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Anthology of Russian literature from the earliest period to the present time, volume 2 (of 2)

THE NINETEENTH CENTURY (continued 3)

Reading edition

“Why do you smile?” he asked, frowning. “Perhaps you do not believe that I am the great Tsar? Is that so?⁠—Answer plainly!”

I became confused. To acknowledge a vagabond as emperor was quite out of the question; to do so seemed to me unpardonable cowardice. To tell him to his face that he was an imposter was to expose myself to certain death, and that which I was prepared to say beneath the gibbet before the eyes of the crowd, in the first outburst of my indignation, appeared to me now a useless boast. I hesitated. In gloomy silence Pugachév awaited my reply. At last (and even now I remember that moment with self-satisfaction) the sentiment of duty triumphed over my human weakness. I replied to Pugachév:

“Listen, I will tell you the whole truth. Judge yourself: can I acknowledge you as emperor? You, a sensible man, would know that it would not be saying what I really thought.”

“Who am I, then, in your opinion?”

“God only knows; but whatever you may be, you are playing a dangerous game.”

Pugachév threw a rapid glance at me.

“Then you do not believe,” said he, “that I am the Emperor Peter? Well, be it so. But is not success the reward of the bold? Did not Gríshka Otrépev reign in former days? Think of me what you please, but do not leave me. What does it matter to you one way or the other? Whoever is pope is father. Serve me faithfully and truly, and I will make you a field-marshal and a prince. What do you say?”

“No,” I replied with firmness. “I am by birth a nobleman; I have taken the oath of fealty to the Empress; I cannot serve you. If you really wish me well, send me back to Orenbúrg.”

Pugachév reflected.

“But if I let you go,” said he, “will you at least promise not to serve against me?”

“How can I promise you that?” I replied. “You yourself know that it does not depend upon my will. If I am ordered to march against you, I must go⁠—there is no help for it. You yourself are now a chief; you demand obedience from your followers. How would it seem if I refused to serve when my services were needed? My life is in your hands; if you set me free, I will thank you; if you put me to death, God will be your judge; but I have told you the truth.”

My frankness struck Pugachév.

“Be it so,” said he, slapping me upon the shoulder. “One should either punish completely or pardon completely. Go then where you like. Come to-morrow to say good-bye to me, and now go to bed. I feel very drowsy myself.”

I left Pugachév and went out into the street. The night was calm and cold. The moon and stars were shining brightly, lighting up the square and the gibbet. In the fortress all was dark and still. Only in the tavern was a light visible, where could be heard the noise of the late revellers. I glanced at the pope’s house. The shutters and doors were closed. Everything seemed quiet within.

I made my way to my own quarters and found Savélich grieving about my absence. The news of my being set at liberty filled him with unutterable joy.

“Thanks be to Thee, Almighty God!” said he, making the sign of the cross. “At daybreak to-morrow we will leave the fortress and go wherever God will direct us. I have prepared something for you; eat it, my little father, and then rest yourself till the morning, as if you were in the bosom of Christ.”

I followed his advice and, having eaten with a good appetite, I fell asleep upon the bare floor, worn out both in body and mind.⁠—From T. Keane’s The Prose Tales of Alexander Poushkin.

FROM “EVGÉNI ONYÉGIN”

TATYÁNA’S LETTER TO ONYÉGIN

I write to you! Is more required? Can lower depths beyond remain? ’T is in your power now, if desired, To crush me with a just disdain. But if my lot unfortunate You in the least commiserate You will not all abandon me. At first I clung to secrecy: Believe me, of my present shame You never would have heard the name, If the fond hope I could have fanned At times, if only once a week, To see you by our fireside stand, To listen to the words you speak, Address to you one single phrase And then to meditate for days Of one thing till again we met. ’T is said you are a misanthrope, In country solitude you mope, And we⁠—an unattractive set⁠— Can hearty welcome give alone. Why did you visit our poor place? Forgotten in the village lone, I never should have seen your face And bitter torment never known. The untutored spirit’s pangs calmed down By time (who can anticipate?) I had found my predestinate, Become a faithful wife and e’en A fond and careful mother been. Another! to none other I My heart’s allegiance can resign, My doom has been pronounced on high, ’T is Heaven’s will and I am thine. The sum of my existence gone But promise of our meeting gave, I feel thou wast by God sent down My guardian angel to the grave. Thou didst to me in dreams appear, Unseen thou wast already dear. Thine eye subdued me with strange glance, I heard thy voice’s resonance Long ago. Dream it cannot be! Scarce hadst thou entered thee I knew, I flushed up, stupefied I grew, And cried within myself: ’t is he! Is it not truth? in tones suppressed With thee I conversed when I bore Comfort and succour to the poor, And when I prayer to Heaven addressed To ease the anguish of my breast. Nay! even as this instant fled, Was it not thou, O vision bright, That glimmered through the radiant night And gently hovered o’er my head? Was it not thou who thus didst stoop To whisper comfort, love, and hope?⁠— Who art thou? Guardian angel sent Or torturer malevolent? Doubt and uncertainty decide: All this may be an empty dream, Delusions of a mind untried, Providence otherwise may deem⁠— Then be it so! My destiny From henceforth I confide to thee! Lo! at thy feet my tears I pour And thy protection I implore. Imagine! Here alone am I! No one my anguish comprehends, At times my reason almost bends, And silently I here must die⁠— But I await thee: scarce alive, My heart with but one look revive; Or to disturb my dreams approach Alas! with merited reproach. ’T is finished. Horrible to read! With shame I shudder and with dread⁠— But boldly I myself resign: Thine honour is my countersign!

⁠—From Lieut.-Col. Spalding’s Eugene Onéguine, London, 1881.

FROM “THE BAKHCHISARÁY FOUNTAIN”

Days passed away; Maria slept Peaceful, no cares disturbed her, now⁠— From earth the orphan maid was swept. But who knew when, or where, or how? If prey to grief or pain she fell, If slain or Heaven-struck, who can tell? She sleeps; her loss the chieftain grieves, And his neglected harem leaves, Flies from its tranquil precincts far, And with his Tartars takes the field, Fierce rushes mid the din of war, And brave the foe that does not yield, For mad despair hath nerved his arm, Though in his heart is grief concealed, With passion’s hopeless transports warm. His blade he swings aloft in air And wildly brandishes, then low It falls, whilst he with pallid stare Gazes, and tears in torrents flow. His harem by the chief deserted, In foreign lands he warring roved, Long nor in wish nor thought reverted To scene once cherished and beloved. His women, to the eunuch’s rage Abandoned, pined and sank in age. The fair Grusinian now no more Yielded her soul to passion’s power, Her fate was with Maria’s blended, On the same night their sorrows ended; Seized by mute guards the hapless fair Into a deep abyss they threw,⁠— If vast her crime, through love’s despair, Her punishment was dreadful too! At length th’ exhausted Khan returned, Enough of waste his sword had dealt, The Russian cot no longer burned, Nor Caucasus his fury felt. In token of Maria’s loss A marble fountain he upreared In spot recluse:⁠—the Christian’s cross Upon the monument appeared (Surmounting it a crescent bright, Emblem of ignorance and night!). Th’ inscription mid the silent waste Not yet has time’s rude hand effaced, Still do the gurgling waters pour Their streams dispensing sadness round, As mothers weep for sons no more, In never-ending sorrows drowned. In morn fair maids, (and twilight late,) Roam where this monument appears, And pitying poor Maria’s fate Entitle it the Fount of Tears!

⁠—From W. D. Lewis’s The Bakchesarian Fountain.

THE POISON-TREE

Remote and dire, in desert-lands Where naught but sunburnt sod is seen, Anchár, the Tree of Poison, stands⁠— A sentinel, with threatening mien. The thirsty steppe-land gave it birth In bitterness and anger dark; It sucked foul venom from the earth, Its roots and leaves are dead and stark. At noon, when fiercest sunlight glows, The poison from its veins escapes, And trickling down the stem it flows By evening into globèd shapes. No bird will seek this Tree of Death, Nor dare the tiger prowl anigh, The hungry whirlwind’s dusty breath Grows baneful as it hastens by. If e’er a wand’ring cloud distil Soft rains upon its blighted top, Their harmless nature turns to ill, And changed, in deadly dews they drop. But yet a man’s imperial nod Sent forth a fellow-man afar, Whose meek, obedient footsteps trod, Right to the base of foul Anchár. By morning he returned, and bore The fatal resin, with a bough Of withered leaves, and like it wore A wasted look⁠—and from his brow Cold sweat was streaming, and he tried To stand, but fell to earth prostrate. And there, poor slave! he sank and died In presence of the Potentate, Who sopped his arrows in the bane, And sent them dark⁠—a doom new-found!⁠— By messenger o’er hill and plain To neighbours in the countries round.

⁠—Transl. by Charlotte Sidgwick, in Free Russia, January, 1899 (vol. x., No. 1).

THE BIRD

Naught of labour, naught of sorrow, On God’s little bird doth rest, And it questions not the morrow, Builds itself no lasting nest. On the bough it sleeps and swings Till the ruddy sun appears, Then it shakes its wings and sings, When the voice of God it hears. After Spring’s delightful weather, When the burning Summer’s fled, And the Autumn brings together For men’s sorrow, for men’s dread, Mists and storms in gloomy legions; Then the bird across the main Flies to far-off, southern regions, Till the Spring returns again.

⁠—Transl. by N. H. Dole (publication unascertainable).

THE PROPHET

By spiritual thirst opprest, I hied me to the desert dim, When lo! upon my path appeared The holy six-winged seraphim. My brow his fingers lightly pressed, Soothing my eyelids into rest: Open my inward vision flies, As ope a startled eaglet’s eyes. He touched my ears, and they were filled With sounds that all my being thrilled. I felt a trembling fill the skies, I heard the sweep of angels’ wings, Beneath the sea saw creeping things, And in the valleys vines arise. Over my lips a while he hung, And tore from me my sinful tongue⁠— The babbling tongue of vanity. The sting of serpent’s subtlety Within my lips, as chilled I stood, He placed, with right hand red with blood. Then with a sword my bosom cut, And forth my quivering heart he drew; A glowing coal of fire he put Within my breast laid bare to view. As corpse-like on the waste I lay, Thus unto me God’s voice did say⁠— “Prophet, arise! Confess My Name; Fulfil my will; submit to Me! Arise! Go forth o’er land and sea, And with high words men’s hearts inflame!”

⁠—From J. Pollen’s Rhymes from the Russian.

