← Table of contents
Are Parents People?

Introductory material

Reading edition

ARE PARENTS PEOPLE?

I

The girls marched into chapel singing Jerusalem the Golden. Some of the voices were shrill and piping, and some were clear and sweet; but all had that peculiar young freshness which always makes old hearts ache, and which now drew tears to the eyes of many visiting parents looking down from the gallery, and trying not to crane their necks conspicuously when their own offspring appeared in the aisle below.

On Sundays the whole school came out in blue serge and black velvet tam-o'-shanters. The little girls marched first—some as young as eleven years—and as they came from the main school buildings and marched up the long aisle they were holding the high notes, "Jerusalem the golden," and their voices sounded like young birds', before the older girls came crashing in with the next line, "With milk and honey blest." They marched quickly—it was a tradition of the school—divided to right and left, and filed into their appointed places.

Last of all came the tall senior president, and beside her a little figure that hardly reached her shoulder, and seemed as if one of the younger children were out of place; yet this was an important figure in the life of the school—Lita Hazlitt, the chairman of the self-government committee.

Her face was almost round except for a small point that was her chin; her hair—short curls, not ringlets—curved up on her black velvet tam, and was blond, but a dusky blond. There was something alert, almost naughty in her expression, although at the moment this was mitigated by an air of discretion hardly avoidable by the chairman of the self-government committee in church.

In this, her last year at Elbridge Hall, she had come to love the chapel. Its gray stone and dark narrow windows of blue or amethyst, the organ and the voices, gave her a sense of peace almost mystic—a mood she could never have attained unaided, for hers was a nature essentially practical. Like most practical people, she was kind. It was so easy for Lita to see what was needed—to do a problem in geometry or mend a typewriter or knit a sweater—that she was always doing such things for her friends, not so much from unselfishness as from sheer competence.

The seniors sat in the carved stalls against the wall, and Lita liked to rest her hand on the rounded head of a dragon which made the arm of her chair. It had a polished surface and the knobs of the ears fitted into her fingers.

"Dearly beloved brethren, the Scripture moveth us, in sundry places, to acknowledge and confess—"

Lita loved the words of the service, and she noted that part of their beauty was the needless doubling of words—dissemble and cloak—assemble and meet together—requisite and necessary. Yet Miss Fraser, who taught English at Elbridge, would call that tautology in a theme.... She sank on her knees, burying her small nose in her hands for the general confession.

As they rose from their knees and the choir broke out into O Come, let us sing unto the Lord, Lita allowed herself one glance at the gallery, where her lovely mother was just rising, slim and erect, with a bearing polite rather than devout. Lita could see one immaculate gray glove holding her prayerbook. She was a beautifully dressed person. The whole school had an orgy of retrimming hats and remaking dresses after Mrs. Hazlitt had spent a Sunday at Elbridge. She was as blond as her daughter, except that somehow in the transmission of the family coloring she had acquired a pair of enormous black eyes from some contradictory ancestor. Even across the chapel Lita could see the dark splotches that were her mother's eyes. It was great fun—the Sundays that Mrs. Hazlitt came to the school, and yet Lita was always a little nervous. Her mother said anything that came into her head—simply anything, commenting on teachers and making fun of rules. The girls loved it, of course, but sometimes— The First Lesson had begun.

The service went on. It was not until the Second Lesson was being read that Lita, glancing idly toward the ante-chapel, saw that a terrible thing had happened: Her father had arrived too—unexpected and unannounced. He was standing there under the gallery, his hat and stick and gloves all held in one hand, and his mouth just not smiling as he at last contrived to meet her eyes. There they were—her mother looking down at her so calmly from the gallery and her father waiting so confidently for her below, each unaware of the other's presence. What in thunder was she going to do?

Their divorce had taken place a great many years before, when Lita was so young that her mother was not much more important to her than her nurse, and her father very much less so. She was accustomed to the idea of their divorce; but she did wish they were divorced as Aurelia's parents were—quite amicably, even meeting now and then to talk over questions of Aurelia's welfare. Or the way Carrie Waldron's were—each remarried happily to someone else, so that Carrie had two amusing sets of half brothers and sisters growing up in different parts of the country. But Lita was aware of a constrained bitterness, a repressed hatred between her parents. When they said, "Perhaps your father does not quite take in, my dear—" or "I would not interfere with any plan of your mother's; but I must say—" Lita was conscious of a poisoned miasma that seemed to rise from old battlegrounds.

And now, in a few minutes, these two people who had not spoken for thirteen years would come face to face in the cheerful group of parents which every Sunday brought to the school. The few minutes after the service when everyone stood about on the grass outside the church and chatted was a time of public friendliness between three inharmonious classes—parents, teachers and pupils; and there these two dear foes of hers would be, each waiting so confidently to claim her undivided attention. She must prevent it.

She had the sermon to think it out, and for the first time in her life she hoped it would be a long sermon. The preacher, a fine-looking old missionary bishop, with a long upper lip like a lawyer, and a deep-set eye like a fanatic, was going up into the pulpit, turning on the reading light, shaking back the fine frills of his episcopal sleeves.

"My text," he was saying, "will be taken from the eleventh chapter of Isaiah, the sixth verse: 'The wolf also shall dwell with the lamb, and the leopard shall lie down with the kid; and the calf and the young lion and the fatling together; and a little child shall lead them.' The eleventh chapter of Isaiah, the sixth verse."

Well, the text was not inappropriate, Lita thought; but she had no intention of listening. The situation, besides its practical difficulties, brought all the emotion of her childhood's worries and confusions. One of her very earliest recollections went back to a time when her parents still loved each other. She and her mother had been sitting on the floor playing with paper dolls, and suddenly her father had appeared unexpectedly in the doorway—returned ahead of time from a journey. What Lita specially remembered was the way her mother sprang up in one single long motion and flung herself into his arms, and how they had clung together and gone out of the room without a word to her, leaving her conscious, even at four, that she was forgotten. Presently her mother had sent her nurse, Margaret, to finish the game; but the game was already over. Margaret was desirable when one was tired or hungry or sleepy, but absolutely useless at games of the imagination.

After that Lita could just remember days when she would see her mother crying—peculiar conduct for a grown-up person, since grown-up people were never naughty or afraid and could do anything they wanted to do, and did. It shocked Lita to see her mother cry; it was contrary to the plan of the universe. And then, soon after this, her father, as far as she was concerned, ceased to be; and it must be owned she did not greatly miss him.

He ceased to be as a visible presence; but at immensely long intervals—that is to say, once a year, at Christmas—magical presents arrived for her, which she knew came from him. The first was the largest doll she had ever seen. It came from Paris and brought a trousseau in a French trunk. It was an incredible delight. She dreamed about it at night, and could hardly believe each morning on waking that it was reality. The only mitigation of her delight was that her mother did not admire the doll. She said it had an ugly, stary face. Lita, beginning the stupendous task of writing a letter of thanks, with a lead pencil on ruled paper, wrote, "Dear Father: Mother thinks the doll has a stary face, but I love her—" Only Margaret said that wouldn't do, and she had to begin all over again, her round, cramped hand pressing on the pencil until her nails were white.

When she was eight a gold bracelet arrived, set with red stones. This time her mother was even more outspoken. She said to Aunt Minnie, "Of course, she bought it! Isn't it just what you'd expect?" Lita guessed that "she" meant her father's new wife, for she knew vaguely that he had married again and was living abroad. She herself thought the bracelet beautiful; but it was put away, and she was never allowed to wear it. And now, only a little while before, she had seen it in an old jewelry case of her mother's and had been surprised to find it was just what her mother had said it was.

Then two years later a set of sables had come. This, too, her mother had utterly condemned.

"Sables for a child of ten!"

Aunt Minnie had suggested that Lita's mother wear them herself and had been well scolded for the suggestion. Lita was content that these should be confiscated. She preferred her own little ermine set.

Until she was sixteen, except for presents, she lived the life of a child with only one parent, and a very satisfactory life it was. Even when her father was in the United States he did not always take the trouble to see her. Perhaps it was not made too easy for him to do so. But within the last two years things had changed. His second wife had died and he had come back to New York to live. He was older, he was lonely, and a pretty daughter almost grown up was very different from a troublesome child who couldn't walk as fast as he did, who required meals at strange hours and could eat only innocuous food. In his own silent way Mr. Hazlitt began to bid for his daughter's affection.

Lita liked the process and she liked him, although she felt immediately that the feeling was a betrayal of her lovely, devoted mother. It wasn't right, she reflected, that her father, who had forgotten her existence for so many years, should come back, and just because he was nice looking and well off and knew the art of life should be able to capture her affection as much or more than if he had stayed at home and been a good parent. It wasn't right, but it was a fact.

For two years the struggle had been going on, steadily rising in intensity. Her father had begun by asking for very little—hardly more than an outlawed parent could ask—but Lita knew that she was becoming dearer and dearer to him, and that her parents were now contending for first place in her heart. Soon it would be for her exclusive love. The pain of the situation to her was that she was to them not only a battlefield but a weapon and the final trophy of the war. As they never met, and wrote only through their lawyers, she was their most vivid channel of communication. She loved her mother the best—much the best—but her mother was a presupposition of her life, part of the background, whereas her father was an excitement, a stranger, a totally new experience.

