PART TWO THE SLATE-COLORED HOUSE
Reading edition
1
Long ago Mrs. Downes had followed the example of other thrifty householders and painted her dwelling that peculiar slate-gray which gave the whole town so depressing an aspect. It was a color which did not show the marks of the soot that rose from the blast-furnaces and chimneys to fall and fall again over the community. The color, however, in the case of Emma’s house, seemed to extend to the inside, to lie in some peculiar fashion in the very warp and woof of the place. Being a woman of affairs she was seldom at home save when she returned to sleep and so the breath of conviviality scarcely touched its walls. The nearest approach occurred on the occasion, once each year, when she opened the place to entertain the Minerva Circle. Then she flung open the massive oak doors which separated the dining-room from the parlor and had in bleak rows of collapsible chairs, hired from McTavish, the undertaker, to support the varying weights of her fellow club members.
The refreshments were provided from the kitchens of her own restaurant—an assortment of salads, sandwiches and ice creams familiar enough to the regular patrons, but exciting and worldly novelties to ladies who did their own cooking or at best had only rather incompetent hired girls. But even this occasion was not one which left behind those ghosts of gayety which haunt the pleasant houses of the blessed; it was at best a gathering of tired, middle-aged women seated on hard chairs who wrestled with worries over children and husbands, while one or another of their fellow-members read from a rustling paper the painfully prepared account of her trip to the Yellowstone, or if the occasion was an intensely exciting one, of her voyage to Europe. Sometimes, it is true, Emma Downes rose to announce that she would read one of the interesting letters from her son, for these letters came vaguely under the head of geography and foreign travel, just as at the meetings of the Woman’s Christian Temperance Union, they came hazily under the classification of temperance. And as many of the members belonged to both organizations and were also friends of Emma, they sometimes heard the same letter several times.
No one ever dined or lunched with Emma. She had no meals at home, as she took no holidays save Sunday, when it was the tradition to lunch with Elmer, who, she sometimes reflected, was certainly rich enough from the profits of his pump works to set a better table. In Emma there was a streak of sensuality which set her apart from her brother—she liked a comfortable house and good food (it was really this in the end which made the Peerless Restaurant a triumphant success). But there was evidence of even deeper fleshliness, for the brief interlude of Mr. Downes—that butterfly of passion—had shaken her life for a time and filled it with a horrid and awful uneasiness.
In the parlor, above the tiled mantelpiece, there hung an enlarged photograph of the derelict husband from which he looked out as wooden and impassive as it was possible for a photographer to make him. Yet life had not been altogether extinguished, for there was in the cocky tilt of the head and the set of a twinkling eye which could not be extinguished, in the curve of the lip beneath the voluminous dragoon mustaches, something which gave a hint of his character. He was, one could see, a swaggering little man, cock-of-the-walk, who had a way with women, even with such game as the invincible Emma—a man who was, perhaps, an odd combination of helplessness and bravado, a liar doubtless and a braggart. On the occasions of Minerva Circle meetings a vase of flowers always stood beneath the picture, a gesture touching and appropriate, since all that remained of Mr. Downes lay, as every one knew, somewhere in China and not in a well-ordered grave among the dead of his wife’s family.
2
It was to this bleak and cheerless house that Philip and Naomi returned one winter night in the midst of a blizzard which buried all the town in snow and hid even the flames of the blast-furnaces which were always creeping distressingly nearer to Emma Downes’ property.
All the way from Baltimore during two days and a night of traveling in one dreary day-coach after another they had sat sullenly side by side, rarely speaking to each other, for Philip, driven beyond endurance, had suddenly lost his temper and forbidden her to speak again of going back to Megambo. For a time she had wept while he sat stubbornly staring out of the window, conscious of the stares of the two old women opposite, and troubled by suspicions that Naomi was using her tears to shame him before their fellow-passengers. When there were no more tears left she did not speak to him again, but she began to pray in a voice just loud enough for him to hear. This he could not forbid her to do, lest she should begin to weep once more, more violently than ever, but he preferred her prayers for his salvation to her weeping, for tears made him feel that he had abused her and sometimes brought him perilously near to surrender. He tried to harden his heart by telling himself that her tears and prayers were really bogus and produced only to affect him, but the plan did not succeed because it was impossible to know when she was really suffering and when she was not. Since that moment when he pushed her aside into the dust and fired at the painted niggers, a new Naomi seemed to have been born whom he had never known before. It was a Naomi who wept like Niobe and, turning viciously feminine, used weakness as a horrible weapon. There were moments when he felt that she would have suffered less if he had beaten her daily.