THE TALISMAN

Where fierce the surge with awful bellow Doth ever lash the rocky wall, And where the moon most brightly mellow Doth beam when mists of evening fall; Where midst his harem’s countless blisses The Moslem spends his vital span, A sorceress there with gentle kisses Presented me a Talisman. And said: “Until thy latest minute Preserve, preserve my Talisman; A secret power it holds within it,⁠— ’T was love, true love the gift did plan. From pest on land or death on ocean When hurricanes its surface fan, O object of my fond devotion! Thou scap’st not by my Talisman. “The gem in eastern mine which slumbers, Or ruddy gold ’t will not bestow; ’T will not subdue the turbanned numbers Before the Prophet’s shrine which bow; Nor high through air on friendly pinions Can bear thee swift to home or clan, From mournful climes or strange dominions, From South to North,⁠—my Talisman. “But oh! when crafty eyes thy reason With sorceries sudden seek to move, And when in night’s mysterious season Lips cling to thine,⁠—but not in love,⁠— From proving then, dear youth, a booty To those who falsely would trepan, From new heart wounds, and lapse from duty, Protect thee shall my Talisman.”

⁠—From The Talisman, and Other Pieces, by George Borrow, St. Petersburg, 1835.

THE LAY OF THE WISE OLÉG

Wise Olég to the war he hath bound him again, The Khozárs have awakened his ire; For rapine and raid, hamlet, city, and plain Are devoted to falchion and fire. In mail of Byzance, girt with many a good spear, The Prince pricks along on his faithful destrere. From the darksome fir-forest, to meet that array, Forth paces a grey-haired magician: To none but Perún did that sorcerer pray, Fulfilling the prophet’s dread mission: His life he had wasted in penance and pain:⁠— And beside that enchanter Olég drew his rein. “Now rede me, enchanter, beloved of Perún, The good and the ill that ’s before me; Shall I soon give my neighbour-foes triumph, and soon Shall the earth of the grave be piled o’er me? Unfold all the truth; fear me not; and for meed, Choose among them,⁠—I give thee my best battle-steed.” “O enchanters, they care not for prince or for peer, And gifts are but needlessly given; The wise tongue ne’er stumbleth for falsehood or fear, ’T is the friend of the councils of Heaven! The years of the future are clouded and dark, Yet on thy fair forehead thy fate I can mark: “Remember now firmly the words of my tongue; For the chief finds a rapture in glory: On the gate of Byzantium thy buckler is hung, Thy name shall be deathless in story; Wild waves and broad kingdoms thy sceptre obey, And the foe sees with envy so boundless a sway: “And the blue sea, uplifting its treacherous wave, In its wrath,⁠—in the hurricane-hour,⁠— And the knife of the coward, the sword of the brave, To slay thee shall never have power: Within thy strong harness no wound shalt thou know, For a guardian unseen shall defend thee below. “Thy steed fears not labour, nor danger, nor pain, His lord’s lightest accent he heareth, Now still, though the arrows fall round him like rain, Now o’er the red field he careereth; He fears not the winter, he fears not to bleed,⁠— Yet thy death-wound shall come from thy good battle-steed!” Olég smiled a moment, but yet on his brow, And lip, thought and sorrow were blended: In silence he bent on his saddle, and slow The Prince from his courser descended; And as though from a friend he were parting with pain, He strokes his broad neck and his dark flowing mane. “Farewell then, my comrade, fleet, faithful, and bold! We must part,⁠—such is Destiny’s power: Now rest thee,⁠—I swear, in thy stirrup of gold No foot shall e’er rest, from this hour. Farewell! we ’ve been comrades for many a long year,⁠— My squires, now I pray ye, come take my destrere. “The softest of carpets his horse-cloth shall be: And lead him away to the meadow; On the choicest of corn he shall feed daintilie, He shall drink of the well in the shadow.” Then straightway departed the squires with the steed, And to valiant Olég a fresh courser they lead. Olég and his comrades are feasting, I trow; The mead-cups are merrily clashing: Their locks are as white as the dawn-lighted snow On the peak of the mountain-top flashing: They talk of old times, of the days of their pride, And the fights where together they struck side by side. “But where,” quoth Olég, “is my good battle-horse? My mettlesome charger,⁠—how fares he? Is he playful as ever, as fleet in the course; His age and his freedom how bears he?” They answer and say: on the hill by the stream He has long slept the slumber that knows not a dream. Olég then grew thoughtful, and bent down his brow: “O man, what can magic avail thee! A false lying dotard, Enchanter, art thou: Our rage and contempt shall assail thee. My horse might have borne me till now, but for thee!” Then the bones of his charger Olég went to see. Olég he rode forth with his spearmen beside; At his bridle Prince Ígor he hurried: And they see on a hillock by Dnieper’s swift tide Where the steed’s noble bones lie unburied: They are washed by the rain, the dust o’er them is cast, And above them the feather-grass waves in the blast. Then the Prince set his foot on the courser’s white skull, Saying: “Sleep, my old friend, in thy glory! Thy lord hath outlived thee, his days are nigh full: At his funeral feast, red and gory, ’T is not thou ’neath the axe that shall redden the sod, That my dust may be pleasured to quaff thy brave blood. “And am I to find my destruction in this? My death in a skeleton seeking?” From the skull of the courser a snake, with a hiss, Crept forth as the hero was speaking: Round his legs, like a ribbon, it twined its black ring; And the Prince shrieked aloud as he felt the keen sting. The mead-cups are foaming, they circle around,⁠— At Olég’s mighty Death-Feast they ’re ringing; Prince Ígor and Ólga they sit on the mound; The war-men the death-song are singing: And they talk of old times, of the days of their pride, And the fights where together they struck side by side.

⁠—From T. B. Shaw’s Pushkin, the Russian Poet, in Blackwood’s Magazine, 1845.

TO THE SLANDERERS OF RUSSIA

Why rave ye, babblers, so⁠—ye lords of popular wonder? Why such anathemas ’gainst Russia do you thunder? What moves your idle rage? Is ’t Poland’s fallen pride? ’T is but Slavonic kin among themselves contending, An ancient household strife, oft judged but still unending, A question which, be sure, ye never can decide. For ages past still have contended These races, though so near allied: And oft ’neath Victory’s storm has bended Now Poland’s, and now Russia’s side. Which shall stand fast in such commotion, The haughty Pole, or faithful Russ? And shall Slavonic streams meet in a Russian ocean⁠— Or that dry up? This is point for us. Peace, peace! your eyes are all unable To read our history’s bloody table; Strange in your sight and dark must be Our springs of household enmity! To you the Kreml and Prága’s tower Are voiceless all,⁠—you mark the fate And daring of the battle-hour,⁠— And understand us not, but hate⁠⸺ What stirs ye? Is it that this nation On Moscow’s flaming wall, blood-slaked and ruin-quenched, Spurned back the insolent dictation Of Him before whose nod ye blenched? Is it that into dust we shattered The Dagon that weighed down the earth so wearily? And our best blood so freely scattered To buy for Europe peace and liberty? Ye ’re bold of tongue⁠—but hard, would ye in deed but try it. Or is the hero, now reclined in laurelled quiet, Too weak to fix once more Izmail’s red bayonet? Or hath the Russian Tsar ever in vain commanded? Or must we meet all Europe banded? Have we forgot to conquer yet? Or rather, shall they not, from Perm to Tauris’ fountains, From the hot Colchian steppes to Finland’s icy mountains, From the grey Kreml’s half-shattered wall, To far Kathay, in dotage buried,⁠— A steely rampart close and serried, Rise, Russia’s warriors, one and all? Then send your numbers without number, Your maddened sons, your goaded slaves, In Russia’s plains there ’s room to slumber, And well they ’ll know their brethren’s graves!

⁠—From T. B. Shaw’s Pushkin, the Russian Poet, in Blackwood’s Magazine, 1845.

FROM “BORÍS GODUNÓV”

I

Night: A cell in the Chúdov monastery

FATHER PÍMEN, GRIGÓRI (sleeping).