When she dined with her mother, that was the solid comfort of everyday life; but when she went out to a restaurant to dine with her father—that was a party.

When her mother told her she was looking well the compliment often meant only that Mrs. Hazlitt approved of her own taste in clothes; but if her father said so it was the reaction of an outsider, a critic, a man of the world; it raised the whole level of her self-esteem. She couldn't help valuing it more.

The sermon was nearing its end. Twice already the bishop had begun a sentence, "And now in conclusion—" The next time, Lita thought, it might take. If only Aurelia were about! Aurelia was an authority on the management of divorced parents, though usually with mercenary intent. Aurelia had studied the art of intimating to one parent that the other did you rather better. It brought Aurelia great affluence; but Lita did not quite approve. She thought it too easy to be sportsmanlike; the poor dears were so innocent. But Aurelia was stern. She said children ought to get something out of the situation. Unfortunately, this Sunday, of all Sundays, Aurelia was laid up in the infirmary with a strange and violent form of indigestion which Lita was afraid would turn out to be appendicitis. Miss Barton, the head of the school, believed it to be indigestion merely because she had discovered that Aurelia the night before had eaten peanuts, peanut butter, chocolate cake and tomato mayonnaise. What of course one could not tell Miss Barton was that Aurelia had been eating just such illicit Saturday-night suppers ever since she came to Elbridge.

Lita had only said very gently "I'm afraid it's more than indigestion," and Miss Barton had just glanced at her as if she were a silly ass.

If Aurelia had been about she would have been sent bounding up the gallery stairs to detain Mrs. Hazlitt, while Lita herself would have run out and explained the situation to Mr. Hazlitt. Well, as it was, she would have a minute or two. The gallery stairs were narrow and it took people a little while to come down.

The sermon was over. The organ rolled out into Praise God, from whom all blessings flow, an anthem which Lita in her childhood had always supposed was introduced at this point in order to express gratitude that the sermon was over.

The girls sprang up as if on wires. Presently they were all marching down the aisle again. Lita looked up in the gallery and smiled at her mother, looked down and smiled at her father; and then, as soon as she was back again in the main school building, she turned and ran as fast as she could go to the main door of the chapel.

A crowd of parents and teachers had already gathered, all being as civil to one another as if they were not naturally hostile. Lita had once overheard Miss Barton exclaiming, "Of course, anyone could keep a good school if it weren't for these parents!" Her father was standing a little apart, waiting. He had put on his hat at the slight angle at which he wore it—a sort of defiance to his forty-two years. She ran up to him and flung herself into his arms.

"Pat, darling," she said—Mr. Hazlitt's name was James; Pat was a corruption of Lita's early attempts upon the Latin tongue—"it's simply great to see you back; but—"

"I only got back last night," said Mr. Hazlitt, as if he himself were surprised at his own eagerness. "I have Miss Barton's permission for you to lunch with me—"

"Pat dear!"

"—and spend the afternoon."

"Father!"

Out of the narrow doorway that led from the gallery stairs Lita could now see her mother emerging. She was dressed in soft blues and grays like a pigeon's breast, and her eyes, dazzled by the March sunlight, were darting about in search of her daughter among all the other figures in blue serge. Then Lita saw that Miss Barton had stopped her and introduced the bishop. That meant another minute or two; her mother would feel she simply must be civil to the bishop.

"Father."

"Don't interrupt me, Lita. You're just like—it's a very disagreeable habit."

"But you see mother's here, too, father."

Every trace of expression vanished from Mr. Hazlitt's face—his own way of expressing emotion.

Then he said in a hard, even voice, "My first Sunday!"

"I know, dear, but you see it's her regular Sunday."

"Of course. I'm not criticizing your mother," he answered, in that tone in which the phrase is so often used, as if he could do it magnificently if he let himself go. "Only I must say that after three months' absence I did hope—" He stopped; his face, which had been blank before, now became set like steel, and Lita saw that his eyes had fallen on the former partner of his life. It was most alarming. At any instant her mother might grow weary of the bishop and turn from him. Lita laid her hand on her father's arm.

"So, you see, dear," she said rather glibly, "I can't possibly lunch with you."

"I don't see it at all," replied her father. "Your mother has had you to herself all this winter. I'm afraid I shall have to insist. There is something I want to talk over with you."

Lita had not anticipated the least difficulty with her father. He usually yielded his rights in silence, and afterward her mother explained to her how mistaken he had been in supposing he had any rights. She sighed, and he caught the sigh.

"Unless," he added, "you don't want to lunch with me."

His feelings were hurt. She couldn't bear that.

"Of course, I always want to lunch with you," she said, and she was glad this hearty assurance did not carry so far as her mother's ears. "I'll run and explain, and I'll meet you at the main gate in half an hour."

She turned away. Miss Barton, to whom Sunday was a terrible day, devoted to placating visiting parents, who always had one disagreeable thing to say before they left, had rather mistakenly abandoned the bishop entirely to Mrs. Hazlitt. As Lita approached them she heard her mother saying: "But I think it's so much nicer for wolves to be wolfish and leopards leopardy. I'm sure the heathen are ever so much happier the way they are, sharpening their teeth and eating one another up, poor dears."

"But they are not happy, my dear madam," said the bishop, driven by a sense of duty into correcting her mistake, and yet discouraged by a sense that whatever he said she would interrupt him before he had said it. "They are not happy. They are full of terror. Darkness and night are to them just a recurring fear."

"To me too," said Mrs. Hazlitt. "The heathen have nothing on me, as these girls would say. I look under my bed every night for a giant spider I read about when I was a child. You ought to be so careful what children read. So interesting—your sermon, bishop. I'm sure you could convert me if I were a heathen. Oh, I see you think I practically am. Oh, bishop, your face! Lita, the bishop thinks I'm a heathen. This is my child. May we go to your room before luncheon? Well, I never know. I'm so afraid of breaking some of their silly rules in this place. Oh, I hope Miss Barton did not hear me say that. I've asked that nice fat girl with the red hair to lunch with us at the inn. I'd rather like to ask the bishop too—he's rather sweet," she added regretfully as Lita began to lead her away in the direction of her dormitory. "But I suppose you girls wouldn't be amused by a bishop."

"Mother dear," said Lita, "prepare yourself for a shock."

"You've been expelled," said Mrs. Hazlitt as if it had come at last, as she always knew it would.

"No, it's almost worse. Father is here too."

Mrs. Hazlitt stopped short and looked at her child.

"What?" she exclaimed, and the final t of the word was like a bullet. "But this is my Sunday."

"But he didn't know that."

"Didn't he, indeed? It's been my experience that your father usually contrives to know anything that it's to his advantage to know—and the other way round. He just thought he could get away with it. Well, he can't!"

"He's been away on business for three months, mother."

"Has he so? Fortunately I am no longer obliged to keep track of your father's comings and goings—especially the latter. When I did attempt to—"

She paused, bitterly brooding on her past anxieties; and Lita, taking her again by the arm, succeeded in setting her in motion. They entered the building where Lita lived, mounted the stairs in silence and went to Lita's room. Aurelia, who shared the room, being in the infirmary, secured them from interruption.

Mrs. Hazlitt walked at once to the window and peered out in all directions; but the window did not command that part of the grounds which lay between the chapel and the main gate. Finding the object of her hostile interest was not in sight, she turned back to her child.

"It's really too much," she said, "that I cannot have my one quiet Sunday a month with you. I never wanted you to go to boarding school at all. I only yielded because your coming here gave your father a place where he could see you without being obliged to come to my house—not pleasant for either of us. But it's a mistake to yield an inch to some people, as I ought to have known. I insist on my own Sunday. All other days are open to him, except this one, and so, of course, that's just the only one—"

"Only, mother dear, while he's been away I have been coming down to you in New York for most of my Sundays."

Mrs. Hazlitt had a way of opening her large black eyes until her curved lashes were flattened against her lids and looked as if they trimmed her eyes with black fringe. She did it now.

"And does he complain of that?" she asked. "Isn't it natural for a girl to spend her Sundays with her mother; or does he expect while he's away you and I—"

"No, no, mother. He doesn't complain. Father isn't a complainer."

"Lita! You hurt my feelings very much, criticizing me like that."

"Dearest mums, I didn't criticize you."

"You did! You said I was always complaining."

"No, dear, I only said that father did not."

This was so true that Mrs. Hazlitt could not deny it, and so with great quickness she shifted her ground.

"Isn't it something new," she said, "for you to feel it necessary to defend your father at every sentence?"

"I wasn't exactly defending him. I only—"

"My dear, you don't need to apologize for defending your father—very laudable, I'm sure. I feel deeply sorry for him myself—over forty, without a natural human tie. Only I do not feel called on to give up one of my few opportunities of being with you in order to suit his caprices."

