chéri's mother soon cautiously opened it. Quickly and cleverly she dissembled the astonishment she felt at seeing La Folle.

"Ah, La Folle! Is it you, so early?"

"Oui, madame. I come ax how my po' li'le Chéri to, 's mo'nin'."

"He is feeling easier, thank you, La Folle. Dr. Bonfils says it will be nothing serious. He's sleeping now. Will you come back when he awakes?"

"Non, madame. I'm goin' wait yair tell Chéri wake up." La Folle seated herself upon the topmost step of the veranda.

A look of wonder and deep content crept into her face as she watched for the first time the sun rise upon the new, the beautiful world beyond the bayou.

OLD AUNT PEGGY.

When the war was over, old Aunt Peggy went to Monsieur, and said:—

"Massa, I ain't never gwine to quit yer. I'm gittin' ole an' feeble, an' my days is few in dis heah lan' o' sorrow an' sin. All I axes is a li'le co'ner whar I kin set down an' wait peaceful fu de en'."

Monsieur and Madame were very much touched at this mark of affection and fidelity from Aunt Peggy. So, in the general reconstruction of the plantation which immediately followed the surrender, a nice cabin, pleasantly appointed, was set apart for the old woman. Madame did not even forget the very comfortable rocking-chair in which Aunt Peggy might "set down," as she herself feelingly expressed it, "an' wait fu de en'."

She has been rocking ever since.

At intervals of about two years Aunt Peggy hobbles up to the house, and delivers the stereotyped address which has become more than familiar:—

"Mist'ess, I's come to take a las' look at you all. Le' me look at you good. Le' me look at de chillun,—de big chillun an' de li'le chillun. Le' me look at de picters an' de photygraphts an' de pianny, an' eve'ything 'fo' it's too late. One eye is done gone, an' de udder's a-gwine fas'. Any mo'nin' yo' po' ole Aunt Peggy gwine wake up an' fin' herse'f stone-bline."

After such a visit Aunt Peggy invariably returns to her cabin with a generously filled apron.

The scruple which Monsieur one time felt in supporting a woman for so many years in idleness has entirely disappeared. Of late his attitude towards Aunt Peggy is simply one of profound astonishment,—wonder at the surprising age which an old black woman may attain when she sets her mind to it, for Aunt Peggy is a hundred and twenty-five, so she says.

It may not be true, however. Possibly she is older.

THE RETURN OF ALCIBIADE.

Mr. Fred Bartner was sorely perplexed and annoyed to find that a wheel and tire of his buggy threatened to part company.

"Ef you want," said the negro boy who drove him, "we kin stop yonda at ole M'sié Jean Ba's an' fix it; he got de bes' black-smif shop in de pa'ish on his place."

"Who in the world is old Monsieur Jean Ba," the young man inquired.

"How come, suh, you don' know old M'sié Jean Baptiste Plochel? He ole, ole. He sorter quare in he head ev' sence his son M'sié Alcibiade got kill' in de wah. Yonda he live'; whar you sees dat che'okee hedge takin' up half de road."

Little more than twelve years ago, before the "Texas and Pacific" had joined the cities of New Orleans and Shreveport with its steel bands, it was a common thing to travel through miles of central Louisiana in a buggy. Fred Bartner, a young commission merchant of New Orleans, on business bent, had made the trip in this way by easy stages from his home to a point on Cane River, within a half day's journey of Natchitoches. From the mouth of Cane River he had passed one plantation after another,—large ones and small ones. There was nowhere sight of anything like a town, except the little hamlet of Cloutierville, through which they had sped in the gray dawn. "Dat town, hit's ole, ole; mos' a hund'ed year' ole, dey say. Uh, uh, look to me like it heap ol'r an' dat," the darkey had commented. Now they were within sight of Monsieur Jean Ba's towering Cherokee hedge.

It was Christmas morning, but the sun was warm and the air so soft and mild that Bartner found the most comfortable way to wear his light overcoat was across his knees. At the entrance to the plantation he dismounted and the negro drove away toward the smithy which stood on the edge of the field.

From the end of the long avenue of magnolias that led to it, the house which confronted Bartner looked grotesquely long in comparison with its height. It was one story, of pale, yellow stucco; its massive wooden shutters were a faded green. A wide gallery, topped by the overhanging roof, encircled it.

At the head of the stairs a very old man stood. His figure was small and shrunken, his hair long and snow-white. He wore a broad, soft felt hat, and a brown plaid shawl across his bent shoulders. A tall, graceful girl stood beside him; she was clad in a warm-colored blue stuff gown. She seemed to be expostulating with the old gentleman, who evidently wanted to descend the stairs to meet the approaching visitor. Before Bartner had had time to do more than lift his hat, Monsieur Jean Ba had thrown his trembling arms about the young man and was exclaiming in his quavering old tones: "À la fin! mon fils! à la fin!" Tears started to the girl's eyes and she was rosy with confusion. "Oh, escuse him, sir; please escuse him," she whisperingly entreated, gently striving to disengage the old gentleman's arms from around the astonished Bartner. But a new line of thought seemed fortunately to take possession of Monsieur Jean Ba, for he moved away and went quickly, pattering like a baby, down the gallery. His fleecy white hair streamed out on the soft breeze, and his brown shawl flapped as he turned the corner.

Bartner, left alone with the girl, proceeded to introduce himself and to explain his presence there.

"Oh! Mr. Fred Bartna of New Orleans? The commission merchant!" she exclaimed, cordially extending her hand. "So well known in Natchitoches parish. Not our merchant, Mr. Bartna," she added, naively, "but jus' as welcome, all the same, at my gran'father's."

Bartner felt like kissing her, but he only bowed and seated himself in the big chair which she offered him. He wondered what was the longest time it could take to mend a buggy tire.

She sat before him with her hands pressed down into her lap, and with an eagerness and pretty air of being confidential that were extremely engaging, explained the reasons for her grandfather's singular behavior.

Years ago, her uncle Alcibiade, in going away to the war, with the cheerful assurance of youth, had promised his father that he would return to eat Christmas dinner with him. He never returned. And now, of late years, since Monsieur Jean Ba had begun to fail in body and mind, that old, unspoken hope of long ago had come back to live anew in his heart. Every Christmas Day he watched for the coming of Alcibiade.

"Ah! if you knew, Mr. Bartna, how I have endeavor' to distrac' his mine from that thought! Weeks ago, I tole to all the negroes, big and li'le, 'If one of you dare to say the word, Christmas gif', in the hearing of Monsieur Jean Baptiste, you will have to answer it to me.'"

Bartner could not recall when he had been so deeply interested in a narration.