Pímen (writing before a lamp). Once more, one final anecdote, and then My manuscript will be complete, the task On me, a sinner, laid by God, fulfilled. ’T is not for naught that during all these years The Lord hath made me witness many things, And taught me all the art of writing books. When in the future some industrious monk Shall find my hard-accomplished, nameless work, He will, like me, illume his little lamp, And, brushing off the dust of centuries, Will copy down my truthful chronicle. Then will the children of believers true Read all the story of their native land, Recall the labours of their mighty Tsars, Performed for them, for glory and for right, And humbly offer prayers that God will blot The crimes, though dark, of him who wrought for them. Thus, bent for many years I live anew. The past before me rose its hurrying flood. Is ’t long ago that like the angry sea Time’s fateful surges broke in great events? And now it rests in motionless repose! Not many men my memory preserves, Not many words are in my mind engrossed, And all the rest for ever now are gone. But day is nigh, my little lamp burns dim, One more, one final story of the past! (Writes.) Grigóri (wakes). That dream again? How strange! That cursèd dream! Thrice have I dreamed it! But the aged man Still sits before his little lamp and writes. He hath not closed his eyes the livelong night In slumber: how I love his peaceful mien, As, deeply buried in the past, his soul Broods o’er the secret of his manuscript. How gladly would I scan his precious line. What writeth he: the Tatars’ bloody reign,⁠— The cruel deeds of John the Terrible? The stormy council of old Nóvgorod? The glories of the fatherland? In vain! Nor in his glance nor in his lofty brow Can one discern the secrets of his mind: His mien is calm and full of majesty, As well becomes an aged priest who looks With cloudless eye on good and evil men Impartially, detecting right and wrong Or hatred or compassion knowing not. Pímen. Art thou awake? Grigóri.art thou awake? Thy blessing, honoured sire. Pímen. The Lord His blessing grant thee, oh, my son, To-day, hereafter, and for evermore! Grigóri. Long has thy pen been busy, nor has sleep Once brought thee sweet oblivion this night; But some strange, diabolic vision hath disturbed My rest: my enemy hath tormented me. I dreamed that up the winding narrow stairs I mounted to the windy tower alone; Before me from the top all Moscow lay Diminished like an ant-hill. Far below The people swarmed and babbled in the square And jeered at me with senseless ridicule. Shame mastered me and terror overwhelmed, And, falling headlong on my face, I waked. ’T is thrice that I have dreamed the selfsame dream. Is ’t not a marvel? Pímen.a marvel?’T is thy youthful blood Makes sport of thee: by prayer and strenuous fast Thy dreams will be with peaceful visions filled. ’T is e’en not otherwise with me when I, Dazed with involuntary drowsiness, E’er fail my soul with earnest prayer to guard⁠— My aged dreams are then disturbed with sin: While scenes of banqueting torment me oft, Now warlike camps or surging battles rude, Now senseless dissipations of wild youth. Grigóri. How gaily must have passed thy youthful days! Thou wast in battle ’neath Kazán’s high walls; Hast shared the wars in Lithuania’s plains; Hast seen the wanton court of John the Great. How fortunate! But I from earliest years Have been immured in cells a needy monk! Why should not I have had delight in war And feasted at the table of the Tsar? Then, when I reached like thee the term of life, I might have turned me gladly from the world And all its vanities, and shut myself Within the calm retirement of a cell To meditate upon my holy vows. Pímen. Lament not, brother, that thou hast so soon The world abandoned, that a loving God Hath little of temptation sent to thee. Take thou my word, a fascination strong Is exercised upon us from afar, By glory, luxury, and woman’s wiles. Long have I lived and much have I enjoyed; But only true enjoyment have I known Since to the cloister God hath led my steps. Recall the mightiest Tsars that have ever lived. Who stands above them? God alone! And who Would venture to oppose them? None! What then? On them so sorely weighs the golden crown They would exchange it gladly for the cowl. E’en John the Tsar sought comfort and relief Within the semblance of monastic rule. His court, where swarmed his haughty favourites, The novel aspect of a cloister took; His body-guard, in sackcloth and in stole, Appeared like docile monks, the while the Tsar, Himself, the cruel Tsar, an abbot mild. Myself have seen, here in this very cell⁠— (’T was then the abode of that most just of men, Kiríll, who suffered much, and even then I also had been led by God to see The folly of the world)⁠—myself have seen, Here in this very cell, the mighty Tsar, Grown weary of his mad designs and wrath, Repenting, sit amongst us, meek and mild. We stood before him silent, motionless, And quietly he would converse with us, Would hold the abbot and the brotherhood: “Ye fathers, soon the wished-for hour will come, When I ’ll appear with hunger to be saved; Thou Nikodím, thou Sérgi, thou Kiríll, And all of ye, accept my heartfelt vow! I ’ll come to you a sinner in despair; I ’ll take upon myself the monk’s harsh garb, I ’ll fall, O holy father, at thy feet!” Thus spoke the mighty ruler of the realm; And gentle words flowed from his cruel lips, And tears bedewed his cheeks; and we in tears Would pray our Lord his sinful, suffering soul To fill with everlasting love and peace. But his son Feódor? Upon the throne Vowed to perpetual silence, like a monk; He sighed to lead a life of easy peace. He straightway changed the royal palace-halls To cloistered cells, the heavy cares of state Did not at all disturb his saintly soul. God mercifully gave the Tsar his peace; And while he lived, our Russia, undisturbed In taintless glory, owned his gentle sway. But when he died, a miracle was wrought, Unheard of: at his couch appeared a man With face of flame, seen by the Tsar alone. Feódor talked with him, and called him “Sire,”⁠— “Great Patriarch.” All around were filled with fear To see the heavenly apparition there, Because the holy father was not then Within the chamber where the Tsar was laid. When he appeared sweet fragrance filled the halls, And like the sun his holy visage shone.

⁠—From Shakespeare and the Russian Drama, by N. H. Dole, in Poet-lore, vol. i., No. 11.

DEMONS

Clouds are shifting, clouds are flying, Scarce the hidden moon’s pale light On the drifting snow is lying,⁠— Wild the heavens, wild the night. Swiftly o’er the stormswept lowland⁠— Jingle, jingle bells amain! Swiftly still, though heavy-hearted, Drive I o’er the frozen main. “Ho there! driver, onward!” “Faster, Good my lord, we may not go, For the stormwind blinds me, master, And the road is choked with snow.” Useless all! the track is hidden; We are lost to help and home; From afar the demon spies us⁠— Closer circling see him come! Ha! beside us he ’s careering, Hissing, spitting,⁠—now, I ween, Round the steeds so madly veering On the brink of yon ravine. There⁠—if near or far I know not⁠— He was whirling in my sight. There again he pined and dwindled, Vanished into empty night! Clouds are shifting, clouds are flying, Scarce the hidden moon’s pale light On the drifting snow is lying,⁠— Wild the heavens, wild the night. Courage fails to struggle longer, Suddenly the sleigh bells cease⁠— Pause the team⁠—Declare thou yonder⁠— Wolf or tree-stem⁠—is it peace? Hark, the wind is wailing sadly, Loudly snort the startled team. There, see there he gambols madly, Through the murk his eyeballs gleam. Once again the team has started⁠— Jingle, jingle bells amain! Lo, the spirit-hosts assemble O’er the faintly gleaming plain! Form they have not, have no number, Lightly whirling round, they seem Like the dead leaves of November In the moon’s uncertain beam. Are they endless? whither fly they? Why this wailful chanting, say! Mourn they now their dead? In marriage Give they, else, some witch away? Clouds are shifting, clouds are flying, Scarce the hidden moon’s pale light On the drifting snow is lying,⁠— Wild the heavens, wild the night. Still they come and still they vanish In the darkness o’er the plain, Still their moaning and imploring Rends my very heart in twain!

⁠—Transl. by Miss H. Frank, in The Anglo-Russian Literary Society, No. 34.

Evgéni Abrámovich Baratýnski. (1800-1844.)

Baratýnski was the most talented of all the contemporary poets of Púshkin. He came of a distinguished family in the Government of Tambóv. At fifteen years he entered the Corps of Pages, but was soon expelled for some misdemeanour. This compelled his enlisting as a common soldier in St. Petersburg, where he came at once in contact with the leading poets of the day, and he began himself writing verses. The following six years he passed in Finland, the austere nature of which much impressed his mind and gave him ample material for his melancholy Muse. After rising to the rank of a commissioned officer, he retired and settled in Moscow. In 1843 he went abroad, and the next year he suddenly died in Naples. His best production, The Gipsy Girl, was at one time preferred to Púshkin’s poems, but he is now chiefly remembered as the earliest and most brilliant of Russian pessimistic poets.

In C. T. Wilson’s Russian Lyrics, London, 1887, is given Faith Rewarded; the same, under the title The Madonna, translated by F. P. Marchant, in The Anglo-Russian Literary Society, No. 28.

FINLAND

Into your clefts you have received the poet, granite rocks of Finland, eternal granites, guardian heroes of the land of the glacial crown. With the lyre he is among you. His greeting is a greeting to the masses of the rock, contemporaneous with the world. Like them may he for ever be unchangeable!

How wondrously everything about me charms my eye: there with its immeasurable waters the sea is welded with the heavens; here the dreamy pine-forest has descended with heavy tread from the mountain rock, and mirrors itself in the smooth waters! ’T is late: day is out, but the vault of heaven is bright; night comes without darkness upon the Finnish cliffs, and only for its own adornment it leads out upon the horizon a useless choir of diamond stars. This is the country of Odin’s children,⁠—the distant nations of the storm! This is the cradle of their restless days, consecrated to famous warrings!

Silent is the sounding shield, not heard the voice of the skald; the flaming oak is extinguished; the stormy wind has scattered the solemn calls, the sons know not the exploits of their fathers, and prone in the dust lie the prostrate forms of their gods,⁠—and all around me is deep silence. O ye who carried war from shore to shore, where are ye, heroes of the north? Your vestige has disappeared from your native land. Do ye press your grieving eyes against the cliffs and swim, a misty host, up in the clouds? Do ye? Give me answer, listen to my voice calling to you in the silence of the night. Mighty sons of these threatening, eternal cliffs! How were ye severed from your rocky fatherland? Why are ye sad? Why have I read upon your melancholy faces the smile of chiding? And ye have hid yourselves in the abode of shades! And time has not spared your names! What are our exploits, what the glory of our days, what is our windy tribe? Oh, everything will in its turn disappear in the abyss of years! For all there is one law,⁠—the law of annihilation. In all I hear the mysterious greeting of sought-for forgetfulness.

But I,⁠—for life’s sake loving life in ingloriousness,⁠—shall I with careless soul tremble before destiny? Though not eternal in time, I am eternal for myself: does not the storm of time speak to imagination alone? The moment belongs to me, as I belong to the moment. What care I for past or future races? Not for them do I strum the soft-voiced strings: though not listened to, I am sufficiently rewarded with sounds for sounds, and with dreams for dreams.

SPRING

Spring, O spring! How pure the air, how clear the vault of heaven! With its bright azure it blinds my eyes.

Spring, O spring! How, upon the pinions of the wind, caressing the sunbeams, the clouds flit upon high!

The rivulets babble, the rivulets sparkle; roaring the river carries on its triumphant back the uplifted ice.

The trees are still bare, but in the grove the old leaves, as before, rustle under foot and emit fragrance.

Rising to the very sun and invisible in the clear height, the lark sings the song of welcome to the spring.

What has happened to my soul? With the brook it is a brook, and with the bird a bird: with one it babbles, with the other flies into heaven.

Why do sun and spring give it such joy? Does it, as a daughter of the elements, make merry at their banquet?

Well, happy is he who there drinks oblivion from thought, who there is carried far away from it!

TRUTH

Yearning since childhood for happiness, I have ever been poor in happiness! Or shall I never attain it in the wilderness of existence?

My young dreams have flitted from the heart,⁠—I do not recognise the world: I am deprived of my former aim of hopes, but have no new aim.

“Senseless are you and all your wishes!” spoke to me a secret voice, and I cast off for ever the best creations of my dreams.

But wherefore has the disappointment of the soul not been complete? Why lives within me the blind pity of my youthful dreams?

Thus I once murmured, meditating about my heavy lot: suddenly I saw⁠—it was no dream⁠—Truth before me.

“My light will show the path to happiness!” said she. “Let me but wish,⁠—and I will teach you, impassioned one, joyful dispassionateness:

“Though through me you may lose the heat of your heart; though, learning to know people, you, perchance, frightened, may cease to love your neighbours and your friends.

“I shall destroy all the charms of existence, but shall put your mind aright; I shall pour an austere cold over your soul, but shall give it calm.”

I trembled, as I listened to her words, and grievously I replied to her: “O unearthly guest, sad is your visitation!

“Your light is the funereal light of all earthly joys! Your peace, alas! is the melancholy peace of the grave, and it is terrible to the living!

“No, I am not yours: in your severe science I shall not find happiness! Leave me: I will somehow manage to wander upon my path.