"Is it exactly a—"

"It is exactly that. Rather late in the day for him to begin to discover the responsibilities of parenthood. Is he to have all the rewards?"

It did not seem a promising beginning; and Lita, in whom her mother's rapidly reflected changes of idea always set up a sort of baffled confusion, sighed. Her mother caught instantly that long-drawn-in breath and went through a complete change of mood—as rapid as her mental changes.

"Oh, well, of course you must lunch with him. I suppose that is what he wants, isn't it?"

Lita simply adored her mother when she was suddenly kind and reasonable like this. It was, the girl knew, a striking triumph of the maternal instinct over the hardly less fundamental human instinct to stick up for one's rights.

"Oh, mums, you are awfully good," she said.

This was not the right thing to say; perhaps nothing would have been.

"Don't thank me," her mother answered sharply, "as if I were doing you a favor. I didn't suppose you were so crazy to leave me. Oh, I know; and, after all, we have all the rest of our lives to spend together. Be sure to get back in time to walk to the train with me."

Lita promised to be back immediately after luncheon was over, and she added that she did really feel it was better to go to her father, as he had said he had something he wished to discuss with her.

At this, Mrs. Hazlitt, who, strictly against the rules of the school, had been sitting on Lita's bed, sprang up, and the girl at once began to smooth the bed. She was always destroying evidence of Mrs. Hazlitt's illegal conduct after one of her visits.

"Lita," exclaimed her mother, quite unconscious of any reproof in her daughter's action, "he's going to be married again! Oh! I suppose I should not have said that, but what else could he want to discuss? I do hope he is."

"Oh, I hope not!" said Lita, astonished to find how disagreeable the idea was to her.

"But don't you see how it would get him out of our way? He could hardly expect you to see much of a new bride, particularly the kind— Women pursue him so; they think that manner of his covers such a lot; they learn different.... No, Lita, not that hat—like Tweedle-dee in the saucepan. If you come down to me next Sunday I'll get you one that matches the foulard."

Suddenly they began to talk about clothes, and spoke of nothing else until it was time for Lita to go.

She thought as she ran across the green that she of all people ought to understand why her parents couldn't get on. Sometimes her mother made her feel as if she were clinging to a slippery hillside while an avalanche passed over her; and sometimes her father made her feel as if she were trying to roll a gigantic stone up that same hill. But then, on the other hand, sometimes her mother made her feel gay and stimulated, and her father gave her calm and serenity. And, after all, she hadn't chosen them; and they had chosen each other.

Her father was already waiting for her in his little car, a runabout body on a powerful foreign chassis. Everything that Mr. Hazlitt had was good of its kind and well kept up. He was sitting in the driver's seat, reading the sporting sheet of a morning paper, his knees crossed and one elbow over the back of the seat. He looked young and smart. Other cars were waiting—closed cars full of heavy bald parents. Lita felt a glow of pride. To go out with her father was like going out with a dangerous young man. Fortunately the diversity of tastes between her parents extended to their places of lodging. Her mother always stayed at an old-fashioned inn near the school grounds, whereas her father, who motored the forty miles from New York, and so never spent the night, preferred to eat at the hotel in the nearest town.

She got in beside him and they drove for some time in silence. Then he said, and she saw he had been thinking it over for some time:

"Lita, I want to speak to you about interrupting. It's a habit a great many women allow themselves to form. It's not only rude, but it's extremely irritating—alienating, indeed." He went on to assert that such a habit might even wreck her married life. A man, he said, who was interrupted every time he opened his mouth might get so that he never spoke at all; never told his wife things she ought to know.

Lita glanced at him sympathetically. Did the poor dear suppose she did not know just what he meant? She had suffered herself. Her mother often accused her of concealing things which she had tried repeatedly to tell; only her mother, with her mind running like a hound on some other idea, did not even hear. And yet on the other hand she had felt sympathetic when, not long before, her mother had delivered a short lecture on the treachery of silence; she had said—and quite truly—that a silence could be just as much of a lie as a spoken word. She wondered if she were a weak nature, agreeing with everyone who spoke to her.

At the hotel she found her father had ordered a special luncheon for her delight, composed of all the things he liked best himself. The regular hotel dinner, with its immense opportunities for choice, would have been a treat to Lita after the monotony of school fare; but she enjoyed the prestige that the special order gave them in the eyes of the dragoonlike head waitress, who never left their table. That was one of the amusing things about going out with her father. He had a quiet assumption of importance which made everyone think him important.

They had been at table several minutes before he spoke. He said, "If you take so much sauce you lose the flavor of the fish."

"I like the flavor of the sauce best," said Lita, and he smiled, a little sadly, as if he were at a loss to understand how his child could be such an utter barbarian.

Conscious that she had not quite so much time as he thought she had, she hurried to the point and asked him what it was he wanted to discuss. He seemed to be thinking deeply, which alarmed her; then he reached out and added a dash of pepper to his fish.

"Oh," he said, "I find I must go to Italy on business next summer. I wonder if you could arrange it with your mother so that you could go with me."

"Mercy!" exclaimed Lita. "I was afraid you were going to tell me you were going to be married again."

He looked up with a swift dark glance.

"Who put that idea into your head?" he asked.

"No one; it just occurred to me."

Where opposing affections exist, a lady, as much as a gentleman, is obliged to lie.

"That was your mother's idea," said her father, and gave a short, bitter laugh, as if human depravity could hardly go lower than to have made such a suggestion.

Well, Lita thought, perhaps her mother ought not to have said it; and yet, why not? Her father had remarried once. It made her feel old and cold, always to be obliged to weigh criticisms and complaints, to decide which of the two people she loved best in the world was right and which was wrong, every other minute. How she envied girls who could accept their parents as a unit!

Seeing her father's mind still occupied with his wrongs, she turned the conversation back to Italy. Of course, she would adore going—at least she would if her mother would agree to it.

"Of course, we could not go otherwise," said her father, and there was somehow in his tone the suggestion that he and his poor child were in the grip of an irrational and arbitrary power. After a moment he added, "And we'd stop in Paris on our way back and get you a lot of things." He smiled—he had a delightful, merry smile, quite at variance to his habitual blankness. "I don't suppose that idea is exactly repugnant to you?"

It wasn't, though Lita knew it was practically bribery. She adored shopping with her father. His method was simple. He went to the best shop and asked for their best things. If he liked them he bought them. If he didn't like them he went to the next-best shop. There was no haggling, no last-minute doubts whether, since the expense was so great, she really needed to get the things after all. Her father in Paris! It was a delirious thought.

"I should enjoy Paris with you, Pat," she said. He smiled with a faint suggestion that others had felt the same way. "If only mother approves."

"I don't see that there is anything to disapprove of, even for your mother, in a man's taking his daughter to Paris."

"What I mean is if she is really cordial about it. I could not go if she weren't cordial."

"Then," said her father, "we may as well give it up at once. For, of course, your mother won't be cordial. She won't want you to go. She never wants you out of her sight if she can help it."

"Father, mother isn't a bit selfish like that."

"I never said she was. It is natural she should want you to be with her. Please get it into your head, Lita, that I should never under any circumstances criticize your mother—least of all to you."

Lita looked at him reflectively. If he had been Aurelia she would have said "Bunk, my dear, and you know it." That was the way she and Aurelia carried on their relation—in the open. Candor cleared the air; but older people, Lita had found, did not really want the air cleared. They could not stand criticism; perhaps that was why they were always insisting that they did not criticize, when as a matter of fact they never did anything else.

Luncheon pursued its delicious but somewhat leisurely way. Mr. Hazlitt lit a cigar and sent the coffee back to be heated. It was a pleasant moment. Lita was conscious that he was treating her more as an equal companion than ever before. She was enjoying herself, and yet in the back of her mind was a distressing awareness that time was passing and she ought to be getting back to school to her mother.

"The truth is," her father was saying, "that as one gets older one loses the power, or perhaps the wish, to make new friends; and one clings to the old ties. I hope you will arrange eventually, when you are twenty-one, to spend at least half the year with me. I shall be in a position then to make some long expeditions—China and Patagonia, and I should like you to go with me."

Lita's imagination took fire, but she said loyally, "But how about mother, Pat? I suppose she's lonely too."

Mr. Hazlitt laughed shortly.

"Your mother," he said, "unless she has changed very much, probably does not spend one waking hour in the twenty-four alone. I doubt if she ever loses the power of making new friends—quite indiscriminately. And, after all, I am only asking for half your time."

"But, father, suppose I should marry?"

Her father looked at her with startled eyes, as if she had suggested something unnatural and wrong.

"Marry!" he said. "I hope you have no such idea in your head."

She had not. Indeed her immunity from the crushes which occupied so much of the time and attention of her schoolmates occasioned her some concern. She feared her nature was a cold one. She disclaimed the idea of marriage, except as she had observed it in common.

"People do, you know," she said.

"A good many would be wiser if they didn't," said her father. "I am particularly opposed to young marriages."

He and her mother had married when they were young.

