TWO HUSSARS.
Nathan Haskell Dole translation
A TALE.
1856.
Jomini, ay, Jomini, But not a single word of vodka.[56]
D. Davuidof.
At the very beginning of this century, when there were no railways, no macadamized roads, no gas or stearine candles, no low and springy sofas, no unvarnished furniture, no disillusionized young men with eye-glasses, no women philosophers of liberal tendencies, no dear Camilles, such as our time has produced in abundance; in those naïve days when travellers made the journey from Moscow to Petersburg by stage or carriage, and took with them a whole kitchen of domestic preparations, and travelled for a week, night and day, over soft roads, muddy or dusty as the case might be, pinned their faith to Pozharsky cutlets, Valdaï bluebells, and pretzels; when during the long autumn evenings tallow candles burned till they had to be snuffed, and cast their rays on family circles of twenty or thirty people (at balls, wax or spermaceti candles were set up in candelabra); when furniture was placed with stiff precision; when our fathers were still young, not merely by the absence of wrinkles and gray hair, but fought duels for women, and were fain to rush from one end of a room to the other to pick up a handkerchief dropped accidentally or otherwise, and our mothers wore short waists and huge sleeves, and decided family affairs by the drawing of lots; when charming Camilles avoided the light of day; in the naïve period of Masonic lodges, of Martinists, and of the Tugendbund; at the time of the Miloradovitches, Davuidofs, and Pushkins,—a meeting of landed proprietors took place in the governmental city of K., and the election of the college of nobles was drawing to a close.
I.
"Well, all right, it's all the same, be it in the hall," said a young officer dressed in a shuba, and wearing a hussar's helmet, as he dismounted from a travelling sledge in front of the best hotel of the city of K.
"A great meeting, little father, your excellency,—a tremendous crowd," said the hall-boy, who had already learned from the officer's man that it was Count Turbin, and therefore honored him with the address of "your excellency." "Madame Afrimova and her daughters have expressed the intention of going away this evening; you can be accommodated with their room as soon as it is vacated,—No. 11," the hall-boy went on to say, noiselessly showing the count the way, and constantly turning round to look at him.
In the sitting-room, at a small table under a blackened full-length portrait of the Emperor Alexander, sat a number of men, evidently belonging to the local aristocracy, drinking champagne; and on one side were some travelling merchants in blue shubas.
The count entered the room, and calling Blücher, a huge gray boarhound that accompanied him, he threw off his cloak, the collar of which was covered with frost, and, after ordering vodka, sat down at the table in a short blue-satin jacket, and entered into conversation with the gentlemen sitting there. The latter, attracted toward the new-comer by his handsome and frank exterior, offered him a glass of champagne.
The count had begun to drink his glass of vodka; but now he also ordered a bottle of champagne, in order to return the courtesy of his new companions.
The driver came in to ask for vodka-money.
"Sashka,"[57] cried the count, "give it to him."
The driver went out with Sashka, but quickly returned, holding the money in his hands.
"What! little father, 'slency, is that right? I did my best for you. You promised me a half-ruble, and you have only given me a quarter!"
"Sashka, give him a ruble."
Sashka, hanging down his head, gazed at the driver's feet.
"He will have enough," said he in his deep voice. "Besides, I haven't any more money."
The count drew from his pocket-book the two solitary blue notes[58] which were in it, and gave one to the driver, who kissed his hand, and went off. "I have come to the end," said the count, "my last five rubles."
"True hussar style, count," said one of the nobles, whose mustaches, voice, and a certain energetic freedom in the use of his legs, proclaimed him, beyond a peradventure, to be a retired cavalryman. "Are you going to spend some time here, count?"
"I must have some money if I stay, otherwise I should not be very likely to. Besides, there are no spare rooms, the Devil take it, in this cursed tavern."
"I beg of you, count," pursued the cavalryman, "wouldn't you like to come in with me? My room is No. 7. If you wouldn't object to sleep there for the present. We shall be here three days at least. To-day I was at the marshal's: how glad he would be to see you!"
"That's right, count, stay with us," urged another of the table companions, a handsome young man. "What is your hurry? And besides, this happens only once in three years,—these elections. We might get a glimpse of some of our girls, count!"
"Sashka, get me some clean linen. I am going to have a bath," said the count, rising. "And then we will see; perhaps I may decide to pay my respects to the marshal."
Then he called the waiter, and said something to him in an undertone. The waiter replied, with a laugh, "That is within human possibility," and went out.
"Well, then, little father, I have given orders to have my trunk taken to your room," cried the count, as he went out of the door.
"I shall consider it a favor: it delights me," replied the cavalryman as he hastened to the door, and cried, "No.7; don't forget!"
When the count was out of hearing, the cavalryman returned to his place, and drawing his chair nearer to the chinovnik, and looking him straight in his smiling eyes, said,—
"Well, he's the very one."
"What one?"
"I tell you that he's that very same hussar duellist,—let me see, the famous Turbin. He knew me. I'll wager he knew me. I assure you, at Lebedyan he and I were on a spree for three weeks, and were never sober once. That was when I lost my remount. There was one little affair at that time,—we were engaged in it together. Ah, he is a gay lad! isn't he, though?"
"Indeed he is. What pleasant manners he has! There's no fault to be found with him," replied the handsome young man. "How quickly we became acquainted!... He isn't more than twenty-two, is he?"
"He certainly would not seem so, would he?... But he's really more than that. Well, now you want to know who he is, don't you? Who carried off Megunova? He did. He killed Sablin. He kicked Matnyef out of the window. He 'did' Prince Nesterof out of three hundred thousand rubles. He's a regular madcap. You ought to know him,—a gambler, duellist, seducer, but a whole-souled fellow, a genuine hussar. We got talked about a good deal, but if any one really understood what it meant to be a genuine hussar! Those were great times."
And the cavalryman began to tell his comrade of a drinking-bout with the count, which had never taken place, nor could have taken place. It could not have taken place, first, because he had never seen the count before, and had retired from the service two years before the count had entered it; and secondly, because this cavalryman had never served in the cavalry, but had served four years as a very insignificant yunker in the Bielevsky regiment; and just as soon as he was promoted to be ensign, he retired.
But ten years before he had received an inheritance, and actually went to Lebedyan; and there he spent seven hundred rubles with the cavalry officers, and had had made for him an uhlan's uniform with orange lapels, with the intention of entering the uhlans. His thought of entering the cavalry, and his three weeks spent with the officers at Lebedyan, made the very happiest and most brilliant period of his life; so that he began to transfer his thought into a reality. Then, as he added remembrance to it, he began actually to believe in his military past,—which did not prevent him from being a worthy man through his kindness of heart and uprightness.
"Yes, any one who has never served in the cavalry," he went on to say, "will never understand us fellows."
He sat astride of his chair, and, thrusting out his lower lip, went on in a deep voice, "It happens you are riding along in front of the battalion. A devil is under you, not a horse, prancing along; thus you sit on this perfect devil. The battalion commander comes along. 'Lieutenant,' says he, 'I beg of you—your service is absolutely indispensable. You must lead the battalion for the parade.' Very well, and so it goes. You look around, you give a shout, you lead the brave fellows who are under your command. Ah! the deuce take it! 'twas a glorious time!"
The count came back from the bath, all ruddy, and with his hair wet, and went directly to No. 7, where the cavalryman was already sitting in his dressing-gown, with his pipe, and thinking with delight and some little anxiety of the good fortune that had befallen him in sharing his room with the famous Turbin. "Well, now," the thought came into his head, "suppose he should take me, and strip me naked, and carry me outside the town limits, and set me down in the snow, ... or smear me with tar ... or simply ... But, no: he would not do such a thing to a comrade," he said, trying to comfort himself.
"Sashka, give Blücher something to eat," cried the count.
Sashka made his appearance. He had been drinking glasses of vodka ever since his arrival, and was beginning to be genuinely tipsy.
"You have not been able to control yourself. You have been getting drunk, canaillya!... Feed Blücher."
"It won't kill him to fast.... You see, ... he's so plump," replied Sashka, caressing the dog.
"Now, none of your impudence. Go, and feed him."
"All you care for is to have your dog fat; but if a man drinks a little glass, then you pitch into him."
"Hey! I'll strike you," cried the count with a voice that made the window-panes rattle, and even scared the cavalryman somewhat.
"You would better ask if Sashka has had any thing to eat to-day. All right, strike away, if a dog is more to you than a man," continued Sashka.
But at that instant he received such a violent blow of the fist across the face that he staggered, struck his head against the partition, and, clutching his nose, leaped through the door, and threw himself down on a bench in the corridor.
"He has broken my teeth," he growled, wiping his bloody nose with one hand, and with the other scratching Blücher's back, as the dog licked him. "He has broken my teeth, Blüchka; and yet he is my count, and I would jump into the fire for him, that's a fact. Because he's my count, do you understand, Blüchka? And do you want something to eat?"
After lying there a while, he got up, gave the dog his dinner, and, almost sobered, went to serve his master, and get him his tea.
"You would simply offend me," said the cavalryman timidly, standing in front of the count, who was lying on the bed with his feet propped against the partition. "Now, you see, I am an old soldier and comrade, I may say; instead of letting you borrow of any one else, it would give me great pleasure to let you have two hundred rubles. I haven't them with me now,—only a hundred,—but I can get the rest to-day; don't refuse, you would simply offend me, count!"