She had been, as Emma hoped, “working over him” without interruption since the moment at Zanzibar when Lady Millicent bade them a curt good-by and Philip told her that he meant never to return to Megambo nor even be a missionary again. She was still praying in a voice just loud enough for him to hear when she was interrupted by his saying, “There’s Ma, now—standing under the light by the baggage-truck.”
Emma stood in the flying snow, wrapped warmly in a worn sealskin coat with leg-o’-mutton sleeves, peering up at the frosted windows of the train. At first sight of her a wave of the old pleasure swept Philip, and then gradually it died away, giving place to a disturbing uneasiness. It was as if the sight of her paralyzed his very will, reducing the stubbornness which had resisted Naomi so valiantly, to a mere shadow. He felt his new-born independence slipping from him. He was a little boy again, obeying a mother who always knew best.
It was not that he was afraid of her; it lay deeper than fear, a part of his very marrow. He was troubled, too, because he knew that he was about to hurt her, whom he wanted to hurt less than any person in the world. Naomi did not matter by the side of his mother; what happened to Naomi was of no importance.
She saw them at once, almost as if some instinct had led her to the exact spot where they got down. Naomi she ignored, but Philip she seized in her arms (she was much bigger than he, as she had been bigger than his father). The tears poured down her face.
“Philip,” she cried. “My boy! Philip!”
From the shadow of a great pile of trunks a drunken baggage hustler watched the scene with a wicked light of amusement in his eye.
Then she noticed Naomi, who stood by, shivering in her thin clothes. For a moment there was a flash of hostility in her eye, but it passed quickly, perhaps because it was impossible to feel enmity for any one who looked so pale and pitiful and frightened. Philip, noticing her, too, suspected that it was not the cold alone that made her tremble. He knew suddenly that she was terrified by something, by his mother, by the sound of the pounding mills, of the red glow in the sky—more terrified than she had been in all the adventure by the burning lake. And all at once he felt inexplicably sorry for her. She had a way of affecting him thus when he least expected it.
“Come,” said Emma, composed and efficient once more. “You’re both shivering.”
The transfer to a smelly, broken-down cab was accomplished quickly, since missionaries have little need for worldly goods and Philip and Naomi had only what they had bought in Capetown.
On the way up the hill, the snow blew in at the cracks of the cab windows, and from time to time Emma, talking all the while, leaned forward and patted Philip’s knees, her large face beaming. Philip sat back in his corner, speaking only to answer “Yes” or “No.” No one paid any heed to Naomi.
Elmer Niman was waiting for them at the slate-colored house, seated gloomily in the parlor before the gas-logs by the side of his wife, a fat, rather silly woman, who was expecting hourly her second child, conceived, it seemed, almost miraculously after an hiatus of ten years and conscientious effort in that direction. Emma held her in contempt, not only because she was the wife of her brother, but because she was a bad housekeeper and lazy, who sat all day in a rocking-chair looking out from behind the Boston fern in her bow-window, or reading sentimental stories in the women’s magazines. Moreover, Emma felt that she should have accomplished much sooner the only purpose for which her brother had married—an heir to inherit his pump works. And when she gave the matter thought, she decided, too, that Mabelle had deliberately trapped her brother into matrimony.
But there was no feeling of hostility between them, at least not on Mabelle’s side, for it might have been said that Mabelle was not quite bright and so never felt the weight of her sister-in-law’s contempt. At the moment she simply sat rocking mildly and remarking, “I won’t get up—it’s such an effort in my condition”—a remark which brought a faint blush into Naomi’s freckled cheeks.
As soon as Philip saw his uncle—thin, bilious and forbidding—standing before the gas-logs—he knew that they all meant to have it out if possible at once, without delay. Uncle Elmer looked so severe, so near to malice, as he stood beneath the enlarged photograph of Philip’s jaunty father. There was no doubt about his purpose. He greeted his nephew by saying, “Well, Philip, I hadn’t expected to see you home so soon.”