"So las' night, Mr. Bartna, I said to grandpère, 'Pépère, you know to-morrow will be the great feas' of la Trinité; we will read our litany together in the morning and say a chapelet.' He did not answer a word; il est malin, oui. But this morning at day-light he was rapping his cane on the back gallery, calling together the negroes. Did they not know it was Christmas Day, an' a great dinner mus' be prepare' for his son Alcibiade, whom he was especting!"

"And so he has mistaken me for his son Alcibiade. It is very unfortunate," said Bartner, sympathetically. He was a good-looking, honest-faced young fellow.

The girl arose, quivering with an inspiration. She approached Bartner, and in her eagerness laid her hand upon his arm.

"Oh, Mr. Bartna, if you will do me a favor! The greates' favor of my life!"

He expressed his absolute readiness.

"Let him believe, jus' for this one Christmas day, that you are his son. Let him have that Christmas dinner with Alcibiade, that he has been longing for so many year'."

Bartner's was not a puritanical conscience, but truthfulness was a habit as well as a principle with him, and he winced. "It seems to me it would be cruel to deceive him; it would not be"—he did not like to say "right," but she guessed that he meant it.

"Oh, for that," she laughed, "you may stay as w'ite as snow, Mr. Bartna. I will take all the sin on my conscience. I assume all the responsibility on my shoulder'."

"Esmée!" the old man was calling as he came trotting back, "Esmée, my child," in his quavering French, "I have ordered the dinner. Go see to the arrangements of the table, and have everything faultless."

The dining-room was at the end of the house, with windows opening upon the side and back galleries. There was a high, simply carved wooden mantelpiece, bearing a wide, slanting, old-fashioned mirror that reflected the table and its occupants. The table was laden with an overabundance. Monsieur Jean Ba sat at one end, Esmée at the other, and Bartner at the side.

Two "grif" boys, a big black woman and a little mulatto girl waited upon them; there was a reserve force outside within easy call, and the little black and yellow faces kept bobbing up constantly above the window-sills. Windows and doors were open, and a fire of hickory branches blazed on the hearth.

Monsieur Jean Ba ate little, but that little greedily and rapidly; then he stayed in rapt contemplation of his guest.

"You will notice, Alcibiade, the flavor of the turkey," he said. "It is dressed with pecans; those big ones from the tree down on the bayou. I had them gathered expressly." The delicate and rich flavor of the nut was indeed very perceptible.

Bartner had a stupid impression of acting on the stage, and had to pull himself together every now and then to throw off the stiffness of the amateur actor. But this discomposure amounted almost to paralysis when he found Mademoiselle Esmée taking the situation as seriously as her grandfather.

"Mon Dieu! uncle Alcibiade, you are not eating! Mais w'ere have you lef' your appetite? Corbeau, fill your young master's glass. Doralise, you are neglecting Monsieur Alcibiade; he is without bread."

Monsieur Jean Ba's feeble intelligence reached out very dimly; it was like a dream which clothes the grotesque and unnatural with the semblance of reality. He shook his head up and down with pleased approbation of Esmée's "Uncle Alcibiade," that tripped so glibly on her lips. When she arranged his after-dinner brûlot,—a lump of sugar in a flaming teaspoonful of brandy, dropped into a tiny cup of black coffee,—he reminded her, "Your Uncle Alcibiade takes two lumps, Esmée. The scamp! he is fond of sweets. Two or three lumps, Esmée." Bartner would have relished his brûlot greatly, prepared so gracefully as it was by Esmée's deft hands, had it not been for that superfluous lump.

After dinner the girl arranged her grandfather comfortably in his big armchair on the gallery, where he loved to sit when the weather permitted. She fastened his shawl about him and laid a second one across his knees. She shook up the pillow for his head, patted his sunken cheek and kissed his forehead under the soft-brimmed hat. She left him there with the sun warming his feet and old shrunken knees.

Esmée and Bartner walked together under the magnolias. In walking they trod upon the violet borders that grew rank and sprawling, and the subtle perfume of the crushed flowers scented the air deliciously. They stooped and plucked handfuls of them. They gathered roses, too, that were blooming yet against the warm south end of the house; and they chattered and laughed like children. When they sat in the sunlight upon the low steps to arrange the flowers they had broken, Bartner's conscience began to prick him anew.

"You know," he said, "I can't stay here always, as well as I should like to. I shall have to leave presently; then your grandfather will discover that we have been deceiving him,—and you can see how cruel that will be."

"Mr. Bartna," answered Esmée, daintily holding a rosebud up to her pretty nose, "W'en I awoke this morning an' said my prayers, I prayed to the good God that He would give one happy Christmas day to my gran'father. He has answered my prayer; an' He does not sen' his gif's incomplete. He will provide.

"Mr. Bartna, this morning I agreed to take all responsibility on my shoulder', you remember? Now, I place all that responsibility on the shoulder' of the blessed Virgin."

Bartner was distracted with admiration; whether for this beautiful and consoling faith, or its charming votary, was not quite clear to him.

Every now and then Monsieur Jean Ba would call out, "Alcibiade, mon fils!" and Bartner would hasten to his side. Sometimes the old man had forgotten what he wanted to say. Once it was to ask if the salad had been to his liking, or if he would, perhaps, not have preferred the turkey aux truffes.

"Alcibiade, mon fils!" Again Bartner amiably answered the summons. Monsieur Jean Ba took the young man's hand affectionately in his, but limply, as children hold hands. Bartner's closed firmly around it. "Alcibiade, I am going to take a little nap now. If Robert McFarlane comes while I am sleeping, with more talk of wanting to buy Nég Sévérin, tell him I will sell none of my slaves; not the least little négrillon. Drive him from the place with the shot-gun. Don't be afraid to use the shot-gun, Alcibiade,—when I am asleep,—if he comes."

Esmée and Bartner forgot that there was such a thing as time, and that it was passing. There were no more calls of "Alcibiade, mon fils!" As the sun dipped lower and lower in the west, its light was creeping, creeping up and illuming the still body of Monsieur Jean Ba. It lighted his waxen hands, folded so placidly in his lap; it touched his shrunken bosom. When it reached his face, another brightness had come there before it,—the glory of a quiet and peaceful death.

Bartner remained over night, of course, to add what assistance he could to that which kindly neighbors offered.

In the early morning, before taking his departure, he was permitted to see Esmée. She was overcome with sorrow, which he could hardly hope to assuage, even with the keen sympathy which he felt.

"And may I be permitted to ask, Mademoiselle, what will be your plans for the future?"

"Oh," she moaned, "I cannot any longer remain upon the ole plantation, which would not be home without grandpère. I suppose I shall go to live in New Orleans with my tante Clémentine." The last was spoken in the depths of her handkerchief.

Bartner's heart bounded at this intelligence in a manner which he could not but feel was one of unbecoming levity. He pressed her disengaged hand warmly, and went away.