"Thanks, little father," said Turbin, instantly perceiving what sort of relationship would exist between them, and slapping the cavalryman on the shoulder. "Thanks. Well, then, we'll go to the ball if you say so. But now what shall we do? Tell me whom you have in your city: any pretty girls? anybody ready for a spree? Who plays cards?"
The cavalryman explained that there would be a crowd of pretty girls at the ball; that the police commissioner,[59] Kolkof, who had just been re-elected, was the greatest hand for sprees, only he lacked the spirit of a genuine hussar, but still was a first-rate fellow; that Ilyushka's chorus of gypsies had been singing at K. ever since the elections began; that Stioshka[60] was the soloist, and that after the marshal's reception everybody went there nowadays. And the stakes were pretty high. "Lukhnof, a visitor here," he said, "is sweeping in the money; and Ilyin, a cornet of uhlans, who rooms in No. 8, has already lost a pile. The game has already begun there. They play there every evening; and he's a wonderfully fine young fellow, I tell you, count, this Ilyin is. There's nothing mean about him—he'd give you his last shirt."
"Then let us go to his room. We will see what sort of men you have," said the count.
"Come on! come on! they will be mighty glad."
II.
Ilyin, the cornet of uhlans, had not long been awake. The evening before, he had sat down at the gambling-table at eight o'clock, and lost for fifteen consecutive hours, till eleven o'clock that day. He had lost a great amount, but exactly how much he did not know, because he had had three thousand rubles of his money, and fifteen thousand belonging to the treasury, which he had long ago mixed up with his own, and he did not dare to settle his accounts lest his anticipations that he had made too great inroads on the public money should be confirmed.
He went to sleep about noon, and slept that heavy, dreamless sleep, peculiar to very young men who have been losing heavily. Waking at six, about the time that Count Turbin had arrived at the hotel, and seeing cards and chalk and soiled tables scattered around him in confusion in the room, he remembered with horror the evening's games, and the last card, a knave, which had lost him five hundred rubles; but, still scarcely believing in the reality, he drew out from under his pillow his money, and began to count it. He recognized a few notes which, with corners turned down and indorsements, had gone from hand to hand around the table; he remembered all the particulars. He had lost his own three thousand rubles, and twenty-five hundred belonging to the treasury had disappeared.
The uhlan had been playing for four nights in succession.
He had come from Moscow, where the public money had been intrusted to him. At K. the post-superintendent had detained him under the pretext that there were no post-horses, but in reality in accordance with his agreement with the hotel-keeper to detain all visitors for a day.
The uhlan, who was a gay young fellow, and had just received from his parent three thousand rubles for his military equipment, was glad to spend a few days in the city of K. during the elections, and counted on having a good time.
He knew a landed proprietor whose family lived there, and he was preparing to call upon him and pay his addresses to his daughter, when the cavalryman appeared, and made his acquaintance. That very evening, without malice prepense, he took him down into the parlor, and introduced him to his friends, Lukhnof and several other gamblers. From that time, the uhlan had kept steadily at gaming, and not only had not called on the proprietor, but had not thought of inquiring further for horses, and for four days had not left his room.
After he had dressed, and taken his tea, he went to the window. He felt an inclination to go out so as to dispel the importunate recollections of the game. He put on his cloak, and went into the street.
The sun had just sunk behind the white houses with their red roofs. It was already twilight. It was warm. The snow was softly falling in big, damp flakes, in the muddy streets. His mind suddenly became filled with unendurable melancholy at the thought that he had spent all that day in sleep, and now the day was done.
"This day which has gone, will never come back again," he said to himself.
"I have wasted my youth," he suddenly exclaimed, not because he really felt that he had wasted his youth,—he did not think about it at all,—but simply this phrase came into his head.
"What shall I do now?" he reasoned; "borrow of some one, and go away?"
A lady was passing along the sidewalk.
"What a stupid woman!" he said to himself for some reason.
"There's no one I can borrow of. I have wasted my youth."
He came to a block of stores. A merchant in a fox-skin shuba was standing at the door of his shop, and inviting custom.
"If I hadn't taken the eight, I should have won."
A little old beggar-woman followed him, snivelling.
"I have no one to borrow of."
A gentleman in a bear-skin shuba passed him. A policeman was standing on the corner.
"What can I do that will make sensation? Fire a pistol at them? No! That would be stupid. I have wasted my youth. Akh! what a splendid harness that is hanging in that shop! I should like to be riding behind a troïka!... Ekh! you fine fellows![61] I am going back. Lukhnof will be there pretty soon, and we'll have a game."
He returned to the hotel, and once more counted his money. No, he was not mistaken the first time; twenty-five hundred rubles of public money were missing, just as before.
"I will put up twenty-five rubles first; the next time, a quarter stake; then on seven, on fifteen, on thirty, and on sixty ... three thousand. I will buy that harness, and start. He won't give me any odds, the villain! I have wasted my youth!"
This was what was passing through the uhlan's mind just as Lukhnof himself came into the room.
"Well, have you been up long, Mikháïlo Vasílyitch?" inquired Lukhnof, deliberately removing from his thin nose his gold eye-glasses, and carefully wiping them with a red silk handkerchief.
"No, only just this minute. I had a splendid sleep!"
"A new hussar has just come. He is staying with Zavalshevsky. Had you heard about it?"
"No, I hadn't. Well, no one seems to be here yet. I believe they have gone to call on Priakhin. They'll be here very soon."
In fact, in a short time there came into the room an officer of the garrison, who was always hovering round Lukhnof; a Greek merchant with a huge hooked nose, cinnamon complexion, and deep-set black eyes; a stout, puffy proprietor, a brandy-distiller who gambled all night long, and always made his stakes on the basis of half a ruble. All of these wished to begin playing as promptly as possible, but the more daring players said nothing about it; Lukhnof, in particular, with perfect equanimity, told stories of rascality in Moscow.
"Just think of it," said he, "Moscow, the metropolis, the capital; and there they go out at night with crooks, dressed like demons; and they scare the stupid people, and rob pedestrians, and that is the end of it. Do the police notice it? No! It is astonishing!"
The uhlan listened attentively to the tales of these highwaymen, but finally got up and unobtrusively ordered cards to be brought. The stout proprietor was the first to notice it.
"Well, gentlemen, we are wasting golden moments. To work, let us to work!"
"Yes, you won by the half-ruble last evening, and so you like it," exclaimed the Greek.
"It's a good time to begin," said the garrison officer.
Ilyin looked at Lukhnof. Lukhnof, returning his gaze, went on calmly with his story of the robbers who dressed themselves up like devils. "Will you start the bank?" asked the uhlan.
"Isn't it rather early?"
"Byélof!" cried the uhlan, reddening for some reason or other; "bring me something to eat.... I haven't had any dinner to-day, gentlemen. Bring some champagne, and distribute the cards."
A this moment, the count and Zavalshevsky entered. It proved that Turbin and Ilyin were in the same division. They immediately struck up an acquaintance, drank a glass of champagne, clinking their glasses together, and in five minutes were calling each other "thou."
It was evident that Ilyin made a very pleasant impression on the count. The count smiled whenever he looked at him, and was amused at his freshness.
"What a fine young uhlan!" he said, "what a mustache! what a splendid mustache!"
Ilyin's upper lip bore the first down of a mustache, that was as yet almost white.
"You were preparing to play, were you not?" asked the count. "Well, I should like to win from you, Ilyin. I think that you must be a master," he added smiling.
"Yes, we were just starting in," replied Lukhnof, opening a pack of cards.... "Aren't you going to join us, count?"
"No, I won't to-night. If I did there wouldn't be any thing left of any of you! When I take a hand I always break the bank. But I haven't any money just now. I lost at Volotchok, at the station-house. It was by some sort of infantry-man who wore rings; what a cheat he was! and he cleaned me out completely."
"Were you long there at the station?" asked Ilyin.
"I staid there twenty-two hours. I shall not forget that station, curse it! and the superintendent won't forget it either."
"Why?"
"I got there, you see; the superintendent comes out, rascally face, the liar! 'There are no horses,' said he. Well, now I must tell you, I have made a rule in such cases: when there are no horses, I keep on my shuba, and go straight to the superintendent's room,—not the waiting-room, mind you, but the superintendent's own room,—and I have all the windows and doors opened, as though it were stifling. Well, that's what I did here. Cold! you remember how cold it has been this last month; twenty degrees below. The superintendent began to remonstrate. I knock his teeth in for him. There was some old woman there; and some young girls and peasant-women[62] set up a piping, were going to seize their pots and fly to the village.... I go to the door, and say, 'Let me have horses, and I'll go away: if you don't, I won't let you out, I'll freeze you all to death.'"
"What an admirable way!" said the puffy proprietor, bursting out into a laugh. "That's the way one would freeze out cockroaches."
"But I wasn't sufficiently on my guard: the superintendent and all his women managed to get out and run away. Only the old woman remained on the oven as my hostage. She kept sniffing, and offering prayers to God. Then we entered into negotiations. The superintendent came back, and, standing at a distance, tried to persuade me to let the old woman go. But I set Blücher on him: Blücher is a magnificent dog to take care of superintendents. Even then the rascal did not let me have horses till the next morning. And then came along that footpad! I went into the next room, and began to play. Have you seen Blücher?—Blücher! Fiu!" Blücher came running in. The players received him with flattering attention, although it was evident that they were anxious to get to work at entirely different matters.