“Good-bye! or no: when my luminary in the starry height will begin to grow dim, and when the time will come to forget all that to my heart is dear,⁠—

“Appear then! Open then my eyes, enlighten my mind, that, despising life, I may without murmuring descend into the abode of night!”

Nikoláy Mikháylovich Yazýkov. (1803-1846.)

Yazýkov was born in Simbírsk, where he remained to his twelfth year. In 1820 he entered the School of Mines at St. Petersburg, but before graduating went to the university at Dorpat, from which he also failed to get a diploma. He passed his student days in riotous bouts that completely undermined his health. His anacreontic poems early attracted the attention of Zhukóvski and Púshkin, and the latter became a warm friend of his. He then settled in Moscow, where he served in one of the governmental offices, and wrote a series of poems, among which To the Poet, The Conflagration, and A Spring Night are his best. Ill health soon drove him abroad, and there he composed his famous To the Rhine; his other poems of the same period have a religious and patriotic tinge. Yazýkov’s poetry has been the subject of much controversy: some deny the intrinsic value of his productions, though all unite in extolling the exquisite musicalness and harmony of his verse.

N. H. Dole has translated his The Sailor (publication unascertainable). In C. T. Wilson’s Russian Lyrics, London, 1887, are given The Earthquake, Evening, Prayer.

THE SAILOR

Cruel is our lonely ocean, Roaring always day and night; Buried ’neath its wild commotion Many a wreck lies, far from sight. Courage, comrades! I, confiding, To the free winds give my barque; Forth it hastens, swiftly riding O’er the billows grim and dark. Thick the clouds fly o’er the heaven, Fierce the gale grows,⁠—black the waves; Hither, thither we are driven, While the waking whirlwind raves. Courage, comrades! Peals the thunder, High the watery heaps arise, Yawning gulfs now draw us under, Now we ’re lifted to the skies. Yet behold, our ship is nearing Through the storm the wished-for land; See, the vaults of heaven are clearing, See, the port is near at hand. Thither but brave hearts and ready Will the billows speed along! Courage, comrades! straight and steady Flies our vessel, stanch and strong.

⁠—Transl. by N. H. Dole (publication not ascertainable).

THE STORM

Lo! behind the distant mountains is concealed the beautiful day; under the protection of the woods above the waters the tremulous shade grows ever longer in wavelike rows. In the river gleams the evening star,⁠—hills, vales, and shores are deserted: long processions of carts, having left the fields, drive into the village. Now and then a watchdog barks, or the breeze makes the leaves rustle in the darkling oak-forest, or a bird flies timidly by, or a heavy, creaking waggon, drawn by a tired horse, and counting off each plank with its wheels, crosses the lightly poised bridge. And suddenly a broken, dull rattling is borne over the river, already silent and dreamy,⁠—and all is quiet again.

But in the distance, at the edge of the heavens, large, cloudy waves have on all sides veiled the full moon: now they part, now they come together again; now the silent clouds threateningly merge into one mass that, lightning-bearing and black, steals from the east upon the azure vault. Already is the speechlessness of the woods disturbed by the encroachment of the wind; no longer is the nightly flowing of the river peaceful and dark. In broad ripples flash upon it the far-stretched groves of shadows,⁠—just as a sail, trembling in the air and almost furled by the sailor, when suddenly a storm arises, and rolling the noisy floods, seizes the pinion of his barque and stretches it above the whirling waters.

Darkness has drowned the heavens; rain pours down; the storm agitates and stirs the waters and the woods.⁠—it lightens, thunders, and raves. Wondrous moments! When from end to end, through the stormy clouds a furrow of toothed lightning gleams in purple fire,⁠—then everything is seen: the chain of the distant mountains and the variegated pictures of the windings of the Sorót, the lakes, the villages, the banks, and the vales. Suddenly the darkness grows more grim and murky, the thunder claps are louder; noisier, thicker, faster are the torrents of the rain. But to-morrow the luminary of the day will, in luxurious silence, appear in the light-blue heaven, and will re-establish a golden morning in the storm-washed country.

TO THE POET

When inspiration has grown one with you, and your breast heaves mightily with it, and you perceive your consecration and know your God-blest path, when all, by which the heavenly gift is patent upon earth, is ready for your deeds,⁠—the light and heat of mighty thought and the fire-breathing word,⁠—then go into the world, that it may hear the prophet! But in the world be holy and majestic, kiss not the sugared lips of vice, beg not, take no reward,⁠—whether the morning star invite you with its glow, or terrible be the tyranny of fate: be innocent as the dove, and bold and brave as the eagle!

And harmonious and soothing sounds will rise from your thundering strings; in these sounds the slave will forget his torments, and King Saul will listen to them, and you will bloom in life of high solemnity, and for ever bright will be your open brow and piercing, flaming eye!

But if you are filled with the earthly desire of praise and pleasure,⁠—gather not rich gifts upon the altar of your God: He will ungraciously look upon you, will not accept your cunning offerings; smoke and thunder will disperse them,⁠—and the priest will recede, trembling with fear and shame.

Mikhaíl Yúrevich Lérmontov. (1814-1841.)

Lérmontov was born in the house of his grandmother, who brought him up after the early death of his mother. Up to his tenth year he was educated at home, in the country, studying several modern languages and Greek. In 1826 he was taken to Moscow and placed in the Boarding School for Young Noblemen, which was connected with the university. He here distinguished himself as a student, but was much ridiculed by his mates on account of his awkward manner and unattractive exterior. This led him to withdraw from their company as much as possible, and to frequent solitary spots. He read a great deal, but his favourite author was Byron, whose life he set up as an example for himself to follow. Having been expelled from the university for some scandalous pranks, he entered in 1832 the School of the Guard Cadets at St Petersburg, where he soon gained the reputation of a clever poet of immodest verses. After graduation he passed his life in a whirl of society pleasures at St. Petersburg and at Tsárskoe Seló. Púshkin’s death, in 1837, roused Lérmontov from his inactivity. The poem, On the Death of the Poet, which he then wrote, and which was spread over Russia in a large number of manuscript copies, caused a sensation in higher society, and he was banished for it to the Caucasus, but was soon returned to the army. Lérmontov was at that time little known to the public at large, though his poem “Borodinó” had just appeared, as he kept himself aloof from the literary coteries. He first attracted universal attention by his Ballad of the Tsar Iván Vasílevich, after which followed a long series of his famous poems, and the prose novel The Hero of our Time. In 1840 he was again banished to the Caucasus for having fought a duel, but the next year he was killed in another duel with a fellow-officer.

Lérmontov had displayed unusual talent before the age of twenty, and before his twenty-eighth year he had achieved a reputation that is hardly second to Púshkin’s. His fervid imagination led him to add to his fashionable Byronian mood a charm entirely his own: his melancholy and pessimism, which find their most beautiful expression in his long poem, The Demon, do not leave the reader disheartened and disappointed, but rather invite to pensive meditation. His poetry gives the impression of having no relation to active life; it seems as though the questions of the day did not exist for him. This is partly due to the fact that he stood aside from the literary circles, but more especially because he wrote at a time when the application of art to life had not yet become the watchword of Russian poets. He therefore characterises the transition period from Púshkin to Gógol. He was entirely under the influence of Byron, without, however, inheriting his political and humanitarian ideals.

There are several translations of his prose tale: Sketches of Russian Life in the Caucasus, by a Russe (a literary forgery), London, 1853; A Hero of Our Times, now first translated into English, London, 1854; The Hero of Our Days, from the Russian, by T. Pulszky (in The Parlour Library), London, [1854]; A Hero of Our Time, from the Russian, by R. I. Lipmann, London, [1886]; Russian Reader: Lermontoff’s Modern Hero, with English translation and biographical sketch, by Ivan Nestor-Schnurmann, Cambridge University Press, 1899. Taman (part of Hero of Our Time) was also given in Railway and General Automatic Library, London, [1892]. The Demon has been translated twice: The Demon, translated from the Russian, by A. Condie Stephen, London, 1875, 2nd ed., 1881, 3rd ed., 1886; The Demon of Lermontoff, translated from the Russian, by Francis Storr, London, 1894. The Mtsyri has appeared under the name, The Circassian Boy, translated through the German, by S. S. Conant, Boston, 1875.

The following separate poems have been translated into English: The Gifts of Terek, by T. B. Shaw, in Edinburgh Blackwood Magazine, vol. liv.; Rememberest thou the day, by W. R. Alger, in The Poetry of the Orient, Boston, 1865; Gifts of the Terek, The Cup of Life, Cossack Cradlesong, The Prisoner, by A. E. Staley, in Blackwood’s Magazine, vol. cxxxvi.; God’s Presence in Nature, Clouds, The Cup of Life, The Bark, The Dispute, Circassian Song, Cossack Cradlesong, The Prisoner, The Deserter, The Dream, Stanzas, The Nun’s Song, Prayer, The Branch from Palestine, by C. T. Wilson, in Russian Lyrics, London, 1887; The Angel, The Voyage, Prayer, Thanksgiving, On Death of Púshkin, Dream, Clouds, How Weary, Alone I pass along the lonely road, Men and Waves, The Queen of the Sea, The Prophet, When my native land, To ⁠⸺, The Dagger, Not for Thee, Dispute, “Why?” Moscow, in J. Pollen’s Rhymes from the Russian, London, 1891; in Free Russia have appeared: by G. R. Tomson, The Poet, in vol. i., No. 6; by Mary Grace Walker, The Death of Pushkin, in vol. x., Nos. 6 and 7, My Neighbour, in vol. xi., No. 1, My Country, ib., No. 4; by Mrs. Ch. Sidgwick, At a Ball, ib., No. 2; in The Anglo-Russian Literary Society have been published: by F. P. Marchant, The Angel, The Prayer, in No. 11, The Branch from Palestine, and Gratitude, in No. 16, Cossack Cradlesong, in No. 25, Ballad of the Tsar Ivan Vasilevich, in No. 26; by Miss G. Shepherd, Oh, he was born for happiness, for hope, in No. 13; by A. C. Coolidge, Alone I wander out along the road and The Angel, in No. 14 (given before in Harvard Monthly Magazine, 1895); by Mrs. Heath, The Sail, in No. 19; by J. Pollen, The Gifts of the Terek, in No. 20; by Anna Laura K. Bezant, On life’s road I wander, lone and dreaming, in No. 21; in the Library of the World’s Best Literature is given The Cloud, by N. H. Dole, and are reprinted The Prisoner and The Cup of Life, by Staley, and The Angel, by Pollen.

