Part 2 — THINGS AND THOUGHTS IN EUROPE. (continued 3)
Reading edition
LETTER XIII.
Music in Paris.—Chopin and the Chevalier Neukomm.—Adieu to Paris.—A Midnight Drive in a Diligence.—Lyons and its Weavers.—Their Manner of Life.—A Young Wife.—The Weavers' Children.—The Banks of the Rhone.—Dreary Weather for Southern France.—The Old Roman Amphitheatre at Arles.—The Women of Arles.—Marseilles.—Passage to Genoa.—Italy.—Genoa and Naples.—Baiæ.—Vesuvius.—The Italian Character at Home.—Passage from Leghorn in a Small Steamer.—Narrow Escape.—A Confusion of Languages.—Degradation of the Neapolitans.
Naples.
In my last days at Paris I was fortunate in hearing some delightful music. A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play. All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.
It was with, a very different sort of pleasure that I listened to the Chevalier Neukomm, the celebrated composer of "David," which has been so popular in our country. I heard him improvise on the orgue expressif, and afterward on a great organ which has just been built here by Cavaille for the cathedral of Ajaccio. Full, sustained, ardent, yet exact, the stream, of his thought bears with it the attention of hearers of all characters, as his character, full of bonhommie, open, friendly, animated, and sagacious, would seem to have something to present for the affection and esteem of all kinds of men.
Chopin is the minstrel, Neukomm the orator of music: we want them both,—the mysterious whispers and the resolute pleadings from the better world, which calls us not to slumber here, but press daily onward to claim our heritage.
Paris! I was sad to leave thee, thou wonderful focus, where ignorance ceases to be a pain, because there we find such means daily to lessen it. It is the only school where I ever found abundance of teachers who could bear being examined by the pupil in their special branches. I must go to this school more before I again cross the Atlantic, where often for years I have carried about some trifling question without finding the person who could answer it. Really deep questions we must all answer for ourselves; the more the pity, then, that we get not quickly through with a crowd of details, where the experience of others might accelerate our progress.
Leaving by diligence, we pursued our way from twelve o'clock on Thursday till twelve at night on Friday, thus having a large share of magnificent moonlight upon the unknown fields we were traversing. At Chalons we took boat and reached Lyons betimes that afternoon. So soon as refreshed, we sallied out to visit some of the garrets of the weavers. As we were making inquiries about these, a sweet little girl who heard us offered to be our guide. She led us by a weary, winding way, whose pavement was much easier for her feet in their wooden sabots than for ours in Paris shoes, to the top of a hill, from which we saw for the first time "the blue and arrowy Rhone." Entering the light buildings on this high hill, I found each chamber tenanted by a family of weavers,—all weavers; wife, husband, sons, daughters,—from nine years old upward,—each was helping. On one side were the looms; nearer the door the cooking apparatus; the beds were shelves near the ceiling: they climbed up to them on ladders. My sweet little girl turned out to be a wife of six or seven years' standing, with two rather sickly-looking children; she seemed to have the greatest comfort that is possible amid the perplexities of a hard and anxious lot, to judge by the proud and affectionate manner in which she always said "mon mari," and by the courteous gentleness of his manner toward her. She seemed, indeed, to be one of those persons on whom "the Graces have smiled in their cradle," and to whom a natural loveliness of character makes the world as easy as it can be made while the evil spirit is still so busy choking the wheat with tares. I admired her graceful manner of introducing us into those dark little rooms, and she was affectionately received by all her acquaintance. But alas! that voice, by nature of such bird-like vivacity, repeated again and again, "Ah! we are all very unhappy now." "Do you sing together, or go to evening schools?" "We have not the heart. When we have a piece of work, we do not stir till it is finished, and then we run to try and get another; but often we have to wait idle for weeks. It grows worse and worse, and they say it is not likely to be any better. We can think of nothing, but whether we shall be able to pay our rent. Ah! the workpeople are very unhappy now." This poor, lovely little girl, at an age when the merchant's daughters of Boston and New York are just gaining their first experiences of "society," knew to a farthing the price of every article of food and clothing that is wanted by such a household. Her thought by day and her dream by night was, whether she should long be able to procure a scanty supply of these, and Nature had gifted her with precisely those qualities, which, unembarrassed by care, would have made her and all she loved really happy; and she was fortunate now, compared with many of her sex in Lyons,—of whom a gentleman who knows the class well said: "When their work fails, they have no resource except in the sale of their persons. There are but these two ways open to them, weaving or prostitution, to gain their bread." And there are those who dare to say that such a state of things is well enough, and what Providence intended for man,—who call those who have hearts to suffer at the sight, energy and zeal to seek its remedy, visionaries and fanatics! To themselves be woe, who have eyes and see not, ears and hear not, the convulsions and sobs of injured Humanity!
My little friend told me she had nursed both her children,—though almost all of her class are obliged to put their children out to nurse; "but," said she, "they are brought back so little, so miserable, that I resolved, if possible, to keep mine with me." Next day in the steamboat I read a pamphlet by a physician of Lyons in which he recommends the establishment of Crèches, not merely like those of Paris, to keep the children by day, but to provide wet-nurses for them. Thus, by the infants receiving nourishment from more healthy persons, and who under the supervision of directors would treat them well, he hopes to counteract the tendency to degenerate in this race of sedentary workers, and to save the mothers from too heavy a burden of care and labor, without breaking the bond between them and their children, whom, under such circumstances, they could visit often, and see them taken care of as they, brought up to know nothing except how to weave, cannot take care of them. Here, again, how is one reminded of Fourier's observations and plans, still more enforced by the recent developments at Manchester as to the habit of feeding children on opium, which has grown out of the position of things there.
Descending next day to Avignon, I had the mortification of finding the banks of the Rhone still sheeted with white, and there waded through melting snow to Laura's tomb. We did not see Mr. Dickens's Tower and Goblin,—it was too late in the day,—but we saw a snowball fight between two bands of the military in the castle yard that was gay enough to make a goblin laugh. And next day on to Arles, still snow,—snow and cutting blasts in the South of France, where everybody had promised us bird-songs and blossoms to console us for the dreary winter of Paris. At Arles, indeed, I saw the little saxifrage blossoming on the steps of the Amphitheatre, and fruit-trees in flower amid the tombs. Here for the first time I saw the great handwriting of the Romans in its proper medium of stone, and I was content. It looked us grand and solid as I expected, as if life in those days was thought worth the having, the enjoying, and the using. The sunlight was warm this day; it lay deliciously still and calm upon the ruins. One old woman sat knitting where twenty-five thousand persons once gazed down in fierce excitement on the fights of men and lions. Coming back, we were refreshed all through the streets by the sight of the women of Arles. They answered to their reputation for beauty; tall, erect, and noble, with high and dignified features, and a full, earnest gaze of the eye, they looked as if the Eagle still waved its wings over their city. Even the very old women still have a degree of beauty, because when the colors are all faded, and the skin wrinkled, the face retains this dignity of outline. The men do not share in these characteristics; some priestess, well beloved of the powers of old religion, must have called down an especial blessing on her sex in this town.
Hence to Marseilles,—where is little for the traveller to see, except the mixture of Oriental blood in the crowd of the streets. Thence by steamer to Genoa. Of this transit, he who has been on the Mediterranean in a stiff breeze well understands I can have nothing to say, except "I suffered." It was all one dull, tormented dream to me, and, I believe, to most of the ship's company,—a dream too of thirty hours' duration, instead of the promised sixteen.
The excessive beauty of Genoa is well known, and the impression upon the eye alone was correspondent with what I expected; but, alas! the weather was still so cold I could not realize that I had actually touched those shores to which I had looked forward all my life, where it seemed that the heart would expand, and the whole nature be turned to delight. Seen by a cutting wind, the marble palaces, the gardens, the magnificent water-view of Genoa, failed to charm,—"I saw, not felt, how beautiful they were." Only at Naples have I found my Italy, and here not till after a week's waiting,—not till I began to believe that all I had heard in praise of the climate of Italy was fable, and that there is really no spring anywhere except in the imagination of poets. For the first week was an exact copy of the miseries of a New England spring; a bright sun came for an hour or two in the morning, just to coax you forth without your cloak, and then came up a villanous, horrible wind, exactly like the worst east wind of Boston, breaking the heart, racking the brain, and turning hope and fancy to an irrevocable green and yellow hue, in lieu of their native rose.
However, here at Naples I have at last found my Italy; I have passed through the Grotto of Pausilippo, visited Cuma, Baiæ, and Capri, ascended Vesuvius, and found all familiar, except the sense of enchantment, of sweet exhilaration, this scene conveys.
"Behold how brightly breaks the morning!"
and yet all new, as if never yet described, for Nature here, most prolific and exuberant in her gifts, has touched them all with a charm unhackneyed, unhackneyable, which the boots of English dandies cannot trample out, nor the raptures of sentimental tourists daub or fade. Baiæ had still a hid divinity for me, Vesuvius a fresh baptism of fire, and Sorrento—O Sorrento was beyond picture, beyond poesy, for the greatest Artist had been at work there in a temper beyond the reach of human art.
