Book 3 — GENERAL INDEX

[The references are to pages. A parenthesis indicates that the Latin or Greek term occurs in the original of the translation or summary on that page.]

Achilles Tatius, 222

acting, 22, 23, 73, 147, 156, 173, 175, 176, 187, 191

actio, (21-24), 42, 64, 67, (156), (173), (174)

action, 140, 141, 145, 147, 151, 161, 184, 186, 192

adaptation, 8, 17, 18, 19, 20, 24, 32, 53, 66, 72, 73, 74, 76, 104, 114, 115, 119, 245, 246

Æneid, 192, 195, 197-215, 216, 219, 225, 241, 247

Æschylus, 169, 171, 177, 180, 219, 238

ἀηδής, 29

Alcidamas, 82

Alexandrian, 218, 221, 222, 228

allegory, 180, 218, 221

alliteration, 216

allusion, 204, 212, 213

altercatio, 65

Ammon, G., 104

amplification, 25, 39, 44, 55, 64, 98, 124, 127, 173, 192, 201, 209, 217, 220, 222

ἀναγκαῖος, (150), (151), (152), (155) (see causation)

ἀναγνώρισις, (145), 152, 156 (see recognition)

analogy, 20

ἀνθηρός, 119

antithesis, 31

ἀπόδειξις, (confirmatio), 65

Apollonius, 207, 215

appropriateness, 24, 119, 145, 245, 246 (see adaptation)

a priori, 20

Apuleius, 221-223, 227-228, 230, 231, 232

Archilochus, 124

argument, 36, 65, 128

argumentum, 64

Aristotle, Rhetoric, 2, 4, 5, 6-36, 38, 40, 43, 58, 59, 67, 79, 83, 100, 112, 120, 126, 129, 130, 131, 247;

Poetic, 112, 132-168, 172, 175, 176, 179, 180, 196, 198, 225, 234, 240, 242, 245, 247

ἁρμονία, 26

Arnim, H. von, 80, 230, 232

Ars Poetica (Horace), 210, 225, 234, 242-247

articulation, 204, 205, 219

artificiality, 71, 211, 217

ἄσκησις, 185, 234

Attic, 61, 228

audience, 11, 12, 17-20, 23, 164, 171, 174, 184, 191, 192

Augustine, St., 75, 97, 131, 247

Aulus Gellius, 229

αὔξησις (amplificatio), 127

αὐστηρός, 119

Bacchylides, 124

Bacon, 128

balance, 31, 58

Baldwin, C. S., 8, 30, 107, 114, 234

Beowulf, 192, 195, 197

Blair, 4

Boissier, 87

Bornecque, H., 37, 87, 89, 90, 97, 98, 99, 100

Boulanger, A., 230

Browning, 117, 127

Brunetière, 167, 179, 214

Butcher, S. H., 132, 135, 141, 142, 153

Bywater, I., 132, 134, 135, 140, 146, 147, 153, 155, 156, 157, 166

Cadence, 27, 28, 59-61, 79

Cæcilius of Calacte, 105

Capperonier, 74

Carlyle, 119

catharsis, 145, 147, 152, 154, 155, 164

causation in drama, 148-152, 154, 155, 197, 207

Causeret, C., 38

character in an audience, 18, 19

characterization in oratory, 71, 72, 76, 98, 99;

in drama, 134, 141, 145, 148, 154-156, 161, 163, 174, 176-180, 184, 187, 188, 189, 191, 239;

in Vergil, 207-211;

in Ovid, 219;

in Apuleius, 222;

by types, 210-211 (see prosopopœia)

Chariton, 222

Chaucer, 107, 176, 218

Chickering, E. C., 186, 187

chorus, 157, 173, 174-176, 186

chria, 63, 68, 78

Cicero, 5, 37-61, 75, 78, 87, 88, 90, 103, 105, 109, 120, 124, 127, 191, 207, 225, 239, 244, 246, 247

Clark, D. L., 224

clauses, 21, 28-31, 58, 60, 114, 118, 119, 120

clausula, 27, (28), 60, 61, 79

close (see conclusion)

cogitatio, 80, 83

coherence (see consecutiveness)

Colin, l’Abbé, 37, 59

collocatio (see dispositio)

colores, 97, 98, 99, 100

comedy, 140, 144;

—Latin, 188-192;