FROM “A HERO OF OUR TIMES”

MAKSÍM MAKSÍMYCH

Leaving Maksím Maksímych, I rode at a rapid gait through the Térek and Daryál cañons, breakfasted in Kazbék, drank tea at Lára, and hastened away for supper to Vladikavkáz.

I stopped at the inn where all passengers stop⁠⸺I was told that I should have to pass three days longer here, since the chance-team had not yet returned from Ekaterinográd and, consequently, could not start on its return journey.

The first day I passed lonely. Early in the morning of the next day a vehicle drove into the yard. “Ah, Maksím Maksímych!” We met like old friends. I offered him my room; he accepted it without ceremony, even clapped me on my shoulder and curved his mouth in the manner of a smile. What a queer fellow!

Maksím Maksímych was well versed in the culinary art: he could broil a pheasant remarkably well, superbly seasoned it with cucumber sauce, and I must confess that without him I should have been obliged to live on dry food. A bottle of Kakhetine wine helped us to forget the modest number of our dishes, of which there was but one, and lighting our pipes we seated ourselves,⁠—I at the window, he at the stove, for it was a damp and cold day. We were silent.

We sat for a long time. A few vehicles with dirty Armenians drove into the yard of the inn, and behind them⁠—an empty carriage.

“Thank the Lord!” said Maksím Maksímych, approaching the window. “What a fine carriage!” he added⁠⸺“Who can it be? Let us go and find out.”

We went into the corridor. A lackey was dragging, with the help of the driver, some portmanteaus into a room.

“Listen, friend,” the staff-captain asked him, “to whom does this magnificent carriage belong?⁠⸺Eh? A fine carriage!”

The lackey did not turn around, but muttered something as he opened the portmanteau. Maksím Maksímych grew angry. He touched the rude fellow on the shoulder and said to him: “I ’m talking to you, my dear fellow.”

“To whom the carriage belongs? To my master?”

“And who is your master?”

“Pechórin.”

“You don’t say? Pechórin? Oh, good God! Did n’t he serve in the Caucasus?” exclaimed Maksím Maksímych, pulling me by the sleeve. Joy glistened in his eyes.

“I think he did, but I have not been long with him.”

“Well, that ’s it! Grigóri Aleksándrovich? That ’s his name? Your master and I have been friends,” he added, giving the lackey a friendly slap on the shoulder that made him stagger.

“Excuse me, sir, you are in my way,” he said, knitting his brow.

“How funny you are, friend! You must know that your master and I have been bosom friends and have lived together. But what has become of him?”

The servant announced that Pechórin would remain for supper and the night at Colonel N.’s.

“Won’t he come here in the evening?” said Maksím Maksímych. “Or, are n’t you going down to see him for something or other? If you are, tell him that Maksím Maksímych is here,⁠—he knows,⁠—I ’ll give you eight grívenniks[7] for vódka.”[8]

The lackey made a scornful grimace when he heard of such a modest promise, but he assured Maksím Maksímych that he would carry out his order.

“He ’ll come right away!” Maksím Maksímych said to me, with a radiant look. “I ’ll wait for him outside the gate. Oh, what a pity I don’t know Colonel N.”

Maksím Maksímych sat down on a bench in front of the gate, and I went to my room.

An hour later an invalid brought a boiling samovár and a teapot. “Maksím Maksímych, don’t you want any tea?” I cried to him through the window.

“Thank you, I don’t feel like it.”

“Do take a glass! Look, it is already late and cold.”

“No, thank you.”

“Well, as you please!” I began to drink tea myself; some ten minutes later the old fellow came into the room.

“You are right: it will be better to take some tea. I have been waiting, but his man went to him long ago; evidently something has detained him.”

He hurriedly sipped a cup, declined a second, and went again outside the gate, somewhat disturbed. It was clear that Pechórin’s negligence annoyed the old fellow, especially since he had only lately been telling me of his friendship, and since he was so sure an hour ago that Pechórin would hurry to see him, the moment he heard his name.

It was late and dark when I again opened the window and began to call Maksím Maksímych, saying that it was time to go to bed. He muttered something through his teeth. I repeated the invitation, but he did not answer.

I lay down on the divan and covered myself with my cloak. I left a candle on the oven-bench and fell asleep. I should have slept quietly if Maksím Maksímych had not entered very late into the room and awakened me. He threw down his pipe on the table, began to pace over the room and to poke the fire; finally he lay down, but he coughed, spit, and tossed for a long time.

“Are bugs biting you?” I asked him.

“Yes, bugs,” he answered, drawing a deep sigh.

I awoke very early the next morning, but Maksím Maksímych had anticipated me. I found him in front of the gate, seated on the bench.

“I must go down to the Commandant,” he said, “so please send for me if Pechórin should come.”

I promised I would. He ran away as if his limbs had regained their youthful vigour and flexibility.

Less than ten minutes had passed when at the end of the square appeared the man we were waiting for. He was walking with Colonel N., who brought him to the inn, bade him good-bye, and returned to the fort. I immediately sent the invalid for Maksím Maksímych.

The horses were already hitched. The bells now and then tinkled over the yoke, and the lackey had already twice approached Pechórin with the report that all was ready, but Maksím Maksímych had not yet made his appearance. Fortunately Pechórin was buried in meditation and was looking at the blue crags of the Caucasus, and did not seem to be in a hurry to leave. I went up to him.

“If you will wait a little,” I said, “you will have the pleasure of meeting an old friend of yours.”

“Oh, that ’s so!” he answered rapidly. “I was told so yesterday; but where is he?”

I turned to the square and saw Maksím Maksímych running at full speed. A few minutes later he was near us; he could hardly breathe; perspiration ran down his face; wet tufts of grey hair stood out from under his cap and stuck to his brow; his knees were trembling. He wanted to throw himself on Pechórin’s neck, but the latter quite coldly, though with a pleasant smile, stretched out his hand to him. The staff-captain was stupefied for a moment, but then eagerly grasped his hand with both of his: he could not speak.

“How glad I am, dear Maksím Maksímych! Well, how are you getting along?” Pechórin asked.

“And thou? and you?” the old man muttered with tears in his eyes. “How many years⁠—how many days⁠—but where are you going to?”

“I am going to Persia, and still farther.”

“Right away? Do stay here a while, my friend! Are we really going to separate at once? We have not seen each other for so long.”

“I must, Maksím Maksímych,” was his answer.

“O Lord! Where are you hurrying so? I should like to tell you so much, and ask you so much! Well, have you retired? What have you been doing?”

“Having ennui!” Pechórin answered, smiling.

“Do you remember our life in the fort? ’T was a fine country for hunting! You were a passionate hunter! And Béla?”

Pechórin grew slightly pale and turned away.

“Yes, I remember!” he said, yawning forcedly.

Maksím Maksímych began to entreat him to stay an hour or two with him.

“We shall have a fine dinner,” he said. “I have two pheasants, and the Kakhetine wine is excellent,⁠—of course not what it is in Georgia, yet of the best sort. We shall talk. You will tell me of your life in St. Petersburg. Well, what do you say?”

“Really, I have nothing to tell, dear Maksím Maksímych. Now good-bye, I must go, I am in a hurry. Thank you for remembering me,” he added, taking his hand.

The old man knit his eyebrows. He was sad and angry, though he tried to hide it.

“Forget? No, I have forgotten nothing. Well, God be with you! I hoped to meet you differently.”

“Well, well!” said Pechórin, embracing him in a friendly manner. “Am I not the same? What ’s to be done? Each one has his road laid out. God knows if we shall ever meet again!”

He was already in the carriage when he said this, and the driver was arranging the reins.

“Wait, wait!” Maksím Maksímych suddenly shouted, catching hold of the door of the carriage: “I almost forgot. I have your papers, Grigóri Aleksándrovich, and I have been dragging them along with me. I had hoped to find you in Georgia, but by the will of God we have met here. What shall I do with them?”

“Whatever you please!” answered Pechórin. “Good-bye!”

“So you are making for Persia? When will you be back?” Maksím Maksímych cried after him.

The vehicle was far off, but Pechórin made a sign with his hand which could be interpreted as follows: “Hardly! And there is no reason why I should!”

The tinkling of the bell and the rattling of the wheels on the flinty road had long died away, but the poor old man was still standing in the same place, buried in meditation.

“Yes,” he said at last, trying to assume an indifferent look, though from time to time a tear of indignation glittered on his eyelashes. “We have been friends, but what does friendship nowadays mean? What interest can he have in me? I am not rich, have no title, and am not a match for him as to age. What a swell he has become since he has been in St. Petersburg. What a carriage! How much luggage! And what a proud lackey!” These words were pronounced with an ironical smile. “Tell me,” he continued, turning towards me: “What do you think about it? What demon carries him now to Persia? It ’s ridiculous, upon my word, ridiculous! I always knew that he was a flighty man upon whom one could not rely. But, really, it ’s a pity he should end so badly,⁠—it can’t be otherwise! I always said it does no good to forget old friends!”

Here he turned away to conceal his agitation, and began to pace up and down the yard, near his vehicle, as if to examine the wheels, while his eyes kept filling with tears.

“Maksím Maksímych,” I said, walking over to him, “what kind of papers are those that Pechórin has left with you?”

“God knows! Some memoirs.”

“What will you do with them?”

“What! I ’ll have them made into cartridges.”

“You had better give them to me.”

He looked at me in wonderment, muttered something through his teeth, and began to rummage through his portmanteau. Then he took out a notebook, threw it contemptuously on the floor, then another, a third, a tenth, and they had all the same fate: there was something childish in his anger; I was amused, and I pitied him.

“Here they are,” said he. “I congratulate you with your find.”

“And I may do with them what I wish?”

“As far as I am concerned, you may print them in newspapers. What do I care? What am I to him? Neither a friend, nor a relative. It is true, we have lived a long time together under the same roof. But there are many others with whom I have lived!”

I grabbed the books and carried them quickly away, fearing that the captain might regret his action. They announced to us soon after that the carriage would start in an hour. I gave orders to pack. The captain entered the room as I was putting on my cap. He was evidently not getting ready to travel; he had a kind of a forced, cold look.

“Are n’t you going, Maksím Maksímych?”

“No, sir.”

“How so?”

“I have not yet seen the Commandant, and I have to hand over to him some Crown goods.”

“But you have been with him?”

“Yes, I have, that ’s so,” he said, hesitatingly, “but he was not at home, and I did not wait for his return.”

I understood him⁠—the poor old man had, probably for the first time in his life, neglected his official duties for private reasons, as they say in chancery language, and how he was rewarded for it!