The sun was again shining brightly, but the morning was crisp and cool; a thin wafer of ice covered what had yesterday been pools or water in the road. Bartner buttoned his coat about him closely. The shrill whistles of steam cotton-gins sounded here and there. One or two shivering negroes were in the field gathering what shreds of cotton were left on the dry, naked stalks. The horses snorted with satisfaction, and their strong hoof-beats rang out against the hard ground.

"Urge the horses," Bartner said; "they 've had a good rest and we want to push on to Natchitoches."

"You right, suh. We done los' a whole blesse' day,—a plumb day."

"Why, so we have," said Bartner, "I had n't thought of it."

A RUDE AWAKENING.

"Take de do' an' go! You year me? Take de do'!"

Lolotte's brown eyes flamed. Her small frame quivered. She stood with her back turned to a meagre supper-table, as if to guard it from the man who had just entered the cabin. She pointed toward the door, to order him from the house.

"You mighty cross to-night, Lolotte. You mus' got up wid de wrong foot to's mo'nin'. Hein, Veveste? hein, Jacques, w'at you say?"

The two small urchins who sat at table giggled in sympathy with their father's evident good humor.

"I'm we' out, me!" the girl exclaimed, desperately, as she let her arms fall limp at her side. "Work, work! Fu w'at? Fu feed de lazies' man in Natchitoches pa'ish."

"Now, Lolotte, you think w'at you say in'," expostulated her father. "Sylveste Bordon don' ax nobody to feed 'im."

"W'en you brought a poun' of suga in de house?" his daughter retorted hotly, "or a poun' of coffee? W'en did you brought a piece o' meat home, you? An' Nonomme all de time sick. Co'n bread an' po'k, dat's good fu Veveste an' me an' Jacques; but Nonomme? no!"

She turned as if choking, and cut into the round, soggy "pone" of corn bread which was the main feature of the scanty supper.

"Po' li'le Nonomme; we mus' fine some'in' to break dat fevah. You want to kill a chicken once a w'ile fu Nonomme, Lolotte." He calmly seated himself at the table.

"Did n' I done put de las' roostah in de pot?" she cried with exasperation. "Now you come axen me fu kill de hen'! W'ere I goen to fine aigg' to trade wid, w'en de hen' be gone? Is I got one picayune in de house fu trade wid, me?"

"Papa," piped the young Jacques, "w'at dat I yeard you drive in de yard, w'ile go?"

"Dat's it! W'en Lolotte would n' been talken' so fas', I could tole you 'bout dat job I got fu to-morrow. Dat was Joe Duplan's team of mule' an' wagon, wid t'ree bale' of cotton, w'at you yaird. I got to go soon in de mo'nin' wid dat load to de landin'. An' a man mus' eat w'at got to work; dat's sho."

Lolotte's bare brown feet made no sound upon the rough boards as she entered the room where Nonomme lay sick and sleeping. She lifted the coarse mosquito net from about him, sat down in the clumsy chair by the bedside, and began gently to fan the slumbering child.

Dusk was falling rapidly, as it does in the South. Lolotte's eyes grew round and big, as she watched the moon creep up from branch to branch of the moss-draped live-oak just outside her window. Presently the weary girl slept as profoundly as Nonomme. A little dog sneaked into the room, and socially licked her bare feet. The touch, moist and warm, awakened Lolotte.

The cabin was dark and quiet. Nonomme was crying softly, because the mosquitoes were biting him. In the room beyond, old Sylveste and the others slept. When Lolotte had quieted the child, she went outside to get a pail of cool, fresh water at the cistern. Then she crept into bed beside Nonomme, who slept again.

Lolotte's dreams that night pictured her father returning from work, and bringing luscious oranges home in his pocket for the sick child.

When at the very break of day she heard him astir in his room, a certain comfort stole into her heart. She lay and listened to the faint noises of his preparations to go out. When he had quitted the house, she waited to hear him drive the wagon from the yard.

She waited long, but heard no sound of horse's tread or wagon-wheel. Anxious, she went to the cabin door and looked out. The big mules were still where they had been fastened the night before. The wagon was there, too.

Her heart sank. She looked quickly along the low rafters supporting the roof of the narrow porch to where her father's fishing pole and pail always hung. Both were gone.

"'T ain' no use, 't ain' no use," she said, as she turned into the house with a look of something like anguish in her eyes.

When the spare breakfast was eaten and the dishes cleared away, Lolotte turned with resolute mien to the two little brothers.

"Veveste," she said to the older, "go see if dey got co'n in dat wagon fu feed deni mule'."

"Yes, dey got co'n. Papa done feed 'em, fur I see de co'n-cob in de trough, me."

"Den you goen he'p me hitch dem mule, to de wagon. Jacques, go down de lane an' ax Aunt Minty if she come set wid Nonomme w'ile I go drive dem mule' to de landin'."

Lolotte had evidently determined to undertake her father's work. Nothing could dissuade her; neither the children's astonishment nor Aunt Minty's scathing disapproval. The fat black negress came laboring into the yard just as Lolotte mounted upon the wagon.

"Git down f'om dah, chile! Is you plumb crazy?" she exclaimed.

"No, I ain't crazy; I'm hungry, Aunt Minty. We all hungry. Somebody got fur work in dis fam'ly."

"Dat ain't no work fur a gal w'at ain't bar' seventeen year ole; drivin' Marse Duplan's mules! W'at I gwine tell yo' pa?"

"Fu me, you kin tell 'im w'at you want. But you watch Nonomme. I done cook his rice an' set it 'side."

"Don't you bodda," replied Aunt Minty; "I got somepin heah fur my boy. I gwine 'ten' to him."

Lolotte had seen Aunt Minty put something out of sight when she came up, and made her produce it. It was a heavy fowl.

"Sence w'en you start raisin' Brahma chicken', you?" Lolotte asked mistrustfully.

"My, but you is a cu'ious somebody! Ev'ything w'at got fedders on its laigs is Brahma chicken wid you. Dis heah ole hen"—

"All de same, you don't got fur give dat chicken to eat to Nonomme. You don't got fur cook 'im in my house."

Aunt Minty, unheeding, turned to the house with blustering inquiry for her boy, while Lolotte drove away with great clatter.

She knew, notwithstanding her injunction, that the chicken would be cooked and eaten. Maybe she herself would partake of it when she came back, if hunger drove her too sharply.

"Nax' thing I'm goen be one rogue," she muttered; and the tears gathered and fell one by one upon her cheeks.

"It do look like one Brahma, Aunt Mint," remarked the small and weazened Jacques, as he watched the woman picking the lusty fowl.

"How ole is you?" was her quiet retort.

"I don' know, me."

"Den if you don't know dat much, you betta keep yo' mouf shet, boy."

Then silence fell, but for a monotonous chant which the woman droned as she worked. Jacques opened his lips once more.

"It do look like one o' Ma'me Duplan' Brahma, Aunt Mint."