Beyond this, reader, my old friend and valued acquaintance on other themes, I shall tell you nothing of Naples, for it is a thing apart in the journey of life, and, if represented at all, should be so in a fairer form than offers itself at present. Now the actual life here is over, I am going to Rome, and expect to see that fane of thought the last day of this week.
At Genoa and Leghorn, I saw for the first time Italians in their homes. Very attractive I found them, charming women, refined men, eloquent and courteous. If the cold wind hid Italy, it could not the Italians. A little group of faces, each so full of character, dignity, and, what is so rare in an American face, the capacity for pure, exalting passion, will live ever in my memory,—the fulfilment of a hope!
We started from Leghorn in an English boat, highly recommended, and as little deserving of such praise as many another bepuffed article. In the middle of a fine, clear night, she was run into by the mail steamer, which all on deck clearly saw coming upon her, for no reason that could be ascertained, except that the man at the wheel said he had turned the right way, and it never seemed to occur to him that he could change when he found the other steamer had taken the same direction. To be sure, the other steamer was equally careless, but as a change on our part would have prevented an accident that narrowly missed sending us all to the bottom, it hardly seemed worth while to persist, for the sake of convicting them of error.
Neither the Captain nor any of his people spoke French, and we had been much amused before by the chambermaid acting out the old story of "Will you lend me the loan of a gridiron?" A Polish lady was on board, with a French waiting-maid, who understood no word of English. The daughter of John Bull would speak to the lady in English, and, when she found it of no use, would say imperiously to the suivante, "Go and ask your mistress what she will have for breakfast." And now when I went on deck there was a parley between the two steamers, which the Captain was obliged to manage by such interpreters as he could find; it was a long and confused business. It ended at last in the Neapolitan steamer taking us in tow for an inglorious return to Leghorn. When she had decided upon this she swept round, her lights glancing like sagacious eyes, to take us. The sea was calm as a lake, the sky full of stars; she made a long detour, with her black hull, her smoke and lights, which look so pretty at night, then came round to us like the bend of an arm embracing. It was a pretty picture, worth the stop and the fright,—perhaps the loss of twenty-four hours, though I did not think so at the time.
At Leghorn we changed the boat, and, retracing our steps, came now at last to Naples,—to this priest-ridden, misgoverned, full of dirty, degraded men and women, yet still most lovely Naples,—of which the most I can say is that the divine aspect of nature can make you forget the situation of man in this region, which was surely intended for him as a princely child, angelic in virtue, genius, and beauty, and not as a begging, vermin-haunted, image kissing Lazzarone.
LETTER XIV.
Italy.—Misfortune of Travellers.—English Travellers.—Cockneyism.—Macdonald the Sculptor.—British Aristocracy.—Tenerani.—Wolff's Diana and Seasons.—Gott.—Crawford.—Overbeck the Painter.—American Painters in Rome.—Terry.—Granch.—Hicks.—Remains of the Antique.—Italian Painters.—Domenichimo and Titian.—Frescos of Raphael.—Michel Angelo.—The Colosseum.—Holy Week.—St. Peter's.—Pius IX. and his Measures.—Popular Enthusiasm.—Public Dinner at the Baths of Titus.—Austrian Jealousy.—The "Contemporaneo."
Rome, May, 1847.
There is very little that I can like to write about Italy. Italy is beautiful, worthy to be loved and embraced, not talked about. Yet I remember well that, when afar, I liked to read what was written about her; now, all thought of it is very tedious.
The traveller passing along the beaten track, vetturinoed from inn to inn, ciceroned from gallery to gallery, thrown, through indolence, want of tact, or ignorance of the language, too much into the society of his compatriots, sees the least possible of the country; fortunately, it is impossible to avoid seeing a great deal. The great features of the part pursue and fill the eye.
Yet I find that it is quite out of the question to know Italy; to say anything of her that is full and sweet, so as to convey any idea of her spirit, without long residence, and residence in the districts untouched by the scorch and dust of foreign invasion (the invasion of the dilettanti I mean), and without an intimacy of feeling, an abandonment to the spirit of the place, impossible to most Americans. They retain too much, of their English blood; and the travelling English, as a class, seem to me the most unseeing of all possible animals. There are exceptions; for instance, the perceptions and pictures of Browning seem as delicate and just here on the spot as they did at a distance; but, take them as a class, they have the vulgar familiarity of Mrs. Trollope without her vivacity, the cockneyism of Dickens without his graphic power and love of the odd corners of human nature. I admired the English at home in their island; I admired their honor, truth, practical intelligence, persistent power. But they do not look well in Italy; they are not the figures for this landscape. I am indignant at the contempt they have presumed to express for the faults of our semi-barbarous state. What is the vulgarity expressed in our tobacco-chewing, and way of eating eggs, compared to that which elbows the Greek marbles, guide-book in hand,—chatters and sneers through the Miserere of the Sistine Chapel, beneath the very glance of Michel Angelo's Sibyls,—praises St. Peter's as "nice"—talks of "managing" the Colosseum by moonlight,—and snatches "bits" for a "sketch" from the sublime silence of the Campagna.
Yet I was again reconciled with them, the other day, in visiting the studio of Macdonald. There I found a complete gallery of the aristocracy of England; for each lord and lady who visits Rome considers it a part of the ceremony to sit to him for a bust. And what a fine race! how worthy the marble! what heads of orators, statesmen, gentlemen! of women chaste, grave, resolute, and tender! Unfortunately, they do not look as well in flesh and blood; then they show the habitual coldness of their temperament, the habitual subservience to frivolous conventionalities. They need some great occasion, some exciting crisis, in order to make them look as free and dignified as these busts; yet is the beauty there, though, imprisoned, and clouded, and such a crisis would show us more then one Boadicea, more than one Alfred. Tenerani has just completed a statue which is highly-spoken of; it is called the Angel of the Resurrection. I was not so fortunate as to find it in his studio. In that of Wolff I saw a Diana, ordered by the Emperor of Russia. It is modern and sentimental; as different from, the antique Diana as the trance of a novel-read young lady of our day from the thrill with which the ancient shepherds deprecated the magic pervasions of Hecate, but very beautiful and exquisitely wrought. He has also lately finished the Four Seasons, represented as children. Of these, Winter is graceful and charming.
Among the sculptors I delayed longest in the work-rooms of Gott. I found his groups of young figures connected with animals very refreshing after the grander attempts of the present time. They seem real growths of his habitual mind,—fruits of Nature, full of joy and freedom. His spaniels and other frisky poppets would please Apollo far better than most of the marble nymphs and muses of the present day.
Our Crawford has just finished a bust of Mrs. Crawford, which is extremely beautiful, full of grace and innocent sweetness. All its accessaries are charming,—the wreaths, the arrangement of drapery, the stuff of which the robe is made. I hope it will be much seen on its arrival in New York. He has also an Herodias in the clay, which is individual in expression, and the figure of distinguished elegance. I liked the designs of Crawford better than those of Gibson, who is estimated as highest in the profession now.
Among the studios of the European painters I have visited only that of Overbeck. It is well known in the United States what his pictures are. I have much to say at a more favorable time of what they represented to me. He himself looks as if he had just stepped out of one of them,—a lay monk, with a pious eye and habitual morality of thought which limits every gesture.
Painting is not largely represented here by American artists at present. Terry has two pleasing pictures on the easel: one is a costume picture of Italian life, such as I saw it myself, enchanted beyond my hopes, on coming to Naples on a day of grand festival in honor of Santa Agatha. Cranch sends soon to America a picture of the Campagna, such as I saw it on my first entrance into Rome, all light and calmness; Hicks, a charming half-length of an Italian girl, holding a mandolin: it will be sure to please. His pictures are full of life, and give the promise of some real achievement in Art.
Of the fragments of the great time, I have now seen nearly all that are treasured up here: I have, however, as yet nothing of consequence to say of them. I find that others have often given good hints as to how they look; and as to what they are, it can only be known by approximating to the state of soul out of which they grew. They should not be described, but reproduced. They are many and precious, yet is there not so much of high excellence as I had expected: they will not float the heart on a boundless sea of feeling, like the starry night on our Western prairies. Yet I love much to see the galleries of marbles, even when there are not many separately admirable, amid the cypresses and ilexes of Roman villas; and a picture that is good at all looks very good in one of these old palaces.
The Italian painters whom I have learned most to appreciate, since I came abroad, are Domenichino and Titian. Of others one may learn something by copies and engravings: but not of these. The portraits of Titian look upon me from the walls things new and strange. They are portraits of men such as I have not known. In his picture, absurdly called Sacred and Profane Love, in the Borghese Palace, one of the figures has developed my powers of gazing to an extent unknown before.
Domenichino seems very unequal in his pictures; but when he is grand and free, the energy of his genius perfectly satisfies. The frescos of Caracci and his scholars in the Farnese Palace have been to me a source of the purest pleasure, and I do not remember to have heard of them. I loved Guercino much before I came here, but I have looked too much at his pictures and begin to grow sick of them; he is a very limited genius. Leonardo I cannot yet like at all, but I suppose the pictures are good for some people to look at; they show a wonderful deal of study and thought. That is not what I can best appreciate in a work of art. I hate to see the marks of them. I want a simple and direct expression of soul. For the rest, the ordinary cant of connoisseur-ship on these matters seems in Italy even more detestable than elsewhere.