—New, 188, 190

communal, 170-172, 174-176, 177, 192-196, 233

comparatio, 64

comparison and parallel, 64, 234-238

complication, of plot, 156

compositio, (25-33), 53, (58-61), 65, 67, 79, 83, (102-122), (124), 125, (173), (202), (210), 246

conciliare (one of the three tasks of oratory), 51-52, 58, 65

conclusion, 146, 147, 150, 152, 158, 160, 161, 164, 165, 181, 184, 185, 194, 207, 244 (see peroration, καταστροφή)

concrete for vividness, 12, 20, 22, 24, 35, 40, 81, 128, 129, 194, 202, 212-213

confirmatio, 65

coniectura (status coniecturalis, see status)

connotation, 173, 198, 203, 212-213 (see allusion, concrete, rhythm, verse)

consecutiveness, 34, 52, 77, 78, 98, 127, 134, 135, 149, 150, 152, 160-162, 182, 184, 185, 187, 194, 200, 202, 203, 205, 219, 221, 222, 223, 229, 244, 246

consistency, 150, 151, 154, 155, 156, 200, 201, 204

continuity (see consecutiveness)

controversiæ, 62, 64, 70, 72, 73, 87, 88, 89, 90, 91-94, 95, 96

convention, 217-218, 234

Cooper, Lane, 122, 132, 189

Cope, E. M., 6, 7, 10, 19

correlation, 6, 9, 11, 14, 16, 40, 68

creation, 141, 142, 143, 151, 159, 164, 194-195, 209, 215, 220, 246

crisis, 2, 154, 158, 160, 161, 164, 204, 209 (see περιπέτεια)

criticism, 56, 102, 130, 224-247;

—by classification, 227, 228;

—of texts, 228

Croce, B., 167

Croiset, A., 221, 228, 240

Croll, M. W., 27, 61

Cruttwell, C. T., 91, 216, 218, 219

Dance, 139, 140, 141, 143, 144, 158, 175, 176

Dante, 199, 207, 208

debate, 9, 65, 100

declamatio, 46, 48, 64, 67, 68-73, 74, 87, 88, 89, 90, 94-97, 100, 101, 187, 190, 210, 218, 220, 221, 225, 229, 245, 246

definition (see status)

deliberative oratory, 8, 14, 15, 16, 18, 35, 36, 64, 90, 210

delivery in oratory, 21, 22, 23, 24, 48, 53, 58, 63, 66;

—in drama, 156, 173, 174, 187

demonstrativus, 64

Demosthenes, 30, 61, 118, 121, 124, 126, 127, 128

dénoûment (see solution)

De Quincey, T., 4

description, 68, 98, 194, 201-203, 212, 217, 218, 220, 221, 222, 229, 234, 241

De Sublimitate, 4, 122-131

deus ex machina, 156, 201

dialectic (see logic)

dialogue, 40, 135, 139, 187, 209, 222

διάνοια, 126 (145)

δίαρμα, 127

dictation, 80

diction, 1, 2, 21-33, 57, 145, 148, 157, 172-174, 211-213, 215 (see style)

διήγησις (narratio), (33), 34, 35, 65

δικανικός (iudicialis), 8, 15, 35, 64

Dio Chrysostom, or Dio of Prusa, 225, 230-239

Dionysius of Halicarnassus, 21, 102-122, 125, 130, 131, 198, 228

discovery (see recognition)

dispositio, 21, 33, 34, 42, 47, 52, 64, 65, 66, 77, 85, 100, 103, 104, 123, 135

dithyramb, 140, 144

divisio, 83, 97, 98, 99, 100

docere (one of the three tasks of oratory), 51, 56, 65, 95, 246

Donnelly, F. P., 76

Doxopater, 105

drama, 133-192, 205-207, 208, 215, 229, 245

dramatis personæ (see personæ)

Economy, 181, 185, 202, 209

écrivains d’idées et écrivains d’images, 4, 134

Egger, M., 103

εἰκός, (150), (151), (152), (155), 241

ἐκλογή (electio), 25, 65, 103

ἔκφρασις, 68, 203, 218

elaboration, 211-212

electio, 25, 53, 65, 67, 103, 104

Elizabethan drama, 141, 153, 162, 179

elocutio, 21, 42, 44, 53-55, 56, 64, 65, 67, 78-82, 100, 102-131

emotion, 3, 13, 18, 19, 32, 35, 52, 53, 124, 125, 126, 128, 140, 141, 145, 147, 148, 163, 165, 175, 210

emphasis, 100, 200, 201, 202, 208, 222;