"Yonda, whar I come f'om, befo' de wah"—

"Ole Kaintuck, Aunt Mint?"

"Ole Kaintuck."

"Dat ain't one country like dis yere, Aunt Mint?"

"You mighty right, chile, dat ain't no sech kentry as dis heah. Yonda, in Kaintuck, w'en boys says de word 'Brahma chicken,' we takes an' gags 'em, an' ties dar han's behines 'em, an' fo'ces 'em ter stan' up watchin' folks settin' down eatin' chicken soup."

Jacques passed the back of his hand across his mouth; but lest the act should not place sufficient seal upon it; he prudently stole away to go and sit beside Nonomme, and wait there as patiently as he could the coming feast.

And what a treat it was! The luscious soup,—a great pot of it,—golden yellow, thickened with the flaky rice that Lolotte had set carefully on the shelf. Each mouthful of it seemed to carry fresh blood into the veins and a new brightness into the eyes of the hungry children who ate of it.

And that was not all. The day brought abundance with it. Their father came home with glistening perch and trout that Aunt Minty broiled deliciously over glowing embers, and basted with the rich chicken fat.

"You see," explained old Sylveste, "w'en I git up to 's mo'nin' an' see it was cloudy, I say to me, 'Sylveste, w'en you go wid dat cotton, rememba you got no tarpaulin. Maybe it rain, an' de cotton was spoil. Betta you go yonda to Lafirme Lake, w'ere de trout was bitin' fas'er 'an mosquito, an' so you git a good mess fur de chil'en.' Lolotte —w'at she goen do yonda? You ought stop Lolotte, Aunt Minty, w'en you see w'at she was want to do."

"Did n' I try to stop 'er? Did n' I ax 'er, 'W'at I gwine tell yo' pa?' An' she 'low, 'Tell 'im to go hang hisse'f, de triflind ole rapscallion! I's de one w'at's runnin' dis heah fambly!'"

"Dat don' soun' like Lolotte, Aunt Minty; you mus' yaird 'er crooked; hein, Nonomme?"

The quizzical look in his good-natured features was irresistible. Nonomme fairly shook with merriment.

"My head feel so good," he declared. "I wish Lolotte would come, so I could tole 'er." And he turned in his bed to look down the long, dusty lane, with the hope of seeing her appear as he had watched her go, sitting on one of the cotton bales and guiding the mules.

But no one came all through the hot morning. Only at noon a broad-shouldered young negro appeared in view riding through the dust. When he had dismounted at the cabin door, he stood leaning a shoulder lazily against the jamb.

"Well, heah you is," he grumbled, addressing Sylveste with no mark of respect.

"Heah you is, settin' down like comp'ny, an' Marse Joe yonda sont me see if you was dead."

"Joe Duplan boun' to have his joke, him," said Sylveste, smiling uneasily.

"Maybe it look like a joke to you, but 't aint no joke to him, man, to have one o' his wagons smoshed to kindlin', an' his bes' team tearin' t'rough de country. You don't want to let 'im lay ban's on you, joke o' no joke."

"Malédiction!" howled Sylveste, as he staggered to his feet. He stood for one instant irresolute; then he lurched past the man and ran wildly down the lane. He might have taken the horse that was there, but he went tottering on afoot, a frightened look in his eyes, as if his soul gazed upon an inward picture that was horrible.

The road to the landing was little used. As Sylveste went he could readily trace the marks of Lolotte's wagon-wheels. For some distance they went straight along the road. Then they made a track as if a madman had directed their course, over stump and hillock, tearing the bushes and barking the trees on either side.

At each new turn Sylveste expected to find Lolotte stretched senseless upon the ground, but, there was never a sign of her.

At last he reached the landing, which was a dreary spot, slanting down to the river and partly cleared to afford room for what desultory freight might be left there from time to time. There were the wagon-tracks, clean down to the river's edge and partly in the water, where they made a sharp and senseless turn. But Sylveste found no trace of his girl.

"Lolotte!" the old man cried out into the stillness. "Lolotte, ma fille, Lolotte!" But no answer came; no sound but the echo of his own voice, and the soft splash of the red water that lapped his feet.

He looked down at it, sick with anguish and apprehension.

Lolotte had disappeared as completely as if the earth had opened and swallowed her. After a few days it became the common belief that the girl had been drowned. It was thought that she must have been hurled from the wagon into the water during the sharp turn that the wheel-tracks indicated, and carried away by the rapid current.

During the days of search, old Sylveste's excitement kept him up. When it was over, an apathetic despair seemed to settle upon him.

Madame Duplan, moved by sympathy, had taken the little four-year-old Nonomme to the plantation Les Chêniers, where the child was awed by the beauty and comfort of things that surrounded him there. He thought always that Lolotte would come back, and watched for her every day; for they did not tell him the sad tidings of her loss.

The other two boys were placed in the temporary care of Aunt Minty; and old Sylveste roamed like a persecuted being through the country. He who had been a type of indolent content and repose had changed to a restless spirit.

When he thought to eat, it was in some humble negro cabin that he stopped to ask for food, which was never denied him. His grief had clothed him with a dignity that imposed respect.

One morning very early he appeared before the planter with a disheveled and hunted look.

"M'sieur Duplan," he said, holding his hat in his hand and looking away into vacancy, "I been try ev'thing. I been try settin' down still on de sto' gall'ry. I been walk, I been run; 't ain' no use. Dey got al'ays some'in' w'at push me. I go fishin', an' it's some'in' w'at push me worser 'an ever. By gracious! M'sieur Duplan, gi' me some work!"

The planter gave him at once a plow in hand, and no plow on the whole plantation dug so deep as that one, nor so fast. Sylveste was the first in the field, as he was the last one there. From dawn to nightfall he worked, and after, till his limbs refused to do his bidding.

People came to wonder, and the negroes began to whisper hints of demoniacal possession.

When Mr. Duplan gave careful thought to the subject of Lolotte's mysterious disappearance, an idea came to him. But so fearful was he to arouse false hopes in the breasts of those who grieved for the girl that to no one did he impart his suspicions save to his wife. It was on the eve of a business trip to New Orleans that he told her what he thought, or what he hoped rather.

Upon his return, which happened not many days later, he went out to where old Sylveste was toiling in the field with frenzied energy.

"Sylveste," said the planter, quietly, when he had stood a moment watching the man at work, "have you given up all hope of hearing from your daughter?"

"I don' know, me; I don' know. Le' me work, M'sieur Duplan."

"For my part, I believe the child is alive."

"You b'lieve dat, you?" His rugged face was pitiful in its imploring lines.

"I know it," Mr. Duplan muttered, as calmly as he could. "Hold up! Steady yourself, man! Come; come with me to the house. There is some one there who knows it, too; some one who has seen her."