For a second the boy wondered whether his mother had told Uncle Elmer that he had come back for good, never to return to Africa, but he knew almost at once that she had. There was a look in his cold eyes which, as Philip knew well, came into them when he fancied he had caught some one escaping from duty.
He and Naomi were thrust forward to the fire and he heard his mother saying, “I’ll have Essie bring in some hot coffee and sandwiches,” dimly, as in a nightmare, for he was seized again with a wild surge of the fantastic unreality which had possessed him since the moment when he fell unconscious beside the barricade. The very snow outside seemed unreal after the hot, brassy lake at Megambo.
He thought, “Why am I here? What have I done? Am I dreaming, and really lie asleep in the hut at Megambo?” He even thought, “Perhaps I am two persons, two bodies—in two places at the same time. Perhaps I have gone insane.” Of only one thing was he certain and that was of a strange, intangible hostility that surrounded him in the persons of all of them, save perhaps of Aunt Mabelle, who sat rocking stupidly, unconscious of what they were set upon doing to him. He knew the hostility that was there in the cold eyes of Uncle Elmer, and he knew the hostility that was in Naomi, and it occurred to him suddenly that there was hostility even in the way his mother had patted his knees as they rode through the blizzard.
They talked of this and that, of the voyage, the weather, the prodigious growth of the town and the danger of strikes in the Mills (for every one in the town lived under the shadow of the pounding mills), and presently Emma said, “But you haven’t told us about the uprising. That must be a good story.”
Philip said, “Let Naomi tell it. She can do it better than I.”
So Naomi told the story haltingly in the strong voice which always seemed strange in so fragile a body. She told it flatly, so that it sounded like a rather bad newspaper account made up from fragments of mangled cables. Once or twice Philip felt a sudden passionate desire to interrupt her, but he held his peace. It was the first time that he had heard her talking of it, and she didn’t see it at all. He wanted to cry out, “But you’ve forgotten the sound of the drums in the night! And the sight of the fire on the plains!” He thought his mother might understand what he saw in it, but Uncle Elmer wouldn’t. He decided to save it to tell his mother when they were alone. It was his story, his experience; Naomi had never shared it at all.
He heard Naomi saying, “And then we came to the coast—and—and that’s all there is to it.”
“But what about the Englishwoman?” his mother was asking.
“Oh, she went away north again—right away—I must say we were glad to be rid of her. I didn’t care for her at all—or Swanson either. She was hard and cruel—she didn’t like us and treated us like fools, like the dirt under her feet, all except Philip. I think she—well, she liked him very much.”
At the end her voice dropped a little and took on a faint edge of malice. It was a trick Philip had only noticed lately, for the first time during the long voyage from Capetown. It hung, quivering with implications, until Philip burst out:
“Well, if it hadn’t been for her we’d all be dead now. I don’t know about you, but I’m glad I’m alive. Maybe you’d rather be dead.”
Naomi made no answer. She only bowed her head a little as if he had struck her, and Uncle Elmer said, “What about Swanson? What’s happened to him?”
Naomi’s head, heavy with its mass of sandy hair, raised again. “Oh,” she said, “he went back to Megambo. He didn’t want to desert the post. He thought all the natives were depending on him.”
“Alone?”
“Yes, all alone.”
For a moment the silence hung heavy and unpleasant; Philip, miserable and tortured, sat with his head bowed, staring at the Brussels carpet. It was his mother who spoke.
“I must say it was courageous of him. When I saw him before you all left I didn’t think much of him. He seemed stupid....”
“But he has faith,” said Naomi, “and courage. He was for not raising a hand during the attack. He didn’t want to kill, you see.”
Sitting there, Philip felt them beating in upon him, mercilessly, relentlessly, and he was afraid, not of any one of them but because all of them together with the familiar sight of the room, the veneered mahogany furniture, the red wallpaper, even his father’s photograph with the flowers beneath it, made him feel small and weak, and horribly lonely as he had sometimes felt as a little boy. He kept saying to himself, “I’m a man now. I won’t give in—I won’t. They can’t make me.”
And then Uncle Elmer launched the attack. His method aimed, as if by some uncanny knowledge, at Philip’s weakest part. He began by treating him as a little boy, humoring him. He even smiled, an act so rare with Uncle Elmer that it always seemed laden with foreboding.
