Note note 32 — ANALYSIS OF THE PHENOMENA OF THE HUMAN MIND James Mill

32 It will be both useful and interesting to the inquiring reader, if I add to the analysis of these very complex ideas by the author of the present treatise, and to that by Mr. Bain, the analysis given of them by the other great living master of the Association psychology, Mr. Herbert Spencer. The following passages are from his “Principles of Psychology.” First, of Resistance:

“On raising the arm to a horizontal position and keeping it so, and still more on dealing similarly with the leg, a sensation is felt, which, tolerably strong as it is at the outset, presently becomes unbearable. If the limb be uncovered, and be not brought against anything, this sensation is associated with no other, either of touch or pressure.” This is the sensation of Muscular Tension.

“Allied to the sensation accompanying tension of the muscles, is that accompanying the act of contracting them—the sensation of muscular motion.… While, from the muscles of a limb at rest, no sensation rises; while, from the muscles of a limb in a state of continuous strain, there arises a continuous sensation which remains uniform for a considerable time; from the muscle of a limb in motion, there arises a sensation which is ever undergoing increase or decrease, or change of composition.

“When we express our immediate experiences of a body by saying that it is hard, what are the experiences implied? First, a sensation of pressure, of considerable intensity, is implied; and if, as in most cases, this sensation of pressure is given to a finger voluntarily thrust against the object, then there is simultaneously felt a correspondingly strong sensation of muscular tension. But this is not all: for feelings of pressure and muscular tension may be given by bodies which we call soft, provided the compressing finger follows the surface as fast as it gives way. In what then consists the difference between the perceptions? In this; that whereas when a soft body is pressed with increasing force, the synchronous sensations of increasing pressure and increasing muscular tension are accompanied by sensations of muscular movement; when a hard body is pressed with increasing force these sensations of increasing pressure and tension are not accompanied by sensations of muscular movement. Considered by itself, then, the perception of softness may be defined as the establishment in consciousness of a relation of simultaneity between three series of sensations—a series of increasing sensations of pressure; a series of increasing sensations of tension; and a series of sensations of motion. And the perception of hardness is the same, with omission of the last series.” (pp. 212, 218.)

Of Extension; and first, of Form or Figure:

“It is an anciently established doctrine that Form or Figure, which we may call the most complex mode of extension, is resolvable into relative magnitude of parts. An equilateral triangle is one of which the three sides are alike in magnitude. An ellipse is a symmetrical closed curve, of which the transverse and conjugate diameters are one greater than the other. A cube is a solid, having all its surfaces of the same magnitude, and all its angles of the same magnitude. A cone is a solid, successive sections of which, made at right angles to the axis, are circles regularly decreasing in magnitude as we progress from base to apex. Any object described as narrow is one whoso breadth is of small magnitude when compared with its length. A symmetrical figure is a figure in which the homologous parts on opposite sides are equal in magnitude. Figures which we class as similar to each other, are such that the relation of magnitude between any two parts of the one, is equal to the relation of magnitude between the corresponding parts of the other. Add to which, that an alteration in the form of anything, is an alteration in the comparative sizes of some of its parts—a change in the relations of magnitude subsisting between them and the other parts, and that by continuously altering the relative magnitudes of its parts, any figure may be changed indefinitely. Hence, figure being wholly resolvable into relations of magnitude we may go on to analyze that out of which these relations are formed—magnitude itself.” (pp. 224, 225.)

Next therefore, of Magnitude:

“What is a magnitude, considered analytically? The reply is, It consists of one or more relations of position. When we conceive anything as having a certain bulk, we conceive its opposite limiting surfaces as more or less removed from each other; that is, as related in position. When we imagine a line of definite length, we imagine its termini as occupying points in space having some positive distance from each other; that is, as related in position. As a solid is decomposable into planes; a plane into lines; lines into points; and as adjacent points can neither be known nor conceived as distinct from each other, except as occupying different places in space—that is, as occupying not the same position, but relative positions—it follows that every cognition of magnitude, is a cognition of one or more relations of position, which are presented to consciousness as like or unlike one or more other relations of position.” (p. 226.)