The room into which the planter led the old man was big, cool, beautiful, and sweet with the delicate odor of flowers. It was shady, too, for the shutters were half closed; but not so darkened but Sylveste could at once see Lolotte, seated in a big wicker chair.

She was almost as white as the gown she wore. Her neatly shod feet rested upon a cushion, and her black hair, that had been closely cut, was beginning to make little rings about her temples.

"Aie!" he cried sharply, at sight of her, grasping his seamed throat as he did so. Then he laughed like a madman, and then he sobbed.

He only sobbed, kneeling upon the floor beside her, kissing her knees and her hands, that sought his. Little Nonomme was close to her, with a health flush creeping into his cheek. Veveste and Jacques were there, and rather awed by the mystery and grandeur of everything.

"W'ere'bouts you find her, M'sieur Duplan?" Sylveste asked, when the first flush of his joy had spent itself, and he was wiping his eyes with his rough cotton shirt sleeve.

"M'sieur Duplan find me 'way yonda to de city, papa, in de hospital," spoke Lolotte, before the planter could steady his voice to reply. "I did n' know who ev'ybody was, me. I did n' know me, myse'f, tell I tu'n roun' one day an' see M'sieur Duplan, w'at stan'en dere."

"You was boun' to know M'sieur Duplan, Lolotte," laughed Sylveste, like a child.

"Yes, an' I know right 'way how dem mule was git frighten' w'en de boat w'istle fu stop, an' pitch me plumb on de groun'. An' I rememba it was one mulâtresse w'at call herse'f one chembamed, all de time aside me."

"You must not talk too much, Lolotte," interposed Madame Duplan, coming to place her hand with gentle solicitude upon the girl's forehead, and to feel how her pulse beat.

Then to save the child further effort of speech, she herself related how the boat had stopped at this lonely landing to take on a load of cotton-seed. Lolotte had been found stretched insensible by the river, fallen apparently from the clouds, and had been taken on board.

The boat had changed its course into other waters after that trip, and had not returned to Duplan's Landing. Those who had tended Lolotte and left her at the hospital supposed, no doubt, that she would make known her identity in time, and they had troubled themselves no further about her.

"An' dah you is!" almost shouted aunt Minty, whose black face gleamed in the doorway; "dah you is, settin' down, lookin' jis' like w'ite folks!"

"Ain't I always was w'ite folks, Aunt Mint?" smiled Lolotte, feebly.

"G'long, chile. You knows me. I don' mean no harm."

"And now, Sylveste," said Mr. Duplan, as he rose and started to walk the floor, with hands in his pockets, "listen to me. It will be a long time before Lolotte is strong again. Aunt Minty is going to look after things for you till the child is fully recovered. But what I want to say is this: I shall trust these children into your hands once more, and I want you never to forget again that you are their father—do you hear?—that you are a man!"

Old Sylveste stood with his hand in Lolotte's, who rubbed it lovingly against her cheek.

"By gracious! M'sieur Duplan," he answered, "w'en God want to he'p me, I'm goen try my bes'!"

THE BÊNITOUS' SLAVE.

Old Uncle Oswald believed he belonged to the Bênitous, and there was no getting the notion out of his head. Monsieur tried every way, for there was no sense in it. Why, it must have been fifty years since the Bênitous owned him. He had belonged to others since, and had later been freed. Beside, there was not a Bênitou left in the parish now, except one rather delicate woman, who lived with her little daughter in a corner of Natchitoches town, and constructed "fashionable millinery." The family had dispersed, and almost vanished, and the plantation as well had lost its identity.

But that made no difference to Uncle Oswald. He was always running away from Monsieur—who kept him out of pure kindness—and trying to get back to those Bênitous.

More than that, he was constantly getting injured in such attempts. Once he fell into the bayou and was nearly drowned. Again he barely escaped being run down by an engine. But another time, when he had been lost two days, and finally discovered in an unconscious and half-dead condition in the woods, Monsieur and Doctor Bonfils reluctantly decided that it was time to "do something" with the old man.

So, one sunny spring morning, Monsieur took Uncle Oswald in the buggy, and drove over to Natchitoches with him, intending to take the evening train for the institution in which the poor creature was to be cared for.

It was quite early in the afternoon when they reached town, and Monsieur found himself with several hours to dispose of before train-time. He tied his horses in front of the hotel—the quaintest old stuccoed house, too absurdly unlike a "hotel" for anything—and entered. But he left Uncle Oswald seated upon a shaded bench just within the yard.

There were people occasionally coming in and going out; but no one took the smallest notice of the old negro drowsing over the cane that he held between his knees. The sight was common in Natchitoches.

One who passed in was a little girl about twelve, with dark, kind eyes, and daintily carrying a parcel. She was dressed in blue calico, and wore a stiff white sun-bonnet, extinguisher fashion, over her brown curls.

Just as she passed Uncle Oswald again, on her way out, the old man, half asleep, let fall his cane. She picked it up and handed it back to him, as any nice child would have done.

"Oh, thankee, thankee, missy," stammered Uncle Oswald, all confused at being waited upon by this little lady. "You is a putty li'le gal. W'at's yo' name, honey?"

"My name's Susanne; Susanne Bênitou," replied the girl.

Instantly the old negro stumbled to his feet. Without a moment's hesitancy he followed the little one out through the gate, down the street, and around the corner.

It was an hour later that Monsieur, after a distracted search, found him standing upon the gallery of the tiny house in which Madame Bênitou kept "fashionable millinery."

Mother and daughter were sorely perplexed to comprehend the intentions of the venerable servitor, who stood, hat in hand, persistently awaiting their orders.

Monsieur understood and appreciated the situation at once, and he has prevailed upon Madame Bênitou to accept the gratuitous services of Uncle Oswald for the sake of the old darky's own safety and happiness.

Uncle Oswald never tries to run away now. He chops wood and hauls water. He cheerfully and faithfully bears the parcels that Susanne used to carry; and makes an excellent cup of black coffee.

I met the old man the other day in Natchitoches, contentedly stumbling down St. Denis street with a basket of figs that some one was sending to his mistress. I asked him his name.

"My name's Oswal', Madam; Oswal'—dat's my name. I b'longs to de Bênitous," and some one told me his story then.

DÉSIRÉE'S BABY.

As the day was pleasant, Madame Valmondé drove over to L'Abri to see Désirée and the baby.

It made her laugh to think of Désirée with a baby. Why, it seemed but yesterday that Désirée was little more than a baby herself; when Monsieur in riding through the gateway of Valmondé had found her lying asleep in the shadow of the big stone pillar.

The little one awoke in his arms and began to cry for "Dada." That was as much as she could do or say. Some people thought she might have strayed there of her own accord, for she was of the toddling age. The prevailing belief was that she had been purposely left by a party of Texans, whose canvas-covered wagon, late in the day, had crossed the ferry that Coton Maïs kept, just below the plantation. In time Madame Valmondé abandoned every speculation but the one that Désirée had been sent to her by a beneficent Providence to be the child of her affection, seeing that she was without child of the flesh. For the girl grew to be beautiful and gentle, affectionate and sincere,—the idol of Valmondé.