—of sentences, 113-114

ἔμπρακτος, 128

ἐναλήθης, 128

ἐνέργεια, 31

enhancing, 17, 44, 147, 173, 207 (see style)

ἐνθύμημα, 36

enthymeme, 7, 9, 13, 20, 31, 36, 65

ἐπεισοδιώδης, (152)

epic, 134, 135, 139, 140, 144, 146, 157, 158, 168, 192-198, 200, 201, 204, 205, 207, 210, 211, 213-215, 244

ἐπιδεικτικός (demonstrativus), 8, 14, 33, 35, 64, 130

ἐπίλογος (peroratio), 36, 65

episodic, 152

ethics (see morals)

ethopœia, 68, 71

εὔκρατος, 119

εὐμαθής, 27

euphony, 24, 64, 65

εὕρεσις (inventio), 21, 64, 65

Euripides, 3, 128, 156, 169, 171, 175, 176, 177, 178, 179, 180, 184, 185, 207, 238

εὐσύνοπτος, 28, 120

Evanthius, 191

Everyman, 180

exordium, 33, 47, 53, 65, 76, 78

extempore, 67, 69, 80, 81, 83, 95

ἠθοποιία, 68, 71, 187

ἦθος, 11, (13), 18, 25, 32, 50, 58, 120, 141

Fable, 20, 63, 72

fabula, 64

facilitas, 66, 79, 81

fairy mistress legend, 177-178

Fierville, Ch., 63

fiction in oratorical narrative, 72, 99, 100, 220, 222, 229

figures, 24, 31, 124, 128, 129, 201, 251. VI. B. (see concrete)

finis (status definitivus, see status)

Fiske, G. C., 226, 239

Flickinger, R. C., 169

folklore (see legend)

forensic, 8, 14, 17, 18, 35, 36, 60, 64, 71, 90, 100

forms of discourse, 4

forms of literature, 3, 5, 167

Fouqué, 178

Fowler, W. W., 208

French classical tragedy, 162, 177, 178, 181

Froissart, 29

Fronto, 79, 94

Genus tenue, genus medium, genus grande, 56-59

γλαφυρός, 119

Glover, T. R., 200, 202

γνώμη, 20

Goodell, T. D., 169, 182

Gorgias, 58, 101

grammar, 66, 226-229

grammatica, 66, 68, (226-229)

grammaticus, 66, 73, 102, 226, 240

γραφικός, 33

Greek Romances, 221-223

Greek tragedy, 168-186

Gummere, F. B., 193

Haigh, A. E., 169

Haines, C. R., 94

Hardy, T., 146

harmony, 58, 67, 111, 113, 119, 174, 213 (see rhythm, clausula)

Harrington, K. P., 217

Harris, Ella I., 186

Havell, H. L., 122

Heinze, Richard, 200, 201, 202, 203, 204, 206, 208, 209, 210, 218, 219

Heliodorus, 222

Hellenistic, 201, 206, 215 (see Alexandrian)

Hendrickson, G. L., 38, 51, 56

Herennium, Rhetorica ad, 37, 63, 75

Hermogenes, 68, 72, 75

hero, tragic, 154-155, 176-177, 178;

—epic, 196, 208-209

Herodotus, 27, 29, 30, 58, 106, 150

hiatus, 58, 119

history and oratory, 57, 66;

—and poetry, 1, 2, 150, 157, 165

Homer, 105, 108, 115, 119, 124, 126, 135, 158, 192, 193, 195-198, 199, 200, 202-204, 208, 209, 210, 213-215, 240

Horace (see Ars Poetica)

Hubbell, H. M., 38, 103

Hugo, V., 30, 162

Hyperides, 124, 128

Iamblichus, 222

Ibsen, H., 163, 170

idealizing, 144, 174, 175, 186

idiom, 25, 53, 54, 110

imagery, 20, 24, 31, 35, 81, 128, 129, 134, 194, 202, 212, 213 (see concrete)

imaginative composition, 1, 2, 3, 40, 70, 71, 72, 98, 100, 124, 125, 126, 128, 134, 135, 139, 140-223, 232-247;

—diction, 24, 35, 129 (see concrete, style)

imago (φαντασία), 81

imitation for study, 48, 66, 68, 69, 80, 102;

—as a principle of drama, 139, 140, 141, 142, 147, 149, 150, 159, 164;

—in epic, 194, 204, 213-215;