And finally, of Position:

“This analysis of itself brings us to the remaining space-attribute of body—Position. Like magnitude, Position cannot be known absolutely; but can be known only relatively. The notion of position is, in itself, the notion of relative position. The position of a thing is inconceivable, save by thinking of that thing as at some distance from one or more other things. The essential element of the idea will be best seen, on observing under what conditions only, it can come into existence. Imagine a solitary point A, in infinite space; and suppose it possible for that point to be known by a being having no locality, what now can be predicated respecting its place? Absolutely nothing. Imagine another point B to be added. What can now be predicated respecting the two? Still nothing. The points having no attributes save position, are not comparable in themselves; and nothing can be said of their relative position, from lack of anything with which to compare it. The distance between them may be either infinite or infinitesimal, according to the measure used; and as, by the hypothesis, there exists no measure—as space contains nothing save these two points; the distance between them is unthinkable. But now imagine that a third point C is added. Immediately it becomes possible to frame a proposition respecting their positions. The two distances, A to B, and A to C, serve as measures to each other. The space between A and B may be compared with the space between A and C; and the relation of position in which A stands to B becomes thinkable, as like or unlike the relation in which A stands to C. Thus, then, it is manifest that position is not an attribute of body in itself, but only in its connection with the other contents of the universe.

“It remains to add, that relations of position are of two kinds: those which subsist between subject and object; and those which subsist between either different objects, or different parts of the same object. Of these the last are resolvable into the first. It needs but to remember, on the one hand, that in the dark a man can discover the relative positions of two objects only by touching first one and then the other, and so inferring their relative positions from his own position towards each; and on the other hand, that by vision no knowledge of their relative positions can be reached save through a perception of the distance of each from the eye; to see that ultimately all relative positions may be decomposed into relative positions of subject and object.

“These conclusions—that Figure is resolvable into relative magnitudes; that magnitude is resolvable into relative positions; and that all relative positions may finally be reduced to positions of subject and object—will be fully confirmed on considering the process by which the space-attributes of body become known to a blind man. He puts out his hand and touching something, thereby becomes cognizant of its position with respect to himself. He puts out his other hand, and meeting no resistance above or on one side of the position already found, gains some negative knowledge of the thing’s magnitude—a knowledge which three or four touches on different sides of it serve to render positive. And then, by continuing to move his hands over its surface, he acquires a notion of its figure. What, then, are the elements out of which, by synthesis, his perceptions of magnitude and figure are framed? He has received nothing but simultaneous and successive touches. Each touch established a relation of position between his centre of consciousness and the point touched. And all he can know respecting magnitude and figure—that is, respecting the relative position of these points to each other—is necessarily known through the relative positions in which they severally stand to himself.

“Our perceptions of all the space-attributes of body being thus decomposable into perceptions of position like that gained by a single act of touch; we have next to inquire what is contained in a perception of this kind. A little thought will make it clear that to perceive the position of anything touched, is really to perceive the position of that part of the body in which the sensation of touch is located. Whence it follows that our knowledge of the positions of objects, is built upon our knowledge of the positions of our members towards each other—knowledge both of their fixed relations, and of those temporary relations they are placed in by every change of muscular adjustment. That this knowledge is gained by a mutual exploration of the parts—by a bringing of each in contact with the others—by a moving over each other in all possible ways; and that the motions involved in these explorations, are known by their reactions upon consciousness; are propositions that scarcely need stating. But it is manifestly impossible to carry the analysis further without analysing our perception of motion. Relative position and motion are two ideas of the same experience. We can neither conceive motion without conceiving relative position, nor discover relative position without motion. In the present, therefore, we must be content with the conclusion that, whether visual or tactual, the perception of every statical attribute of body is resolvable into perceptions of relative position which are gained through motion.” (pp. 226—229.)

In further prosecution of the analysis:

“How do we become cognizant of the relative positions of two points on the surface of the body? Such two points, considered as coexistent, involve the germinal idea of Space. Such two points disclosed to consciousness by two successive tactual sensations proceeding from them, involve the germinal idea of Time. And the series of muscular sensations by which, when self-produced, these two tactual sensations are separated, involve the germinal idea of Motion. The questions to be considered then are—In what order do these germinal ideas arise? and—How are they developed?