“And what’s this I hear about your not going back, Philip—about your changing your mind?”
Philip only nodded his head without speaking.
“You mustn’t think of it too much just now. Just forget about it and when you’re rested and better everything will come out all right.”
Then Philip spoke. “I’m not going back.”
But Uncle Elmer pondered this, still humoring him as if he were delirious or mad.
“Of course, it’s a matter of time and rest. I’ve always felt toward you as I would toward my own son—if I had one.” (Here Aunt Mabelle bridled and preened herself as if flattered by being noticed at last, even by implication.) “I’m thinking only of your own good.”
“I’m not going back,” repeated Philip dully.
The singsong voice of Uncle Elmer went on: “Of course, once you’ve had the call—there’s no mistake. You can’t turn back from the Lord once you’ve heard the call.”
“I never had the call.”
“What do you mean? You can’t imagine a thing like that. Nobody ever imagined he heard the Lord calling him.”
“It’s true, though—I must have imagined it.”
He couldn’t say, somehow, what he wanted to say, because it wasn’t clear in his own mind. He had thought he had heard the call, but now he saw it wasn’t really so at all. He felt vaguely that his mother was somehow responsible for the feeling.
Uncle Elmer waited for a time, as if to lend weight to his words.
“Do you understand that it is a great sin—to abandon the Lord’s work—the greatest sin of which a human creature can be guilty?”
Philip was trembling now like a man under torture. He couldn’t fight back, somehow, because he was all confused, inside, deep down in his soul. It was as if his brain were all in knots.
“I don’t know what is sin and what isn’t. I’ve been thinking about it—I used to think of it for hours at a time at Megambo, I couldn’t do my work for thinking of it—I don’t know what is sin and what isn’t, and you don’t either. None of us know.”
“We all know, Philip. The Bible tells us.”
(Yes, that was true. The Bible had it all written down. You couldn’t answer a thing like that.)
“He’s lost his faith,” said Naomi.
“You must pray, Philip. I pray when I’m in doubt—when I’m in trouble. I’ve prayed when I’ve been worried over the factory, and help always came.”
“I can’t explain it, Uncle Elmer. It’s a spiritual thing that’s happened to me.... I couldn’t go back—not now!”
Uncle Elmer’s eyebrows raised a little, superciliously, shocked.
“A spiritual thing? To turn your back on God!”
“I haven’t said that—” How could he explain when “spiritual” meant to them only Uncle Elmer’s idea of “Biblical”? “I mean it is something that’s happened to my spirit—deep inside me.”
How could he explain what had happened to him as he lay in the rushes watching the procession of black girls? Or what had happened as he stood half-naked by the dying fire listening to the drums beating against the dome of the night? How could he explain when he did not know himself? Yet it was an experience of the spirit. It had happened to his soul.
He kept repeating to himself, “I won’t—I won’t. They can’t make me.” He saw his mother watching him with sad eyes, and he had to look away in order not to weaken and surrender.
Then Naomi’s flat voice, “I’ve prayed—I’ve pled with him. I never cease to pray.” She had begun to weep.
Philip’s jaw, lean from illness and dark from want of shaving, set with a sudden click. His mother saw it, with a sudden sickening feeling that the enlarged photograph above his head had come to life. She knew that jaw. She knew what it meant when it clicked in that sudden fashion.
“It’s no use talking about it—I won’t go back—not if I burn in Hell.”
Uncle Elmer interrupted him, all the smoothness gone suddenly from his voice. “Which you will as sure as there’s a God above!”
The thin, yellow, middle-aged man was transformed suddenly into the likeness of one of the more disagreeable Prophets of the Old Testament. He was cruel, savage, intolerant. Emma Downes knew the signs; she saw that Elmer was losing his temper and beginning to roll about in the righteousness that made him hard and cruel. If he went on against that set, swarthy jaw of Philip, only disaster could come of it. They would lose everything.
“We’d all better go to bed; it’s late and we’re all worn out—Philip and Naomi most of all. There’s no hurry about deciding. When Philip’s well again—”
They meant to postpone the struggle, but not to abandon it. They bade each other good-night and Aunt Mabelle, rising from her rocking-chair with difficulty, smiled and insisted on kissing Philip, who submitted sullenly. Secretly she was pleased with him as she was always pleased when she saw some one get the better of Elmer.