Presently she was obliged to tell him that she must go. He did not gainsay her decision, but she saw he took it as meaning that she had not really enjoyed herself. Yet when she tried to say she had—that she was sorry to leave him—it kept sounding as if she were saying it was a bore to go back and walk to the station with her mother. If only she could be loyal to one parent without being disloyal to the other!

She was a little bit late at the school. Her mother was just starting without her.

"Oh, I understand," she said, without listening to Lita's explanation. "Very natural. You were enjoying yourself; you don't need to explain."

Lita saw she was hurt but had determined to be nice about it.

They started on their walk. First they crossed the athletic fields; then their way would lie through the school woods, and then across stony fields, and then they would come out on the macadam road to the station—about three miles across country.

The Italian trip, which had seemed so simple and pleasant when her father mentioned it, now began to take on the appearance of a dark conspiracy. Lita thought that she would far rather give it up than mention it, only she had promised her father that she would speak of it that afternoon so that he might have plenty of time to make his arrangements. He was very particular about special cabins on a special boat. Oh, dear, with her mother's feelings already a little hurt, it wasn't going to be easy! Mrs. Hazlitt herself started conversation.

"And so you had a delightful lunch?" she said, trying to be nice, but also trying to find out what it was her child's father had wanted to discuss, for she was curious by nature.

"Yes, very nice. Pat's going to Italy next summer on business."

"Really?" said her mother, without special interest. "Some people's business does take them to the nicest places."

Lita suddenly wondered how it would work if she forced these insinuations of her parents to their logical conclusions.

"Don't you believe father really has business in Italy?" she inquired mildly.

"Of course he has if he says so. What funny things you say, Lita! Your father is one of the most accurate people I ever knew—if he makes an assertion. Well, if he goes to Italy that will leave us entirely free. I thought perhaps it would amuse you if I took a house at Southampton this summer. Of course, when I was young Newport was the place; but now I'm told the young people prefer—"

"But, mother," said Lita, and she felt just the way she did before she dived into cold water, "he wants to take me with him."

Mrs. Hazlitt merely laughed.

"A likely idea!" she said.

"And I told him I would ask you how you felt about it."

Her mother stopped short and looked at her. Then she said, and each syllable dropped lower and lower like pebbles falling down a well, "In fact—you want—to go."

It was hard to be truthful.

"Well, yes, in a way, I should like to go; at least I thought so when Pat spoke of it." She thought she ought to go as far as this, but even this moderate statement was fatal.

"You shall not go!" said her mother, her eyes beginning to enlarge as they did in moments of emotion until they seemed to fill her whole face. "I won't hear of it—or go—go if you want to. I never want anyone to stay with me as a duty."

"Mother dear, I don't care. I don't really want to go; it was just an idea."

"Do at least be honest about it. Of course you want to go, or you would not have promised to try to work me round to agreeing to it—conspiring together. No, of course I don't mean that. Nothing could be more natural at your age than to snatch at any pleasure that comes. I don't blame you—a child—but him—trying to steal you—"

Her nostrils began to tremble on her quick intaken breaths.

"Father did not mean—"

"Of course you don't think so; but you don't know him as well as I do," said her mother. "I suppose you've utterly forgotten how little he cared for you when you were a child; but now that all the care and responsibility is over—"

She simply could not go on.

Lita, a little constrained by this display of emotion, said, smiling, "It's nice to know I'm no care, mother." But as an effort at the light touch it was not a success.

Mrs. Hazlitt did not even hear her. She went on: "Now he's ready to charm you and tempt you away so as to leave me alone again. Oh, never love anyone, Lita, when you grow up! It's all pain. Be like your father; take what you want and go on your own horrible way, leaving destruction behind you." She covered her face with her hands, not because she was crying, but to hide the chattering of her teeth; and then as a new idea swept over her she dropped them again and continued: "It's all my own fault. I've been too absurdly honorable. I've brought you up to respect and admire him, when all the weapons were in my hands and I might just as well have taught you to despise him as he deserves. I wish I had. Oh, how I wish I had! I've never said a word against your father, have I, Lita?"

"Never—never, dearest," said Lita. She thought to herself, "They are making me a liar between them, but I couldn't say anything else to her just now."

She was not a prig, but she could hardly help feeling that sense of superiority—of being in control of the situation—that the calm are so apt to experience in the presence of turgid emotions.

Mrs. Hazlitt suddenly turned back to her.

"But you don't really want to go with him?" she said as hopefully as if a minute before she had not considered the contrary as proved.

"No, mother, I don't."

"These silent people! Fortunately I know him like a book. He's probably been plotting this for months. I see what he's up to. He wants to get things so that by the time that you're twenty-one you'll be willing to spend some of your time with him; but you wouldn't do that, would you?"

"Nothing could ever come between you and me, mother. That's the solid comfort of a mo—"

"You don't answer what I say; you are keeping back some of your thoughts, just like your father. Oh, I couldn't bear it if you grew like him! No one is ever so candid as I am. What is in your mind?"

"Nothing, mother. It crossed my mind that I might marry some day."

"Marry!" Her mother's tone, given the difference of sex and temperament, was identical with her father's; as if marriage were a crime other people's daughters might commit, but not her lovely child. "What in heaven's name are you talking about, Lita?"

"Well, mother, you were mar—"

"And do you quote my case? Marriage! No, not until you are twenty-five at least. Don't mention the word to me!"

At least there was one subject on which her parents were in hearty agreement—the first, as far as she could remember, that she had ever found. They did not want her to marry. But, she reflected, as she joggled home alone on the back seat of the school flivver, was it entirely interest in her welfare that made them opposed? Wasn't it rather that they needed her to fill the gap in their lives that their own separation had made? This, she thought, was the real objection to divorce—that it made parents too emotionally dependent on their children. Suppose she died. She considered the possibility steadily. Why, yes, if she died they would probably come together in their grief.

She saw a little picture of herself in the infirmary, with her parents standing hand in hand at the foot of the bed. And yet one really could not commit suicide in order to reconcile one's parents.

Well, Italy was now out of the question; Italy was canned. She must write to her father immediately that she could not go, and she must do it so as not to make her mother seem selfish, and so as not to hurt her father's feelings. Some letter, she thought. She saw herself walking the deck of an enormous steamer, hanging on his arm, ordering meals in amusing restaurants, the Paris shops gleaming with hats and jewels and beaded bags and fans, all for her. Of course it was natural that she wanted to go....

The car stopped at the door of the main school building, and she sprang out, free at last to give her attention to Aurelia. Strangely enough, though she did not love her friend so much as she did her parents, she worried more about her, as one equal about another.

The infirmary, a neat white cottage, was set in a remote corner of the grounds. As Lita bounded up the steps she met Miss Barton coming out.

Every head of a school, perhaps every head of an institution, perhaps everyone in the world, acquires an artificial manner to serve as a method of holding off crises. Some adopt the genial, some the meditative, some the stern. Miss Barton had chosen the intellectually airy. As a problem was presented to her she would say "Ah, yes," with a faint, calm smile, as if that special problem were so easy and familiar she might float away to something more stimulating without remembering to give you the answer. She was a tall, good-looking woman, pale eyed, pale skinned, with thick, crinkly gray hair, parted and drawn down to a knot at the nape of her neck; it looked exactly like a wig, but wasn't. She stopped Lita.

"Oh," she said with her habitual gay casualness, "we have been looking for you. Don't be alarmed, but it seems that Aurelia has appendicitis."

"Yes I felt pretty sure she had," answered Lita.

Miss Barton did not think it worth while to contradict this absurd assertion. She merely smiled on one side of her face and replied that the doctors themselves had only decided it fifteen minutes before. It appeared that Aurelia was eager to see her friend before the operation.

"She's in Room 11," said Miss Barton. "They will operate as soon as they can get things ready. Don't alarm her. There is no risk nowadays, nothing to be excited about."

"Is she excited?"

"I think not."

"Of course she isn't."

It is hard sometimes to be patient with older people, playing their own rôles so busily they lose all sense of other individualities. Aurelia, Lita imagined, was probably the calmest person in the infirmary.

In Room 11 she found her roommate lying on her side, very pale, with her dark hair dragged back and tightly braided. The nurse was moving in and out and the two girls were practically alone, while the following dialogue took place.

"Pain?"

"Oh, my!"

"Poor kid!"

"Lita, in my shoe box there are five pictures of Gene Valentine, and a note—"

"From him?"

"No, dodo, from me—a rough draft. Get them, will you?"

"You bet!"

"Thanks."

Then the nurse came in to say that everything was ready, and Lita was hurried out of the room. She kept telling herself that there was nothing to worry about, but her heart was beating oddly.

In the hall a young man was standing; or rather, from Lita's point of view, an older man, for he must have been twenty-eight or nine. He was attired in a long white robe rather like a cook—or an angel. The sight of him dressed thus for his work upset Lita and made her feel like crying; in fact she did cry.

"Don't you worry," said the young man in a deep voice—a splendid, rolling, velvet sort of voice. "We've got the best man in the country to operate; there's no danger."

"Is that you—the best man in the country?"

He laughed.