I have not yet so sufficiently recovered from my pain at finding the frescos of Raphael in such a state, as to be able to look at them, happily. I had heard of their condition, but could not realize it. However, I have gained nothing by seeing his pictures in oil, which are well preserved. I find I had before the full impression of his genius. Michel Angelo's frescos, in like manner, I seem to have seen as far as I can. But it is not the same with the sculptures: my thought had not risen to the height of the Moses. It is the only thing in Europe, so far, which has entirely outgone my hopes. Michel Angelo was my demigod before; but I find no offering worthy to cast at the feet of his Moses. I like much, too, his Christ. It is a refreshing contrast with all the other representations of the same subject. I like it even as contrasted with Raphael's Christ of the Transfiguration, or that of the cartoon of Feed my Lambs.
I have heard owls hoot in the Colosseum by moonlight, and they spoke more to the purpose than I ever heard any other voice upon that subject. I have seen all the pomps and shows of Holy Week in the church of St. Peter, and found them less imposing than an habitual acquaintance with the place, with processions of monks and nuns stealing in now and then, or the swell of vespers from some side chapel. I have ascended the dome, and seen thence Rome and its Campagna, its villas with, their cypresses and pines serenely sad as is nothing else in the world, and the fountains of the Vatican garden gushing hard by. I have been in the Subterranean to see a poor little boy introduced, much to his surprise, to the bosom of the Church; and then I have seen by torch-light the stone popes where they lie on their tombs, and the old mosaics, and virgins with gilt caps. It is all rich, and full,—very impressive in its way. St. Peter's must be to each one a separate poem.
The ceremonies of the Church, have been numerous and splendid during our stay here; and they borrow unusual interest from the love and expectation inspired by the present Pontiff. He is a man of noble and good aspect, who, it is easy to see, has set his heart upon doing something solid for the benefit of man. But pensively, too, must one feel how hampered and inadequate are the means at his command to accomplish these ends. The Italians do not feel it, but deliver themselves, with all the vivacity of their temperament, to perpetual hurras, vivas, rockets, and torch-light processions. I often think how grave and sad must the Pope feel, as he sits alone and hears all this noise of expectation.
A week or two ago the Cardinal Secretary published a circular inviting the departments to measures which would give the people a sort of representative council. Nothing could seem more limited than this improvement, but it was a great measure for Rome. At night the Corso in which, we live was illuminated, and many thousands passed through it in a torch-bearing procession. I saw them first assembled in the Piazza del Popolo, forming around its fountain a great circle of fire. Then, as a river of fire, they streamed slowly through the Corso, on their way to the Quirinal to thank the Pope, upbearing a banner on which the edict was printed. The stream, of fire advanced slowly, with a perpetual surge-like sound of voices; the torches flashed on the animated Italian faces. I have never seen anything finer. Ascending the Quirinal they made it a mount of light. Bengal fires were thrown up, which cast their red and white light on the noble Greek figures of men and horses that reign over it. The Pope appeared on his balcony; the crowd shouted three vivas; he extended his arms; the crowd fell on their knees and received his benediction; he retired, and the torches were extinguished, and the multitude dispersed in an instant.
The same week came the natal day of Rome. A great dinner was given at the Baths of Titus, in the open air. The company was on the grass in the area; the music at one end; boxes filled with the handsome Roman women occupied the other sides. It was a new thing here, this popular dinner, and the Romans greeted it in an intoxication of hope and pleasure. Sterbini, author of "The Vestal," presided: many others, like him, long time exiled and restored to their country by the present Pope, were at the tables. The Colosseum, and triumphal arches were in sight; an effigy of the Roman wolf with her royal nursling was erected on high; the guests, with shouts and music, congratulated themselves on the possession, in Pius IX., of a new and nobler founder for another state. Among the speeches that of the Marquis d'Azeglio, a man of literary note in Italy, and son-in-law of Manzoni, contained this passage (he was sketching the past history of Italy):—
"The crown passed to the head of a German monarch; but he wore it not to the benefit, but the injury, of Christianity,—of the world. The Emperor Henry was a tyrant who wearied out the patience of God. God said to Rome, 'I give you the Emperor Henry'; and from these hills that surround us, Hildebrand, Pope Gregory VII., raised his austere and potent voice to say to the Emperor, 'God did not give you Italy that you might destroy her,' and Italy, Germany, Europe, saw her butcher prostrated at the feet of Gregory in penitence. Italy, Germany, Europe, had then kindled in the heart the first spark of liberty."
The narrative of the dinner passed the censor, and was published: the Ambassador of Austria read it, and found, with a modesty and candor truly admirable, that this passage was meant to allude to his Emperor. He must take his passports, if such home thrusts are to be made. And so the paper was seized, and the account of the dinner only told from, mouth to mouth, from those who had already read it. Also the idea of a dinner for the Pope's fête-day is abandoned, lest something too frank should again be said; and they tell me here, with a laugh, "I fancy you have assisted at the first and last popular dinner." Thus we may see that the liberty of Rome does not yet advance with seven-leagued boots; and the new Romulus will need to be prepared for deeds at least as bold as his predecessor, if he is to open a new order of things.
I cannot well wind up my gossip on this subject better than by translating a passage from the programme of the Contemporaneo, which represents the hope of Rome at this moment. It is conducted by men of well-known talent.
"The Contemporaneo (Contemporary) is a journal of progress, but tempered, as the good and wise think best, in conformity with the will of our best of princes, and the wants and expectations of the public....
"Through discussion it desires to prepare minds to receive reforms so soon and far as they are favored by the law of opportunity.
"Every attempt which is made contrary to this social law must fail. It is vain to hope fruits from a tree out of season, and equally in vain to introduce the best measures into a country not prepared to receive them."
And so on. I intended to have translated in full the programme, but time fails, and the law of opportunity does not favor, as my "opportunity" leaves for London this afternoon. I have given enough to mark the purport of the whole. It will easily be seen that it was not from the platform assumed by the Contemporaneo that Lycurgus legislated, or Socrates taught,—that the Christian religion was propagated, or the Church, was reformed by Luther. The opportunity that the martyrs found here in the Colosseum, from whose blood grew up this great tree of Papacy, was not of the kind waited for by these moderate progressists. Nevertheless, they may be good schoolmasters for Italy, and are not to be disdained in these piping times of peace.
More anon, of old and new, from Tuscany.
LETTER XV.
Italy.—Fruits and Flowers on the Route from Florence to Rome.—The Plain of Umbria.—Assisi.—The Saints.—Tuition In Schools.—Pius IX.—The Etrurian Tomb.—Perugia and its Stores of Early Art.—Portraits of Raphael.—Florence.—The Grand Duke and his Policy.—The Liberty of the Press and its Influence.—The American Sculptors.—Greenough and his New Works.—Powers.—His Statue of Calhoun.—Review of his Endeavors.—The Festivals of St. John at Florence.—Bologna.—Female Professors in its University.—Matilda Tambroni and others.—Milan and her Female Mathematician.—The State of Woman in Italy.—Ravenna and Byron.—Venice.—The Adda.—Milan and its Neighborhood, and Manzoni.—Excitements.—National Affairs.
Milan, August 9, 1847.
Since leaving Rome, I have not been able to steal a moment from the rich and varied objects before me to write about them. I will, therefore, take a brief retrospect of the ground.
I passed from Florence to Rome by the Perugia route, and saw for the first time the Italian vineyards. The grapes hung in little clusters. When I return, they will be full of light and life, but the fields will not be so enchantingly fresh, nor so enamelled with flowers.
The profusion of red poppies, which dance on every wall and glitter throughout the grass, is a great ornament to the landscape. In full sunlight their vermilion is most beautiful. Well might Ceres gather such poppies to mingle with her wheat.
We climbed the hill to Assisi, and my ears thrilled as with many old remembered melodies, when an old peasant, in sonorous phrase, bade me look out and see the plain of Umbria. I looked back and saw the carriage toiling up the steep path, drawn by a pair of those light-colored oxen Shelley so much admired. I stood near the spot where Goethe met with a little adventure, which he has described with even more than his usual delicate humor. Who can ever be alone for a moment in Italy? Every stone has a voice, every grain of dust seems instinct with spirit from the Past, every step recalls some line, some legend of long-neglected lore.