—as conceived by Plutarch, 240

incisum, 60

intensification, 127, 144, 146, 158, 159, 163, 183, 197

interaction, 180, 187, 203, 239

interpretation, 151, 157, 161, 163-166, 184, 214

introduction (see exordium)

inventio, 21, 42, 43, 47-51, 64, 65, 67, 76, 85, 100, 104, 123, 135

investigation (see inventio)

Isæus, 95, 96

Isocrates, 3, 33, 58, 82, 103, 120, 121, 130

Jebb, R. C., 6, 24, 28

Jerome, St., 96

John of Salisbury, 68

Julius Pollux, 189

iunctura, 246

Juvenal, 96

κάθαρσις (145)

καλόν, τὸ, 114

καταστροφή, 184 (see conclusion)

Kittredge, G. L., 193

Knapp, C., 189, 191

Lallier, R., 188, 189

Laurand, L., 37

legend, 194-195

Legrand, P. E., 188

Lessing (Laokoön), 32, 202, 234

LeJay, P., 200, 206

λεκτικός, 26

length of sentences and of clauses, 114

Leo, F., 188

Lewis, C. M., 116-118

λέξις (elocutio), 21-33, 64, 65, (145)

λῆμμα, 128

logic, 7, 8, 13, 109, 110, 148

logical exclusion, 20

λογογράφος, 33

“Longinus on the Sublime,” 102, 122-131, 219, 225, 231

loose sentence, 27-29

Lucan, 1, 2, 225

Lucian, 2, 3, 74, 130

ludus, 96

λύσις (refutatio), 20, 65

Lysias, 73, 124

Mackail, J. W., 199, 204, 212

materia, 66, 69, 73, 78, 88

material and art, 10, 11, 12, 49, 113, 146, 213-214

Matthews, Brander, 169, 179, 182

maxims, 20, 63

meditatio, 73 (see cogitatio)

μελέτη, 74 (see declamatio)

melody, 26, 114, 141, 145 (see music)

μελοποιία, (145)

membrum, 60

memoria, 21, 42, 53, 64, 66, 67, 82-84, 90, (95)

memory, 28, 69 (see memoria)

Menander, 188, 190

mensio, 58

mensura, 58

Méridier, L., 230

messenger in Greek tragedy, 173, 183-184

metaphor, 24, 31, 32, 124, 157 (see figure, imagery)

meters in prose, 26, 27, 59, 60, 118, 121, 140

Michaut, G., 189, 191

Miller, F. J., 186, 216

Mill’s Canons, 20

Milton, 116, 122, 130, 158, 170, 195, 197, 198, 200, 207, 214

mime, 135, 139, 140

μίμησις, 142, (144), (145), (148), 166 (see imitation in drama, in epic)

μιμητικός, 142

μνήμη, 21, 64 (see memoria)

modus motorius, 191

modus statarius, 191

Montgomery, W. A., 234

Moody, William Vaughn, 177

moral appeal, 11, 12, 17, 18, 19, 32, 50, 51, 52, 148, 195, 200, 205, 233

morals in literary criticism, 239, 240, 242

Morgan, M. H., 189

motivation, 154, 155, 164, 184, 191, 201, 207, 220, 239

movement, 144, 149, 158-162, 165, 172, 191, 220, 222, 229, 239, 240, 246 (see consecutiveness, sentence-movement)

movere (one of the three tasks of oratory), 51, 52, 58, 65

Murray, Gilbert, 169, 175, 181, 183

μῦθος (68, 72, see legend, myth)

music, 26, 111, 139, 140, 141, 142, 143, 144, 145, 148, 158, 174, 175

myth, 68, 72, 176-178, 195, 216, 218, 221

Nageotte, E., 212

narratio, 35, 47, 53, 65, 68, 76, 99

narrative, 30, 141, 142, 143, 145, 146, 157-158, 167, 168, 173, 183, 192-223, 234 (see epic)

Nassal, F., 38, 103, 105

Nettleship, H., 200, 205, 221, 228, 229, 240, 243

Nibelungenlied, 192

νόημα, 127

νόησις, 126

numerus, 56, 59

Occasional oratory, 8, 14, 33, 35, 53, 56, 64, 100, 229, 230, 231, 233, 234

ὄγκος, 25

οἰκονομία, 103, 107

ὅμοιος, 241

onomatopœia, 116

orbis doctrinæ, 68

order (see consecutiveness, movement)

originality, 213-215

ὅρος (finis), 65

Ovid, 186, 203, 207, 209, 210, 216-220, 221, 241, 247

Owen, S. G., 216, 218, 219

ὄψις (145)