“… Taking for our subject a newly-born infant, let us call the two points on its body between which a relation is to be established, A and Z. Let us assume these points to be anywhere within reach of the hands—say upon the cheek. By the hypothesis, nothing is at present known of these points; either as coexisting in Space, as giving successive sensations in Time, or as being brought into relation by Motion. If, now, the infant moves its arm in such a way as to touch nothing, there is a certain vague reaction upon its consciousness—a sensation of muscular tension. This sensation has the peculiarity of being indefinite in all its commencement; indefinite in its termination; and indefinite in all its intermediate changes. Its strength is proportionate to the degree of muscular contraction. Whence it follows that as the limb starts from a state of rest, in which there is no contraction; and as it can reach a position requiring extreme contraction only by passing through positions requiring intermediate degrees of contraction; and as the degrees of contraction must therefore form a series ascending by infinitesimal increments from zero; the sensations of tension must also form such a series. And the like must be the case with all subsequent movements and their accompanying sensations; seeing that, be it at rest or in action, a muscle cannot pass from any one state to any other without going through all the intermediate states. Thus, then, the infant, on moving its arm backwards and forwards without touching anything, is brought to what we may distinguish as a nascent consciousness—a consciousness not definitely divisible into states; but a consciousness the variations of which pass insensibly into each other, like undulations of greater or less magnitude. And while the states of consciousness are thus incipient—thus indistinctly separated, there can be no clear comparison of them; no thought, properly so called; and consequently no ideas of Motion, Time, or Space, as we understand them. Suppose, now, that the hand touches something. A sudden change in consciousness is produced—a change that is incisive in its commencement, and, when the hand is removed, equally incisive in its termination. In the midst of the continuous feeling of muscular tension, vaguely rising and falling in intensity, there all at once occurs a distinct feeling of another kind. This feeling, beginning and ending abruptly, constitutes a definite state of consciousness; becomes, as it were, a mark in consciousness. By similar experiences other such marks are produced; and in proportion as they are multiplied, there arises a possibility of comparing them, both in respect to their degrees and their relative positions; while at the same time, the feelings of muscular tension being, as it were, divided out into lengths by these superposed marks, become similarly comparable; and so there are acquired materials for a simple order of thought. Observe, also, that while these tactual sensations may, when several things are touched in succession, produce successive marks in consciousness, separated by intervening muscular sensations, they may also become continually coexistent with these muscular sensations; as when the finger is drawn along a surface. And observe further, that when the surface over which the finger is drawn is not a foreign body, but some part of the subject’s body, these muscular sensations, and the continuous tactual sensation joined with them, are accompanied by a series of tactual sensations proceeding from that part of the skin over which the finger is drawn. Thus, then, when the infant moves its finger along the surface of its body from A to Z, there are simultaneously impressed upon consciousness three sets of sensations—the varying series of sensations proceeding from the muscles in action; the series of tactual sensations proceeding from the points of the skin successively touched between A and Z; and the continuous sensation of touch from the finger-end.…. As subsequent motions of the finger over the surface from A to Z always result in the like simultaneous sets of sensations, these, in course of time, become indissolubly associated. Though the series of tactual sensations, A to Z, being producible by a foreign body moving over the same surface, can be dissociated from the others; and though, if the cheek be withdrawn by a movement of the head, the same motion of the hand, with its accompanying muscular sensations, may occur without any sensation of touch; yet, when these two series are linked by the tactual sensation proceeding from the finger-end, they necessarily proceed together; and become inseparably connected in thought. Whence it obviously results that the series of tactual sensations A to Z, and the series of muscular sensations which invariably accompanies it when self-produced, serve as mutual equivalents; and being two sides of the same experience, suggest each other in consciousness.

“Due attention having been paid to this fact, let us go on to consider what must happen when something touches, at the same moment, the entire surface between A and Z. This surface is supplied by a series of independent nerve-fibres, each of which at its peripheral termination becomes fused into, or continuous with, the surrounding tissue; each of which is affected by impressions falling within a specific area of the skin; and each of which produces a separate state of consciousness. When the finger is drawn along this surface these nerve-fibres A, B, C, D … Z, are excited in succession; that is—produce successive states of consciousness. And when something covers, at the same moment, the whole surface between A and Z, they are excited simultaneously; and produce what tends to become a single state of consciousness. Already I have endeavoured to shew in a parallel case, how, when impressions first known as having sequent positions in consciousness are afterwards simultaneously presented to consciousness, the sequent positions are transformed into coexistent positions, which, when consolidated by frequent presentations, are used in thought as equivalent to the sequent positions.f … As the series of tactual impressions A to Z, known as having sequent positions in consciousness, are, on the one hand, found to be equivalent to the accompanying series of muscular impressions; and on the other hand, to the simultaneous tactual impressions A to Z, which, as presented together, are necessarily presented in coexistent positions; it follows that these two last are found to be the equivalents of each other. A series of muscular sensations becomes known as equivalent to a series of coexistent positions; and being habitually joined with it, becomes at last unthinkable without it. Thus, the relation of coexistent positions between the points A and Z (and by implication all intermediate points) is necessarily disclosed by a comparison of experiences: the ideas of Space, Time, and Motion, are evolved together. When the successive states of consciousness A to Z, are thought of as having relative positions, the notion of Time becomes nascent. When these states of consciousness, instead of occurring serially, occur simultaneously, their relative positions, which were before sequent, necessarily become coexistent; and there arises a nascent consciousness of space. And when these two relations of coexistent and sequent positions are both presented to consciousness along with a series of sensations of muscular tension, a nascent idea of Motion results.