Assisi was exceedingly charming to me. So still!—all temporal noise and bustle seem hushed down yet by the presence of the saint. So clean!—the rains of heaven wash down all impurities into the valley. I must confess that, elsewhere, I have shared the feelings of Dickens toward St. Francis and St. Sebastian, as the "Mounseer Tonsons" of Catholic art. St. Sebastian I have not been so tired of, for the beauty and youth of the figure make the monotony with which the subject of his martyrdom is treated somewhat less wearisome. But St. Francis is so sad, and so ecstatic, and so brown, so entirely the monk,—and St. Clara so entirely the nun! I have been very sorry for her that he was able to draw her from the human to the heavenly life; she seems so sad and so worn out by the effort. But here at Assisi, one cannot help being penetrated by the spirit that flowed from that life. Here is the room where his father shut up the boy to punish his early severity of devotion. Here is the picture which represents him despoiled of all outward things, even his garments,—devoting himself, body and soul, to the service of God in the way he believed most acceptable. Here is the underground chapel, where rest those weary bones, saluted by the tears of so many weary pilgrims who have come hither to seek strength from his example. Here are the churches above, full of the works of earlier art, animated by the contagion of a great example. It is impossible not to bow the head, and feel how mighty an influence flows from a single soul, sincere in its service of truth, in whatever form that truth comes to it.
A troop of neat, pretty school-girls attended us about, going with us into the little chapels adorned with pictures which open at every corner of the streets, smiling on us at a respectful distance. Some of them were fourteen or fifteen years old. I found reading, writing, and sewing were all they learned at their school; the first, indeed, they knew well enough, if they could ever get books to use it on. Tranquil as Assisi was, on every wall was read Viva Pio IX.! and we found the guides and workmen in the shop full of a vague hope from him. The old love which has made so rich this aerial cradle of St. Francis glows warm as ever in the breasts of men; still, as ever, they long for hero-worship, and shout aloud at the least appearance of an object.
The church at the foot of the hill, Santa Maria degli Angeli, seems tawdry after Assisi. It also is full of records of St. Francis, his pains and his triumphs. Here, too, on a little chapel, is the famous picture by Overbeck; too exact a copy, but how different in effect from the early art we had just seen above! Harmonious but frigid, grave but dull; childhood is beautiful, but not when continued, or rather transplanted, into the period where we look for passion, varied means, and manly force.
Before reaching Perugia, I visited an Etrurian tomb, which is a little way off the road; it is said to be one of the finest in Etruria. The hill-side is full of them, but excavations are expensive, and not frequent. The effect of this one was beyond my expectations; in it were several female figures, very dignified and calm, as the dim lamp-light fell on them by turns. The expression of these figures shows that the position of woman in these states was noble. Their eagles' nests cherished well the female eagle who kept watch in the eyrie.
Perugia too is on a noble hill. What a daily excitement such a view, taken at every step! life is worth ten times as much in a city so situated. Perugia is full, overflowing, with the treasures of early art. I saw them so rapidly it seems now as if in a trance, yet certainly with a profit, a manifold gain, such as Mahomet thought he gained from his five minutes' visits to other spheres. Here are two portraits of Raphael as a youth: it is touching to see what effect this angel had upon all that surrounded him from the very first.
Florence! I was there a month, and in a sense saw Florence: that is to say, I took an inventory of what is to be seen there, and not without great intellectual profit. There is too much that is really admirable in art,—the nature of its growth lies before you too clearly to be evaded. Of such things more elsewhere.
I do not like Florence as I do cities more purely Italian. The natural character is ironed out here, and done up in a French pattern; yet there is no French vivacity, nor Italian either. The Grand Duke—more and more agitated by the position in which he finds himself between the influence of the Pope and that of Austria—keeps imploring and commanding his people to keep still, and they are still and glum as death. This is all on the outside; within, Tuscany burns. Private culture has not been in vain, and there is, in a large circle, mental preparation for a very different state of things from the present, with an ardent desire to diffuse the same amid the people at large. The sovereign has been obliged for the present to give more liberty to the press, and there is an immediate rush of thought to the new vent; if it is kept open a few months, the effect on the body of the people cannot fail to be great. I intended to have translated some passages from the programme of the Patria, one of the papers newly started at Florence, but time fails. One of the articles in the same number by Lambruschini, on the duties of the clergy at this juncture, contains views as liberal as can be found in print anywhere in the world. More of these things when I return to Rome in the autumn, when I hope to find a little leisure to think over what I have seen, and, if found worthy, to put the result in writing.
I visited the studios of our sculptors; Greenough has in clay a David which promises high beauty and nobleness, a bass-relief, full of grace and tender expression; he is also modelling a head of Napoleon, and justly enthusiastic in the study. His great group I did not see in such a state as to be secure of my impression. The face of the Pioneer is very fine, the form of the woman graceful and expressive; but I was not satisfied with the Indian. I shall see it more as a whole on my return to Florence.
As to the Eve and the Greek Slave, I could only join with the rest of the world in admiration of their beauty and the fine feeling of nature which they exhibit. The statue of Calhoun is full of power, simple, and majestic in attitude and expression. In busts Powers seems to me unrivalled; still, he ought not to spend his best years on an employment which cannot satisfy his ambition nor develop his powers. If our country loves herself, she will order from him some great work before the prime of his genius has been frittered away, and his best years spent on lesser things.
I saw at Florence the festivals of St. John, but they are poor affairs to one who has seen the Neapolitan and Roman people on such occasions.
Passing from Florence, I came to Bologna,—learned Bologna; indeed an Italian city, full of expression, of physiognomy, so to speak. A woman should love Bologna, for there has the spark of intellect in woman been cherished with reverent care. Not in former ages only, but in this, Bologna raised a woman who was worthy to the dignities of its University, and in their Certosa they proudly show the monument to Matilda Tambroni, late Greek Professor there. Her letters, preserved by her friends, are said to form a very valuable collection. In their anatomical hall is the bust of a woman, Professor of Anatomy. In Art they have had Properzia di Rossi, Elizabetta Sirani, Lavinia Fontana, and delight to give their works a conspicuous place.
In other cities the men alone have their Casino dei Nobili, where they give balls, conversazioni, and similar entertainments. Here women have one, and are the soul of society.
In Milan, also, I see in the Ambrosian Library the bust of a female mathematician. These things make me feel that, if the state of woman in Italy is so depressed, yet a good-will toward a better is not wholly wanting. Still more significant is the reverence to the Madonna and innumerable female saints, who, if, like St. Teresa, they had intellect as well as piety, became counsellors no less than comforters to the spirit of men.
Ravenna, too, I saw, and its old Christian art, the Pineta, where Byron loved to ride, and the paltry apartments where, cheered by a new affection, in which was more of tender friendship than of passion, he found himself less wretched than at beautiful Venice or stately Genoa.
All the details of this visit to Ravenna are pretty. I shall write them out some time. Of Padua, too, the little to be said should be said in detail.
Of Venice and its enchanted life I could not speak; it should only be echoed back in music. There only I began to feel in its fulness Venetian Art. It can only be seen in its own atmosphere. Never had I the least idea of what is to be seen at Venice. It seems to me as if no one ever yet had seen it,—so entirely wanting is any expression of what I felt myself. Venice! on this subject I shall not write much till time, place, and mode agree to make it fit.
Venice, where all is past, is a fit asylum for the dynasties of the Past. The Duchesse de Berri owns one of the finest palaces on the Grand Canal; the Duc de Bordeaux rents another; Mademoiselle Taglioni has bought the famous Casa d'Oro, and it is under repair. Thanks to the fashion which has made Venice a refuge of this kind, the palaces, rarely inhabited by the representatives of their ancient names, are valuable property, and the noble structures will not be suffered to lapse into the sea, above which they rose so proudly. The restorations, too, are made with excellent taste and judgment,—nothing is spoiled. Three of these fine palaces are now hotels, so that the transient visitor can enjoy from their balconies all the wondrous shows of the Venetian night and day as much as any of their former possessors did. I was at the Europa, formerly the Giustiniani Palace, with better air than those on the Grand Canal, and a more unobstructed view than Danieli's.
Madame de Berri gave an entertainment on the birthnight of her son, and the old Duchesse d'Angoulême came from Vienna to attend it. 'T was a scene of fairy-land, the palace full of light, so that from the canal could be seen even the pictures on the walls. Landing from the gondolas, the elegantly dressed ladies and gentlemen seemed to rise from the water; we also saw them glide up the great stair, rustling their plumes, and in the reception-rooms make and receive the customary grimaces. A fine band stationed on the opposite side of the canal played the while, and a flotilla of gondolas lingered there to listen. I, too, amid, the mob, a pleasant position in Venice alone, thought of the Stuarts, Bourbons, Bonapartes, here in Italy, and offered up a prayer that other names, when the possessors have power without the heart to use it for the emancipation of mankind, might he added to the list, and other princes, more rich in blood than brain, might come to enjoy a perpetual villeggiatura in Italy. It did not seem to me a cruel wish. The show of greatness will satisfy every legitimate desire of such minds. A gentle punishment for the distributors of letters de cachet and Spielberg dungeons to their fellow-men.
Having passed more than a fortnight at Venice, I have come here, stopping at Vicenza, Verona, Mantua, Lago di Garda, Brescia. Certainly I have learned more than ever in any previous ten days of my existence, and have formed an idea what is needed for the study of Art and its history in these regions. To be sure, I shall never have time to follow it up, but it is a delight to look up those glorious vistas, even when there is no hope of entering them.