"By the way, gentlemen, why don't you begin your game? I beg of you, don't let me interfere with you. You see I am a chatterbox," said Turbin. "Whether you love or not, 'tis an excellent thing."
III.
Lukhnof took two candles, brought out a huge dark-colored pocket-book full of money; slowly, as though performing some sacrament, opened it on the table; took out two one-hundred-ruble notes, and laid them on the cards.
"There, just the same as last evening; the bank begins with two hundred," said he, adjusting his glasses, and opening a pack of cards.
"Very well," said Ilyin, not glancing at him, or interrupting his conversation with Turbin.
The game began. Lukhnof kept the bank with mechanical regularity, occasionally pausing, and deliberately making notes, or looking sternly over his glasses, and saying in a weak voice, "Throw."
The stout proprietor talked louder than the rest, making various calculations at the top of his voice, while he wet his clumsy fingers and dog-eared his cards.
The garrison officer silently wrote in a fine hand his account on a card, turned down small corners, pressing them against the table.
The Greek sat next the banker, attentively following the game with his deep black eyes, as though waiting for something.
Zavalshevsky, as he stood by the table, would suddenly become all of a tremble, draw from his trousers-pocket a blue note or a red,[63] lay a card on it, pound on it with his palm, and say, "Bring me luck, little seven!" then he would bite his mustache, change from one leg to the other, and be in a continual state of excitement until the card came out.
Ilyin, who had been eating veal and cucumbers placed near him on the haircloth sofa, briskly wiped his hands on his coat, and began to put down one card after another.
Turbin, who had taken his seat at first on the sofa, immediately noticed that something was wrong. Lukhnof did not look at the uhlan, or say any thing to him; but occasionally his eyes for an instant rested on the uhlan's hands. The most of his cards lost.
"If I could only trump that little card," exclaimed Lukhnof in reference to one of the stout proprietor's cards. He was still making half-ruble wagers.
"Trump Ilyin's instead: what would be the use of trumping mine?" replied the proprietor.
And, in point of fact, Ilyin's cards were trumped oftener than the others'. He nervously tore up his losing card under the table, and with trembling hands chose another.
Turbin arose from the sofa, and asked the Greek to give him his place next the banker. The Greek changed places; and the count, taking his chair, and not moving his eyes, began to watch Lukhnof's hands attentively.
"Ilyin," said he suddenly in his ordinary voice, which, entirely contrary to his desire, drowned out the others, "why do you stick to those routine cards? You don't know how to play!"
"Supposing I don't, it's all the same."
"You'll lose that way surely. Let me play against the bank for you."
"No, excuse me, I beg of you. I'm always this way. Play for yourself if you like."
"I have told you that I am not going to play. But I should like to play for you. I hate to see you losing so."
"Ah, well! you see it's my luck."
The count said nothing more, and leaning on his elbow began once more to watch the banker's hand just as attentively as before.
"Shameful!" he suddenly cried in a loud voice, dwelling on the word.
Lukhnof glared at him.
"Shameful, shameful!" he repeated still louder, staring straight into Lukhnof's eyes.
The game continued.
"That is not right!" said Turbin again, as Lukhnof trumped one of Ilyin's high cards.
"What displeases you, count?" politely asked the banker with an air of indifference.
"Because you give Ilyin a simplum, and turn down your corners. That's what is shameful!"
Lukhnof made a slight motion with his shoulders and brows, signifying that he was resigned to any fate, and then he went on with the game.
"Blücher, fiu!" cried the count, rising; "over with him!" he added quickly. Blücher, bumping against the sofa with his back, and almost knocking the garrison officer from his feet, came leaping toward his master, looking at every one and wagging his tail as though he would ask, "Who is misbehaving here, hey?"
Lukhnof laid down the cards, and moved his chair away. "This is no way to play," said he. "I detest dogs. What kind of a game can you have if a whole pack of hounds is to be brought in?"
"Especially that kind of dog: they are called blood-suckers, if I am not mistaken," suggested the garrison officer.
"Well, are we to play or not, Mikháïlo Vasílyitch?" asked Lukhnof, addressing the uhlan.
"Don't bother us, count, I beg of you," said Ilyin, turning to Turbin.
"Come here for a moment," said Turbin, taking Ilyin's arm, and drawing him into the next room.
There the count's words were perfectly audible, though he spoke in his ordinary tone. But his voice was so powerful that it could always be heard three rooms off.
"Are you beside yourself? Don't you see that that man with the glasses is a cheat of the worst order?"
"Hey? Nonsense! Be careful what you say."
"No nonsense! but quit it, I tell you. It makes no difference to me. Another time I myself would have plucked you; but now I am sorry to see you ruining yourself. Have you any public money left?"
"No. What makes you think so about him?"
"Brother, I have been over this same road, and I know the ways of these professional gamblers. I tell you that the man in the glasses is a cheat. Quit, please. I ask you as a comrade."
"All right; I'll have just one more hand, and then have done with it."
"I know what that 'one more' means: very well, we will see."
They returned to the gaming-table. In one deal he laid down so many cards, and they were trumped so badly, that he lost a large amount.
Turbin rested his hand in the middle of the table, and said, "That's enough! now let us be going."
"No, I can't go yet; leave me, please," said Ilyin in vexation, shuffling the bent cards and not looking at Turbin.
"All right! the Devil be with you! Lose all you've got, if that please you; but it's time for me to be going.—Come, Zavalshevsky, let us go to the marshal's."
And they went out. No one spoke, and Lukhnof did not make the bank until the noise of their feet and of Blücher's paws had died away down the corridor.
"That's a madcap," said the proprietor, smiling.
"Well, now he won't bother us any more," said the garrison officer in a hurried whisper.
And the game went on.
IV.
The band, composed of the marshal's domestic serfs, were stationed in the butler's pantry, which had been put in order on account of the ball, and, having turned up the sleeves of their coats, had begun at the signal of their leader to play the ancient polonaise "Aleksandr, Yelisaviéta;" and under the soft, brilliant light of the wax candles, the couples began to move in tripping measure through the great ballroom; a governor-general of Catherine's time, with a star, taking out the gaunt wife of the marshal, the marshal with the governor's wife, and so on through all the hierarchy of the government in various combinations and variations,—when Zavalshevsky in a blue coat with a huge collar, and epaulets on his shoulders, and wearing stockings and pumps, and exhaling about him an odor of jasmine with which he had plentifully drenched his mustaches, the facings of his coat, and his handkerchief, entered with the handsome count, who wore tight-fitting blue trousers and a red pelisse embroidered with gold, and wearing on his breast the cross of Vladímir and a medal of 1812.
The count was of medium height, but had an extremely handsome figure. His clear blue eyes of remarkable brilliancy, and dark hair which was rather long and fell in thick ringlets, gave his beauty a peculiar character.
The count's presence at the ball was not unexpected. The handsome young man who had seen him at the hotel had already spoken of him to the marshal.
The impressions made by this announcement were of various kinds, but on the whole were not altogether pleasant.
"I suppose this young man will turn us into ridicule," was what the old women and the men said to themselves.
"Suppose he should run off with me," was what the wives and young ladies thought, with more or less apprehension.
As soon as the polonaise was finished, and the couples had made each other low bows, once more the women formed little groups by themselves, and the men by themselves. Zavalshevsky, proud and happy, led the count up to the hostess.
The marshal's wife, conscious of a certain inward trepidation lest this hussar should make her the cause of some scandal before everybody, said proudly and scornfully, as she turned away, "Very glad to see you. I hope that you will dance." And then she looked at the count mistrustfully with an expression that seemed to say, "Now, if you insult any woman, then you are a perfect scoundrel after this."
The count, however, quickly overcame this prejudice by his amiability, his politeness, and his handsome jovial appearance; so that in five minutes the expression on the face of the marshal's wife plainly declared to all who stood around her, "I know how to manage all these men. He immediately realized whom he was talking with. And now he will be charming to me all the rest of the evening."
Moreover, just then the governor, who had known his father, came up to the count, and very graciously drew him to one side, and entered into conversation with him, which still more pleased the fashionable society of the town, and raised the count in their estimation.
Then Zavalshevsky presented the count to his sister, a plump young widow, who, ever since the count entered the room, had kept her big black eyes fastened upon him.
The count asked the little widow for the waltz which at that moment the musicians had struck up, and it was his artistic dancing that conquered the last vestiges of the popular prejudice.
"Ah, he's a master at dancing!" said a stout lady, following the legs in blue trousers which were flashing through the ballroom, and mentally counting, "One, two, three; one, two, three,—he's a master."
"How gracefully he moves his feet! how gracefully!" said another guest, who did not stand very high in the governmental society. "How does he manage to not hit any one with his spurs? Wonderful, very skilful!"
The count, by his skill in dancing, eclipsed the three best dancers of the city. These were, a governor's aide, a tall albino, who was famous for his rapid dancing and because he held the lady pressed very close to his breast; secondly, the cavalryman, who was famous for his graceful swaying during the waltz, and for his frequent but light tapping with his heels; and thirdly, a civilian of whom everybody said, that, though he was not very strong-minded, yet he was an admirable dancer and the life of all balls.
In point of fact, this civilian from the beginning to the end of a ball invariably invited all the ladies in the order in which they sat, did not cease for a moment to dance, and only occasionally paused to wipe his weary but still radiant face with his cambric handkerchief, which would become wet through.