"To be candid, no," he said. "I'm Doctor Burroughs' assistant. He's the best there is. There is nothing to cry about."

"If people only cried when there was something to cry about," said Lita; and added in an exclamation of the deepest concern, "Oh, goodness!"

Her tone alarmed the young man.

"What is it?"

"I haven't got a handkerchief."

He lifted his apron and from the pocket of his blue serge trousers he produced an unfolded handkerchief, which he gave her.

"I have a little sister just about your age," he said.

Lita's face was in the handkerchief as she asked. "How old?"

"Let me see," said the doctor. "I think she must be twelve."

A slight sound that might have been a sob escaped from Lita, and the doctor was so moved with compassion that he patted her on the head. Then the door of Room 11 opened and his professional duties called him away.

A moment later he came out, bearing Aurelia away to the operating room, and Lita went into Room 11 to wait. He promised as he passed to come and tell her as soon as it was over.

She felt perfectly calm now as she sat grasping his handkerchief in her hand. It was fine and embroidered in two letters—L. D. She ran over the L names and found she liked nearly all of them—Lawrence, Lionel, Leopold—not so good, though Leo was all right—Lewis—oh, of course, it was Lewis! She said the word aloud.

How still the house was! Now they were probably giving Aurelia the anæsthetic; now—

There was no use speculating about what D stood for. He thought she was twelve, did he? She put her hand up to where his had rested on the top of her head. She could not begin to make hers cover the same area. He must have a large hand. Well, that was all right; he was a large man. She could see his face before her, smooth as to skin and rather jutty as to outline of brows and jaw, and his heavy, thick, short, black hair, almost like an Indian's in texture. And she had thought that she preferred blond men. L. D.—Lita D.... She wondered if she ought to go immediately and hunt up those photographs of Aurelia's. What a time it would make if they should be found before she got there! How long would this take—an hour? Would he really come back himself, or would he send that light-hearted, gray-haired nurse who looked like Marie Antoinette? If he patted her on the head he might even—Lawrence—Leonard—

Suddenly he was in the room again, smelling horribly of disinfectants.

"It's all right—all over," he said. He began to pluck ineffectually at the back buttons of his white robe. "Help me, there's a good child," he said, stooping so that she could reach.

She undid the buttons, the garment slipped to the floor, and he stood revealed as a normal young man in his shirt and dark blue serge trousers. He began rolling down his shirt sleeves, talking as he did so.

"Your friend has good nerve—brave and calm. Your sister? No? What's your name?"

"Hazlitt."

Too kind to smile at this infantile assumption of importance, his eyes did laugh a little, but he said, "I meant your first name."

"Lita. What's yours?"

"Luke— Well, Lita, I'm going to write to Effie about you. Wait! Where are you off to in such a hurry?"

She could not tell him that she was going to destroy the patient's compromising correspondence.

She said mysteriously, "I must go. You've been so kind. Good-by." For one tense moment she thought he was going to kiss her.

Evidently there is such a thing as thought transference, for as she drew back she heard him saying, "No, certainly not. I should not dream of kissing a lady of your mature years."

"You never kiss ladies of mature years?" murmured Lita in the manner of a six-year child.

"Well, I know how Effie feels on the subject. She boxed the ears of our local congressman for a salute which he offered merely as a vote getter. It was a terrible shock to him."

"You have a shock coming to you," she answered gently, and left the room.

She had a shock of her own on entering her bedroom, for Miss Jones, the house mistress, was already busy with Aurelia's bureau drawers. Had she or had she not lifted the top of the shoe box? It was necessary to act quickly; but fortunately Miss Jones was young and pleasant and easy to get round. If it had been Miss Barton— The school often commented with a sort of wondering irritation on the fact that in dealing with girls Miss Barton was not absolutely an idiot.

"Halloo, Jonesy dear," said Lita with a soft friendliness which in pupils is somewhat like the bearing of gifts by Greeks. "She's all right. The operation's over, the doctor told me."

Miss Jones was winding pink ribbon on a card, and answered, "Oh, isn't he wonderful? Of all the great men I ever met Doctor Burroughs inspires—"

"It wasn't Doctor Burroughs. It was the other one, his assistant—what's his name? It begins with a D."

But Miss Jones didn't know anything about the assistant, and drew Lita's attention from a subject tolerably absorbing by asking if she knew where Aurelia kept her bedroom slippers.

"Look here, Jonesy," said Lita. "Who is that queer-looking man—like a tramp—on the piazza downstairs?"

"I'll run down and see," said Miss Jones.

She was small, but there was something about her manner which would have made anything but a mythical tramp tremble.

When she had gone Lita opened the shoe box and found five large photographs of Eugene Valentine lying on top of the shoes: one in the aviator's uniform of his new play; one in his coronation robes in his last success, The King is Bored; and the other three just Eugene Valentine, with the light shining on the ridges of his wavy light hair. He was an awfully good-looking man, Lita thought—if you liked blonds. She laid the photographs under the paper in the bureau drawer Miss Jones had finished tidying. The draft of the letter had slipped down among the shoes, and Lita had only time to thrust it into the pocket of the coat she was wearing before Miss Jones was back again, saying that the tramp must have gone away.

Supper that evening was exciting. The great Doctor Burroughs had driven magnificently back to town in his car before Aurelia was fairly out of the anæsthetic; but he had left his assistant behind him—a clever young fellow. Miss Barton murmured she hoped he was tactful, discreet; one had to be careful in a school—parents, you know. Doctor Burroughs assured her she need give herself no concern; Doctor Dacer was quite safe—minded his own business—no trouble with the nurses or anything like that—just the sort of young man to leave in a girls' school. Even the wisest may be betrayed into sweeping statements when in a hurry to get away to Sunday dinner.

Lita, as chairman of the self-government committee, sat at the head of one of the senior tables—a conspicuous position. The girls were all in their places before Miss Barton came in with the tactful and discreet young fellow. It was the school's first view of him, and Lita could hear the comments of her peers rising about her:

"Looks a little like Doug."

"Isn't Aurelia the lucky stiff?"

"What are the symptoms of appendicitis? I feel them coming on."

She tried not to look at Miss Barton's table, and when she did she met his eye. He nodded and smiled with open friendliness; and bending toward Miss Jones, with his eyes still on hers, asked quite obviously for details about his little friend. Lita saw the smile fade from his face as he received them. Then a quite different smile flickered across his face; the smile of a man who says to himself, "To have even mentioned kissing the chairman of the self-government committee!"

As they were all moving out of the dining room again, Miss Barton called Lita to her.

"You will be glad to know," she said, "that Doctor Dacer says Aurelia will be up within two weeks—no complications—no danger. This is Lita Hazlitt, Doctor Dacer, Aurelia's best friend."

The doctor showed some of his advertised caution by merely bowing, but Lita answered, "Oh, yes, Doctor Dacer was so kind this afternoon." And looking up at him she asked, "Have you written to Effie yet?"

"Not yet," he returned politely; but below the level of the teacher's eyes a clenched fist made a distinctly menacing gesture in Lita's direction, and the corner of Lita's mouth, which occasionally created a dimple, just trembled. The doctor turned to Miss Barton, and it would be hard to imagine anything more professional than his manner as he said, "My patient seems to be very dependent on Miss Hazlitt. She was just asking for her. I think it would be a good idea if Miss Hazlitt could be in and out of the infirmary a good deal during the next few days."

"Of course, of course," said Miss Barton, who, though trained to distrust girls, was not trained to distrust doctors. "Aurelia is so alone, poor child." And lowering her voice as she moved away, with the doctor bending politely so as not to miss a syllable, Lita could hear a murmur:

"These terrible divorces! Do you know that over twenty of my girls—"

Lita found herself excused from sacred reading that evening so that she might sit with her friend.

Yet oddly enough, when she reached the infirmary the white-haired nurse seemed surprised to see her, and said that the doctor had given the patient something to make her sleep before he had gone to supper, and that she ought not to wake until morning—at least they hoped not.

But at that moment Dacer came out of another room, where he had evidently been smoking a pipe, and said, "Oh, well, stick round a little. She might wake up."

The nurse gave him a sharp look; and then, being really discreet and tactful, retired into Room 11 and shut the door. Lita and the doctor were left facing each other in the hall.

"Let's go out," he said, "where I can smoke. It's a good sort of evening—with a moon."

"Mercy!" answered Lita. "How do you think a girls' school is run? I couldn't do that."

"I thought the chairman of the self-government committee could do anything."

"On the contrary, she has to be particularly careful, and not go about exposing herself to being patted on the head."

"She was lucky worse than that didn't happen, masquerading as an infant." And then, without the slightest pause, but with a complete change of tone, Lita heard him saying: "No, I'm sorry; but I think it would be better not tonight.... Ah, Miss Barton, I was just saying to Miss Hazlitt that as the patient had fallen asleep it would be better not to disturb her again tonight."

"Of course," said Miss Barton, who, it appeared, was coming upstairs behind Lita's back. "I think if you ran back to the study, Lita, you'd get in for the end of the reading."