It was no wonder, when she stood one day against the stone pillar in whose shadow she had lain asleep, eighteen years before, that Armand Aubigny riding by and seeing her there, had fallen in love with her. That was the way all the Aubignys fell in love, as if struck by a pistol shot. The wonder was that he had not loved her before; for he had known her since his father brought him home from Paris, a boy of eight, after his mother died there. The passion that awoke in him that day, when he saw her at the gate, swept along like an avalanche, or like a prairie fire, or like anything that drives headlong over all obstacles.

Monsieur Valmondé grew practical and wanted things well considered: that is, the girl's obscure origin. Armand looked into her eyes and did not care. He was reminded that she was nameless. What did it matter about a name when he could give her one of the oldest and proudest in Louisiana? He ordered the corbeille from Paris, and contained himself with what patience he could until it arrived; then they were married.

Madame Valmondé had not seen Désirée and the baby for four weeks. When she reached L'Abri she shuddered at the first sight of it, as she always did. It was a sad looking place, which for many years had not known the gentle presence of a mistress, old Monsieur Aubigny having married and buried his wife in France, and she having loved her own land too well ever to leave it. The roof came down steep and black like a cowl, reaching out beyond the wide galleries that encircled the yellow stuccoed house. Big, solemn oaks grew close to it, and their thick-leaved, far-reaching branches shadowed it like a pall. Young Aubigny's rule was a strict one, too, and under it his negroes had forgotten how to be gay, as they had been during the old master's easy-going and indulgent lifetime.

The young mother was recovering slowly, and lay full length, in her soft white muslins and laces, upon a couch. The baby was beside her, upon her arm, where he had fallen asleep, at her breast. The yellow nurse woman sat beside a window fanning herself.

Madame Valmondé bent her portly figure over Désirée and kissed her, holding her an instant tenderly in her arms. Then she turned to the child.

"This is not the baby!" she exclaimed, in startled tones. French was the language spoken at Valmondé in those days.

"I knew you would be astonished," laughed Désirée, "at the way he has grown. The little cochon de lait! Look at his legs, mamma, and his hands and finger-nails,—real finger-nails. Zandrine had to cut them this morning. Is n't it true, Zandrine?"

The woman bowed her turbaned head majestically, "Mais si, Madame."

"And the way he cries," went on Désirée, "is deafening. Armand heard him the other day as far away as La Blanche's cabin."

Madame Valmondé had never removed her eyes from the child. She lifted it and walked with it over to the window that was lightest. She scanned the baby narrowly, then looked as searchingly at Zandrine, whose face was burned to gaze across the fields.

"Yes, the child has grown, has changed;" said Madame Valmondé, slowly, as she replaced it beside its mother. "What does Armand say?"

Désirée's face became suffused with a glow that was happiness itself.

"Oh, Armand is the proudest father in the parish, I believe, chiefly because it is a boy, to bear his name; though he says not,—that he would have loved a girl as well. But I know it is n't true. I know he says that to please me. And mamma," she added, drawing Madame Valmondé's head down to her, and speaking in a whisper, "he has n't punished one of them—not one of them—since baby is born. Even Négrillon, who pretended to have burnt his leg that he might rest from work—he only, laughed, and said Négrillon was a great scamp. Oh, mamma, I'm so happy; it frightens me."

What Désirée said was true. Marriage, and later the birth of his son, had softened Armand Aubigny's imperious and exacting nature greatly. This was what made the gentle Désirée so happy, for she loved him desperately. When he frowned she trembled, but loved him. When he smiled, she asked no greater blessing of God. But Armand's dark, handsome face had not often been disfigured by frowns since the day he fell in love with her.

When the baby was about three months old, Désirée awoke one day to the conviction that there was something in the air menacing her peace. It was at first too subtle to grasp. It had only been a disquieting suggestion; an air of mystery among the blacks; unexpected visits from far-off neighbors who could hardly account for their coming. Then a strange, an awful change in her husband's manner, which she dared not ask him to explain. When he spoke to her, it was with averted eyes, from which the old love-light seemed to have gone out. He absented himself from home; and when there, avoided her presence and that of her child, without excuse. And the very spirit of Satan seemed suddenly to take hold of him in his dealings with the slaves. Désirée was miserable enough to die.

She sat in her room, one hot afternoon, in her peignoir, listlessly drawing through her fingers the strands of her long, silky brown hair that hung about her shoulders. The baby, half naked, lay asleep upon her own great mahogany bed, that was like a sumptuous throne, with its satin-lined half-canopy. One of La Blanche's little quadroon boys—half naked too—stood fanning the child slowly with a fan of peacock feathers. Désirée's eyes had been fixed absently and sadly upon the baby, while she was striving to penetrate the threatening mist that she felt closing about her. She looked from her child to the boy who stood beside him, and back again; over and over. "Ah!" It was a cry that she could not help; which she was not conscious of having uttered. The blood turned like ice in her veins, and a clammy moisture gathered upon her face.

She tried to speak to the little quadroon boy; but no sound would come, at first. When he heard his name uttered, he looked up, and his mistress was pointing to the door. He laid aside the great, soft fan, and obediently stole away, over the polished floor, on his bare tiptoes.

She stayed motionless, with gaze riveted upon her child, and her face the picture of fright.

Presently her husband entered the room, and without noticing her, went to a table and began to search among some papers which covered it.

"Armand," she called to him, in a voice which must have stabbed him, if he was human. But he did not notice. "Armand," she said again. Then she rose and tottered towards him. "Armand," she panted once more, clutching his arm, "look at our child. What does it mean? tell me."

He coldly but gently loosened her fingers from about his arm and thrust the hand away from him. "Tell me what it means!" she cried despairingly.

"It means," he answered lightly, "that the child is not white; it means that you are not white."

A quick conception of all that this accusation meant for her nerved her with unwonted courage to deny it. "It is a lie; it is not true, I am white! Look at my hair, it is brown; and my eyes are gray, Armand, you know they are gray. And my skin is fair," seizing his wrist. "Look at my hand; whiter than yours, Armand," she laughed hysterically.

"As white as La Blanche's," he returned cruelly; and went away leaving her alone with their child.

When she could hold a pen in her hand, she sent a despairing letter to Madame Valmondé.

"My mother, they tell me I am not white. Armand has told me I am not white. For God's sake tell them it is not true. You must know it is not true. I shall die. I must die. I cannot be so unhappy, and live.".

The answer that came was as brief:

"My own Désirée: Come home to Valmondé; back to your mother who loves you. Come with your child."