The count had surpassed them all, and had danced with the three principal ladies,—with the stout one, who was rich, handsome, and stupid; with the middle-sized one, who was lean, and not particularly good-looking, but handsomely dressed; and with the little one, who was not pretty, but very witty.
He had danced also with others,—with all the pretty women, and there were many pretty women there.
But the little widow, Zavalshevsky's sister, pleased the count more than all the rest; with her he danced a quadrille and a schottische and a mazurka.
At first, when they took their places for the quadrille, he overwhelmed her with compliments, comparing her to Venus and Diana, and to a rosebush, and to some other flower besides.
To all these amenities the little widow only bent her white neck, modestly dropped her eyes, and, looking at her white muslin dress, changed her fan from one hand to the other.
When, at last, she said, "This is too much, count; you are jesting," etc., her voice, which was rather guttural, betrayed such naïve simplicity of heart and amusing naturalness that the count, as he looked at her, actually compared her, not to a flower or to a rosebush, but to some kind of a pinkish-white wild-flower, exuberant and odorless, growing alone on a virgin snow-drift in some far, far-distant land.
Such a strange impression was made upon the count by this union of naïveté and unconventionality together with fresh beauty, that several times, in the pauses of the conversation, when he looked silently into her eyes or contemplated the loveliness of her arms and neck, the desire came over him with such vehemence to take her into his arms and kiss her again and again, that he was really obliged to restrain himself.
The little widow was quite satisfied with the impression which she perceived that she had made; but there was something in the count's behavior that began to disquiet her, and fill her with apprehensions, though the young hussar was not only flatteringly amiable, but even, to an extravagant degree, deferential in his treatment of her.
He ran to get orgeat for her, picked up her handkerchief, snatched a chair from the hands of a scrofulous young proprietor, who was also anxious to pay her attention, and who was not quick enough. But perceiving that these assiduities, which were fashionable at that period, had little effect in making the lady well-disposed, he began to amuse her by telling her ridiculous anecdotes: he assured her that he was ready at a moment's notice to stand on his head, or to crow like a cock, or to jump out of the window, or to fling himself into a hole in the ice.
This procedure was a brilliant success: the little widow became very gay; she rippled with laughter, displaying her marvellous white teeth, and became entirely satisfied with her cavalier. The count each moment grew more and more enchanted with her, so that at the end of the quadrille he was really in love with her.
After the quadrille, when she was approached by her former admirer, a young man of eighteen, the son of a very rich proprietor, the same scrofulous young man from whom Turbin had snatched away the chair, she received him with perfect coolness, and not one-tenth part of the constraint was noticeable in her which she felt when she was with the count.
"You are very kind," she said, all the time gazing at Turbin's back, and unconsciously reckoning how many yards[64] of gold-lace were used for his whole jacket. "You are very kind; you promised to come to take me for a walk, and to bring me some comfits."
"Well, I did come, Anna Fedorovna, but you weren't at home, and I left the very best comfits for you," said the young man, in a voice that was very thin, considering his height.
"You always are provided with excuses; I don't need your comfits. Please do not think"....
"I begin to see, Anna Fedorovna, how you have changed toward me, and I know why. But it is not right," he added, but without finishing his remark, evidently owing to some powerful interior emotion, which caused his lips to tremble strangely.
Anna Fedorovna did not heed him, and continued to follow Turbin with her eyes. The marshal, at whose house the ball was given,—a big, stout old man, who had lost his teeth,—came up to the count, and, taking him by the arm, invited him into his library to smoke and drink if he so desired.
As soon as Turbin disappeared, Anna Fedorovna felt that there was absolutely nothing for her to do in the ballroom, and slipping her hand through the arm of a dried-up old maid, who was a friend of hers, went with her into the dressing-room.
"Well, what do you think of him? Is he nice?" asked the old maid.
"Only it's terrible—the way he follows you up!" said Anna Fedorovna, going to the mirror, and contemplating herself in it.
Her face was aglow, her eyes were full of mischief, her color was heightened; then suddenly imitating one of the ballet-dancers whom she had seen during election time, she pirouetted round on one toe, and, laughing her guttural but sweet laugh, she leaped up in the air, crossing her knees.
"What a man he is! he even asked me for a souvenir," she confided to her friend. "But he will ne-e-ver get one," she said, singing the last words, and lifting one finger in the lilac-colored glove that reached to her elbow.
In the library where Turbin was conducted by the marshal, stood various kinds of vodka, liqueurs, edibles,[65] and champagne. In a cloud of tobacco-smoke the nobility were sitting, or walking up and down, talking about the elections.
"When the whole of the high nobility of our district has honored him with an election," exclaimed the newly elected isprávnik who was already tolerably tipsy, "he certainly ought not to fail in his duties toward society in general."
The conversation was interrupted by the count's coming. All were presented to him, and the isprávnik especially pressed his hand long between both of his, and asked him several times to go with him after the ball to the new tavern, where he would treat the gentlemen of the nobility, and where they would hear the gypsies sing.
The count accepted his invitation, and drank with him several glasses of champagne.
"Why aren't you dancing, gentlemen?" he asked, as he was about to leave the library.
"We aren't dancers," replied the isprávnik, laughing. "We prefer the wine, count; and besides, all these young ladies have grown up under my eyes, count. But still, I do sometimes take part in a schottische, count. I can do it, count."
"Come on then for a while," said Turbin. "Let us have some sport before we go to the gypsies."
"What say you, gentlemen? Let us come! Let us delight our host!"
And the three gentlemen who, since the beginning of the ball, had been drinking in the library and had very red faces, began to draw on their gloves, some of black kid, another of knit silk, and were just going with the count to the ballroom, when they were detained by the scrofulous young man, who, pale as a sheet, and scarcely able to refrain from tears, came straight up to Turbin.
"You have an idea, because you are a count, you can run into people as if you were at a fair," said he, with difficulty drawing his breath; "hence it isn't fitting"—
Once more the stream of his speech was interrupted by the involuntary trembling of his lips.
"What?" cried Turbin, frowning suddenly, "what?... You're a baby," he cried, seizing him by the arm, and squeezing it so that the blood rushed to the young man's head, not so much from vexation as from fright. "What is it? Do you want to fight? If so, I am at your service."
Turbin had scarcely let go of his arm, which he had squeezed so powerfully, when two nobles seized the young man by the sleeve, and carried him off through a back door.
"What! have you lost your wits? You've surely been drinking too much. We shall have to tell your papa. What's the matter with you?" they asked.
"No, I haven't been drinking; but he ran into me, and did not apologize. He's a hog, that's what he is," whined the young man, now actually in tears.
Nevertheless they paid no attention to him, but carried him off home.
"Never mind, count," said the isprávnik and Zavalshevsky assuringly. "He's a mere child. They still whip him: he's only sixteen years old. It's hard to tell what is to be done with him. What fly stung him? And his father is such an honorable man! He's our candidate."
"Well, the Devil take him if he refuses"....
And the count returned to the ballroom, and, as gayly as before, danced the schottische with the pretty little widow, and laughed heartily when he saw the antics of the gentlemen who had come with him out of the library. There was a general burst of merriment all through the ballroom when the isprávnik tripped, and measured his length on the floor in the midst of the dancers.
V.
Anna Fedorovna, while the count was in the library, went to her brother, and, for the very reason of her conviction that she ought to pretend to feel very little interest in the count, she began to question him.
"Who is this hussar that has been dancing with me? Tell me, brother."
The cavalryman explained, to the best of his ability, what a great man this hussar was, and in addition he told his sister that the count had stopped there simply because his money had been stolen on the route: he himself had loaned him a hundred rubles, but that was not enough. Couldn't his sister let him have two hundred more? Zavalshevsky asked her not to say any thing about this to any one, and, above all, not to the count.
Anna Fedorovna promised to send the money the next day, and to keep it a secret; but somehow or other, during the schottische, she had a terrible desire to offer the count as much money as he needed.
She deliberated, blushed, and at last, mastering her confusion, thus addressed herself to the task:—
"My brother told me, count, that you had met with a misfortune on the road, and hadn't any money. Now, if you need some, wouldn't you take some of me? I should be terribly glad."
But after she had thus spoken, Anna Fedorovna suddenly was overcome with fright, and blushed. All the gayety had instantly vanished from the count's face.
"Your brother is a fool!" said he in a cutting tone. "You know, when a man insults a man, then they fight a duel; but when a woman insults a man, then what do they do? Do you know?"
Poor Anna Fedorovna blushed to her ears with confusion. She dropped her eyes, and made no reply.
"They kiss the woman in public," said the count softly, bending over to whisper in her ear. "Permit me, however, to kiss your little hand," he added almost inaudibly, after a long silence, having some pity on his lady's confusion.
"Ah! only not quite yet," urged Anna Fedorovna, with a deep sigh.
"But when, then? To-morrow I am going away early.... But really, you owe it to me."
"Well, then, of course it is impossible," said Anna Fedorovna smiling.
"Only give me a chance to see you before to-morrow, so that I may kiss your hand. I will find one."
"How will you find one?"
"That is my affair. I can do any thing to see you.... Is it agreed?"
"Agreed."
