← Table of contents
Aubrey Beardsley

AUBREY BEARDSLEY

Reading edition

THE CLOWN, THE HARLEQUIN,

THE PIERROT OF HIS AGE

aubrey
aubrey

PORTRAIT OF AUBREY BEARDSLEY

by F. H. Evans

AUBREY

BEARDSLEY

THE CLOWN, THE HARLEQUIN,

THE PIERROT OF HIS AGE

Illustration from Aubrey Beardsley: the clown, the harlequin, the pierrot of his age

HALDANE MACFALL

NEW YORK

SIMON AND SCHUSTER

MCMXXVII

COPYRIGHT, 1927, BY SIMON AND SCHUSTER, INC.

PRINTED IN THE UNITED STATES OF AMERICA

TO

EARL E. FISK

THIS SMALL TRIBUTE

TO A NOBLE COMPANIONSHIP

H. M.

“I have one aim—the grotesque. If I am not grotesque I am nothing.”

“I may claim to have some command of line. I try to get as much as possible out of a single curve or straight line.”

[AUBREY BEARDSLEY.]

CONTENTS

FOREWORD 17

I: BIRTH AND FAMILY 23

II: CHILDHOOD AND SCHOOL 27

“THE PUERILIA”

III: YOUTH IN LONDON AS A CITY CLERK 35

Mid-1888 to Mid-1891—Sixteen to Nineteen

THE “JUVENILIA” AND THE “SCRAP BOOK”

IV: FORMATIVE PERIOD OF DISCIPLESHIP 42

Mid-1891 to Mid-1892—Nineteen to Twenty

THE “BURNE-JONESESQUES”

V: BEARDSLEY BECOMES AN ARTIST 58

Mid-1892 to Mid-1893—Twenty to Twenty-one

MEDIÆVALISM AND THE HAIRY-LINE JAPANESQUES

“LE MORTE D’ARTHUR” AND “BON MOTS”

VI: THE JAPANESQUES 95

Mid-1893 to the New Year of 1894—Twenty-one

“SALOME”

VII: THE GREEK VASE PHASE 113

New Year of 1894 to Mid-1895—Twenty-one to Twenty-three

“THE YELLOW BOOK”

VIII: THE GREAT PERIOD 159

“THE SAVOY” AND THE AQUATINTESQUES

Mid-1895 to Yuletide 1896—Twenty-three to Twenty-four

I. “THE SAVOY”

IX: THE GREAT PERIOD 234

ESSAYS IN WASH AND LINE

1897 to the End—Twenty-five

II. THE AQUATINTESQUES

X: THE END 260

1898

A KEY TO THE DATES OF WORKS BY BEARDSLEY 269

ILLUSTRATIONS

PORTRAIT OF AUBREY BEARDSLEY by F. H. Evans Frontispiece

SELF-PORTRAIT OF AUBREY BEARDSLEY 25

HOLYWELL STREET 33

HAIL MARY 60

PENCIL SKETCH OF A CHILD 67

HOW QUEEN GUENEVER MADE HER A NUN 71

“OF A NEOPHYTE....” 85

HEADPIECE FROM “LE MORTE D’ARTHUR” 92

THE PEACOCK SKIRT 94

THE STOMACH DANCE 103

TITLE-PAGE OF “SALOME” 108

COVER DESIGN FOR “THE YELLOW BOOK” VOLUME III 112

LA DAME AUX CAMÉLIAS 115

MESSALINA 121

PORTRAIT OF HIMSELF 125

NIGHT PIECE 129

PORTRAIT OF MRS. PATRICK CAMPBELL 136

THE MYSTERIOUS ROSE GARDEN 139

DESIGN FOR AN INVITATION CARD 143

THE SCARLET PASTORALE 149

ATALANTA 153

TITLE PAGE FROM “THE SAVOY” NOS. I AND II 158

FRONTISPIECE FOR “VENUS AND TANNHÄUSER” 161

THE MIRROR OF LOVE 165

A CATALOGUE COVER 169

ON DIEPPE BEACH (THE BATHERS) 173

THE ABBÉ 175

THE FRUIT BEARERS 179

CHRISTMAS CARD 181

THE THREE MUSICIANS 185

TAILPIECE TO “THE THREE MUSICIANS” 186

COVER DESIGN FROM “THE SAVOY” NO. I 189

THE BILLET DOUX 191

THE TOILET 195

THE RAPE OF THE LOCK 197

THE BATTLE OF THE BEAUX AND THE BELLES 201

THE BARON’S PRAYER 203

THE COIFFING 207

COVER DESIGN FOR “THE SAVOY” NO. IV 209

COVER DESIGN FOR “THE SAVOY” NO. VII 213

FRONTISPIECE TO “PIERROT OF THE MINUTE” 215

HEADPIECE: PIERROT WITH THE HOUR-GLASS 219

TAILPIECE TO “PIERROT OF THE MINUTE” 220

A REPETITION OF “TRISTAN UND ISOLDE” 223

FRONTISPIECE TO “THE COMEDY OF THE RHINEGOLD” 225

ATALANTA—WITH THE HOUND 229

BEARDSLEY’S BOOK-PLATE 231

THE LADY WITH THE MONKEY 235

COVER DESIGN FOR “THE FORTY THIEVES” 241

ALI BABA IN THE WOOD 245

COVER DESIGN FOR “VOLPONE” 249

INITIAL FOR “VOLPONE” 255

THE DEATH OF PIERROT 261

AVE ATQUE VALE 270

Explore with AITake your curiosity a little further.

Reading settings