Padelford, F. M., 239, 241

painting, 143, 144, 240, 241, 244

πάθος, 12, 18, 25, 32, 50, 58, 120, 141, 153

panegyric (see occasional oratory)

παράδειγμα, 20, 36

parts of a play, 153;

—of a speech, 33-35, 47, 65, 76-77, 95, 97;

—of rhetoric, 21, 22, 42, 66, 85, 100, 107

Patterson, W. M., 27, 61

Paul, St., 96, 232

period, 27-30, 60, 83, 104, 119, 120, 135

περίοδος, 27-30

περίοπτος, 120

περιπέτεια, 2, (145), 152, 154 (see reversal)

peripety (see reversal)

peroration, 33, 36, 65, 77

personæ, 40, 41, 72, 99, (148), 151, (154), (171), 176-180, 187, 188, 189, 201, 208

personality, 5, 12, 85, 100, 130

persuasion, 7, 8, 10, 17, 20, 21, 26, 51, 77, 92, 126

Peterson, W., 63, 87

petitio principii, 20

Petronius, 89, 225

Philodemus, 18

Philostratus, 96, 230

πιθανός, 10, 241

Pindar, 120, 124

πίστις, 65;

πίστεις ἄτεχνοι—ἔντεχνοι, 8, 10 (46)

pitch, 22, 114

pity and fear, 145, 152, 154, 164 (see catharsis)

plan, 77, 78, 80, 81, 83, 197, 205-206 (see plot)

Plato, 40, 41, 118, 121, 124, 140

Plautus, 188-189, 192

Plessis, F., 243

Pliny, 93, 94-96

plot, 145, 148-158, 163, 179-186, 187, 191, 205-206, 239

Plotinus, 139

Plutarch, 190, 210, 225, 234, 239-242, 244

poetic, 1-5, 132-247;

—in rhetoric, 100, 125-126, 229

poetic justice, 164-165

poetry and oratory, 126, 127, 173

poetry and sculpture, 232-234 (see painting)

poetry in prose, 1, 2, 31, 66, 70, 128

ποιητής (151), (166), (195)

ποιητικός, 1, 139, 141, (151)

ποιότης (qualitas), 65

Polybius, 2, 3

post hoc, 20

Pound, Louise, 193

prælectio, 63, 64, 66, 226

πρᾶξις, 141, (145)

preparation, dramatic, 205-206

πρέπον, 119, 241

Price, T. R., 202

Prickard, A. O., 122

προγυμνάσματα, 63, 68, 228

πρόθεσις (proposition), (34)

prologue, 180, 186, 191

pronuntiatio, 21-24, 48, 53, 67

proof, 7, 33, 65, 77

προοίμιον, 65

proposition, 34

prosopopœia, 71, 72, 73, 99, 218, 222, 241, 245

προσωποποιία, 71 (see prosopopœia)

Quæstio, 98

qualitas (status generalis, see status)

Quintilian, 1, 5, 58, 61, 62-87, 89, 90, 91, 93, 94, 99, 101, 102, 127, 131, 225, 227, 246, 247

Racine, 170

reading aloud, 66, 80

rebuttal (see refutation)

recognition in tragedy, 145, 152, 153, 156, 158

recurrence, 26, 205, 216-217

reductio ad absurdum, 20

refutatio, 65

refutation, 20, 53, 65, 77, 83

representation, 134, 140, 141, 142, 147, 158, 164, 174, 233

reversal (peripety), 145, 152, 153, 154, 160, 165, 206

revision, 61, 66, 122, 203, 212

rhetor, 64, 66, 68, 71, 73, 88, 90, 94, 229-230

rhetoric, definition, 1-10, 41, 44-47, 100-101, 134, 145;

—relations, 6, 8, 11, 12, 13, 15, 16, 40, 44, 45;

—scope, 41, 44-47, 54, 85, 86, 90;

—three fields, 8, 47;

—three tasks, 51;