When the letter reached Désirée she went with it to her husband's study, and laid it open upon the desk before which he sat. She was like a stone image: silent, white, motionless after she placed it there.

In silence he ran his cold eyes over the written words. He said nothing. "Shall I go, Armand?" she asked in tones sharp with agonized suspense.

"Yes, go."

"Do you want me to go?"

"Yes, I want you to go."

He thought Almighty God had dealt cruelly and unjustly with him; and felt, somehow, that he was paying Him back in kind when he stabbed thus into his wife's soul. Moreover he no longer loved her, because of the unconscious injury she had brought upon his home and his name.

She turned away like one stunned by a blow, and walked slowly towards the door, hoping he would call her back.

"Good-by, Armand," she moaned.

He did not answer her. That was his last blow at fate.

Désirée went in search of her child. Zandrine was pacing the sombre gallery with it. She took the little one from the nurse's arms with no word of explanation, and descending the steps, walked away, under the live-oak branches.

It was an October afternoon; the sun was just sinking. Out in the still fields the negroes were picking cotton.

Désirée had not changed the thin white garment nor the slippers which she wore. Her hair was uncovered and the sun's rays brought a golden gleam from its brown meshes. She did not take the broad, beaten road which led to the far-off plantation of Valmondé. She walked across a deserted field, where the stubble bruised her tender feet, so delicately shod, and tore her thin gown to shreds.

She disappeared among the reeds and willows that grew thick along the banks of the deep, sluggish bayou; and she did not come back again.

Some weeks later there was a curious scene enacted at L'Abri. In the centre of the smoothly swept back yard was a great bonfire. Armand Aubigny sat in the wide hall-way that commanded a view of the spectacle; and it was he who dealt out to a half dozen negroes the material which kept this fire ablaze.

A graceful cradle of willow, with all its dainty furbishings, was laid upon the pyre, which had already been fed with the richness of a priceless layette. Then there were silk gowns, and velvet and satin ones added to these; laces, too, and embroideries; bonnets and gloves; for the corbeille had been of rare quality.

The last thing to go was a tiny bundle of letters; innocent little scribblings that Désirée had sent to him during the days of their espousal. There was the remnant of one back in the drawer from which he took them. But it was not Désirée's; it was part of an old letter from his mother to his father. He read it. She was thanking God for the blessing of her husband's love:—

"But, above all," she wrote, "night and day, I thank the good God for having so arranged our lives that our dear Armand will never know that his mother, who adores him, belongs to the race that is cursed with the brand of slavery."

A TURKEY HUNT

Three of Madame's finest bronze turkeys were missing from the brood. It was nearing Christmas, and that was the reason, perhaps, that even Monsieur grew agitated when the discovery was made. The news was brought to the house by Sévérin's boy, who had seen the troop at noon a half mile up the bayou three short. Others reported the deficiency as even greater. So, at about two in the afternoon, though a cold drizzle had begun to fall, popular feeling in the matter was so strong that all the household forces turned out to search for the missing gobblers.

Alice, the housemaid, went down the river, and Polisson the yard-boy, went up the bayou. Others crossed the fields, and Artemise was rather vaguely instructed to "go look too."

Artemise is in some respects an extraordinary person. In age she's anywhere between 10 and 15, with a head not unlike in shape and appearance to a dark chocolate-colored Easter-egg. She talks most wholly in monosyllables, and has big round glassy eyes, which she fixes upon one with the placid gaze of an Egyptian sphinx.

The morning after my arrival at the plantation, I was awakened by the rattling of cups at my bedside. It was Artemise with the early coffee.

"Is it cold out?" I asked by way of conversation, as I sipped the tiny cup of ink-black coffee.

"Ya, 'm."

"Where do you sleep, Artemise?" I further inquired, with the same intention as before.

"In uh hole," was precisely what she said, with a pump-like motion of the arm that she habitually uses to indicate a locality. What she meant was that she slept in the hall.

Again, another time, she came with an armful of wood, and having deposited it upon the hearth, turn to stare fixedly at me, with folded hands.

"Did Madame send you to build a fire, Artemise?" I hastened to ask, feeling uncomfortable under the look.

"Ya, 'm."

"Very well; make it."

"Matches!" was all she said.

There happened to be no matches in my room, and she evidently considered that all personal responsibility ceased in face of this first and not very serious obstacle. Pages might be told of her unfathomable ways; but to the turkey hunt.

All afternoon the searching party kept returning, singly and in couples, and in a more or less bedraggled condition. All brought unfavorable reports. Nothing could be seen of the missing fowls. Artemise had been absent probably an hour when she glided into the hall where the family was assembled, an stood with crossed hands and contemplative air beside the fire. We could see by the benign expression of her countenance that she possibly had information to give, if any inducement were offered her in the shape of a question.

"Have you found the turkeys, Artemise?" Madame hastened to ask.

"Ya, 'm."

"You Artemise!" shouted Aunt Florindy, the cook, who was passing through the hall with a batch of newly baked light bread. "She's a-lyin', mist'ess, if dey ever was! You foun' dem turkeys?" upon the child. "Whar was you at, de whole blesse' time? Warn't you stan'in' plank up agin de back o' de hen-'ous'? Never budged a inch? Don't jaw me down, gal; don't jaw me!" Artemise was only gazing at Aunt Florindy with unruffled calm. "I warn't gwine tell on 'er, but arter dat untroof, I boun' to."

"Let her alone, Aunt Florindy," Madame interfered. "Where are the turkeys, Artemise?"

"Yon'a," she simply articulated, bringing the pump-handle motion of her arm into play.

"Where 'yonder'?" Madame demanded, a little impatiently.

"In uh hen-'ous'!"

Sure enough! The three missing turkeys had been accidentally locked up in the morning when the chickens were fed.

Artemise, for some unknown reason, had hidden herself during the search behind the hen-house, and had heard their muffled gobble.

MADAME CÉLESTIN'S DIVORCE.

Madame Célestin always wore a neat and snugly fitting calico wrapper when she went out in the morning to sweep her small gallery. Lawyer Paxton thought she looked very pretty in the gray one that was made with a graceful Watteau fold at the back: and with which she invariably wore a bow of pink ribbon at the throat. She was always sweeping her gallery when lawyer Paxton passed by in the morning on his way to his office in St. Denis Street.

Sometimes he stopped and leaned over the fence to say good-morning at his ease; to criticise or admire her rosebushes; or, when he had time enough, to hear what she had to say. Madame Célestin usually had a good deal to say. She would gather up the train of her calico wrapper in one hand, and balancing the broom gracefully in the other, would go tripping down to where the lawyer leaned, as comfortably as he could, over her picket fence.

Of course she had talked to him of her troubles. Every one knew Madame Célestin's troubles.