“Very sorry, Maksím Maksímych, that we are to part before our time.”

“We uncouth old men can’t keep up with you! You are a worldly, proud young set. As long as you are under Circassian bullets, you are passable, but when you meet one of our kind later, you are ashamed to stretch out your hand to him.

“I have not deserved these reproaches, Maksím Maksímych.”

“I should not have mentioned it, if I had not been egged on. As for you, I wish you good luck and a happy journey.”

We parted quite dryly. Good Maksím Maksímych became a stubborn, quarrelsome staff-captain! Why? Because Pechórin, in his absent-mindedness or for some other reason, stretched out his hand to him, when he was ready to fall around his neck. It is sad to see a young man lose all his best hopes and dreams, when the rose-coloured glass is taken away from him through which he had been looking at human acts and feelings, though there is hope that he will exchange his old illusions for new ones, not less transitory, but also not less sweet. But what is to take their place in a man of Maksím Maksímych’s years? The heart involuntarily becomes hardened, and the soul closes up.

I travelled by myself.

FROM “THE DEMON”

I A sombre fiend, a spirit banished, Was flying o’er this world of sin; While thoughts of better days, now vanished, Upon his brain were crowding in⁠— Those days, when in the home of light Midst cherubim he too was bright. The time was when the comet fleeting, Its soft caressing smile of greeting To interchange with him was proud; When, through the never-ending cloud, He followed curiously the trace Of where the caravans had moved Of stars, whose paths were lost in space,⁠— When he believed and when he loved. A happy first-born of creation, He knew no thought of fear or doubt: Existence then was his, without The weight of ages of damnation⁠⸺ And much and much,⁠—but no, not all, Had he the strength that dared recall. II Through earthly deserts long he sped, Without a refuge or an aim. The ages after ages fled; Like minute after minute, came Recurring ceaselessly the same. In this mean world o’er which he lorded No ill he sowed, relief afforded; For nowhere he resistance met That stood against the snares he set. Sin did but weariness beget. III Now, o’er the Caucasus, on high, Was Eden’s outcast flying by. Kazbék, beneath, with diamond light Of everlasting snow shines blinding; And deep below, a streak of night, Like some dark cleft, the snake’s delight, In endless curves the Daryál’s winding And Térek like a lion springing, With bristling mane, in fury roars; The beast of prey, the bird, high winding Its flight in azure where it soars, Have heard the cry his waves give forth, And little golden clouds there are From southern lands,⁠—ay, from afar, To follow on the journey north. The cliffs in serried masses seem, Replete with some mysterious dream, To bend their heads above the stream, And watch his waters as they gleam Perched on the rock, the castle tower, That stands on Caucasus to wait, A giant guardian at the gate, Seems sternly through the mist to glower, And wild and wonderful about Was all God’s world; but that proud sprite With but a glance of scorn looked out On all his God had wrought in might; His lofty brow did naught express Except the void of nothingness. IV Before him now another scene Had living beauties to display, Where Georgian valleys robed in green, Stretched outward like a carpet, lay. One of earth’s happy fertile nooks Where column-like the ruins stand; O’er stones of every hue, the brooks Run downward babbling through the land. The nightingales among the roses Sing tuneful love in accents fond To graceful mates that ne’er respond; The plane-tree’s spreading shade discloses The spot where ivy thick reposes; Here gorges where from burning day The timid deer lie hid away; And light, and life, and leaves that rustle, And voices’ hundred-sounding bustle, And plants whose thousand breaths compete, And fierce voluptuous noonday heat; And nights whose aromatic dew Distils a freshness ever new; And stars that are as bright as eyes, As glances of the Georgian maid. But nature in all charm arrayed To no new throb of life gave rise Within that outlaw’s sterile breast, Save for a hostile, cold unrest; And that which here he contemplated, He looked with scorn upon and hated.

⁠—Transl. by A. C. Coolidge (unpublished).

DISPUTE

Once, before a tribal meeting Of the mountain throng, Kazbék-hill with Shat-the-mountain Wrangled loud and long. “Have a care, Kazbék, my brother,” Shat, the grey-haired, spoke; “Not for naught hath human cunning Bent thee to the yoke. Man will build his smoky cabins On thy hillside steep; Up thy valley’s deep recesses Ringing axe will creep; Iron pick will tear a pathway To thy stony heart, Delving yellow gold and copper For the human mart. Caravans, e’en now, are wending O’er thy stately heights, Where the mists and kingly eagles Wheeled alone their flights. Men are crafty; what though trying Proved the first ascent!⁠— Many-peopled, mark, and mighty Is the Orient.” “Nay, I do not dread the Orient,” Kazbék, answering, jeers; “There mankind has spent in slumber Just nine hundred years. Look, where ’neath the shade of plane-trees Sleepy Georgians gape, Spilling o’er their broidered clothing Foam of luscious grape! See, ’mid wreaths of pipe-smoke, lying On his flowered divan, By the sparkling pearly fountain Dozeth Teheran! Lo! around Jerusalem’s city, Burned by God’s command Motionless, in voiceless stillness, Deathlike, lies the land. “Farther off, to shade a stranger, Yellow Nilus laves, Glowing in the glare of noonday, Steps of royal graves. Bedouins forget their sorties For brocaded tents, While they count the stars and sing of Ancestral events. All that there the vision greeteth Sleeps in prized repose; No! the East will ne’er subdue me! Feeble are such foes!” “Do not boast thyself so early,” Answered ancient Shat; “In the North, look! ’mid the vapours, Something rises! What?” Secretly the mighty Kazbék At this warning shook, And, in trouble, towards the nor’ward Cast a hurried look. As he looks in perturbation, Filled with anxious care, He beholds a strange commotion, Hears a tumult there. Lo! from Ural to the Danube, To the mighty stream, Tossing, sparkling in the sunlight, Moving regiments gleam; Glancing wave the white-plumed helmets Like the prairie grass, While, ’mid clouds of dust careering, Flashing Uhlans pass. Crowded close in serried phalanx War battalions come; In the van they bear the standards, Thunders loud the drum; Streaming forth like molten copper Batteries, rumbling, bound; Smoking just before the battle Torches flare around; Skilled in toils of stormy warfare, Heading the advance, See! a grey-haired general guides them, Threat’ning in his glance. Onwards move the mighty regiments With a torrent’s roar; Terrible, like gathering storm-clouds, East, due east, they pour. Then, oppressed with dire forebodings, Filled with gloomy dreams, Strove Kazbék to count the foemen, Failed to count their streams. Glancing on his tribal mountains, Sadly gloomed the hill; Drew across his brows the mistcap, And for aye was still.

⁠—From J. Pollen’s Rhymes from the Russian.

Alone I wander out along the road; The stony way gleams through the mist afar; The night is calm; the waste lists to its God; And star is speaking unto star. In heaven wondrousness and grandeur reign; The earth sleeps in a glow of soft blue sky. Then why do I feel such distress, such pain? What have I to await? or what regret have I? Already I await no more from life; And nothing in the past do I regret. I seek for freedom, and an end to strife; I only wish to sleep and to forget. But not as in the tomb’s too chilly rest, My slumber through the ages I conceive With all Life’s vigour throbbing in my breast⁠— That with my breathing it should gently heave,⁠— That all the day and night, to soothe my ear, A tender voice to me of love should sing; And I must have, in green for ever near, A dark oak bending o’er me, murmuring.

⁠—Transl. by A. C. Coolidge, in The Harvard Monthly, 1895, and in The Anglo-Russian Literary Society, No. 14.

THE SAIL

A solitary sail is gleaming, While, through the haze of th’ azure, she, In chase of chance’s fortune seeming, Far from a cherished home may be. The waves leap up,⁠—the wind is blowing, The mast is bending low and creaks,⁠— Alas! from happiness not going, It is not happiness she seeks. Beneath her prow blue floods are swelling, Above her glides the sunlit fleece, But still she prays for storms, rebelling⁠— As if in storms there can be peace.

⁠—Transl. by Mrs. Heath, in The Anglo-Russian Literary Society, No. 19.

THE PRAYER

In life’s hard, trying moments, With sorrow in my breast, I breathe a prayer most wonderful, Which ever brings me rest. There is a power of blessedness In those sweet words enshrined, Thought cannot grasp their sacred charm That calms the anxious mind. Doubt stays no more, the soul is free, Her burden rolls away, Her faith renewed, tears bring relief, When this sweet prayer I pray.

⁠—Transl. by F. P. Marchant, in The Anglo-Russian Literary Society, No. 11.

THE BRANCH OF PALESTINE

Branch of Palestine, the story Of thy birth and beauty, say Of what hill and vale the glory Were thy leaves and blossoms gay? Thee, by Jordan’s limpid fountains, Did the Eastern sunbeam bless? Thee, on Lebanon’s great mountains, Did the night-wind’s love caress? Salem’s sons, with sorrow smitten, As they twined thy leaves with care⁠— Sang they songs, in old times written? Breathed they then a gentle prayer? Is thy parent-palm yet living Where the summer sun beats down, Still to desert-travellers giving Shade beneath her broad-leafed crown? Or, thy faded palm-tree sighing, Withered at thy parting, grieves, While the thirsty dust is lying Thickly on her yellow leaves? Whose the reverent hand that bore thee From thy country to this place? Wept he often, bending o’er thee? Have those hot tears left their trace? Was he of God’s host the flower, Shone his cheek with rapture bright, Worthy heaven, like thee, each hour In his God’s and comrades’ sight? Branch from Salem, guard unsleeping Of the golden ikon fair, Watch before the holiest keeping, Thou art weighed with silent care! Beauteous twilight, lamp-beams o’er thee; Full of peace and comfort, shine; Ark and cross repose before thee, Symbols of a love divine!

⁠—Transl. by F. P. Marchant, in The Anglo-Russian Literary Society, No. 16.

Remember’st thou the day when we⁠— Late was the hour⁠—were forced to part? The night-gun boomed athwart the sea; In painful silence beat each heart; The lovely day found cloudy close; A heavy mist the landscape palled; And seemed it, when that shot arose, An echo from the ocean called. Alone I wander by the flood; And when a gun booms in its might, I think in pain how we once stood Together on that parting night. And as the mournful echoes roll, Muffled, along the fluid walls, From out the caverns of my soul Death answeringly calls and calls.

⁠—From W. R. Alger’s The Poetry of the Orient, 1865.