The schottische came to an end; they danced through the mazurka, and in it the count did marvels, purloining handkerchiefs, bending on one knee, and clinking his spurs in an extraordinary manner, after the Warsaw style, so that all the old men came from their boston to look into the ballroom; and the cavalryman who was the best dancer confessed himself outdone. After they had eaten supper, they danced still the gross vater, and began to disperse.
The count all this time did not take his eyes from the little widow. He had not been insincere when he declared his readiness to throw himself into a hole in the ice.
Whether it was caprice or love or stubbornness, but that evening all the strength of his mind had been concentrated into one desire,—to see and to love her.
As soon as he perceived that Anna Fedorovna was taking her farewell of the hostess, he hastened to the servants' quarters, and thence, without his shuba, to the place where the carriages were drawn up.
"Anna Fedorovna Zaïtsova's equipage," he cried.
A high four-seated carriage with lanterns moved out, and started to drive up to the doorstep.
"Stop!" shouted the count to the coachman, rushing up toward the carriage through snow that was knee-deep.
"What is wanted?" called the driver.
"I want to get into the carriage," replied the count, opening the door as the carriage moved, and trying to climb in.
"Stop, you devil! stupid! Vaska![66] stop!" cried the coachman to the postilion, and reining in the horses. "What are you getting into another person's carriage for? This belongs to the Lady Anna Fedorovna, and not to your grace."
"Hush up, blockhead! Na! there's a ruble for you; now come down and shut the door!" said the count.
But as the coachman did not move, he lifted the steps himself, and, shutting the window, managed to pull the door to.
In this, as in all ancient carriages, especially those upholstered in yellow galloon, there was an odor of mustiness and burnt bristles.
The count's legs were wet to the knees from melting snow, and almost freezing in his thin boots and trousers; and his whole body was penetrated by a cold like that of winter.
The coachman was grumbling on his box, and seemed to be getting ready to get down. But the count heard nothing and felt nothing. His face was aglow, his heart was beating violently. He convulsively clutched the yellow strap, thrust his head out of the side-window, and his whole being was concentrated in expectation.
He was not doomed to wait long. At the door-steps, they shouted, "Zaïtsova's carriage!" The coachman shook his reins, the carriage swung on its high springs; the lighted windows of the house passed one after another by the carriage-windows.
"See here, rogue, if you tell the lackey that I am here," said the count, thrusting his head through the front window, and addressing the coachman, "you'll feel my whip; but if you hold your tongue, I will give you ten rubles more."
He had scarcely time to close the window, when the carriage shook again still more violently, and then the wheels came to a stop.
He drew back as far as possible into the corner; he ceased to breathe; he even shut his eyes, so apprehensive was he, lest his passionate expectation should be disappointed.
The door was opened; one after the other, with a creak, the steps were let down; a woman's dress rustled, and the close atmosphere of the carriage was impregnated by the odor of jasmine; a woman's dainty feet hurried up the steps, and Anna Fedorovna, brushing against the count's leg with the skirt of her cloak, which was loosely thrown about her, silently, and with a deep sigh, took her place on the cushioned seat next him.
Whether she saw him or not, no one could decide, not even Anna Fedorovna herself: but when he took her hand, and said, "Now I will kiss your little hand anyway," she evinced very little dismay. She said nothing, but let him take her hand, which he covered with kisses, not stopping at the glove.
The carriage rolled off.
"Tell me something. You are not angry?" said he to her.
She silently sank back into her corner, but suddenly, for some reason or other, burst into tears, and let her head fall on his breast.
VI.
The newly elected isprávnik, with his company, the cavalryman, and other members of the nobility, had already been listening for some time to the gypsies, and drinking at the new tavern, when the count, in a blue-lined bear-skin shuba which had belonged to Anna Fedorovna's late husband, joined them.
"Little father, your excellency! we have almost given up expecting you," said a squint-eyed black gypsy with brilliant teeth, who met him in the entry and divested him of his shuba. "We haven't met since we were at Lebedyan.... Stioshka has pined away on account of you."
Stioshka, a slender young gypsy-girl[67] with a cherry red bloom on her cinnamon-colored cheeks, with brilliant deep black eyes, shaded by long eyelashes, also hurried to meet him.
"Ah! dear little count![68] my sweetheart! This is a pleasure," she exclaimed through her teeth, with a joyous smile.
Ilyushka himself came to greet Turbin, pretending that he was very glad to see him. The old women, the wives, the young girls, hastened to the spot and surrounded the guest.
One would have said that he was a relative or a god-brother to them.
Turbin kissed all the young gypsy girls on the lips; the old women and the men kissed him on the shoulder or on the hand.
The gentlemen were also very glad of the count's arrival; the more because the festivity, having passed its apogee, was now becoming tame; every one began to feel a sense of satiety. The wine, having lost its exhilarating effect on the nerves, only served to load the stomach. Everybody had discharged the last cannon of his wildness, and was looking around moodily. All the songs had been sung, and ran in the heads of each, leaving a mere impression of noise and confusion.
Whatever any one did that was strange and wild, the rest began to look upon it as nothing very entertaining or amusing.
The isprávnik stretched out on the floor in shameless fashion at the feet of some old woman, kicked his leg in the air, and began to cry,—
"Champagne!... The count has come!... Champagne!... He has come!... Now give us champagne!... I will make a bath of champagne, and swim in it! Gentlemen of the nobility, I love your admirable society!... Stioshka, sing 'The Narrow Road.'"
The cavalryman was also very gay, but in a different fashion. He was sitting in a corner of a sofa with a tall, handsome gypsy, Liubasha; and with the consciousness that intoxication was beginning to cloud his eyes, he kept blinking them, and swinging his head, and repeating the same words over and over again: he was proposing in a whisper to the gypsy to fly with him somewhere.
Liubasha, smiling, listened to him as though what he said were very amusing to her, and at the same time rather melancholy. Occasionally she cast her glances at her husband, the squint-eyed Sashka, who was standing behind a chair near her. In reply to the cavalryman's declaration of love, she bent over to his ear, and begged him to buy her some perfume and a ribbon without any one knowing it, so that the others should not see it.
"Hurrah!" cried the cavalryman when the count came in.
The handsome young man, with an expression of anxiety, was walking up and down the room with solicitously steady steps, and humming an air from the "Revolt in the Seraglio."
An old paterfamilias, dragged out to see the gypsies through the irresistible entreaties of the gentlemen of the nobility, who had told him that if he staid away every thing would go to pieces, and in that case they had better not go, was lying on a sofa where he had stretched himself out immediately on his arrival; and no one paid any attention to him.
A chinovnik, who had been there before, had taken off his coat, was sitting with his legs on the table, and was rumpling up his hair, and thus proving that he understood how to be dissipated.
As soon as the count came in, the official unbuttoned his shirt-collar, and lifted his legs still higher. The count's arrival generally gave new life to the festivities.
The gypsy girls, who had been scattered about the room, again formed their circle. The count seated Stioshka, the soloist, on his knee, and ordered more champagne to be brought. Ilyushka, with his guitar, stood in front of the soloist, and began the plyaska, that is, the gypsy song and dance, "When I walk upon the Street," "Hey! you Hussars," "Do you hear, do you understand?" and others of the usual order.
Stioshka sang splendidly. Her flexible, sonorous contralto, with its deep chest notes, her smiles while she was singing, her mischievous, passionate eyes, and her little foot which involuntarily kept time to the measure of the song, her despairing wail at the end of each couplet,—this all touched some resonant but tender chord. It was evident that she lived only in the song that she was singing.
Ilyushka, in his smile, his back, his legs, his whole being, carrying out in pantomime the idea expressed in the song, accompanied it on his guitar, and, fixing his eyes upon her as though he were hearing her for the first time, attentively and carefully lifted and drooped his head with the rhythm of the song.
Then he suddenly straightened himself up as the singer sang the last note, and, as though he felt himself superior to every one else in the world, with proud deliberation kicked the guitar, turned it over, stamped his foot, tossed back his locks, and looked at the chorus with a frown.
All his body, from his neck to his toes, began to dance in every sinew.
And twenty powerful, energetic voices, each trying to outdo the other in making strange and extraordinary noises, were lifted in union.
The old women sprang down from their chairs, waving their handkerchiefs, and showing their teeth, and crying in rhythmic measure, each louder than the other. The bassos, leaning their heads on one side, and swelling their necks, bellowed from behind their chairs.
When Stioshka emitted her high notes, Ilyushka brought his guitar nearer to her as though trying to aid her; and the handsome young man, in his enthusiasm, cried out that now they struck B-flat.
When they came to the national dance, the Plyasovaya, and Duniasha, with shoulders and bosom shaking, stepped in front of the count, and was passing on, Turbin leaped from his place, took off his uniform, and, remaining only in his red shirt, boldly joined her, keeping up the same measure, and cutting with his feet such antics, that the gypsies laughed and exchanged glances of approval.
The isprávnik, who was sitting Turkish fashion, pounded his chest with his fist, and cried "Vivat!" and then, seizing the count by the leg, began to tell him that out of two thousand rubles, he had only five hundred left and that he might do whatever he pleased, if only the count would permit him.
The old paterfamilias woke up, and wanted to go home, but they would not let him. The handsome young man asked a gypsy girl to waltz with him. The cavalryman, anxious to exalt himself by his friendship with the count, got up from his corner, and embraced Turbin. "Ah, my turtle-dove!" he cried. "Why must you leave us so soon? ha?" The count said nothing, being evidently absorbed in thought. "Where did you go? Ah, you rascal, I know where you went!"