A violent shower obliged me to stop on the way. It was late at night, and I was nearly asleep, when, roused by the sound of bubbling waters, I started up and asked, "Is that the Adda?" and it was. So deep is the impression made by a simple natural recital, like that of Renzo's wanderings in the Promessi Sposi, that the memory of his hearing the Adda in this way occurred to me at once, and the Adda seemed familiar as if I had been a native of this region.
As the Scottish lakes seem the domain of Walter Scott, so does Milan and its neighborhood in the mind of a foreigner belong to Manzoni. I have seen him since, the gentle lord of this wide domain; his hair is white, but his eyes still beam as when he first saw the apparitions of truth, simple tenderness, and piety which he has so admirably recorded for our benefit. Those around lament that the fastidiousness of his taste prevents his completing and publishing more, and that thus a treasury of rare knowledge and refined thought will pass from us without our reaping the benefit. We, indeed, have no title to complain, what we do possess from his hand is so excellent.
At this moment there is great excitement in Italy. A supposed spy of Austria has been assassinated at Ferrara, and Austrian troops are marched there. It is pretended that a conspiracy has been discovered in Rome; the consequent disturbances have been put down. The National Guard is forming. All things seem to announce that some important change is inevitable here, but what? Neither Radicals nor Moderates dare predict with confidence, and I am yet too much a stranger to speak with assurance of impressions I have received. But it is impossible not to hope.
LETTER XVI.
Review of Past and Present.—The Merits of Italian Literature.—Manzoni.—Italian Dialects.—Milan, the Milanese, and the Simplicity of their Language.—The North of Italy, and a Tour to Switzerland.—Italian Lakes.—Maggiore, Como, and Lugano.—Lago di Garda.—The Boatmen of the Lakes and the Gondoliers.—Lady Franklin, Widow of the Navigator.—Return to and Festivals at Milan.—The Archbishop.—Austrian Rule and Austrian Policy.—The Future Hopes of Italy.—A Glance at Pavia, Florence, Parma, and Bologna, and the Works of the Masters.
Rome, October, 1847.
I think my last letter was from Milan, and written after I had seen Manzoni. This was to me a great pleasure. I have now seen the most important representatives who survive of the last epoch in thought. Our age has still its demonstrations to make, its heroes and poets to crown.
Although the modern Italian literature is not poor, as many persons at a distance suppose, but, on the contrary, surprisingly rich in tokens of talent, if we consider the circumstances under which it struggles to exist, yet very few writers have or deserve a European or American reputation. Where a whole country is so kept down, her best minds cannot take the lead in the progress of the age; they have too much to suffer, too much to explain. But among the few who, through depth of spiritual experience and the beauty of form in which it is expressed, belong not only to Italy, but to the world, Manzoni takes a high rank. The passive virtues he teaches are no longer what is wanted; the manners he paints with so delicate a fidelity are beginning to change; but the spirit of his works,—the tender piety, the sensibility to the meaning of every humblest form of life, the delicate humor and satire so free from disdain,—these are immortal.
Young Italy rejects Manzoni, though not irreverently; Young Italy prizes his works, but feels that the doctrine of "Pray and wait" is not for her at this moment,—that she needs a more fervent hope, a more active faith. She is right.
It is well known that the traveller, if he knows the Italian language as written in books, the standard Tuscan, still finds himself a stranger in many parts of Italy, unable to comprehend the dialects, with their lively abbreviations and witty slang. That of Venice I had understood somewhat, and could enter into the drollery and naïveté of the gondoliers, who, as a class, have an unusual share of character. But the Milanese I could not at first understand at all. Their language seemed to me detestably harsh, and their gestures unmeaning. But after a friend, who possesses that large and ready sympathy easier found in Italy than anywhere else, had translated for me verbatim into French some of the poems written in the Milanese, and then read them aloud in the original, I comprehended the peculiar inflection of voice and idiom in the people, and was charmed with it, as one is with the instinctive wit and wisdom of children.
There is very little to see at Milan, compared with any other Italian city; and this was very fortunate for me, allowing an interval of repose in the house, which I cannot take when there is so much without, tempting me to incessant observation and study. I went through, the North of Italy with a constantly increasing fervor of interest. When I had thought of Italy, it was always of the South, of the Roman States, of Tuscany. But now I became deeply interested in the history, the institutions, the art of the North. The fragments of the past mark the progress of its waves so clearly, I learned to understand, to prize them every day more, to know how to make use of the books about them. I shall have much to say on these subjects some day.
Leaving Milan, I went on the Lago Maggiore, and afterward into Switzerland. Of this tour I shall not speak here; it was a beautiful little romance by itself, and infinitely refreshing to be so near nature in these grand and simple forms, after so much exciting thought of Art and Man. The day passed in the St. Bernardin, with its lofty peaks and changing lights upon the distant snows,—its holy, exquisite valleys and waterfalls, its stories of eagles and chamois, was the greatest refreshment I ever experienced: it was bracing as a cold bath after the heat of a crowd amid which one has listened to some most eloquent oration.
Returning from Switzerland, I passed a fortnight on the Lake of Como, and afterward visited Lugano. There is no exaggeration in the enthusiastic feeling with which artists and poets have viewed these Italian lakes. Their beauties are peculiar, enchanting, innumerable. The Titan of Richter, the Wanderjahre of Goethe, the Elena of Taylor, the pictures of Turner, had not prepared me for the visions of beauty that daily entranced the eyes and heart in those regions. To our country Nature has been most bounteous; but we have nothing in the same kind that can compare with these lakes, as seen under the Italian heaven. As to those persons who have pretended to discover that the effects of light and atmosphere were no finer than they found in our own lake scenery, I can only say that they must be exceedingly obtuse in organization,—a defect not uncommon among Americans.
Nature seems to have labored to express her full heart in as many ways as possible, when she made these lakes, moulded and planted their shores. Lago Maggiore is grand, resplendent in Its beauty; the view of the Alps gives a sort of lyric exaltation to the scene. Lago di Garda is so soft and fair,—so glittering sweet on one side, the ruins of ancient palaces rise so softly with the beauties of that shore; but at the other end, amid the Tyrol, it is sublime, calm, concentrated in its meaning. Como cannot be better described in general than in the words of Taylor:
"Softly sublime, profusely fair."
Lugano is more savage, more free in its beauty. I was on it in a high gale; there was a little clanger, just enough to exhilarate; its waters were wild, and clouds blowing across the neighboring peaks. I like very much the boatmen on these lakes; they have strong and prompt character. Of simple features, they are more honest and manly than Italian men are found in the thoroughfares; their talk is not so witty as that of the Venetian gondoliers, but picturesque, and what the French call incisive. Very touching were some of their histories, as they told them to me while pausing sometimes on the lake.
On this lake, also, I met Lady Franklin, wife of the celebrated navigator. She has been in the United States, and showed equal penetration and candor in remarks on what she had seen there. She gave me interesting particulars as to the state of things in Van Diemen's Land, where she passed seven years when her husband was in authority there.
I returned to Milan for the great feast of the Madonna, 8th September, and those made for the Archbishop's entry, which took place the same week. These excited as much feeling as the Milanese can have a chance to display, this Archbishop being much nearer tire public heart than his predecessor, who was a poor servant of Austria.
The Austrian rule is always equally hated, and time, instead of melting away differences, only makes them more glaring. The Austrian race have no faculties that can ever enable them to understand the Italian character; their policy, so well contrived to palsy and repress for a time, cannot kill, and there is always a force at work underneath which shall yet, and I think now before long, shake off the incubus. The Italian nobility have always kept the invader at a distance; they have not been at all seduced or corrupted by the lures of pleasure or power, but have shown a passive patriotism highly honorable to them. In the middle class ferments much thought, and there is a capacity for effort; in the present system it cannot show itself, but it is there; thought ferments, and will yet produce a wine that shall set the Lombard veins on fire when the time for action shall arrive. The lower classes of the population are in a dull state indeed. The censorship of the press prevents all easy, natural ways of instructing them; there are no public meetings, no free access to them by more instructed and aspiring minds. The Austrian policy is to allow them a degree of material well-being, and though so much wealth is drained from, the country for the service of the foreigners, jet enough must remain on these rich plains comfortably to feed and clothe the inhabitants. Yet the great moral influence of the Pope's action, though obstructed in their case, does reach and rouse them, and they, too, felt the thrill of indignation at the occupation of Ferrara. The base conduct of the police toward the people, when, at Milan, some youths were resolute to sing tire hymn in honor of Pius IX., when the feasts for the Archbishop afforded so legitimate an occasion, roused all the people to unwonted feeling. The nobles protested, and Austria had not courage to persist as usual. She could not sustain her police, who rushed upon a defenceless crowd, that had no share in what excited their displeasure, except by sympathy, and, driving them like sheep, wounded them in the backs. Austria feels that there is now no sympathy for her in these matters; that it is not the interest of the world to sustain her. Her policy is, indeed, too thoroughly organized to change except by revolution; its scope is to serve, first, a reigning family instead of the people; second, with the people to seek a physical in preference to an intellectual good; and, third, to prefer a seeming outward peace to an inward life. This policy may change its opposition from the tyrannical to the insidious; it can know no other change. Yet do I meet persons who call themselves Americans,—miserable, thoughtless Esaus, unworthy their high birthright,—who think that a mess of pottage can satisfy the wants of man, and that the Viennese listening to Strauss's waltzes, the Lombard peasant supping full of his polenta, is happy enough. Alas: I have the more reason to be ashamed of my countrymen that it is not among the poor, who have so much, toil that there is little time to think, but those who are rich, who travel,—in body that is, they do not travel in mind. Absorbed at home by the lust of gain, the love of show, abroad they see only the equipages, the fine clothes, the food,—they have no heart for the idea, for the destiny of our own great nation: how can they feel the spirit that is struggling now in this and others of Europe?