As the door closed beneath the horrid glare of the green-glass gas-jet, Uncle Elmer turned.
“And what will you do, Philip, if you don’t go back? You’ll have to start life all over again.”
“I don’t know,” Philip answered dully. But he did know, almost, without knowing it. He knew deep down within the very marrow of his bones. There was only one thing he wanted to do. It was a fierce desire that had been born as he lay beneath the acacia-tree watching the procession of singing women.
3
When Uncle Elmer and Aunt Mabelle, walking very carefully on account of Aunt Mabelle’s “condition,” had gone down the path into the flying snow, Emma said, “We’ll all go to bed now. You’re to have the spare-room, Philip, Naomi will sleep with me.”
“No, I can’t sleep yet. I’m going to sit up a while.”
“Then put out the gas when you come to bed. It gets low toward morning and sometimes goes out by itself.”
Naomi went off without a word, still enveloped in the aura of silent and insinuating injury, and Philip flung himself down on the floor before the gas-log, as he had always done as a boy, lying on his stomach, with the friendly smell of dust and carpet in his nostrils, while he pored over a book. Only to-night he didn’t read: he simply lay on his back staring at the ceiling or at the enlarged photograph of his father, wondering what sort of man he had been and whether, if he were alive now, he would have helped his son or ranged himself with the others. There was a look in the eye which must have baffled a man like Uncle Elmer.
Upstairs, directly overhead, Naomi and Emma prepared for bed in silence. Only once did either of them speak. It happened when Emma burst out with admiration as Naomi let down the heavy mass of dull reddish hair. They both undressed prudishly, slipping on their outing-flannel nightgowns before removing their underwear, and hastily, because the room was filled with damp chill air. Emma lent her daughter-in-law one of her nightgowns, for Naomi had no use for outing-flannel in East Africa, and possessed only a sort of shapeless trousseau of patterned calico. The borrowed garment gave her the air of a woman drowning in an ocean of cotton-flannel.
After the gas was extinguished, they both knelt down and prayed earnestly, and toward the same end—that the Lord might open Philip’s eyes once more and lead him back to his duty.
The moment the blankets were drawn about their chins, they began to talk of it, at first warily, feeling their way toward each other until it became certain that they both wanted the same thing, passionately and without division of purpose. Naomi told her mother-in-law the whole story—how she had worked over him, how she had even made the inarticulate Swanson summon courage to speak, how she had prayed both privately and in public, as it were, before Philip’s eyes. And nothing had been of any use. She thought perhaps the wound had injured his brain in some way, for certainly he was not the same Philip she had married; but once when she had suggested such a thing to him, he had only attacked her savagely, saying, “I’m just as sane as you are—wanting to go back to those dirty niggers.”
“Dirty niggers,” Naomi said, was an expression that he had undoubtedly picked up from the Englishwoman. She always spoke of the natives thus, or even in terms of profanity. She smoked cigars. She used a whip on her bearers. In fact, Naomi believed that perhaps she was the Devil himself come to ruin Philip and in the end to drag him off to Hell.
“I would have gone back without Philip,” she said, “but I couldn’t go alone with Swanson, and I felt that the Lord meant me to cleave to Philip and reclaim him. That would be a greater victory than the other.”
Emma patted her daughter-in-law’s thin hand. “That’s right, my dear. He’ll go back in the end, and a wife ought to cleave to her husband.” But there was in the gesture something of hostility, as there had been in her touching Philip a little while before. It was as if she said, “All the same, while he’s here, he belongs to me.”
And then Emma, listening, said, “Sh! There he comes now up the stairs.”
They both fell silent, as if conscious that he must not know they lay there in the darkness plotting (not plotting, that was a word which held evil implications) but planning his future, arranging what would be best for him body and soul—a thing, they knew, which he could not decide in his present distracted state of mind. They both fell silent, listening, listening, listening to the approaching tread of his feet as they climbed the creaking stairs, now at the turn, now in the upper hall, now passing their door. He had passed it now and they heard him turning the white china knob of the door into the dismal spare-room.
He would think they were both asleep long ago.