And as she turned obediently away she heard Miss Barton suggesting that if Doctor Dacer found the infirmary dull, the sitting room in her cottage was at his service. No, Doctor Dacer had a good deal of work to do. Lita smiled to herself. He had not seemed so busy a few minutes before.

She had never been in love—never even deeply interested before. She had looked with surprise and envy on her classmates; not only Aurelia, with her devouring passion for Valentine; but Carrie Waldron, the senior president, who worshiped a dark-eyed motion-picture actor; and Doris Payne, who loved a great violinist to whom she never expected to speak. The authorities were terribly down on this sort of thing; but Lita, who knew more about it than the authorities, was not sure. Would Carrie be studying Spanish at odd moments so as to know more about her idol's great bull-fighter part—would Doris work so hard at her music—would Aurelia be learning Romeo and Juliet by heart as she did her hair in the morning—Romeo was a part Valentine was always contemplating—if it were not for love? More, would Miss Barton's course in English constitutional history be so interesting if Miss Barton did not feel—as the school had discovered—a romantic passion for Oliver Cromwell? Certainly not!

Her mother thought these excitements vulgar. She said if girls must be silly, why not be silly about people in their own class of life? But Lita explained that the boys they knew were not so thrilling. Had her mother, she asked, never bought the picture of an actor? "Never!" said her mother with conviction; but Aunt Minnie, who happened to be there, said, "Nonsense, Alita! You had a picture of Sothern as the Prisoner of Zenda." Mrs. Hazlitt said that she hadn't, and that was entirely different anyhow.

The only result of the conversation was that Mrs. Hazlitt began to suspect Lita of some such ill-bred passion—most unjustly. The whole subject had had merely a theoretical interest for Lita. She was too practical to be fired by these intangible heroes—dream, dead or dramatic.

But now, even that first Sunday, as she stepped out of the infirmary into the bare March moonlight, she found that real life could hold the same thrill for her that dreams did for these others.

"And that," she said to herself, "is where I have the best of it."

II

Lita had developed a technic by which she slept through the rising gong and for the next twenty-five minutes, allowing herself thus exactly five minutes to get up, dress and reach the dining room. But the morning after her friend's operation she woke with the gong, and five minutes later was on her way to the infirmary, first tying her tie and then smoothing down her hair as she went.

As she ran up the stairs of the infirmary, a voice—whose owner must have recognized the almost inaudible patter of her feet—called to her from the small dining room of the cottage. She put her face, flushed with running, round the jamb of the door and saw Doctor Dacer seated at breakfast. The nurse was toasting bread on an electric toaster, and he was spreading a piece, just finished, with a thick crimson jam. "Damson," Lita said to herself.

He looked at her.

"Youth's a great thing," he said.

"So the old are always saying," Lita answered. "But there's a catch in it; they get back at you for being young."

"Does that mean you think I'm old?" Dacer asked patiently; and the nurse with the white hair exclaimed to herself "Goodness!" as if to her they both seemed about the same age.

Lita cocked her head on one side.

"Well," she said, "you are too old to be my equal—I mean contemporary. I mean contemporary," she added as they both laughed. Dacer, with a more complete answer, gave her the piece of toast he had been preparing. It was delicious—cool and smooth and sweet on top, and hot and buttery below. Lita consumed it in silence, and then with a deep sigh as she sucked a drop of jam from her forefinger, she said, "How noble that was! Sometimes I'm afraid I'm greedy."

"Of course you are," said Dacer, as if greed were a splendid quality. "Sit down and have some coffee.... Have you been introduced to Miss Waverley? She hates men."

"Goodness!" said Miss Waverley, glancing over her shoulder, as if it were mildly amusing that a man should think he knew anything about how she felt.

"Or is it only doctors?" Dacer went on.

"Men patients are worse," said Miss Waverley.

"Don't go away," said Dacer to Lita. "You are always going away."

"I came to see Aurelia."

"I know, but it's customary to discuss the case first with the surgeon—in some detail too. Sit down."

But she would not do that; her first duty was to her friend. She knew Aurelia would want to know that the photographs and the letter were safe. She stayed by her bedside until it was time to leap downstairs and run across the campus to the dining room, her appetite merely edged by the toast and jam.

Monday was a busy day for Lita. Immediately after luncheon her committee met and went over the reports of the monitors for the week; and then there was basket ball for two hours, and then study. The tennis courts were near the athletic field, and as Lita played with the first team she could hear a deep voice booming out the score as Doctor Dacer and Miss Jones played set after set. Miss Jones had been tennis champion of her college the year before. Lita sent out a young scout to bring her word how the games were going, and learned that Dacer was winning. He must be pretty good, then—Jonesy was no slouch. She would have taunted him in the evening, when she went to say good night to Aurelia, if he had let himself be beaten by Jonesy.

Every Monday evening Miss Fraser, the English teacher, read aloud to the senior members of her class. Miss Fraser was something of a problem, because she was so much more a lover of literature than a teacher. She inspired the girls with a fine enthusiasm for the best; but in the process she often incited them to read gems of the language which their parents considered unsuited to their youth. Shakspere she read quite recklessly, sometimes forgetting to use the expurgated edition. When Miss Barton suggested pleasantly that perhaps Antony and Cleopatra was not quite the most appropriate of the plays, Miss Fraser answered, "Don't they read worse in the newspapers in bad prose?"

At present she was conservatively engaged in reading Much Ado About Nothing. No one could object to that, she said. She made it seem witty and contemporary.

Lita slipped over to the infirmary between supper and the reading to bid Aurelia good night. Dacer wasn't there. She stayed, talking a few minutes with Aurelia, who was well enough to hear about the tramp and the bedroom slippers and a little school gossip. Lita asked casually where the doctor was, but no one seemed to know.

When a little later she entered Miss Fraser's study she found to her surprise that he was there, settled in a corner. Miss Fraser explained that Doctor Dacer was the son of an old friend of hers; he had been kind enough to say that it would be a pleasure to him to stay and hear the reading. She need not have felt under the necessity of apologizing to the six or seven members of her class. They felt no objection to his presence.

Lita was knitting a golf sweater for her father. She could do it at school, but not at home, for her mother was so discouraging about it. She had already objected to its color, shape and pattern; had felt sure that Lita's father wouldn't appreciate the sentiment, and wouldn't wear anything that did not come from a good shop. Probably after all Lita's trouble he'd give it to his manservant. But Lita did not think he would.

The nice thing about knitting is that it leaves the eyes disengaged—at least to an expert, and Lita was expert. She resolved that she would not look at Dacer; and did not for the first half hour or so, for she had a comfortable knowledge that he was looking at her. Then, just once, their eyes met. It was while Miss Fraser was reading these lines:

But nature never fram'd a woman's heart Of prouder stuff than that of Beatrice: Disdain and scorn ride sparkling in her eyes, Misprising what they look on; and her wit Values itself so highly, that to her All matter else seems weak. She cannot love——

Holding her glance, he seemed to nod his head as if to say that was a perfect description of her. Could he mean that? Did he mean that? She averted her eyes hastily, and when she looked back again he had folded his arms and was staring off over everybody's head, very blank and magnificent, unaware of the existence of little schoolgirls. Had she offended him?

She decided that the next morning at the infirmary, while she was eating his toast and jam, she would ask him a pointed question about the character of Beatrice. She gave a good deal of time to framing the question—wasted time, for when she reached the infirmary she found he had gone—had taken a late train to New York the night before. Lita remembered he had looked at his watch once or twice toward the end of the reading.

"Yes," said the nurse cheerfully, "we're doing so well we don't need him." It was the second nurse. Miss Waverley had gone with the doctor.

Lita's frightened eyes sought Aurelia's, who framed the words: "Back Thursday."

She framed them as if two—almost three days were nothing. Lita, who knew no more of the Einstein theory than the name, discovered that time was relative; that Tuesday morning took what in old times she would have considered several weeks in passing; and that each study period—in the words of William James—lay down like a cow on the doorstep and refused to get up and go on. The truth was that time had never been time to Lita; it had been action. Now it was emptiness, something to be filled; and yet she couldn't fill it; it was a bottomless abyss. Worse still, she couldn't concentrate. She went to the blackboard to do an original—a simple thing she would have tossed off in a minute in old times—and couldn't think how to begin; she, the best geometer in the class. This was serious, and it was queer. Lita couldn't, as she said to Aurelia, get the hang of it. Time being her problem—this sudden unexpected accumulation of time on her hands—she might have been expected to spend it doing the practical, obvious things that had to be done. Not at all. She was incapable of exertion. She could not study; and even the letter to her father, saying the Italian trip was impossible, was never written.

She had a letter from him Wednesday morning in which he assumed that she had not been able to bring her mother to any conclusion. He said he would call her up when she came to town on Friday. Perhaps she would dine with him on Saturday, and do a play. Ordinarily this would have seemed an agreeable prospect; but now, since it was farther away than Thursday, it had no real existence.