But of the hopes of Italy I will write more fully in another letter, and state what I have seen, what felt, what thought. I went from Milan, to Pavia, and saw its magnificent Certosa, I passed several hours in examining its riches, especially the sculptures of its façade, full of force and spirit. I then went to Florence by Parma and Bologna. In Parma, though ill, I went to see all the works of the masters. A wonderful beauty it is that informs them,—not that which is the chosen food of my soul, yet a noble beauty, and which did its message to me also. Those works are failing; it will not be useless to describe them in a book. Beside these pictures, I saw nothing in Parma and Modena; these states are obliged to hold their breath while their poor, ignorant sovereigns skulk in corners, hoping to hide from the coming storm. Of all this more in my next.
LETTER XVII.
First Impressions of Rome in the Spring.—The Pope.—Rome as a Capital.—Tuscany.—The Liberty of the Press there just established.—The Enlightened Minds and Available Instructors of Tuscany.—Italian Estimation of Pius IX., and the Influence, Present and Future, of his Labors.—Foreign Intrusion the Curse of Italy.—Irruption of the Austrians into Italy, and its Effects.—Louis Philippe's Apostasy turned to the Advantage of Freedom.—The Great Fête at Florence in Honor of the Grant of a National Guard.—The American Sculptors, Greenough, Crawford, and their Participation in the Fête.—Americans generally in Italy.—Hymns In Florence in Honor of Pius IX.—Happy Augury to be drawn from the wise Docility of the People.—An Expression of Sympathy from America toward Italy earnestly hoped for.
Rome, October 18, 1847.
In the spring, when I came to Rome, the people were in the intoxication of joy at the first serious measures of reform taken by the Pope. I saw with pleasure their childlike joy and trust. With equal pleasure I saw the Pope, who has not in his expression the signs of intellectual greatness so much as of nobleness and tenderness of heart, of large and liberal sympathies. Heart had spoken to heart between the prince and the people; it was beautiful to see the immediate good influence exerted by human feeling and generous designs, on the part of a ruler. He had wished to be a father, and the Italians, with that readiness of genius that characterizes them, entered at once into the relation; they, the Roman people, stigmatized by prejudice as so crafty and ferocious, showed themselves children, eager to learn, quick to obey, happy to confide.
Still doubts were always present whether all this joy was not premature. The task undertaken by the Pope seemed to present insuperable difficulties. It is never easy to put new wine into old bottles, and our age is one where all things tend to a great crisis; not merely to revolution, but to radical reform. From the people themselves the help must come, and not from princes; in the new state of things, there will be none but natural princes, great men. From the aspirations of the general heart, from the teachings of conscience in individuals, and not from an old ivy-covered church long since undermined, corroded by time and gnawed by vermin, the help must come. Rome, to resume her glory, must cease to be an ecclesiastical capital; must renounce all this gorgeous mummery, whose poetry, whose picture, charms no one more than myself, but whose meaning is all of the past, and finds no echo in the future. Although I sympathized warmly with the warm love of the people, the adulation of leading writers, who were so willing to take all from the hand of the prince, of the Church, as a gift and a bounty, instead of implying steadily that it was the right of the people, was very repulsive to me. The moderate party, like all who, in a transition state, manage affairs with a constant eye to prudence, lacks dignity always in its expositions; it is disagreeable and depressing to read them.
Passing into Tuscany, I found the liberty of the press just established, and a superior preparation to make use of it. The Alba, the Patria, were begun, and have been continued with equal judgment and spirit. Their aim is to educate the youth, to educate the lower people; they see that this is to be done by promoting thought fearlessly, yet urge temperance in action, while the time is yet so difficult, and many of its signs dubious. They aim at breaking down those barriers between the different states of Italy, relics of a barbarous state of polity, artificially kept up by the craft of her foes. While anxious not to break down what is really native to the Italian character,—defences and differences that give individual genius a chance to grow and the fruits of each region to ripen in their natural way,—they aim at a harmony of spirit as to measures of education and for the affairs of business, without which Italy can never, as one nation, present a front strong enough to resist foreign robbery, and for want of which so much time and talent are wasted here, and internal development almost wholly checked.
There is in Tuscany a large corps of enlightened minds, well prepared to be the instructors, the elder brothers and guardians, of the lower people, and whose hearts burn to fulfil that noble office. Before, it had been almost impossible to them, for the reasons I have named in speaking of Lombardy; but during these last four months that the way has been opened by the freedom of the press, and establishment of the National Guard,—so valuable, first of all, as giving occasion for public meetings and free interchange of thought between the different classes,—it is surprising how much light they have been able to diffuse.
A Bolognese, to whom I observed, "How can you be so full of trust when all your hopes depend, not on the recognition of principles and wants throughout the people, but on the life of one mortal man?" replied: "Ah! but you don't consider that his life gives us a chance to effect that recognition. If Pius IX. be spared to us five years, it will be impossible for his successors ever to take a backward course. Our nation is of a genius so vivacious,—we are unhappy, but not stupid, we Italians,—we can learn as much in two months as other nations in twenty years." This seemed to me no brag when I returned to Tuscany and saw the great development and diffusion of thought that had taken place during my brief absence. The Grand Duke, a well-intentioned, though dull man, had dared, to declare himself "an ITALIAN prince" and the heart of Tuscany had bounded with hope. It is now deeply as justly felt that the curse of Italy is foreign intrusion; that if she could dispense with foreign aid, and be free from foreign aggression, she would find the elements of salvation within herself. All her efforts tend that way, to re-establish the natural position of things; may Heaven grant them success! For myself, I believe they will attain it. I see more reason for hope, as I know more of the people. Their rash and baffled struggles have taught them prudence; they are wanted in the civilized world as a peculiar influence; their leaders are thinking men, their cause is righteous. I believe that Italy will revive to new life, and probably a greater, one more truly rich and glorious, than at either epoch of her former greatness.
During the period of my absence, the Austrians had entered Ferrara. It is well that they hazarded this step, for it showed them the difficulties in acting against a prince of the Church who is at the same time a friend to the people. The position was new, and they were probably surprised at the result,—surprised at the firmness of the Pope, surprised at the indignation, tempered by calm resolve, on the part of the Italians. Louis Philippe's mean apostasy has this time turned to the advantage of freedom. He renounced the good understanding with England which it had been one of the leading features of his policy to maintain, in the hope of aggrandizing and enriching his family (not France, he did not care for France); he did not know that he was paving the way for Italian freedom. England now is led to play a part a little nearer her pretensions as the guardian of progress than she often comes, and the ghost of La Fayette looks down, not unappeased, to see the "Constitutional King" decried by the subjects he has cheated and lulled so craftily. The king of Sardinia is a worthless man, in whom nobody puts any trust so far as regards his heart or honor; but the stress of things seems likely to keep him on the right side. The little sovereigns blustered at first, then ran away affrighted when they found there was really a spirit risen at last within the charmed circle,—a spirit likely to defy, to transcend, the spells of haggard premiers and imbecile monarchs.
I arrived in Florence, unhappily, too late for the great fête of the 12th of September, in honor of the grant of a National Guard. But I wept at the mere recital of the events of that day, which, if it should lead to no important results, must still be hallowed for ever in the memory of Italy, for the great and beautiful emotions that flooded the hearts of her children. The National Guard is hailed with no undue joy by Italians, as the earnest of progress, the first step toward truly national institutions and a representation of the people. Gratitude has done its natural work in their hearts; it has made them better. Some days before the fête were passed in reconciling all strifes, composing all differences between cities, districts, and individuals. They wished to drop all petty, all local differences, to wash away all stains, to bathe and prepare for a new great covenant of brotherly love, where each should act for the good of all. On that day they all embraced in sign of this,—strangers, foes, all exchanged the kiss of faith and love; they exchanged banners, as a token that they would fight for, would animate, one another. All was done in that beautiful poetic manner peculiar to this artist people; but it was the spirit, so great and tender, that melts my heart to think of. It was the spirit of true religion,—such, my Country! as, welling freshly from some great hearts in thy early hours, won for thee all of value that thou canst call thy own, whose groundwork is the assertion, still sublime though thou hast not been true to it, that all men have equal rights, and that these are birth-rights, derived from God alone.