This familiarity somehow displeased the Count Turbin. Without smiling, he looked in silence into the cavalryman's face, and suddenly gave him such a terrible and grievous affront that the cavalryman was mortified, and for some time did not know what to make of such an insult, whether it were a joke or not a joke. At last he made up his mind that it was a joke; he smiled, and returned to his gypsy, assuring her that he would really marry her after Easter.
Another song was sung, a third, they danced again; the round of gayety was kept up, and every one continued to feel gay. There was no end to the champagne.
The count drank a great deal. His eyes seemed to grow rather moist, but he did not grow dizzy; he danced still better than the rest, spoke without any thickness, and even joined in a chorus, and supported Stioshka when she sang "The sweet emotion of friendship."
In the midst of the dance and song the merchant, who kept the hotel, came to beg the guests to go home, as it was three o'clock in the morning.
The count took the landlord by the throat, and ordered him to dance the prisiadka. The merchant refused. The count snatched a bottle of champagne, and standing the merchant on his head ordered him to stay so, and then amid general hilarity poured the whole bottle over him.
The dawn was already breaking. All were pale and weary except the count.
"At all events, I must go to Moscow," said he, suddenly rising. "Come with me, all of you, to my room, children.... See me off, and let us have some tea."
All accompanied him with the exception of the sleeping proprietor, who still remained there; they piled into three sledges that were waiting at the door, and drove off to the hotel.
VII.
"Have the horses put in!" cried the count, as he entered the sitting-room of the hotel with all his friends including the gypsies.
"Sashka,—not the gypsy Sashka, but mine,—tell the superintendent that if the horses are poor I will flog him. Now give us some tea. Zavalshevsky, make some tea; I am going to Ilyin's; I want to find how things have gone with him," added Turbin; and he went out into the corridor, and directed his steps to the uhlan's room.
Ilyin was just through playing, and, having lost all his money down to his last kopek, had thrown himself face down on the worn-out haircloth sofa, and was picking the hairs out one by one, sticking them in his mouth, biting them into two, and spitting them out again.
Two tallow candles, one of which was already burnt down to the paper, stood on the card-cluttered ombre-table, and mingled their feeble rays with the morning light which was beginning to shine through the window.
The uhlan's mind was vacant of all thought: that strange thick fog of the gambling-passion muffled all the capabilities of his mind so that there was not even room for regret.
Once he endeavored to think what was left for him to do, how he should get away without a kopek, how he should pay back the fifteen thousand rubles of public money that he had lost in gambling, what his colonel would say, what his mother would say, what his comrades would say; and such fear came over him, and such disgust at himself, that, in his anxiety to rid himself of the thought of it, he arose and began to walk up and down through the room, trying only to walk on the cracks of the floor; and then once more he began to recall all the least details of the evening.
He vividly imagined that he was winning the whole back again: he takes a nine, and lays down a king of spades on two thousand rubles; a queen lies at the right, at the left an ace, at the right a king of diamonds—and all was lost! but if he had had a six at the right and a king of diamonds at the left, then he would have won it all back, he would have staked all again on P, and would have won back his fifteen thousand rubles, then he would have bought a good pacer of the colonel, an extra pair of horses, and a phaëton. And what else besides? Ah! indeed it would have been a splendid, splendid thing!
Again he threw himself down on the sofa, and began to bite the hairs once more.
"Why are they singing songs in No. 7?" he wondered. "It must be, they are having a jollification in Turbin's room. I'm of a good mind to go there, and have a little drink."
Just at this moment the count came in.
"Well, have you been losing, brother, hey?" he cried.
"I will pretend to be asleep, otherwise I shall have to talk with him, and I really want to sleep now."
Nevertheless Turbin went up to him, and laid his hand caressingly on his head.... "Well, my dear little friend, have you been losing? have you had bad luck? Tell me."
Ilyin made no reply.
The count took him by the arm.
"I have been losing. What is it to you?" muttered Ilyin, in a sleepy voice expressing indifference and vexation; he did not change his position.
"Every thing?"
"Well, yes. What harm is there in it? All! What is it to you?"
"Listen: tell me the truth, as to a comrade," said the count, who, under the influence of the wine that he had been drinking, was disposed to be tender, and continued to smooth the other's hair. "You know I have taken a fancy to you. Tell me the truth. If you have lost the public money, I will help you; if you don't, it will be too late.... Was it public money?"
Ilyin leaped up from the sofa.
"If you wish me to tell you, don't speak to me so, because ... and I beg of you don't speak to me.... I will blow my brains out—that's the only thing that's left for me now!" he exclaimed with genuine despair, letting his head sink into his hands, and bursting into tears, although but the moment before he had been calmly thinking about his horses.
"Ekh! you're a pretty young girl! Well, who might not have the same thing happen to him? It isn't as bad as it might be; perhaps we can straighten things out: wait for me here."
The count hastened from the room.
"Where is the pomyeshchik[69] Lukhnof's room?" he demanded of the hall-boy.
The hall-boy offered to show the count the way. The count in spite of the objections of the lackey, who said that his master had only just come in and was preparing to retire, entered the room.
Lukhnof in his dressing-gown was sitting in front of a table, counting over a number of packages of bank-notes piled up before him. On the table was a bottle of Rheinwein, of which he was very fond. He had procured himself this pleasure from his winnings.
Coldly, sternly, Lukhnof looked at the count over his glasses, affecting not to recognize him.
"It seems that you do not know me," said the count, proceeding toward the table with resolute steps.
Lukhnof recognized the count, and asked,—
"What is your pleasure?"
"I wish to play with you," said Turbin, sitting down on the sofa.
"Now?"
"Yes."
"Another time I should be most happy, count; but now I am tired, and am getting ready to go to bed. Won't you have some wine? It is excellent wine."
"But I wish to play with you for a little while now."
"I am not prepared to play any more. Maybe some of the other guests will. I will not, count! I beg of you to excuse me."
"Then you will not?"
Lukhnof shrugged his shoulders as though to express his regret at not being able to fulfil the count's desires.
"Will you not play under any consideration?"
The same gesture.
"I am very desirous of playing with you.... Say, will you play, or not?"
Silence.
"Will you play?" asked the count a second time.
The same silence, and a quick glance over his glasses at the count's face, which was beginning to grow sinister.
"Will you play?" cried the count in a loud voice, striking his hand on the table so violently that the bottle of Rheinwein toppled over and the wine ran out. "You have been cheating, have you not? Will you play? I ask you the third time."
"I have told you, no! This is truly strange, count, ... perfectly unjustifiable, to come this way, and put your knife at a man's throat," remarked Lukhnof, not lifting his eyes.
A brief silence followed, during which the count's face grew paler and paler. Suddenly Lukhnof received a terrible blow on the head, which stunned him. He fell back on the divan, trying to grasp the money, and screamed in a penetratingly despairing tone, such as was scarcely to be expected from him, he was always so calm and imposing in his deportment.
Turbin gathered up the remaining bank-notes that were lying on the table, pushed away the servant who had come to his master's assistance, and with quick steps left the room.
"If you wish satisfaction, I am at your service; I shall be in my room for half an hour yet,—No. 7," added the count, turning back as he reached the door.
"Villain! thief!" cried a voice from within the room.... "I will have satisfaction at law!"
Ilyin, who had not paid any heed to the count's promise to help him, was still lying on the sofa in his room, drowned in tears of despair.
The count's caresses and sympathy had awakened him to a consciousness of the reality, and now, amidst the fog of strange thoughts and recollections which filled his mind, it made itself more and more felt.
His youth, rich in hopes, honor, his social position, the dreams of love and friendship, were all destroyed forever. The fountain of his tears began to run dry, a too calm feeling of hopelessness took possession of him; and the thought of suicide, now bringing no sense of repulsion or terror, more and more frequently recurred to him.
At this moment the count's firm steps were heard.
On Turbin's face were still visible the last traces of his recent wrath, his hands trembled slightly; but in his eyes shone a kindly gayety and self-satisfaction.
"There! It has been won back for you!" he cried, tossing upon the table several packages of bank-notes. "Count them; are they all there? Then come as soon as possible to the sitting-room; I am going off right away," he added, as though he did not perceive the tremendous revulsion of joy and gratefulness which rushed over the uhlan's face. Then, humming a gypsy song, he left the room.
VIII.
Sashka, tightening his girdle, was waiting for the horses to be harnessed, but was anxious to go first and get the count's cloak, which, with the collar, must have been worth three hundred rubles, and return that miserable blue-lined shuba to that rascally man who had exchanged with the count at the marshal's. But Turbin said that it was not necessary, and went to his room to change his clothes.
The cavalryman kept hiccoughing as he sat silently by his gypsy maiden. The isprávnik called for vodka, and invited all the gentlemen to come and breakfast with him, promising them that his wife would, without fail, dance the national dance with the gypsies.
The handsome young man was earnestly arguing with Ilyushka that there was more soul in the piano-forte, and that it was impossible to take B-flat on the guitar. The chinovnik was gloomily drinking tea in one corner, and apparently the daylight made him feel ashamed of his dissipation.
The gypsies were conversing together in Romany, and urging that they should once more enliven the gentlemen; to which Stioshka objected, declaring that it would only vex the barorai,—that is, in Romany, count or prince, or rather great bárin.
For the most part, the last spark of the orgy was dying out.