—in poetic, 187, 206, 209-212, 220, 222, 224, 225, 227, 240-242, 245-247

rhythm, 2, 25-31, 58-61, 67, 79, 83, 104, 108, 114, 118, 119, 120, 140, 144, 147, 173, 174, 198

ritual, 171, 212

Roberts, W. Rhys, 103, 104, 108, 122, 130

Roland, Chanson de, 192

romantic, 162, 181, 185, 208

Sagas, 192, 198

Sainte-Beuve, 158, 199, 200, 202

salience (see emphasis)

sapientia, 54

Sandys, J. E., 6, 37, 56, 58, 61, 63

Sappho, 120, 126

scenario, 156

scenery, 148, 174

scenes, 134, 150, 152, 161-165

Schevill, R., 218

sculpture and poetry, 143, 232-234

sedes argumentorum, 51, 74

Sellar, W. Y., 200, 209, 211, 216

Seneca (rhetor), 62, 71, 87, 89-101, 225, 229

Seneca (dramatist), 186-188

sensational, 92, 221, 222, 223, 229

sentence-movement, 21-33, 53, 58-61, 65, 67, 79, 83, 102-122, 202, 210, 213

sententia, 1, 45, 97, 99, 100 (229), 242, 243

sequence (see consecutiveness)

serious (of dramatic theme), 144, 146, 149

Shakspere, 117, 128, 155, 162, 173, 181, 182, 185, 203, 214, 218

Shelley, 177, 219

significance, 126, 146, 151, 158, 160, 163

silva, 80

simplicity, 197-198

soliloquy, 218, 220

solution, 156 (see conclusion)

song, 145, 147 (see music)

Sophistic, 101, 230, 247

Sophocles, 124, 156, 159-161, 169, 171, 178, 179, 180, 181, 185, 238

sound, connotation of, 115-118

speaking (see delivery, writing and speaking)

spectacle, 145, 174

σπουδαῖος (144), 146

stanza, 216-217

στάσις, 36, 65 (see status)

statement of facts, 33, 68, 77

status, 36, 49-51, 65, 67, 74-76, 77, 98

Stevenson, R. L. (Some Technical Elements of Style in Literature), 107, 109, 115, 118

Stoic, 210, 239

στοχασμός (coniectura), 65

Strabo, 3

style, 1, 2, 21-33, 39, 44, 53-61, 65, 67, 78-82, 100, 102-131, 173, 187, 194, 197-198, 211-213, 216, 224, 230

suasoriæ, 64, 70, 72, 73, 88, 90, 91, 218

sublimitas, 103, 122, 123

suggestion, 141, 142, 147, 158, 232, 233 (see connotation)

σύγκρισις, (238)

συμβουλευτικός (deliberativus), 8, 14, 15, 35, 64

symbolism, 176, 178

σύνθεσις, 25, (58-61), 65, 103, (202), (210), (see compositio)

σύνταξις, 127

σύστασις (145), 155 (see plot)

syllogism, 7, 9, 13

σχῆμα, 25

Tacitus, 2, 87-89, 90, 91, 94, 103, 225

Tasso, 195, 214

τάξις (dispositio), 21, 22, 33, 64, 65

Terence, 188-191

theater, Greek, 172, 174

Theon, 228

Thrasymachus, 58

three fields of oratory, 14-15, 130

three styles, 56, 57-59, 228

Thucydides, 2, 118, 120

time in drama, 149, 150, 157, 160-162, 182;

—in epic, 199, 204

τόποι, loci communes, sedes argumentorum, 14, 15, 20

tradition, 174, 177, 194, 195, 199, 212, 215

tragedy, 140, 142, 144-157, 159-161, 168-188

transition, 202, 219

transposition in sentences, 113-114

Tyrrell, R. Y., 200, 204

Unity, 127, 149, 150, 151, 157, 158, 161-162, 180-185, 197, 205-206

ὑπόκρισις, 21-24, 64, (156), (173), (see actio)

usage, 110

ὕψος, 122, 126

Valmaggi, L., 81

VanHook, L., 82, 169

variety, 59, 60, 104, 114, 115, 119, 158, 173, 221, 222

Vergil (see Æneid)

verse, dramatic, 173;

—epic, 198 (see meter)

Villani, 29

Walden, J. W. H., 90, 97

Waters, W. E., 231

Watson, J. S., 37, 63, 74

Weil, H., 110

Welldon, J. E. C., 6, 10, 23, 24

Wickham, E. C., 243

Wilkins, A. S., 37, 42, 43, 63, 243

Wolff, S. L., 222

Woodberry, G. E., 199, 208, 212, 213

Wright, W. C., 230

writing and speaking, 23, 32, 33, 44, 66, 69, 70, 72, 81, 82-84

φαντασία, 23, 127

φύσις, 142

χρεία, 63, 68, 78

ψυχρός, 25