AT A BALL

How oft, surrounded by the motley crowd, Mid whirling dance, and din of music loud, I sink my senses in a dream,⁠— When phrased convention, polished fiction, fly And all the men and women pass me by,⁠— Like masks their faces seem. When my cold hands are met with colder still, And callous city beauties touch me chill, Bold but effete, with hollow cheer, Then, to appearance wrapped in light and glare, I cherish in my heart a fancy fair,⁠— Echoes a bygone year. Forsaking all around, in heart and mind I fly⁠—a free, free bird⁠—to things behind, And see myself a child once more, In places old and dear. The house o’erhead,⁠— The garden path I see,⁠—the ruined shed,⁠— The pond well-weeded o’er: And see across the pond the village lie, From clustered roof the smoke is rising high, The mists from meadows far away! I enter a dark alley: evening red Blinks through the shrubs, and underneath my tread The dead leaves rustling stray. Then a strange longing holds me,⁠—yearning sore For love,⁠—my fancy’s love and nothing more:⁠— She was a dream and yet my love! Her sky-blue eyes could flash with silver flame, Her rosy smile with kindling sweetness came, Like sunrise through the grove. Thus, potent master of my fairyland, Alone I pass my hours, and understand The spell of those sweet days to save, Unharmed, unstained by passion or by doubt, Like some fair flowery islet, lying out Where leaps the wild sea wave. But suddenly a jar renews my sense,⁠— The happy, happy dream is frighted hence, That gentle, uninvited guest. And wild I long my steel-cold lines to fling Upon the startled crowd, to smite and sting, With anger from my breast.

⁠—Transl. by Mrs. Charlotte Sidgwick, in Free Russia, vol. xi., No. 2.

DREAM

’Neath midday heat, in Dagestána’s Vale, With leaden ball in breast I lifeless lay; From a deep wound smoke rose upon the gale, And drop by drop my life-blood ebbed away. Alone I lay upon the sandy slopes; The craggy cliffs around me crowded steep; The sunlight burned upon their yellow tops, And burned on me who slept no mortal sleep. A dream I dreamed, and saw in sparkling bowers An evening feast in my home,⁠—far away,⁠— Where young and lovely women, crowned with flowers, Conversed of me in accents light and gay. But, in their happy talk not joining, one Sat far apart, and plunged in thought she seemed; And oh! the mystery knows God alone,⁠— This was the dream her young soul sadly dreamed. She saw in vision Dagestána’s Vale, Where on the slope a well-known body lay; From the black wound smoke rose upon the gale, And in cold streams the life-blood ebbed away.

⁠—From John Pollen’s Rhymes from the Russian.

Aleksyéy Vasílevich Koltsóv. (1808-1842.)

Koltsóv was the son of a burgher of Vorónezh who dealt in hides and tallow. He received very little training in his coarse and ignorant family, and at ten years of age went to a school just long enough to learn to read and write. After that his father put him to work at his business, but the boy found enough time to read some Russian fairy tales and a few novels. Dmítriev’s poems, which fell into his hands, gave him a taste for poetry, and a “Russian Prosody,” given him by a local book-dealer, for the first time taught him the harmony of verse and its technical structure. He at once began to compose poems in imitation of such as he could procure, while a seminarist whose acquaintance he cultivated corrected and guided his first attempts. In 1831 Koltsóv went to Moscow where he was introduced to the critic Byelínski, who at once recognised the unusual talent of the untutored bard. After a second visit, in 1836, the two became staunch friends, and under Byelínski’s influence Koltsóv produced the best of his poems. He soon returned to the sordid surroundings of his native place, and died shortly after of consumption. The striking picturesqueness of his verse, which is based on the inimitable, untranslatable diction of the peasant, has given rise to two diametrically opposed views: according to the one, he is the popular bard par excellence; according to the other, he has only made artistic use of the peasant’s language for productions that are eminently refined and, therefore, removed from the understanding of the masses.

In English translation have appeared: Season of Love, A Prayer, Two Lives, First Love, in A Russian Poet, by W. R. S. Ralston, in Fortnightly Review, vol. vi., 1866; The Abundant Harvest, The Mower, The Peasant Musing, in Russian Idylls, by W. R. S. Ralston, in Contemporary Review, vol. xxiii., 1874; The Ploughman’s Song, The Peasant’s Misgivings, The Orphan, Love’s Invitation, in C. T. Wilson’s Russian Lyrics, 1887; The Forest, Betrayed by a Bride, by I. H. Harrison, in The Anglo-Russian Literary Society, No. 16, and A Winter Wooing, The Mower, by Mrs. Rosa Newmarch, ib., No. 30.

FIRST LOVE

Her whom I loved in early years So well, so tenderly,⁠—who filled With a first passion’s hopes and fears A heart which time has not yet stilled,⁠— Can I forget her? Day by day I strive Her well-loved image from my mind to drive; To find new dreams my old dreams to efface, And let another love my early love replace. But all in vain. I strive and strive, and yet Whate’er I do I never can forget. When in the silent hours of night I sleep, She comes in dreams; once more I see her stand Beside my couch; once more her accents steep My suffering soul in bliss; once more her hand In mine so gently, mournfully, she lays, While her dark eyes on mine in sadness gaze. Speed, kindly Time, my thoughts from her to sever, Or set me free with her to live for ever.

⁠—Transl. by W. R. S. Ralston, in Fortnightly Review, 1866 (vol. vi.).

THE ABUNDANT HARVEST

I With a rosy flame the dawn burns on high, but the fog still broods over the face of the earth; Till the day has caught the fire of the sun, and rolled up the mists higher than the tops of the hills, And has pressed them into a black cloud. The black cloud has begun to knit its brows,⁠— Has begun to knit its brows, as if reflecting, as though musing upon the place of its birth, As though remembering how the wild winds will drive it before them across the face of the wide world. Then it arms itself with the hurricane and the thunderbolt, with the lightning’s flash and the bow of the cloud. It has taken up arms, and flown abroad, and struck its stroke, and poured itself forth In a torrent of tears, in a flood of rain, over the copious bosom of the earth. II Now from heaven’s heights the dear sun looks down. The earth a plenteous draught has drunk. On their corn-fields and gardens, and meadows green, the rustic folk cannot gaze enough. For the grace of God these rustic folk have waited long with trembling and prayer. Together with the spring there have come to life the secret thoughts of their quiet minds. Thought the first: To pour into sacks the grain in the bins, and to set their carts in order. Thought the second: Forth from the village by night to drive their line of carts. Thought the third⁠⸺When of this they thought, to God the Lord arose the prayers. With early dawn have they gone afield. There in handfuls heaped each scatters the grain, furrows the soil with the ploughshare’s blade, or rips it across with the harrow’s tooth. III I will go and gaze with gladdened eye at what God has sent to men for their toil. Above my waist the large-grained rye rises, then dreamily bends well nigh to the ground. On every side the corn, guest sent by God, greets with a smile the joyful day. Over it the breeze floats lustrously, streaming this way and that a wave of gold. Now in whole families the peasants commence their harvest, cutting close to the roots the stalks of the lofty rye. Into close-packed mows are the sheaves collected; from the lines of carts sounds music all the night long. On every side do the stacks erect their heads in the barnyards,⁠—taking up much room, like nobles of yore in their robes of state. IV The dear sun sees that the harvest is done; so colder gleam his last autumnal rays. But with warm light glows the peasant’s taper⁠—burning before the pictured form of the Mother of God.

⁠—Transl. by W. R. S. Ralston, in The Contemporary Review, 1874 (vol. xxiii.).

THE FOREST

IN MEMORY OF PÚSHKIN

What does the silent wood Dream of so pensively? What is the sorrow that Rides in its mystery? Why dost thou, Knightly One, Under its charm’s spell, Head undefended Hold ’gainst the wind-stroke,⁠— Standing there shamedly Letting the storm-clouds As they pass momently Burst on thee savagely? Thy helmet of green leaves Bound fastly together Is whirled from thee far off And scattered to dust; Thy boughs, as a mantle falls, Lie all around thee; Thou standest ashamedly, Forced to submit thee. Where hath vanished now Speech that was mighty, Strength that was prouder than All a king’s bravery? A night there hath been for thee, A calm night within which Thou heardest the nightingale’s Deluge of song⁠— A day there hath been for thee Triumphant, forgetless⁠— A friend and an enemy Sought thy cool freshness; ’T was late in the evening, And loud blew the storm-blast Of him that was speaking Unto thy detractor. His wrath drove the clouds off That round thee had gathered, His love clung around thee Like wind-gusts, but warmer. Thou said’st to the other, With voice that changed loudly, “Go, fall back beyond me! Go, leave me in peace!” That voice of his dizzied, As tone on tone sounded; Thy very depths trembled, Their stoutest trunks reeling. Then, startled from silence, To life thou awakest; A whistling of tempest Re-echoed throughout thee; ’T is the cry of the wood-sprite, A witch’s note shrilling, Until the loud rumble Is borne away seaward. Where now all thy glory Of verdure and leaf? Thou ’st put on dark clothing Of rain-mist and grief; Wild art thou and silent, But, when the wind quickens, Thy plaint sadly peals out For him lost untimely. And so, thou dark forest, Life-long hast thou harassed The Knightly, the Noble, To combat for thee. Against thee prevailed not Those stronger than thou art; Life’s autumn in him, though, Seemed cruelly short. The woods know in dreamland That forces of evil Their malice did spend on Who least had deserved it: From off Knightly shoulders A head had been struck⁠— Not by a hero’s hand, But by a recreant.

⁠—Transl. by I. H. Harrison, in The Anglo-Russian Literary Society, No. 16.

BETRAYED BY A BRIDE

Warm the summer sun in heaven, But for me no heat is given! Frozen is the very heart’s blood, Through the bride that played me false. Grief’s black pall hath fallen o’er me, On my sorrow-bowed-down head: Mortal anguish tears my soul, and From this body would it break. Neighbours asked have I to help me; No man gave me aught but laughter; Then, to the grave of either parent⁠— Neither heard the voice I called with. Light then changed for me to darkness, Senseless on the ground I lay, Dull the night, until a tempest Roused me from the tombstone cold. Raged the storm⁠—a horse I saddled, Bent on riding⁠—God knows where⁠— Life is heartless toil to laugh at, Man’s fate evil alone to share.

⁠—Transl. by I. H. Harrison, in The Anglo-Russian Literary Society, No. 16.