Late Wednesday afternoon her unalterable decision not to discuss Doctor Dacer with anyone broke down, and she told Aurelia the whole story. It took an hour—their meeting, everything that he had said, done and looked, and all that she had felt. She paid a great price, however, for this enjoyment—and she did enjoy it—for afterward the whole experience became more a narrative and less a vital memory.

Thursday morning was the worst of all. Thursday morning was simply unbearable, until about noon, when she heard the whistle of the first possible New York train. After that things went very well until about five, when she had a moment to run over to see Aurelia and heard that the doctor had not come—had decided not to come until the next day, Friday.

As far as she was concerned, he might as well not have come at all. All her joy in the anticipated meeting was dead; but this might possibly have reawakened, except that on Friday she did not have a minute until the three-o'clock train, which she was taking to New York. Of course, she could develop a cold or some mysterious ailment which would keep her at school over Sunday, even in the infirmary; but deceit was not attractive to her; though, as she would have said herself, she was not narrow-minded about it.

The girls of Elbridge Hall were not supposed to make the trip to New York by themselves; but sometimes a prudent senior—and who is prudent if not the chairman of the self-government committee?—might be put on the train at Elbridge by a teacher and sent off alone, on the telephoned promise of a parent to meet her on her arrival at the Grand Central.

When, under the chaperonage of Jonesy, Lita stepped out of the school flivver at the station she saw that Doctor Dacer was there before her. He must have come up in a morning train, seen his patient and walked to the station. Wild possibilities rose at once in the girl's mind. Could he have known from Aurelia? Could he have arranged— No, for he took no interest in her arrival; hardly glanced in her direction. He was smoking, and when the train came he got into the smoking car without so much as glancing back to see where Jonesy was bestowing Lita.

The train, which was a slow one, was empty. Lita settled herself by a window and opened her geometry. She said to herself:

"I simply will not sit and watch the door. If he means to come he'll come, and my watching won't change things one way or the other."

She set her little jaw and turned to Monday's lesson: "To prove that similar triangles are to each other as the squares of the medians drawn to their homologous sides." The words conveyed absolutely nothing to her. She read them three times. It wasn't that she couldn't do the problem—she couldn't even think about it. She drew two similar triangles. They seemed to sit side by side like a cat and a kitten. She gave them whiskers and tails. Then, annoyed with herself, she produced a ruler and constructed a neat figure. She tried reading the theorem again, this time in a conversational tone, as if it were the beginning of a story: "Similar triangles are to each other—"

The door opened, letting in the roar of the train and a disagreeable smell of coal smoke.

"I will not look up," thought Lita; "I will not! I will not!" And raising her eyes she saw that Dacer was there. She smiled not so much in greeting as from pure joy.

He hadn't wasted much time. He took her books and bag from the seat beside her and put them on the rack. Then he sat down and said, "Isn't it dangerous to let such little girls travel by themselves?"

She found speech difficult between her heart's beating too fast and her breath's coming too slow, but she did manage to say, "What does Effie do?"

"Just what you do—she expects me to be on hand to look out for her."

"I didn't expect you."

"No? Can it be you are not such a clever girl as teacher always thought?"

"I thought you were spending the night at Elbridge."

"So did I when I arrived, but my plans changed. I found that it would be better for me to take the three-o'clock to town and go back on Sunday afternoon, by the—what is the train that we take back on Sunday?"

It was almost too serious for jests, and Lita said in a voice that just didn't tremble that she took the 4:08.

Life is not often just right, not only in the present, but promising in forty-eight hours to be just as good or better. Lita spent two wonderful hours. First they talked about Aurelia—her courage, her loneliness, her parents, divorce in general—and then Lita found herself telling him the whole story of her own position in regard to her parents. Even to Aurelia, with whom she talked so frankly, she had never told the whole story—her own deep emotional reactions. She found to her surprise that it was easier to tell a story of an intimate nature to this stranger of an opposite sex than to her lifelong friend. He understood so perfectly. He did not blame them; if he had she would have felt called on to defend them; and he did not blame her; if he had she would have been forced into attacking them. He just listened, and seemed to think it was a normal and deeply interesting bit of life.

He interrupted her once to say, "But you must remember that they are people as well as parents."

It seemed to her an inspired utterance. She did not always remember that. She offered the excuse: "Yes, but I don't mind their being divorced. Only why do they hate each other so?"

"How do you know they hate each other?"

Lita thought this was a queer thing to say after all that she had told him—almost stupid. She explained again: They were always abusing each other; nothing the other did was right; neither could bear her to speak well of—

"They sound to me," said Dacer, "as if they were still fond of each other." Then, as Lita just stared at him, he went on: "Didn't you know that? The only people it's any fun to quarrel with are the people you love."

"Oh, no."

"Well, I'm glad you haven't found it out as yet, but it's true."

"I never quarrel," said Lita.

"You will some day. I expect to quarrel a lot with my wife."

"I shall never quarrel with my husband."

"No? Well, perhaps I'm wrong then."

She was angry at herself for glancing up so quickly to see what he could possibly mean by that except—he was looking at her gravely.

"Look here!" he said. "That's a mistake about Italy. You don't want to go to Italy next summer."

She was aware of two contradictory impressions during the entire journey—one that this was the most extraordinary and dramatic event, and that no heroine in fiction had ever such an adventure; and the other that it was absolutely inevitable, and that she was now for the first time a normal member of the human species.

Nothing in the whole experience thrilled her more than the calm, almost martial way in which he said as they were getting off the train at the Grand Central, "Now we'll get a taxi."

She was obliged to explain to him that they couldn't; her mother would be at the gate waiting for her—she always was.

Only this time she wasn't.

Meeting trains in the Grand Central, though it has not the phrenetic difficulty of meeting trains in the Pennsylvania Station, where you must watch two crowded stairways and a disgorging elevator in three different directions, is not made too easy. To meet a train in the Grand Central you must be in two widely separated spots at the same time.

Mrs. Hazlitt, approaching the bulletin board through devious subterranean routes, was caught in a stampede of those hurrying to meet a belated Boston express; and when at last she wormed her way to the front she saw that the impressive official with the glasses well down on his nose and the extraordinary ability for making neat figures had written down Track 12 for Lita's train. She turned liked a hunted animal; and at the moment when Lita and Dacer were emerging from the gate Mrs. Hazlitt was running from a point far to the west of Vanderbilt Avenue to a track almost at Lexington. It was five o'clock, and many heavier and more determined people were running for their trains, so that she had a good many collisions and apologies before she reached the gate where her daughter ought to have been.

The last passenger, carrying a bunch of flowers and a cardboard box tied up with two different kinds of string, was just staggering through on oddly shaped flat feet. Everyone else had disappeared. Mrs. Hazlitt questioned the gateman. Had he seen a small young lady all alone who seemed to be looking for someone? The gateman said that he could not say he had, but would not care to say he had not. He possessed to perfection the railroad man's art of not telling a passenger anything he doesn't have to tell. His manner irritated Mrs. Hazlitt.

"I suppose you know," she said, "that you have horrible arrangements for meeting trains."

"If some of us had our way we wouldn't have any arrangements at all," answered the gateman.

This shocked Mrs. Hazlitt; it seemed so autocratic. She opened her eyes to their widest and felt she must argue the matter out with him.

"Do you mean," she asked, "that you would not let people meet trains?"

"I would not," said the gateman calmly, and having locked his gate he went his way.

This had taken a few minutes, and by the time Mrs. Hazlitt had gone back to the Vanderbilt Avenue entrance and found her car and driven home, Lita was already in the library—alone.

One of the disadvantages experienced by people who express themselves quickly is that while they are explaining how everything happened the silent people of the world are making up their minds how much they will tell. Mrs. Hazlitt was talking as she entered the room.

"I'm so sorry, my dear," she was saying. "Don't let's ever tell Miss Barton. I wasn't really late—at least I would not have been if I had not had to run miles and miles, knocking down commuters as I went. And do you know what a gateman said to me, Lita, when I found I had missed you? That people oughtn't to meet trains. I could have killed him. I don't suppose you were frightened though. I suppose you took a taxi?"

"Yes," said Lita.

She had had every intention of telling her mother everything—well, certainly that she had met Doctor Dacer on the train and that he had been kind enough to see her home; but the words did not come instantly, and as she paused, her mother rushed on to something else—clothes, and what Lita wanted to see if they went to the theater the next day. The moment for telling slipped away from her in the most unexpected way; it was getting farther and farther; in fact it was nothing but a speck on the horizon.

They had an amusing dinner together. One of the pleasantest features in her parents' divorce was that Mrs. Hazlitt felt not the least restraint about discussing the Hazlitt family.

"My dear," she would say, with her eyes dancing, "don't tell me you never heard about why your Uncle Elbert was driven out of Portland."

Lita enjoyed these anecdotes extremely. Sometimes they contained illuminating phrases: "Of course, your father and I preferred to be alone." "Naturally I knew just how Jim—your father—felt about it, but—"

When her mother was like this Lita was content that her father and the whole world should remain outsiders. Her mother was a sufficient companion.