"Really, madame," he told her once, in his deliberate, calculating, lawyer—tone, "it's more than human nature—woman's nature—should be called upon to endure. Here you are, working your fingers off"—she glanced down at two rosy finger-tips that showed through the rents in her baggy doe-skin gloves—"taking in sewing; giving music lessons; doing God knows what in the way of manual labor to support yourself and those two little ones"—Madame Célestin's pretty face beamed with satisfaction at this enumeration of her trials.

"You right, Judge. Not a picayune, not one, not one, have I lay my eyes on in the pas' fo' months that I can say Célestin give it to me or sen' it to me."

"The scoundrel!" muttered lawyer Paxton in his beard.

"An' pourtant," she resumed, "they say he's making money down roun' Alexandria w'en he wants to work."

"I dare say you have n't seen him for months?" suggested the lawyer.

"It's good six month' since I see a sight of Célestin," she admitted.

"That's it, that's what I say; he has practically deserted you; fails to support you. It wouldn't surprise me a bit to learn that he has ill treated you."

"Well, you know, Judge," with an evasive cough, "a man that drinks—w'at can you expec'? An' if you would know the promises he has made me! Ah, if I had as many dolla' as I had promise from Célestin, I would n' have to work, je vous garantis."

"And in my opinion, madame, you would be a foolish woman to endure it longer, when the divorce court is there to offer you redress."

"You spoke about that befo', Judge; I'm goin' think about that divo'ce. I believe you right."

Madame Célestin thought about the divorce and talked about it, too; and lawyer Paxton grew deeply interested in the theme.

"You know, about that divo'ce, Judge," Madame Célestin was waiting for him that morning, "I been talking to my family an' my frien's, an' it's me that tells you, they all plumb agains' that divo'ce."

"Certainly, to be sure; that's to be expected, madame, in this community of Creoles. I warned you that you would meet with opposition, and would have to face it and brave it."

"Oh, don't fear, I'm going to face it! Maman says it's a disgrace like it's neva been in the family. But it's good for Maman to talk, her. W'at trouble she ever had? She says I mus' go by all means consult with Père Duchéron—it's my confessor, you undastan'—Well, I'll go, Judge, to please Maman. But all the confessor' in the worl' ent goin' make me put up with that conduc' of Célestin any longa."

A day or two later, she was there waiting for him again. "You know, Judge, about that divo'ce."

"Yes, yes," responded the lawyer, well pleased to trace a new determination in her brown eyes and in the curves of her pretty mouth. "I suppose you saw Père Duchéron and had to brave it out with him, too."

"Oh, fo' that, a perfec' sermon, I assho you. A talk of giving scandal an' bad example that I thought would neva en'! He says, fo' him, he wash' his hands; I mus' go see the bishop."

"You won't let the bishop dissuade you, I trust," stammered the lawyer more anxiously than he could well understand.

"You don't know me yet, Judge," laughed Madame Célestin with a turn of the head and a flirt of the broom which indicated that the interview was at an end.

"Well, Madame Célestin! And the bishop!" Lawyer Paxton was standing there holding to a couple of the shaky pickets. She had not seen him. "Oh, it's you, Judge?" and she hastened towards him with an empressement that could not but have been flattering.

"Yes, I saw Monseigneur," she began. The lawyer had already gathered from her expressive countenance that she had not wavered in her determination. "Ah, he's a eloquent man. It's not a mo' eloquent man in Natchitoches parish. I was fo'ced to cry, the way he talked to me about my troubles; how he undastan's them, an' feels for me. It would move even you, Judge, to hear how he talk' about that step I want to take; its danga, its temptation. How it is the duty of a Catholic to stan' everything till the las' extreme. An' that life of retirement an' self-denial I would have to lead,—he tole me all that."

"But he has n't turned you from your resolve, I see," laughed the lawyer complacently.

"For that, no," she returned emphatically. "The bishop don't know w'at it is to be married to a man like Célestin, an' have to endu' that conduc' like I have to endu' it. The Pope himse'f can't make me stan' that any longer, if you say I got the right in the law to sen' Célestin sailing."

A noticeable change had come over lawyer Paxton. He discarded his work-day coat and began to wear his Sunday one to the office. He grew solicitous as to the shine of his boots, his collar, and the set of his tie. He brushed and trimmed his whiskers with a care that had not before been apparent. Then he fell into a stupid habit of dreaming as he walked the streets of the old town. It would be very good to take unto himself a wife, he dreamed. And he could dream of no other than pretty Madame Célestin filling that sweet and sacred office as she filled his thoughts, now. Old Natchitoches would not hold them comfortably, perhaps; but the world was surely wide enough to live in, outside of Natchitoches town.

His heart beat in a strangely irregular manner as he neared Madame Célestin's house one morning, and discovered her behind the rosebushes, as usual plying her broom. She had finished the gallery and steps and was sweeping the little brick walk along the edge of the violet border.

"Good-morning, Madame Célestin."

"Ah, it's you, Judge? Good-morning." He waited. She seemed to be doing the same. Then she ventured, with some hesitancy, "You know, Judge, about that divo'ce. I been thinking,—I reckon you betta neva mine about that divo'ce." She was making deep rings in the palm of her gloved hand with the end of the broom-handle, and looking at them critically. Her face seemed to the lawyer to be unusually rosy; but maybe it was only the reflection of the pink bow at the throat. "Yes, I reckon you need n' mine. You see, Judge, Célestin came home las' night. An' he's promise me on his word an' honor he's going to turn ova a new leaf."

LOVE ON THE BON-DIEU.

Upon the pleasant veranda of Père Antoine's cottage, that adjoined the church, a young girl had long been seated, awaiting his return. It was the eve of Easter Sunday, and since early afternoon the priest had been engaged in hearing the confessions of those who wished to make their Easters the following day. The girl did not seem impatient at his delay; on the contrary, it was very restful to her to lie back in the big chair she had found there, and peep through the thick curtain of vines at the people who occasionally passed along the village street.

She was slender, with a frailness that indicated lack of wholesome and plentiful nourishment. A pathetic, uneasy look was in her gray eyes, and even faintly stamped her features, which were fine and delicate. In lieu of a hat, a barege veil covered her light brown and abundant hair. She wore a coarse white cotton "josie," and a blue calico skirt that only half concealed her tattered shoes.

As she sat there, she held carefully in her lap a parcel of eggs securely fastened in a red bandana handkerchief.

Twice already a handsome, stalwart young man in quest of the priest had entered the yard, and penetrated to where she sat. At first they had exchanged the uncompromising "howdy" of strangers, and nothing more. The second time, finding the priest still absent, he hesitated to go at once. Instead, he stood upon the step, and narrowing his brown eyes, gazed beyond the river, off towards the west, where a murky streak of mist was spreading across the sun.

"It look like mo' rain," he remarked, slowly and carelessly.

"We done had 'bout 'nough," she replied, in much the same tone.