INDEX.
Reading edition
Adam, Robert and John, 112
Alexandria, ancient centre of civilisation, 17
Anglo-saxon houses, 44
Antioch, ancient centre of civilisation, 17
Architectural style in furniture, 94
Art, classic, ends in third century, 34 Byzantine, 35 mediæval, its growth, 41 its perfection, 47 Romanesque, long continuance, 42 renaissance, 66 classic, revived in eighteenth century, 107 early nineteenth century, 114
Atrium, 18
Attalus introduces tapestry, 17
Bedrooms, English, fourteenth century, 50 French, eighteenth century, 104
Beds, Byzantine period, 37 Norman, 46 Egyptian, Greek, &c., 116 Mediæval, 118, 119 at Hampton court, 120
Bellows, renaissance, 72
Bombé furniture, 104, 111
Boucher, 108108
Boule, 95
Bureaux in marquetry, 93, 104 or knee-hole, 128
Byzantine period, 35 wealth, 38 artists welcomed by Charlemagne, 41
Cabinet, French, sixteenth century, 89 Japan, 128
Cafass, Egyptian wood, 4
Candelabra, 23, 24
Candles, Anglo-saxon, &c., 23, 48
Carriage, Anglo-saxon, 45 fourteenth century, 54, 131 seventeenth century, 92 the Speaker's, 132 Lord Darnley's, 132
Caskets, Byzantine, 37
Ceilings in Roman houses, 21, 31
Chair, Egyptian, 4, 121 Nineveh, 7 Greek, 10, 11, 14 Roman, 28, 122 of St. Peter, 35 Byzantine, 37 at Ravenna, 39, 122 in Bayeux tapestry, 45 coronation, 49 of Guidobaldo, 63 Italian, fifteenth century, 63 folding mediæval, 122 of silver, at Barcelona, 123 the Glastonbury, 123 Italian, seventeenth century, 124 marquetry, 124
Chambers, Sir William, 106
Chariots, Hebrew, 9 Greek, 15 Roman, 130 Byzantine, 37
Chest, Greek, 11 Roman, 29 of king John, 47 fourteenth century, 51 for copes, 56 fifteenth century, 60
Chest, Italian, 61 renaissance, 69, 71
Chimneypieces, eighteenth century, 106
Chippendale, 106
Cipriani, 112
Cluny hôtel, carriages there, 2
Colbert, his patronage of art, 94
Couches, Egyptian, 5 Roman, 13 mediæval, 120
Coypel, Antoine, 104
Cradle, mediæval, 121
Cubicula, 20
Cypress chests, 70, 127
Dagobert's chair, 43
David, 105
Delafosse, 104, 108
Dilettanti society, influence, 115
Dining-room, Byzantine, 38
Diptych of Anastasius, 36
Distaff, 106
Doorway, English, seventeenth century, 98
"Droit de prisage," 54
Ébénistes, fine cabinet makers, 108
Ebony used seventeenth century, 108
Egyptian furniture, 5
Elizabethan style, 85
Flemish furniture, seventeenth century, 87
Fragonard, 108
French style prevalent in eighteenth century, 103, 105
Furniture, use of a collection, 1 Byzantine, still perhaps in mosques and treasuries, 40 sixteenth century, architectural, 75 eighteenth century, 103 bombé, explained, 104
German artists in England, sixteenth century, 78 work, eighteenth century, 111111
Gillow, 113
Glass windows in Roman houses, 20 mosaics, &c., 22 Venetian, 99
Glue used by the Romans, 33
Gouthière, 105, 110
Greek manners, simple, 12 houses, 14
Grinling Gibbons, 97 best examples of his work, 97
Halls in Roman villas, 20
Hebrew furniture, 8
Heppelwhite, 113
Hogarth, paintings of chimneypieces, 106
Holbein, his influence, 78
Holy-water stoup, 102
House, Roman, 18 Greek, 14 how warmed in Rome, 29 Anglo-saxon and Norman, 44, 46 of timber, fifteenth century, 58
Iconoclasts, destruction by, 40
Italian coffer at South Kensington, 61 artists, sixteenth century, 68 in France and England, 78, 89 carved woodwork, sixteenth century, 89 distaff, 106
Japanese lac-work, 106
Kauffmann (Angelica), 112
Kaunitz, a kind of bureau, 128
Kitchen utensils, Roman, 30
Knife case, sixteenth century, 76
Lac-work, Chinese and Japanese, 106
Lalonde, 108
Lares, 28
Lebrun, first head of the "Gobelins," 95
Le Pautre family, 104
Litters, Roman, 31
Lock (Matthias), 112
Locks in Roman houses, 21
Louvre, Egyptian boxes, 6
Maggiolino, 111
Mansard, 104
Marquetry, Venetian, 62 seventeenth century, 92, 93 Boule, 95
Meissonnier, 104, 108
Metallurgy, British, 42
Micque, 108
Mirror, Greek, 13 renaissance, 69
Mirror frames, sixteenth century, 71 Venetian, 91, 99 made in England, seventeenth century, 99, 100
Mosaic, Roman, pavements and on walls, or pietra dura, 74
Natoire, 108
Nero, colossus in his house, 25
Nineveh furniture, 6
Nuptiale, 18
Œci, 20
Oppenord, 108
Ostium, 18