I rejoice to say that the Americans took their share on this occasion, and that Greenough—one of the few Americans who, living in Italy, takes the pains to know whether it is alive or dead, who penetrates beyond the cheats of tradesmen and the cunning of a mob corrupted by centuries of slavery, to know the real mind, the vital blood, of Italy—took a leading part. I am sorry to say that a large portion of my countrymen here take the same slothful and prejudiced view as the English, and, after many years' sojourn, betray entire ignorance of Italian literature and Italian life, beyond what is attainable in a month's passage through the thoroughfares. However, they did show, this time, a becoming spirit, and erected the American eagle where its cry ought to be heard from afar,—where a nation is striving for independent existence, and a government representing the people. Crawford here in Rome has had the just feeling to join the Guard, and it is a real sacrifice for an artist to spend time on the exercises; but it well becomes the sculptor of Orpheus,—of him who had such faith, such music of divine thought, that he made the stones move, turned the beasts from their accustomed haunts, and shamed hell itself into sympathy with the grief of love. I do not deny that such a spirit is wanted here in Italy; it is everywhere, if anything great, anything permanent, is to be done. In reference to what I have said of many Americans in Italy, I will only add, that they talk about the corrupt and degenerate state of Italy as they do about that of our slaves at home. They come ready trained to that mode of reasoning which affirms that, because men are degraded by bad institutions, they are not fit for better.
As to the English, some of them are full of generous, intelligent sympathy;—indeed what is more solidly, more wisely good than the right sort of Englishmen!—but others are like a gentleman I travelled with the other day, a man of intelligence and refinement too as to the details of life and outside culture, who observed, that he did not see what the Italians wanted of a National Guard, unless to wear these little caps. He was a man who had passed five years in Italy, but always covered with that non-conductor called by a witty French writer "the Britannic fluid."
Very sweet to my ear was the continual hymn in the streets of Florence, in honor of Pius IX. It is the Roman hymn, and none of the new ones written in Tuscany have been able to take its place. The people thank the Grand Duke when he does them good, but they know well from whose mind that good originates, and all their love is for the Pope. Time presses, or I would fain describe in detail the troupe of laborers of the lower class, marching home at night, keeping step as if they were in the National Guard, filling the air, and cheering the melancholy moon, by the patriotic hymns sung with the mellow tone and in the perfect time which belong to Italians. I would describe the extempore concerts in the streets, the rejoicings at the theatres, where the addresses of liberal souls to the people, through that best vehicle, the drama, may now be heard. But I am tired; what I have to write would fill volumes, and my letter must go. I will only add some words upon the happy augury I draw from the wise docility of the people. With what readiness they listened to wise counsel, and the hopes of the Pope that they would give no advantage to his enemies, at a time when they were so fevered by the knowledge that conspiracy was at work in their midst! That was a time of trial. On all these occasions of popular excitement their conduct is like music, in such order, and with such union of the melody of feeling with discretion where to stop; but what is wonderful is that they acted in the same manner on that difficult occasion. The influence of the Pope here is without bounds; he can always calm the crowd at once. But in Tuscany, where they have no such idol, they listened in the same way on a very trying occasion. The first announcement of the regulation for the Tuscan National Guard terribly disappointed the people; they felt that the Grand Duke, after suffering them to demonstrate such trust and joy on the feast of the 12th, did not really trust, on his side; that he meant to limit them all he could. They felt baffled, cheated; hence young men in anger tore down at once the symbols of satisfaction and respect; but the leading men went among the people, begged them to be calm, and wait till a deputation had seen the Grand Duke. The people, listening at once to men who, they were sure, had at heart their best good, waited; the Grand Duke became convinced, and all ended without disturbance. If they continue to act thus, their hopes cannot be baffled. Certainly I, for one, do not think that the present road will suffice to lead Italy to her goal. But it is an onward, upward road, and the people learn as they advance. Now they can seek and think fearless of prisons and bayonets, a healthy circulation of blood begins, and the heart frees itself from disease.
I earnestly hope for some expression of sympathy from my country toward Italy. Take a good chance and do something; you have shown much good feeling toward the Old World in its physical difficulties,—you ought to do still more in its spiritual endeavor. This cause is OURS, above all others; we ought to show that we feel it to be so. At present there is no likelihood of war, but in case of it I trust the United States would not fail in some noble token of sympathy toward this country. The soul of our nation need not wait for its government; these things are better done by individuals. I believe some in the United States will pay attention to these words of mine, will feel that I am not a person to be kindled by a childish, sentimental enthusiasm, but that I must be sure I have seen something of Italy before speaking as I do. I have been here only seven months, but my means of observation have been uncommon. I have been ardently desirous to judge fairly, and had no prejudices to prevent; beside, I was not ignorant of the history and literature of Italy, and had some common ground on which to stand with, its inhabitants, and hear what they have to say. In many ways Italy is of kin to us; she is the country of Columbus, of Amerigo, of Cabot. It would please me much to see a cannon here bought by the contributions of Americans, at whose head should stand the name of Cabot, to be used by the Guard for salutes on festive occasions, if they should be so happy as to have no more serious need. In Tuscany they are casting one to be called the "Gioberti," from a writer who has given a great impulse to the present movement. I should like the gift of America to be called the AMERIGO, the COLUMBO, or the WASHINGTON. Please think of this, some of my friends, who still care for the eagle, the Fourth of July, and the old cries of hope and honor. See if there are any objections that I do not think of, and do something if it is well and brotherly. Ah! America, with all thy rich boons, thou hast a heavy account to render for the talent given; see in every way that thou be not found wanting.
LETTER XVIII.
Reflections for the New Year.—Americans in Europe.—France, England, Poland, Italy, Russia, Austria,—their Policy.—Europe toils and struggles.—All things bode a new Outbreak.—The Eagle of America stoops to Earth, and shares the Character of the Vulture.—Abolition.—The Youth of the Land.—Anticipations of their Usefulness.
This letter will reach the United States about the 1st of January; and it may not be impertinent to offer a few New-Year's reflections. Every new year, indeed, confirms the old thoughts, but also presents them under some new aspects.
The American in Europe, if a thinking mind, can only become more American. In some respects it is a great pleasure to be here. Although we have an independent political existence, bur position toward Europe, as to literature and the arts, is still that of a colony, and one feels the same joy here that is experienced by the colonist in returning to the parent home. What was but picture to us becomes reality; remote allusions and derivations trouble no more: we see the pattern of the stuff, and understand the whole tapestry. There is a gradual clearing up on many points, and many baseless notions and crude fancies are dropped. Even the post-haste passage of the business American through the great cities, escorted by cheating couriers and ignorant valets de place, unable to hold intercourse with the natives of the country, and passing all his leisure hours with his countrymen, who know no more than himself, clears his mind of some mistakes,—lifts some mists from his horizon.
There are three species. First, the servile American,—a being utterly shallow, thoughtless, worthless. He comes abroad to spend his money and indulge his tastes. His object in Europe is to have fashionable clothes, good foreign cookery, to know some titled persons, and furnish himself with coffee-house gossip, by retailing which among those less travelled and as uninformed as himself he can win importance at home. I look with unspeakable contempt on this class,—a class which has all the thoughtlessness and partiality of the exclusive classes in Europe, without any of their refinement, or the chivalric feeling which still sparkles among them here and there. However, though these willing serfs in a free age do some little hurt, and cause some annoyance at present, they cannot continue long; our country is fated to a grand, independent existence, and, as its laws develop, these parasites of a bygone period must wither and drop away.
Then there is the conceited American, instinctively bristling and proud of—he knows not what. He does not see, not he, that the history of Humanity for many centuries is likely to have produced results it requires some training, some devotion, to appreciate and profit by. With his great clumsy hands, only fitted to work on a steam-engine, he seizes the old Cremona violin, makes it shriek with anguish, in his grasp, and then declares he thought it was all humbug before he came, and now he knows it; that there is not really any music in these old things; that the frogs in one of our swamps make much finer, for they are young and alive. To him the etiquettes of courts and camps, the ritual of the Church, seem simply silly,—and no wonder, profoundly ignorant as he is of their origin and meaning. Just so the legends which are the subjects of pictures, the profound myths which are represented in the antique marbles, amaze and revolt him; as, indeed, such things need to be judged of by another standard than that of the Connecticut Blue-Laws. He criticises severely pictures, feeling quite sure that his natural senses are better means of judgment than the rules of connoisseurs,—not feeling that, to see such objects, mental vision as well as fleshly eyes are needed and that something is aimed at in Art beyond the imitation of the commonest forms of Nature. This is Jonathan in the sprawling state, the booby truant, not yet aspiring enough to be a good school-boy. Yet in his folly there is meaning; add thought and culture to his independence, and he will be a man of might: he is not a creature without hope, like the thick-skinned dandy of the class first specified.
The artistes form a class by themselves. Yet among them, though seeking special aims by special means, may also be found the lineaments of these two classes, as well as of the third, of which I am now to speak.
