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A History of Art in Ancient Egypt, Vol. 1 (of 2)

Note 255 — Chapter III · (continued 3)

Walter Armstrong translation

This belief in the appearance of the dead before Osiris and his assessors gave rise to one of the most curious errors made by the Greeks in speaking of Egypt. The scene in question is figured upon many of the tombs visited by the Greek travellers, and in many of the illustrated papyri which were unrolled for their gratification. In the fragments of some funerary inscription or of some of these manuscripts, hastily translated for them by the accompanying priests, they found frequent allusions to this act of trial and judgment. They were greatly struck by the importance attached by the Egyptians to the sentence of this tribunal, but, always in a hurry, and sometimes not especially intelligent, they do not seem to have always understood what the dragoman, without whom they could not stir from the frontier, told them as to this matter. They believed that the judges in question were living men, and their tribunal an earthly one, and that they were charged to decide whether sepulture should be granted to the dead or not. One of the early travellers, we do not know which, gave currency to this belief, and we know how it has served as the foundation for much fine writing, from the time of Diodorus to that of Bossuet. We can find nothing either in the figured monuments or in the written texts which hints at the existence of such a custom. Ever since the key to the hieroglyphics was found, egyptologists have been agreed upon this point. Every Egyptian was placed in a sepulchre befitting his station and fortune; his relations and friends had to ask no permission before they placed him in it; it was in the other world that he was brought up for judgment, and had to fear the sentence of an august tribunal.

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