"Well, then, one more song for a farewell, and then home with you," exclaimed the count, fresh, gay, and radiant above all the others, as he came into the room ready dressed in his travelling suit.
The gypsies had again formed their circle, and were just getting ready to sing, when Ilyin came in with a package of bank-notes in his hand, and drew the count to one side.
"I had only fifteen thousand rubles of public money, but you gave me sixteen thousand three hundred," said the uhlan; "this is yours, of course."
"That's a fine arrangement. Let me have it."
Ilyin handed him the money, looking timidly at the count, and opened his mouth to say something; but then he reddened so painfully that the tears came into his eyes, and he seized the count's hand, and began to squeeze it.
"Away with you, Ilyushka ... listen to me! Now, here's your money, but you must accompany me with your songs to the city limits!" And he threw on his guitar the thirteen hundred rubles which Ilyin had brought him. But the count had forgotten to repay the cavalryman the one hundred rubles which he had borrowed of him the evening before.
It was now ten o'clock in the morning. The little sun was rising above the housetops, the streets were beginning to fill with people, the merchants had long ago opened their shops, nobles and chinovniks were riding up and down through the streets, and ladies were out shopping, when the band of gypsies, the isprávnik, the cavalryman, the handsome young fellow, Ilyin, and the count who was wrapped up in his blue-lined bear-skin shuba, came out on the door-steps of the hotel.
It was a sunny day, and it thawed. Three hired tróïkas, with their tails knotted, and splashing through the liquid mud, pranced up to the steps; and the whole jolly company prepared to take their places. The count, Ilyin, Stioshka, Ilyushka, and Sashka the count's man,[70] mounted the first sledge.
Blücher was beside himself with delight, and, wagging his tail, barked at the shaft-horse.
The other gentlemen, together with the gypsies, men and women, climbed into the other sledges. From the very hotel the sledges flew off side by side, and the gypsies set up a merry chorus and song.
The tróïkas, with the songs and jingling bells, dashed through the whole length of the city to the gates, compelling all the equipages which they met to rein up on the very sidewalks.
Merchants and passers-by who did not know them, and especially those who did, were filled with astonishment to see nobles of high rank, in the midst of "the white day," dashing through the streets with intoxicated gypsies, singing at the tops of their voices.
When they reached the city limits, the tróïkas stopped, and all the party took farewell of the count.
Ilyin, who had drunk considerable at the leave-taking, and had all the time been driving the horses, suddenly became melancholy, and began to urge the count to stay just one day more; but when he was assured that this was impossible, quite unexpectedly threw himself into his arms, and began to kiss his new friend, and promised him that as soon as he got to camp, he would petition to be transferred into the regiment of hussars in which Count Turbin served.
The count was extraordinarily hilarious; he tipped into a snow-drift the cavalryman, who, since morning, had definitely taken to saying thou to him; he set Blücher on the isprávnik; he took Stioshka into his arms, and threatened to carry her off with him to Moscow; but at last he tucked himself into the sledge, and stationed Blücher by his side, who was always ready to ride. Sashka took his place on the box, after once more asking the cavalryman to secure the count's cloak from them, and to send it to him. The count cried "Go on,"[71] took off his cap, waved it over his head, and whistled in post-boy fashion to the horses. The tróïkas parted company.
As far as the eye could see, stretched a monotonous snow-covered plain, over which wound the yellowish muddy ribbon of the road.
The bright sunlight, dancing, glistened on the melting snow, which was covered with a thin crust of transparent ice, and pleasantly warmed the face and back.
The steam arose from the sweaty horses. The bells jingled.
A peasant[72] with a creaking sledge, heavily loaded, slowly turned out into the slushy snow, twitching his hempen reins, and tramping with his well-soaked sabots.[73]
A stout, handsome peasant woman, with a child wrapped in a sheep-skin on her lap, who was seated on another load, used the end of her reins to whip up a white mangy-tailed old nag.
Suddenly the count remembered Anna Fedorovna.
"Turn round!" he cried.
The driver did not understand.
"Turn round and drive back; back to the city! Be quick about it." The tróïka again passed the city gate, and quickly drew up in front of the boarded steps of the Zaïtsova dwelling.
The count briskly mounted the steps, passed through the vestibule and the parlor, and finding the widow still asleep he took her in his arms, lifting her from her bed, and kissed her sleeping eyes again and again, and then darted back to the sledge.
Anna Fedorovna awoke from her slumber, and demanded, "What has happened?"
The count took his seat in his sledge, shouted to the driver, and now no longer delaying, and thinking not of Lukhnof nor of the little widow, nor of Stioshka, but only of what was awaiting him in Moscow, rapidly left the city of K. behind him.
IX.
A score of years have passed. Much water has run since then, many men have died, many children have been born, many have grown up and become old; still more thoughts have been born and perished. Much that was beautiful and much that was ugly in the past have disappeared; much that is beautiful in the new has been brought forth, and still more that is incomplete and abortive of the new has appeared in God's world.
Count Feódor Turbin was long ago killed in a duel with some foreigner whom he struck on the street with his long whip. His son, who was as like him as two drops of water, had already reached the age of two or three and twenty, and was a lovely fellow, already serving in the cavalry.
Morally the young Count Turbin was entirely different from his father. There was not a shadow of those fiery, passionate, and in truth be it said, corrupt inclinations, peculiar to the last century.
Together with intelligence, cultivation, and inherited natural gifts, a love for the proprieties and amenities of life, a practical view of men and circumstances, wisdom and forethought, were his chief characteristics.
The young count made admirable progress in his profession; at twenty-three he was already lieutenant.... When war broke out, he came to the conclusion that it would be more for his interests to enter the regular army; and he joined a regiment of hussars as captain of cavalry, where he soon was given command of a battalion.
In the month of May, 1848, the S. regiment of hussars was on its way through the government of K., and the very battalion which the young Count Turbin commanded was obliged to be quartered for one night at Morozovka, Anna Fedorovna's village. Anna Fedorovna was still alive, but was now so far from being young that she no longer called herself young, which, for a woman, means much.
She had grown very stout, and this, it is said, restores youth in a woman. But that was not the worst of it: over her pale, stout flesh was a net-work of coarse, flabby wrinkles. She no longer went to the city, she even found it hard to mount into her carriage; but still she was just as good-natured and as completely vacant-minded as ever,—the truth might safely be told, now that it was no longer palliated by her beauty.
Under her roof lived her daughter Liza, a rustic Russian belle of twenty-three summers, and her brother, our acquaintance the cavalryman, who had spent all his patrimony in behalf of others, and now, in his old age, had taken refuge with Anna Fedorovna.
The hair on his head had become perfectly gray; his upper lip was sunken, but the mustache that it wore was carefully dyed. Wrinkles covered not only his brow and cheeks, but also his nose and neck; and yet his weak bow-legs gave evidence of the old cavalryman.
Anna Fedorovna's whole family and household were gathered in the small parlor of the ancient house. The balcony door and windows, looking out into a star-shaped garden shaded by lindens, were open. Anna Fedorovna, in her gray hair and a lilac-colored gown,[74] was sitting on the sofa, before a small round mahogany table, shuffling cards. The old brother, dressed in spruce white pantaloons and a blue coat, had taken up his position near the window, knitting strips of white cotton on a fork, an occupation which his niece had taught him, and which gave him great enjoyment, as he had nothing else to do, his eyes not being strong enough to enable him to read newspapers, which was his favorite occupation. Near him Pímotchka, a protégée of Anna Fedorovna, was studying her lessons under the guidance of Liza, who with wooden knitting-needles was knitting stockings of goat-wool for her uncle.
The last rays of the setting sun, as always at this time, threw under the linden alley their soft reflections on the last window-panes and the little étagère which stood near it.
In the garden it was so still that one could hear the swift rush of a swallow's wings, and so quiet in the room that Anna Fedorovna's gentle sigh, or the old man's cough as he kept changing the position of his legs, was the only sound.
"How does this go, Lízanka? show me, please. I keep forgetting," said Anna Fedorovna, pausing in the midst of her game of patience. Liza, without stopping her work, went over to her mother, and, glancing at the cards, "Ah!" says she. "You have mixed them all up, dear mamasha," said she, arranging the cards. "That is the way they should be placed. Now they come as you desired," she added, secretly withdrawing one card.
"Now you are always managing to deceive me! You said that it would go."
"No, truly; it goes, I assure you. It has come out right."
"Very well, then; very well, you rogue! But isn't it time for tea?"
"I have just ordered the samovár heated. I will go and see about it immediately. Shall we have it brought here?... Now, Pímotchka, hasten and finish your lessons, and we will go and take a run."
And Liza started for the door.
"Lízotchka! Lízanka!" cried her uncle, steadfastly regarding his fork, "again it seems to me I have dropped a stitch. Arrange it for me, my darling."[75]
"In a moment, in a moment. First I must have the sugar broken up."
And in point of fact, within three minutes, she came running into the room, went up to her uncle, and took him by the ear.
"That's to pay you for dropping stitches," said she laughing. "You have not been knitting as I taught you."
"Now, that'll do, that'll do, adjust it for me; there seems to be some sort of a knot."
Liza took the fork, pulled out a pin from her kerchief, which was blown back a little by the breeze coming through the window, picked it out a couple of times, and handed it back to her uncle.
