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H. C. BUNNER

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Henry Cuyler Bunner was his full name, H. C. Bunner was the way he always signed his writings, and "Bunner" was his name to his friends, and even to his wife. He was born in Oswego, New York, August 3, 1855. His parents soon moved to New York City, and Bunner was educated in the public schools there. Then he became a clerk in a business house, but this did not satisfy him, and he began to write for newspapers, finally getting a position on the Arcadian, a short-lived journal. In 1877 the publishers of Puck, a humorous weekly printed in the German language, decided to issue an edition in English, and made Bunner assistant editor. It was a happy choice. He soon became editor-in-chief, and under his direction the paper became not only the best humorous journal of its time, but a powerful influence in politics as well. Bunner wrote not only editorials, humorous verse, short stories, and titles for pictures, but often suggested the cartoons, which were an important feature of the paper.

Outside the office he was a delightful conversationalist. His friends Brander Matthews, Lawrence Hutton and others speak of his ready wit, his kindness of heart, and his wonderfully varied store of information. He was a constant reader, and a good memory enabled him to retain what he read. It is said that one could hardly name a poem that he had not read, and it was odds but that he could quote its best lines. Next to reading, his chief pleasure was in wandering about odd corners of the city, especially the foreign quarters. He knew all the queer little restaurants and queer little shops in these places.

His first literary work of note was a volume of poems, happily entitled Airs from Arcady. It contains verses both grave and gay: one of the cleverest is called "Home, Sweet Home, with Variations." He writes the poem first in the style of Swinburne, then of Bret Harte, then of Austin Dobson, then of Oliver Goldsmith and finally of Walt Whitman. The book also showed his skill in the use of French forms of verse, as in this dainty triolet:

A PITCHER OF MIGNONETTE A pitcher of mignonette In a tenement's highest casement: Queer sort of flower-pot—yet That pitcher of mignonette Is a garden in heaven set, To the little sick child in the basement— The pitcher of mignonette In the tenement's highest casement.

The last poem in the book, called "To Her," was addressed to Miss Alice Learned, whom he married soon after, and to whom, as "A. L. B." all his later books were dedicated. Soon after his marriage he moved to Nutley, New Jersey. Here he was not only the editor and man of letters but the neighbor who could always be called on in time of need, and the citizen who took an active part in the community life, helping to organize the Village Improvement Society, one of the first of its kind.

He followed up his first volume by two short novels, The Midge and The Story of a New York House. Then he undertook the writing of the short story, his first book being Zadoc Pine and other Stories. The title story of this book contains a very humorous and faithful delineation of a New Englander who is transplanted to a New Jersey suburb. Soon after writing this he began to read the short stories of Guy de Maupassant. He admired them so much that he half translated, half adapted a number of them, and published them under the title Made in France. Then he tried writing stories of his own, in the manner of de Maupassant, and produced in Short Sixes a group of stories which are models of concise narrative, crisply told, artistic in form, and often with a touch of surprise at the end. Other volumes of short stories are More Short Sixes, and Love in Old Cloathes. Jersey Street and Jersey Lane was a book which grew out of his Nutley life. He also wrote a play, The Tower of Babel, which was produced by Marie Wainwright in 1883. He died at Nutley, May 11, 1896. He was one of the first American authors to develop the short story as we know it to-day, and few of his successors have surpassed him in the light, sure style and the firmness of construction which are characteristic of his later work.

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