Paintings and pictures in Roman houses, in thirteenth century, of rooms, 48, 49
Panelling for rooms, 49 oriental, 57 of a chest, 60 English, sixteenth century, 79, 80 French, sixteenth century, 84 English, 86
Pedestal, 90
Penates, 18
Peristylium, 20
Persian furniture, 8 marquetry, 63
Picture-frames, renaissance, 71
Pomeranian cabinet at Berlin, 92
Pompeii, value of discoveries, 16
Porcelain given to Queen Elizabeth, 130
Pottery, time of Edward I., 49
Pudens, ancient house of, 20
Pugin, 114
Queverdo, 108
Religious houses, their woodwork, 63 safe generally from spoliation, 67
Renaissance in Italy, 66 materials employed, 69 in England, France, &c., 78
Restout, Jean, 104
Riesener, 105, 108, 109
Robert, 108
Rococo furniture, 103
Roentgen, 108, 109
Roman habits, at first simple, 16 house, 18 couches in dining-rooms, 19, 27 locks and hinges, 21 tables, 25 chairs, 28 kitchen utensils, 30
Roof of Westminster Hall, 55
Room decorations, French, eighteenth century, 107
Room of Marie Antoinette's time at South Kensington, 107
Roundels, 129
Salembier, 108
Scamnum, 28
Sculpture, architectural, &c., fourteenth century, 56 renaissance, 69
Settle or seat, fourteenth century, 51
Sheraton, Thomas, 113
Sideboards, 128
Silks for furniture, eighteenth century, 107
Stuart style of woodwork and furniture, 85, 96
Table, Egyptian, 124 Nineveh, 8 Roman, 25, 125 veneered, 27 great value, 27 Norman, 46 furniture of, fourteenth century, 50 fourteenth and fifteenth century, 53, 58, 125 sixteenth century, 71 of Francesco de' Medici, 75 French, sixteenth century, 80, 81 English, seventeenth century, 102 long kept at Flaxton Hall, 126
Tapestry first brought to Rome, 17 in Roman houses, 30 in England, fourteenth century, &c., 50, 61 Gobelin, 95
Tarsia, 62, 73, 74
Temple of Diana, 33
Theatre of C. Curio, 32
Tigrinæ tables, 26
Triclinium, 18,
Tripods, 22
Tudor cabinet at South Kensington, 78 style, 85
Vase from Hadrian's villa, 25
Venetian mirror-frame, 91
Vernis-Martin, 105
Vestiaria, 20
Walpole (Horace), opinion on mediæval art, 111
Wardrobe, old English, 49 Roman, 126
Wars of the Roses, evil consequences, 64
Wood used in Nineveh, 8 Greece, 15 Rome, for tables, &c., 26, 32 by Riesener, 109
Woodwork, English, in thirteenth century, 48 sixteenth century, 79 Germany, in sixteenth century, 83 Spanish, in sixteenth century, 84 Tudor and Stuart, 86
Wren, Sir Christopher, 97
Wyattville, 114
THE END.
DALZIEL BROTHERS, CAMDEN PRESS, N.W.
Transcriber's Note
The Table of Contents was erected by the transcriber, and placed in the Public Domain.
Sundry missing or damaged punctuation has been repaired.
This book, published in England, dates from 1875. Some older, but still correct, spellings may be present. There is also some 16th century spelling. Both hyphenated and un-hyphenated versions of some words appear in the text.
'Borgoña' and 'Borgona' both appear in the text, as do 'hôtel' and 'hotel'.
English spelling 'rules' have only existed since the second half of the nineteenth century.
Mouseover titles have been added to illustrations, corresponding to the entries in the LIST OF WOODCUTS (and entered into the Public Domain).
Illustrations which interrupted paragraphs have generally been moved to more convenient positions between paragraphs. An exception is the illustration of St. Edmund's 'well-furnished bedroom' on Page 51, referred to in the first part of the long paragraph beginning on Page 50. It made sense to insert the illustration after 'the year 1400', as the following text began a new topic.
Page 21: 'valves' corected to 'halves'. 'v' would seem to be a misprint for 'h'.
"The doors were generally in two halves and could be closed with locks,"
Page 48: 'candesticks' corrected to 'candlesticks'.
"Though the royal table might be lighted with valuable candlesticks of metal,..."
Page 82: "SEMPER FESTINA LENTE" = Hurry Slowly!
Page 121: 'musuem' corrected to 'museum'.
"... as in the example in the museum,..."
Page 140 et seq.: In the Index, the spaced double-quotes in the original and the .txt version have been converted to spaces to make a conventional nested index (which is easier to read).