When they were back in the library after dinner her father telephoned to her. It was about Italy. She took up the receiver with a sinking heart. Now she wished she had written to him. Her mother was holding the paper as if she were reading it, but Lita knew that she couldn't help hearing the faltering sentences she was murmuring into the mouthpiece:

"Yes, Pat, I spoke to her, and I'm afraid we can't. I mean that, under the circumstances—" She heard the paper rustling to the floor, and her mother standing beside her whispered to her: "Don't be so timid; don't say you're afraid."

Then both parents were talking to her at once, one over the wire and one in her ear. Now, it is possible to listen while you talk yourself, but it is not possible to listen to two people at once.

Her father was saying: "Of course, if you don't want to go say so, but if you do, and will put the matter as I suggested—"

And her mother was whispering sibilantly, "You're giving the idea you wish to go—so unjust to me. Say straight out you won't leave me."

It was one of those minutes that epitomized her life, and her nerves were distinctly on edge as she hung up the receiver, to find that her mother was only waiting for this, to go over the whole matter more at length.

"There are times, my dear," she was saying, "when it is really necessary to speak out, even at the risk of hurting a person's feelings. I do hope you are not one of those weak natures who can never tell a disagreeable truth. It will save your father future suffering if you can make him understand once and for all he cannot come in between us—not because I forbid it, but because you won't have it."

The evening never regained its gayety.

The next morning—Saturday—was devoted entirely to clothes, and Lita now discovered a curious fact. She found she knew exactly how Dacer liked her to dress. In their few interviews they had never mentioned clothes, and yet she did not buy a hat or reject a model without a sure conviction that she was following his taste. Heretofore her main interest in the subject had been a desire to knock her schoolmates in the eye.

She thought of an epigram: "Women dress for all women—and one man."

The morning saw a triumph of her diplomacy too. She and her mother were going to the theater together that afternoon. Coming down in the train, she had learned that Dacer was taking Effie and some of her friends to the matinée to see Eugene Valentine's new play, The Winged Victory. It had not been easy to steer Mrs. Hazlitt toward this popular success; she was displeased with anything that fell short of the Comédie Française. Lita was obliged to stoop to tactics suggested by Aurelia. She intimated very gently that when her father took her to the play he never cared what it was so long as she was amused, and so she wouldn't bore her mother with the Valentine play: she'd wait until she and Pat were going on a spree—that very evening, perhaps—

Mrs. Hazlitt came to terms at once and sent for the tickets.

They came in a little late. The play had already begun, but Lita's first glance was not at the stage. Yes, he was there—three nice little girls in a row in the front of the box, and he in the back—but not alone. A woman was whispering in his ear. Who was she? His fiancée? His wife? Had he said anything which actually precluded the idea of his being married? "I expect to quarrel a great deal with my wife." That did not say more than that he had not quarreled with her so far. These two were certainly not quarreling. She sat in great agony; not of spirit only, for gradually a distinct physical ache developed in her left side. She tried to glue her eyes to the stage, and did not hear a word, except an occasional murmur from her mother: "What a silly play!"

The lights went up at the end of the act. Lita saw that the woman was rather fat and not at all young—thirty at least—and yet she knew that these sophisticated older women— There was something sleek and sumptuous about this one, all in black velvet and diamonds and fur. A slight respite came to her when Dacer went out to smoke a cigarette. Did this indicate indifference or merely intimacy? The white-skinned woman moved to the front of the box and began making herself agreeable to the children, particularly to the girl Lita had picked out as Effie—a regular sister-in-law-to-be manner. She had looked forward to the theater as a good time to tell her mother all about it, with a casual "Oh, do you see that man over there—" She was suffering too much to permit it. She became aware that her mother felt something tense and portentous in the air; and she said suddenly, with a sound instinct for red herrings, that she thought Valentine the handsomest creature that she had ever seen. Her mother's reaction to this took up most of the entr'acte.

Doctor Dacer never saw them at all. Mrs. Hazlitt was an adept at getting out of a theater and finding her car before anyone else. She and Lita were on their way uptown before the little girls in the box had sorted out their coats and hats. A good many people, mostly men, came in to tea; and when they had gone it was time for Lita to dress to go and dine with her father. Dine! She felt she would never be able to eat again—a very curious feeling.

When Mrs. Hazlitt went to her room Margaret was as usual waiting to help her dress, but it was not usual for Margaret to wear such a long face. She had entered the family as Lita's nurse, but was now Mrs. Hazlitt's maid and the pivot on which all domestic machinery revolved.

As she unhooked Mrs. Hazlitt's dress her solemn voice came from the middle of Mrs. Hazlitt's back: "I think you ought to know, mum, that when I was brushing that heavy coat of Miss Lita's this afternoon I found something in the pocket."

"Goodness, Margaret! What?"

Margaret fumbled under her apron and produced a folded, typewritten sheet a little grimy about the edges. Mrs. Hazlitt seized it and read:

Dear Eugene Valentine: May I not tell you what an inspiration your art is to me in my daily life? I think I have every photograph of you that was ever published, and one I bought at a fair with your signature. Only this is not my favorite. I like best the one as a miner from The Emerald Light. It is so strong and virile. Oh, Mr. Valentine, you cannot guess how happy it would make me if you would autograph one of these for me! I am not at present living in New York, but I am often there for week-ends, and could easily bring one of these pictures to the theater after a matinée, if that would be easiest for you.

I shall not attempt to tell you what your art means to me, and how you make other men seem, and I fear they always will seem like they was pigmies beside you.

I take the great liberty of inclosing my own picture in case it would interest you to see what a great admirer of yours looks like.

Being merely a rough draft, it was unsigned.

Of all the possibilities that crossed Mrs. Hazlitt's mind on reading this document, the possibility that her daughter had not written it was not one. Several suspicious circumstances at once popped into her head—Lita's insistence on going to Valentine's play; her admiration of him; her tentative suggestion about marriage; her alternate high spirits and abstraction.

"And who was he?" Margaret went on. "That young fellar brought her home yesterday?"

"A man brought her home yesterday?"

"Yes—the two of them in a taxi."

"What did he look like?"

"I couldn't see him very good; but I heard him say 'Until Sunday' as he got back into the taxi; and when I opened the door for Miss Lita you could see she was smiling all over her face, but not letting it out."

Ah, how well, in other days, Mrs. Hazlitt had known that beatific state!

She walked to her door and called, "Lita! Lita!"

Probably if one read the memoirs of Napoleon, the dispatches of Wellington and the commentaries of Cæsar one would find a place where the author asserts that the best general is he who takes quickest advantage of chance. Lita, entering her mother's room with her head bent over a fastening of her dress, was wondering what made some fasteners cling like leeches and others droop apart like limp handshakes. For the first few minutes she had no idea what her mother was talking about. She was prepared to feel guilty—she was guilty, but she had written no letter.

"Writing a letter like that—a vulgar letter—and making me take you to his play—and coming home with him, when I was actually waiting at the gate for you. Perhaps you were not even on that train at all—so terribly deceitful—as if I were your enemy instead of your mother. I felt there was something queer about you at the play! An actor! I wish you knew something about actors in private life. And Valentine of all people! A man—"

Mrs. Hazlitt paused. She knew nothing about Valentine's private life; but she thought it was pretty safe to make that pause as if it were all too awful to discuss.

"Your father must be told of this. It will shock him very much."

That was the phrase that gave Lita her great idea. Not since she was four years old had she heard the words "your father" spoken in that tone. Perhaps after all, it was not necessary to die in order to reconcile your parents; perhaps it was enough to let them think you were undesirably in love. She had a moment to consider this notion while her mother, in a short frilled petticoat, with her blond hair about her shoulders, was running on about what Mr. Hazlitt would say to this man.

Lita said at a venture, "Mr. Valentine doesn't even know my name. He won't have any idea what father is talking about."

"Indeed?" cried Mrs. Hazlitt. "Your father is not a man who talks without contriving to make himself understood. And as to Valentine's not knowing your name, you'll find he knows it—and the amount of your fortune, too, probably. Little schoolgirls have very little interest for older men, I can tell you, unless— And such a letter too. 'Like they was pigmies.' If you must be vulgar, at least try to be grammatical."

"Shall you see my father when he comes for me?"

"Of course I shall not see him; but I shall take care that he knows the facts." At the same time, Lita could not help noticing that Mrs. Hazlitt refused to wear the garment Margaret had left out for her, and put on, with apparent unconsciousness, a new French tea gown in mauve and silver. "He will tell you better than I can what sort of a man this Valentine is."

"But, mother, is father's judgment of men to be depended on? You said about his lawyers that he had the faculty of collecting about him the most inefficient—"

"I never said any such thing—or rather, it was entirely different. How can you speak like that of your father? But it's my own fault, treating you as if you were a companion instead of a silly child."

This was war. Lita withdrew into herself. Parents, she reflected, did not really quite play the game; they couldn't belittle a fellow parent one day, and the next, when they needed to use force, rush away into the wings and dress him up as an ogre. After all the things her mother had said about her father, how could she expect him to inspire fear? And yet Lita knew that she was a little afraid.

Explore with AITake your curiosity a little further.

Reading settings