"Now you must kiss me for that," said she, putting up her rosy cheek toward him, and re-adjusting her kerchief. "You shall have rum in your tea to-day. To-day is Friday, you see."
And again she went to the tea-room.
"Uncle dear, come and look! some hussars are riding up toward the house!" her ringing voice was heard to say. Anna Fedorovna and her brother hastened into the tea-room, the windows of which faced the village, and looked at the hussars. Very little was to be seen; through the cloud of dust it could be judged only that a body of men was advancing.
"What a pity, sister," remarked the uncle to Anna Fedorovna, "what a pity that we are so cramped, and the wing is not built yet, so that we might invite the officers here. Officers of the hussars! they are such glorious, gay young fellows! I should like to have a glimpse at them."
"Well, I should be heartily glad, but you know yourself that there is nowhere to put them: my sleeping-room, Liza's room, the parlor, and then your room,—judge for yourself. Mikháïlo Matveef has put the stárosta's[76] house in order for them; he says it will be nice there."
"But we must find you a husband, Lízotchka, among them,—a glorious hussar!" said the uncle.
"No, I do not want a hussar: I want an uhlan. Let me see, you served among the uhlans, didn't you, uncle?... I don't care to know these hussars. They say they are desperate fellows."
And Liza blushed a little, and then once more her ringing laugh was heard. "There's Ustiushka running: we must ask her what she saw," said she. Anna Fedorovna sent to have Ustiushka brought in.
"She has no idea of sticking to her work, she must always be running off to look at the soldiers," said Anna Fedorovna.... "Now, where have they lodged the officers?"
"With the Yeremkins, your ladyship. There are two of them, such lovely men! One of them is a count, they tell me."
"What's his name?"
"Kazárof or Turbínof. I don't remember, excuse me."
"There now, you're a goose, you don't know how to tell any thing at all. You might have remembered his name!"
"Well, I'll run and find out."
"I know that you are quite able to do that. But no, let Danílo go.—Brother, go and tell him to go; have him ask if there is not something which the officers may need; every thing must be done in good form; have them understand that it is the lady of the house who has sent to find out."
The old people sat down again in the tea-room, and Liza went to the servants' room to put the lumps of sugar in the sugar-bowl. Ustiushka was telling them there about the hussars.
"O my dear young lady, what a handsome man he is! that count!" she said, "absolutely a little cherubim,[77] with black eyebrows. You ought to have such a husband as that; what a lovely little couple you would make!" The other maids smiled approvingly; the old nurse, sitting by the window with her stocking, sighed, and, drawing a long breath, murmured a prayer.
"It seems to me that the hussars have given you a great deal of pleasure," said Liza. "You are a master hand at description. Bring me the mors,[78] Ustiushka, please; we must give the officers something sour to drink." And Liza, laughing, went out with the sugar-bowl.
"But I should like to see what sort of a man this hussar is,—whether he is brunet or blondin. And I imagine he would not object to making our acquaintance. But he will go away, and never know that I was here and was thinking about him. And how many have passed by me in this way! No one ever sees me except uncle and Ustiushka! How many times I have arranged my hair, how many pairs of cuffs I have put on, and yet no one ever sees me or falls in love with me," she thought with a sigh, contemplating her white, plump hand.
"He must be tall, and have big eyes, and a nice little black mustache.... No! I am already over twenty-two, and no one has ever fallen in love with me except the pock-marked Iván Ipátuitch. And four years ago I was still better-looking; and so my girlhood has gone, and no one is the better for it. Ah! I am an unhappy country maiden!"
Her mother's voice, calling her to bring the tea, aroused the country maiden from this momentary revery.
She shook her little head, and went into the tea-room.
The best things always happen unexpectedly; and the more you try to force them, the worse they come out. In the country it is rare that any attempt is made to impart education, and therefore when a good one is found it is generally a surprise. And thus it happened, in a notable degree, in the case of Liza. Anna Fedorovna, through her own lack of intelligence and natural laziness, had not given Liza any education at all; had not taught her music, nor the French language which is so indispensable. But the girl had fortunately been a healthy, bright little child: she had intrusted her to a wet-nurse and a day-nurse; she had fed her, and dressed her in print dresses and goat-skin shoes, and let her run wild and gather mushrooms and berries; had her taught reading and arithmetic by a resident seminarist. And thus, as fate would have it, at the age of sixteen, she found in her daughter a companion, a soul who was always cheerful and good-natured, and the actual mistress of the house.
Through her goodness of heart, Anna Fedorovna always had in her house some protégée, either a serf or some foundling. Liza, from the time she was ten years old, had begun to take care of them; to teach them, clothe them, take them to church, and keep them still when they were inclined to be mischievous.
Then her old broken-down but good-natured uncle made his appearance, and he had to be taken care of like a child. Then the domestic servants and the peasants began to come to the young mistress with their desires and their ailments; and she treated them with elderberry, mint, and spirits of camphor. Then the domestic management of the house fell into her hands entirely. Then came the unsatisfied craving for love, which found expression only in nature and religion.
Thus Liza, by chance, grew into an active, good-naturedly cheerful, self-poised, pure, and deeply religious young woman.
To be sure, she had her little fits of jealousy and envy when she saw, all around her in church, her neighbors dressed in new, fashionable hats that came from K.; she was sometimes vexed to tears by her old, irritable mother, and her caprices; she had her dreams of love in the most absurd and even the crudest forms, but her healthy activity, which she could not shirk, drove them away; and now, at twenty-two, not a single spot, not a single compunction, had touched the fresh, calm soul of this maiden, now developed into the fulness of perfect physical and moral beauty.
Liza was of medium height, rather plump than lean; her eyes were brown, small, with a soft dark shade on the lower lid; she wore her flaxen hair in a long braid.
In walking she took long steps, and swayed like a duck, as the saying is.
The expression of her face, when she was occupied with her duties, and nothing especially disturbed her, seemed to say to all who looked into it, "Life in this world is good and pleasant to one who has a heart full of love, and a pure conscience."
Even in moments of vexation, of trouble, of unrest, or of melancholy, in spite of her tears, of the drawing-down of the left brow, of the compressed lips, of the petulance of her desires, even then in the dimples of her cheeks, in the corners of her mouth, and in her brilliant eyes, so used to smile and rejoice in life,—even then there shone a heart good and upright, and unspoiled by knowledge.
X.
It was still rather warm, though the sun was already set, when the battalion arrived at Morozovka. In front of them, along the dusty village street, trotted a brindled cow, separated from the herd, bellowing, and occasionally stopping to look round, and never once perceiving that all she had to do was to turn out and let the battalion pass.
Peasants, old men, women, children, and domestic serfs, crowding both sides of the road, gazed curiously at the hussars.
Through a thick cloud of dust the hussars rode along on raven-black horses, curvetting and occasionally snorting.
At the right of the battalion, gracefully mounted on beautiful black steeds, rode two officers. One was the commander, Count Turbin; the other a very young man, who had recently been promoted from the yunkers; his name was Polózof.
A hussar, in a white kittel, came from the best of the cottages, and, taking off his cap, approached the officers.
"What quarters have been assigned to us?" asked the count.
"For your excellency?" replied the quartermaster, his whole body shuddering. "Here at the stárosta's; he has put his cottage in order. I tried to get a room at the mansion,[79] but they said no; the proprietress is so ill-tempered."
"Well, all right," said the count, dismounting and stretching his legs as he reached the stárosta's cottage. "Tell me, has my carriage come?"
"It has deigned to arrive, your excellency," replied the quartermaster, indicating with his cap the leathern carriage-top which was to be seen inside the gate, and then hastening ahead into the entry of the cottage, which was crowded with the family of serfs, gathered to have a look at the officer.
He even tripped over an old woman, as he hastily opened the door of the neatly cleaned cottage, and stood aside to let the count pass.
The cottage was large and commodious, but not perfectly clean. The German body-servant,[80] dressed like a bárin, was standing in the cottage, and, having just finished setting up the iron bed, was taking out clean linen from a trunk.
"Phu! what a nasty lodging!" exclaimed the count in vexation. "Diádenko! Is it impossible to find me better quarters at the proprietor's or somewhere?"
"If your excellency command, I will go up to the mansion," replied Diádenko; "but the house is small and wretched, and seems not much better than the cottage."
"Well, that's all now. You can go."
And the count threw himself down on the bed, supporting his head with his hands.
"Johann!" he cried to his body-servant; "again you have made a hump in the middle. Why can't you learn to make a bed decently?"
Johann was anxious to make it over again.
"No, you need not trouble about it now!... Where's my dressing-gown?" he proceeded to ask in a petulant voice. The servant gave him the dressing-gown.
The count, before he put it on, examined the skirt. "There it is! You have not taken that spot out! Could it be possible for any one to be a worse servant than you are?" he added, snatching the garment from the servant's hands, and putting it on. "Now tell me, do you do this way on purpose? Is tea ready?"
"I haven't had time to make it," replied Johann.
"Fool!"
After this, the count took a French novel which was at hand, and read for some time without speaking; but Johann went out into the entry to blow up the coals in the samovár.
It was plain to see that the count was in a bad humor; it must have been owing to weariness, to the dust on his face, to his tightly-fitting clothes, and to his empty stomach. "Johann!" he cried again, "give me an account of those ten rubles. What did you get in town?"
The count looked over the account which the servant handed him, and made some dissatisfied remarks about the high prices paid.
"Give me the rum for the tea."