This is that of the thinking American,—a man who, recognizing the immense advantage of being born to a new world and on a virgin soil, yet does not wish one seed from the past to be lost. He is anxious to gather and carry back with him every plant that will bear a new climate and new culture. Some will dwindle; others will attain a bloom and stature unknown before. He wishes to gather them clean, free from noxious insects, and to give them a fair trial in his new world. And that he may know the conditions under which he may best place them in that new world, he does not neglect to study their history in this.
The history of our planet in some moments seems so painfully mean and little,—such terrible bafflings and failures to compensate some brilliant successes,—such a crushing of the mass of men beneath, the feet of a few, and these, too, often the least worthy,—such a small drop of honey to each cup of gall, and, in many cases, so mingled that it is never one moment in life purely tasted,—above all, so little achieved for Humanity as a whole, such tides of war and pestilence intervening to blot out the traces of each triumph,—that no wonder if the strongest soul sometimes pauses aghast; no wonder if the many indolently console themselves with gross joys and frivolous prizes. Yes! those men are worthy of admiration who can carry this cross faithfully through fifty years; it is a great while for all the agonies that beset a lover of good, a lover of men; it makes a soul worthy of a speedier ascent, a more productive ministry in the next sphere. Blessed are they who ever keep that portion of pure, generous love with which they began life! How blessed those who have deepened the fountains, and have enough to spare for the thirst of others! Some such there are; and, feeling that, with all the excuses for failure, still only the sight of those who triumph, gives a meaning to life or makes its pangs endurable, we must arise and follow.
Eighteen hundred years of this Christian culture in these European kingdoms, a great theme never lost sight of, a mighty idea, an adorable history to which the hearts of men invariably cling, yet are genuine results rare as grains of gold in the river's sandy bed! Where is the genuine democracy to which the rights of all men are holy? where the child-like wisdom learning all through life more and more of the will of God? where the aversion to falsehood, in all its myriad disguises of cant, vanity, covetousness, so clear to be read in all the history of Jesus of Nazareth? Modern Europe is the sequel to that history, and see this hollow England, with its monstrous wealth and cruel poverty, its conventional life, and low, practical aims! see this poor France, so full of talent, so adroit, yet so shallow and glossy still, which could not escape from a false position with all its baptism of blood! see that lost Poland, and this Italy bound down by treacherous hands in all the force of genius! see Russia with its brutal Czar and innumerable slaves! see Austria and its royalty that represents nothing, and its people, who, as people, are and have nothing! If we consider the amount of truth that has really been spoken out in the world, and the love that has beat in private hearts,—how genius has decked each spring-time with such splendid flowers, conveying each one enough of instruction in its life of harmonious energy, and how continually, unquenchably, the spark of faith has striven to burst into flame and light up the universe,—the public failure seems amazing, seems monstrous.
Still Europe toils and struggles with her idea, and, at this moment, all things bode and declare a new outbreak of the fire, to destroy old palaces of crime! May it fertilize also many vineyards! Here at this moment a successor of St. Peter, after the lapse of near two thousand years, is called "Utopian" by a part of this Europe, because he strives to get some food to the mouths of the leaner of his flock. A wonderful state of things, and which leaves as the best argument against despair, that men do not, cannot despair amid such dark experiences. And thou, my Country! wilt thou not be more true? does no greater success await thee? All things have so conspired to teach, to aid! A new world, a new chance, with oceans to wall in the new thought against interference from the old!—treasures of all kinds, gold, silver, corn, marble, to provide for every physical need! A noble, constant, starlike soul, an Italian, led the way to thy shores, and, in the first days, the strong, the pure, those too brave, too sincere, for the life of the Old World, hastened to people them. A generous struggle then shook off what was foreign, and gave the nation a glorious start for a worthy goal. Men rocked the cradle of its hopes, great, firm, disinterested, men, who saw, who wrote, as the basis of all that was to be done, a statement of the rights, the inborn rights of men, which, if fully interpreted and acted upon, leaves nothing to be desired.
Yet, O Eagle! whose early flight showed this clear sight of the sun, how often dost thou near the ground, how show the vulture in these later days! Thou wert to be the advance-guard of humanity, the herald of all progress; how often hast thou betrayed this high commission! Fain would the tongue in clear, triumphant accents draw example from thy story, to encourage the hearts of those who almost faint and die beneath the old oppressions. But we must stammer and blush when we speak of many things. I take pride here, that I can really say the liberty of the press works well, and that checks and balances are found naturally which suffice to its government. I can say that the minds of our people are alert, and that talent has a free chance to rise. This is much. But dare I further say that political ambition is not as darkly sullied as in other countries? Dare I say that men of most influence in political life are those who represent most virtue, or even intellectual power? Is it easy to find names in that career of which I can speak with enthusiasm? Must I not confess to a boundless lust of gain in my country? Must I not concede the weakest vanity, which bristles and blusters at each foolish taunt of the foreign press, and admit that the men who make these undignified rejoinders seek and find popularity so? Can I help admitting that there is as yet no antidote cordially adopted, which will defend even that great, rich country against the evils that have grown out of the commercial system in the Old World? Can I say our social laws are generally better, or show a nobler insight into the wants of man and woman? I do, indeed, say what I believe, that voluntary association for improvement in these particulars will be the grand means for my nation to grow, and give a nobler harmony to the coming age. But it is only of a small minority that I can say they as yet seriously take to heart these things; that they earnestly meditate on what is wanted for their country, for mankind,—for our cause is indeed, the cause of all mankind at present. Could we succeed, really succeed, combine a deep religious love with practical development, the achievements of genius with the happiness of the multitude, we might believe man had now reached a commanding point in his ascent, and would stumble and faint no more. Then there is this horrible cancer of slavery, and the wicked war that has grown out of it. How dare I speak of these things here? I listen to the same arguments against the emancipation of Italy, that are used against the emancipation of our blacks; the same arguments in favor of the spoliation of Poland, as for the conquest of Mexico. I find the cause of tyranny and wrong everywhere the same,—and lo! my country! the darkest offender, because with the least excuse; forsworn to the high calling with which she was called; no champion of the rights of men, but a robber and a jailer; the scourge hid behind her banner; her eyes fixed, not on the stars, but on the possessions of other men.
How it pleases me here to think of the Abolitionists! I could never endure to be with them at home, they were so tedious, often so narrow, always so rabid and exaggerated in their tone. But, after all, they had a high motive, something eternal in their desire and life; and if it was not the only thing worth thinking of, it was really something worth living and dying for, to free a great nation from such a terrible blot, such a threatening plague. God strengthen them, and make them wise to achieve their purpose!
I please myself, too, with remembering some ardent souls among the American youth, who I trust will yet expand, and help to give soul to the huge, over-fed, too hastily grown-up body. May they be constant! "Were man but constant, he were perfect," it has been said; and it is true that he who could be constant to those moments in which he has been truly human, not brutal, not mechanical, is on the sure path to his perfection, and to effectual service of the universe.
It is to the youth that hope addresses itself; to those who yet burn with aspiration, who are not hardened in their sins. But I dare not expect too much of them. I am not very old; yet of those who, in life's morning, I saw touched by the light of a high hope, many have seceded. Some have become voluptuaries; some, mere family men, who think it quite life enough to win bread for half a dozen people, and treat them, decently; others are lost through indolence and vacillation. Yet some remain constant;
"I have witnessed many a shipwreck, Yet still beat noble hearts."
I have found many among the youth of England, of France, of Italy, also, full of high desire; but will they have courage and purity to fight the battle through in the sacred, the immortal band? Of some of them I believe it, and await the proof. If a few succeed amid the trial, we have not lived and loved in vain.
To these, the heart and hope of my country, a happy new year! I do not know what I have written; I have merely yielded to my feelings in thinking of America; but something of true love must be in these lines. Receive them kindly, my friends; it is, of itself, some merit for printed words to be sincere.
LETTER XIX.
The Climate of Italy.—Review of First Impressions.—Rome in its various Aspects.—The Pope.—Cemetery of Santo Spirito.—Ceremonies at the Chapels.—The Women of Italy.—Festival of St. Carlo Borromeo.—An Incident in the Chapel.—English Residents in the Seven-hilled City.—Mrs. Trollope a Resident of Florence.—The Pope as he communicates with his People.—The Position of Affairs.—Lesser Potentates.—The Inauguration of the New Council.—The Ceremonies thereto appertaining.—The American Flag in Rome.—A Ball.—A Feast, and its Reverse.—The Funeral of a Councillor.
Rome, December 17, 1847.
This 17th day of December I rise to see the floods of sunlight blessing us, as they have almost every day since I returned to Rome,—two months and more,—with scarce three or four days of rainy weather. I still see the fresh roses and grapes each morning on my table, though both these I expect to give up at Christmas.
This autumn is something like, as my countrymen say at home. Like what, they do not say; so I always supposed they meant like their ideal standard. Certainly this weather corresponds with mine; and I begin to believe the climate of Italy is really what it has been represented. Shivering here last spring in an air no better than the cruel cast wind of Puritan Boston, I thought all the praises lavished on
"Italia, O Italia!"
would turn out to be figments of the brain; and that even Byron, usually accurate beyond the conception of plodding pedants, had deceived us when he says, you have the happiness in Italy to