^f “Objects laid upon the surface will come to be distinguished from each other by the relative lengths of the series they cover; or, when broad as well as long, by the groups of series which they cover.… By habit these simultaneous excitations, from being at first known indirectly by translation into the serial ones, will come to be known directly, and the serial ones will be forgotten: just as in childhood the words of a new language, at first understood by means of their equivalents in the mother tongue, are presently understood by themselves; and if used to the exclusion of the mother tongue, lead to the ultimate loss of it.” We see that “a set of [nervous] elements may be excited simultaneously as well as serially; that so, a quasi single state of consciousness becomes the equivalent of a series of states; that a relation between what we call coexistent positions thus represents a relation of successive positions, and that this symbolic relation being far briefer, is habitually thought of in place of that it symbolizes; and that, by the continued use of such symbols, and the union of them with more complex ones, are generated our ideas of … extension—ideas which, like those of the algebraist working out an equation, are wholly unlike the ideas symbolized, and which yet, like his, occupy the mind to the entire exclusion of the ideas symbolized.”—(pp. 222—224.)

“The development of these nascent ideas, arising as it does from a still further accumulation and comparison of experiences, will be readily understood. What has been above described as taking place with respect to one relation of coexistent positions upon the surface of the skin—or rather, one linear series of such coexisting positions, is, during the same period, taking place, with respect to endless other such linear series, in all directions over the body. The like equivalence between a series of coexistent impressions of touch, a series of successive impressions of touch, and series of successive muscular impressions, is being established between every pair of points that can readily be brought into relation by movement of the hands. Let us glance at the chief consequences that must ultimately arise from this organization of experiences.

“Not only must there gradually be established a connection in thought between each particular muscular series, and the particular tactual series, both successive and simultaneous, with which it is associated; and not only must there, by implication, arise a knowledge of the special muscular adjustments required to touch each special part, but, by the same experiences, there must be established an indissoluble connection between muscular series in general and series of sequent and coexistent positions in general, seeing that this connection is repeated in every one of the particular experiences. And when we consider the infinite repetition of these experiences, we shall have no difficulty in understanding how their components become so consolidated, that even when the hand is moved through empty space, it is impossible to become conscious of the muscular sensations, without becoming conscious of the sequent and coexistent positions—the Time and Space, in which it has moved.

“Observe again, that as, by this continuous exploration of the surface of the body, each point is put in relation not only with points in some directions around it, but with points in all directions—becomes, as it were, a centre from which radiate lines of points known first in their serial positions before consciousness, and afterwards in their coexistent positions—it follows, that when an object of some size, as the hand, is placed upon the skin, the impressions from all parts of the area covered being simultaneously presented to consciousness, are placed in coexistent positions before consciousness: whence results an idea of the superficial extension of that part of the body. The idea of this extension is really nothing more than a simultaneous presentation of all the impressions proceeding from the various points it includes, which have previously had their several relative positions measured by means of the series of impressions separating them. Any one who hesitates respecting this conclusion, will, I think, adopt it, on critically considering the perception he has when placing his open hand against his cheek—on observing that the perception is by no means single, but is made up of many elements which he cannot think of altogether—on observing that there is always one particular part of the whole surface touched, of which he is more distinctly conscious than of any other—and on observing that to become distinctly conscious of any other part, he has to traverse in thought the intervening parts; that is, he has to think of the relative positions of these parts by vaguely recalling the series of states of consciousness which a motion over the skin from one to the other would involve.” (pp. 257—263).

These three different expositions of the origin of our ideas of Motion and Extension, by three eminent thinkers, agreeing in essentials, and differing chiefly in the comparative degrees of development which they give to different portions of the detail, will enable any competent reader of such a work as the present to fill up any gaps by his own thoughts. Many pages of additional commentary might easily be written; but they would not add any important thought to those of which the reader is now in possession; and belonging rather to the polemics of the subject than to its strictly scientific exposition, they would jar somewhat with the purely expository character of the present treatise.

I will only further recommend to particular attention, the opinion of Mr. Spencer, also adopted by Mr. Bain, that our ascribing simultaneous existence to things which excite successive sensations, is greatly owing to our being able to vary or reverse the order of the succession. When we pass our hands over an object, we can have the tactual and muscular sensations in many different orders, and after having them in one order, can have them in another exactly the reverse. They do not, therefore, become associated with each other in a fixed order of succession, but are called up in any order with such extreme rapidity, that the impression they leave is that of simultaneousness, and we therefore hold the parts of tangible objects to be simultaneous.—Ed.