THE MOWER

I can’t understand it, I can’t make it out⁠— Yet why I can’t see How it all came about? In an unlucky day, In an ill hour, alack, I came into this world With no shirt to my back! Yet my grand-dad’s broad shoulders Are mine, as you see; And my mother’s deep chest; In my cheeks flowing free Burns the blood of my sire, Like milk set afire By dawn’s crimson light; And my locks lie in clusters As black as the night. Yet, whatever I do⁠— Oh, it never goes right! In an unlucky day, In an ill hour, alack, I came into this world With no shirt to my back! There’s darling Grunyúsha, The Stárosta’s daughter⁠— Well, all through the spring Did I patiently court her; But he, the old churl, Was finely put out! To whom has he planned That he ’ll marry the girl? Oh, I can’t understand How it all came about. Does he think, the old ass, I was after his money? Let him stick to his brass If he give me my honey⁠— ’T is for her that I pine. Oh, her face is bright And as rosy as sunrise, Her rounded cheeks mellow, And the flash of her eyes Might drive a young fellow Clean out of his wits. Ah, ’t was only last night That she wept so for me, But her tears were in vain. For her dad said downright That it never could be. Shall I never again From my sorrow be free? Come, I ’ll buy a new scythe, And I ’ll sharpen it well, Aye, its edge I will whet, Ere I bid a farewell To my own native place. Nay, Grúnya, don’t fret, Don’t worry, dear maid. Though keen is the blade, I ’ll not cut myself down; Good-bye, little town. You, hard parent, good-bye! To a land far away Will the young mower hie. Down the Don’s bank I ’ll stray Till I reach the quayside, Where the suburbs stand gay And the Steppe stretches wide. There, wherever I glance, The tall plume-grass is blown. O Steppe, thou, my own, How thy fertile expanse Lies green on each hand, So free and so vast, Till it reaches at last To the Black Sea’s far strand! I have come as thy guest, But I come not alone, I have brought thee a friend, One, my closest and best. See, my sharp scythe is here, As myself he is dear. Oh, from end to far end, What a joy it will be To wander with him O’er the Steppe’s grassy sea! Swish, work away shoulders; Swing arms to and fro, While cool on my face The light southern winds blow, Refreshing and rippling The Steppe’s endless space. Now, scythe, hum a song, Flash in circles thy blade; How the long grass-ranks fall As the steel moves along! O ye poor blossoms all, Your heads are low-laid! Ye must dry up and fade In the straight swathes of grass As my young heart, alas, Withers up for a maid,⁠— And I languish for Grúnya! I ’ll rake up the hay Till so high my stack stands That the wife of the Cossack Must pay with both hands. I shall sew up my pocket, My treasure to guard, Then, home I ’ll betake me, To the Stárosta say: “Though tears could not make thee Give Grúnya away, Thou art not so hard But my good pieces may.”

⁠—Transl. by Mrs. Rosa Newmarch, in The Anglo-Russian Literary Society, No. 30.

Nikoláy Vasílevich Gógol (⁠—Yanóvski). (1809-1852.)

Gógol was born in the Government of Poltáva, in Little-Russia, and was educated at home up to his twelfth year. His father was a landed proprietor of more than ordinary culture, who had a private theatre at his estate, on which were played Little-Russian comedies, some his own. His grandfather had held an important post with the Zaporóg Cossacks, and being an excellent story-teller, had imbued his grandson with the spirit of the recent Cossack past. At the Gymnasium, Gógol evinced little interest in his studies, but devoted himself with enthusiasm to drawing and to the theatre which he himself created for his schoolmates. He even then composed some comedies and edited a manuscript periodical. After graduation he went to St. Petersburg in search of some occupation, but found himself unfit for any work. He also tried literature, and in 1829 appeared his romantic tale Hans Küchelgarten. It was so severely criticised that Gógol bought up the whole edition and committed it to the flames. He busied himself with the history of Little-Russia, and shortly after he wrote his beautiful Evenings on the Farm near the Dikánka, in which the idealisation of the past and of his native country is already tempered by realism. These Evenings at once made him known, and he became intimate with Zhukóvski and Púshkin. He dreamed of devoting himself to history, but prolonged labour was distasteful to him, and he did not go beyond collecting material for his Little-Russian epic, Tarás Búlba. He really obtained a professorship at the university, but his professional career was a failure. Instead, he brought out a series of admirable stories, such as Old-fashioned Landed Proprietors, The Nose, The Phaeton, The Mantle, and his comedies, of which the Revizór has remained a classic in the Russian repertoire. He was now completely launched into naturalism, and was at once recognized by the critic Byelínski (see p. 205), as forming a new school in literature. A few years later he gave to the world the first part of the Dead Souls, in which he reached the highest point of his artistic development. The plot of the story is simple: an unscrupulous ex-official travels about the country to buy up peasants, that in reality are dead but before the Government are still accounted alive until the following census and are subject to taxes; by nominally transferring them to his own estate, he is able to mortgage them at the rate of three hundred roubles for each “soul.” This plot served Gógol as a thread on which to string his different types of people. In 1836 Gógol went abroad, and slowly succumbed to a species of melancholia, which showed itself in an increased tendency to mysticism. This led him to burn the greater part of what was to form the second book of the Dead Souls, and to practice self-chastisement.

In English translation have appeared: The Portrait, in Blackwood’s Edinburgh Magazine and in Living Age, 1847; Home Life in Russia, by a Russian Noble (a literary forgery), 2 vols., London, 1854; Cossack Tales, translated by G. Tolstoy, London, [1860]; St. John’s Eve and Other Stories, translated by Miss I. F. Hapgood, New York, [1886], and London, 1887; Taras Bulba, by I. F. Hapgood, New York, [1886], (Lovell’s Library, No. 1016), and London, 1887; Tchitchikoff’s Journey; or, Dead Souls, by I. F. Hapgood, New York, [1886], and London, 1887; also Dead Souls, 1887 and 1888, and Taras Bulba, 1887 and 1888, published by Vizetelly; A May Evening, in Cosmopolitan, vol. iii.; The Cloak, in Short Stories, 1891, and (with The Portrait and Old-fashioned Farmers) in Wayward Dosia, by Gréville, Chicago, 1891; Inspector General, or, Revizór, translated by A. A. Sykes, London, 1892, 1893; The Inspector, a comedy, translated by T. Hart Davies, London, 1892; On Christmas Eve, translated by F. Volkhovsky, in Free Russia, vol. x., No. 12; Marriage and A Madman’s Diary, in the Humour of Russia, by E. L. Voynich, London and New York, 1895; extracts from The Inspector, and from Mirgorod, translated by I. F. Hapgood, are given in the Library of the World’s Best Literature.

THE DNIEPER

Wonderful is the Dnieper in quiet weather when softly and smoothly he hurries his full waters by forests and hills. He neither rustles, nor thunders. You look at him, and you do not know whether his majestic breadth is in motion, or not, and it looks as if he were all cast of glass and as if his blue, mirrored path, measureless in breadth and endless in length, meandered and wound over the wide green world. The hot sun then joyfully looks down from his height and plunges his beams in the coolness of the glassy waters, and the woods of the shore are brightly reflected therein. Green-locked ones! They crowd together with the field flowers to the brink, and bending over look into the water, and do not get tired looking at their bright image, and smile to it, and greet it, shaking their branches. They dare not look into the middle of the Dnieper; none but the sun and the blue sky look upon it; rarely a bird flies to the middle of the Dnieper. Proud one! There is not a river in the world like him.

Wonderful, too, is the Dnieper in a warm summer night, when all is asleep,⁠—man, and beast, and bird,⁠—and God alone majestically surveys heaven and earth and majestically waves His garment. From the garment fall stars; stars burn and gleam over the world, and all together are reflected in the Dnieper. The Dnieper holds them all in his murky lap; not one of them will escape him, unless it be dimmed in heaven. The black forest, weighted down by sleeping ravens, and anciently disrupted mountains hang down over him and attempt to cover him with their long shadows. In vain! There is nothing in the world that could cover the Dnieper. Ever blue, he spreads his gentle floods in the night as in the day, and may be seen as far as the human eye can see. Proceeding in his voluptuous course and hugging the shore in the coolness of the night, he leaves behind him a silvery streak which flashes like the blade of a Damascus sabre, but the blue one again falls asleep. Even then the Dnieper is wonderful, and there is no river like him in the whole world!

But when the grey clouds pass like mountains over the sky, the black forest shakes to its roots, the oaks crack, and the lightnings, piercing through the clouds, at once illumine the whole world,⁠—then the Dnieper is terrible! The mounds of water thunder as they beat against the mountains, and with a splash and groan they rush back, and weep, and lose themselves in the distance. Thus grieves an old Cossack mother as she leads her son to the army: in his best spirits and boldly he rides forth on his black charger, his arms akimbo, his cap poised jauntily; but she sobs and runs after him, seizes him by his stirrup, catches his bridle, and wrings her hands, and is dissolved in bitter tears.

THE REVIZÓR

ACT I. (room in the Burgomaster’s house). SCENE 1. THE BURGOMASTER, CURATOR OF CHARITABLE INSTITUTIONS, INSPECTOR OF SCHOOLS, JUDGE, CAPTAIN OF POLICE, DOCTOR, TWO SERGEANTS OF POLICE

Burgomaster. Gentlemen, I have called you together to give you a very disagreeable piece of news: a Revizór is coming.

Judge. What, a Revizór?

Curator. What, a Revizór?

Burgomaster. A Revizór from St. Petersburg, incognito, and with secret instructions, if you please.

Judge. I declare!

Curator. Things have been too easy with us, so there it is.

Inspector. Good gracious! With secret instructions!

Burgomaster. I really had a presentiment of it: last night I did nothing but dream of two extraordinary rats. I tell you, I never saw the like of them; they were black and of unusual size. They came, nosed around, and went away. I ’ll read to you the letter I received from Andréy Ivánovich Chmýkhov whom you, Artémi Filíppovich (Curator), know. This is what he writes: “Dear friend, and benefactor” (mutters in a whisper as he runs down the lines)⁠⸺“and to let you know.” Ah, here it is: “among other things I hasten to inform you that an official is here with instructions to inspect the whole Government, and especially our county (significantly raises his finger). I have learned this from most trustworthy people, although he passes himself for a private individual. Knowing that, like all people, you have some peccadilloes, for you are a clever fellow and don’t let things slip through your fingers⁠⸺” (Stops.) Oh, that ’s private⁠⸺“I advise you to take the proper precaution, for he is likely to come any hour, if he has not arrived yet and is not living somewhere incognito⁠⸺Yesterday”⁠⸺Oh, these are family matters: “sister Anna Kirílovna has been visiting us with her husband; Iván Kirílovich has grown very stout, and is all the time playing the fiddle⁠⸺” and so forth, and so forth. So that ’s the way it stands!

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