They talked for a while longer, until Naomi, worn by the wretched journey in a day-coach and lulled by the warmth with which the great vigorous body of Emma invested the walnut bed, fell asleep, her mouth a little open, for there had never been a surgeon anywhere near her father’s mission to remove her adenoids. But she did not sleep until Emma had learned beyond all doubt that in this matter Naomi was completely on her side; and that there was no possibility of children to complicate matters. Naomi was still a virgin, and somehow, in some way, that was a condition which might be made use of in the battle. She was not certain of the manner, but she felt the value of Naomi’s virginity as a pawn.
Nor did she fall asleep at once. She suffered from a vague, undefined sense of alarm, which she had not known in more than twenty years of life wherein men played no rôle. She had not suffered thus since the disappearance of her husband. He seemed to have returned to her now with the return of her son. Philip, she saw, was a child no longer, but a man, with a little gray already in his black hair, terrifyingly like his father in appearance.
It was more, too, than appearance, for he had upon her the same effect that his father had had before him—of making her feel a strange desire to humor, to coddle him, to go down on her knees and do his bidding. He was that sort of man. Even Naomi seemed at moments to succumb to the queer, unconscious power. Lying there in the darkness Emma determined resolutely to resist this disarming glamour, for she had lost his father by not resisting it. She must make the resistance for her own and for Philip’s good, though it would have been a warmer and more pleasant, even a voluptuous feeling to have yielded to him at once.
One thing, she saw, was clear—that Philip did not mean to run away as his father had done. He had returned to fight it out, with his dark jaw set stubbornly, because there was in him something of herself, which his father had lacked, something which, though she could not define it, filled her with uneasiness. She, the invincible Emma, was a little frightened by her own son.
And it touched her that he seemed so old, more, at times, like a man of forty than a boy of twenty-six: his face was lined, and his mouth touched by bitterness. He was no longer her little boy, so soft and good-looking, with that odd, blurred haze of faith in his blue eyes. He had a face now and the fact disturbed her, she could not tell why. He had been a little boy, and then, all at once, a man, with nothing in between.
At last—even after Philip, lying tormented in the spare bedroom, had fallen asleep, she dropped into an uneasy slumber, filled with vague alarms and excursions in which she seemed to have, from time to time, odd disturbing glimpses of a Philip she had never known, who seemed to be neither boy nor man, but something in between, remarkably like his worthless scamp of a father, who lived always to the full.
4
The Town stood built like Rome upon Seven Hills, which were great monuments of earth and stone left by the last great glacier, and on these seven hills and in the valleys which surrounded them a whole city, created within the space of less than a century, had raised houses and shops, monstrous furnaces spouting flame and smoke and cavernous sheds black and vast as the haunts of legendary monsters, where all day and night iron and steel drawn from the hot bellies of the furnaces was beaten into rails and girders, so that other towns like it might spring into existence almost overnight. The Mills and furnaces could not, it seemed, work fast enough, so there were always new ones building, spreading out and out, along the borders of the railroad which touched the Atlantic Ocean on one side and the Pacific on the other.
It was not a pretty town. The sun rarely rose unobscured by clouds of hanging black smoke: the air was never still day or night from the vibrations of that gigantic beating and pounding. There was no house nor building unstained by long streaks made by the soot which fell like black manna from the skies. But it was a rich town, fabulously rich and busy as an ant-hill overturned carelessly by the foot of man. People were always crawling in and out of the Mills, up the long hill to the Main Street that was bordered by hundreds of little shops which sold cheap clothing and furniture, swarming over the bright steel threads of the railroads and through the streets in the dark region known as the Flats, which was given over to the slave ants brought in from foreign countries to work day and night without light or air. On the hills, at a little distance, dwelt those who in a way subsisted upon the work of the slave ants—all the little merchants, the lawyers, the bankers who were rich because the world about them was rich, because the little world was a hive of activity where men and women were born, and toiled, and lived and died endlessly. For them it was not a struggle to exist. It was scarcely possible not to succeed.
It had made even Emma Downes rich in a small way. The money seemed forever pouring out, rolling off: one had only to find a clear spot and stand there waiting to catch what rolled towards it.
On the seven hills the ants had their social life, divided into caste upon caste. In the Flats the slave ants had no existence at all. They seldom climbed the hills. One never saw them. But on the hills there were ants of all sorts, and odd reasons determined why they were what they were: sometimes it was money, sometimes ambition, sometimes clothes, sometimes the part of the ant-hill which they occupied, sometimes the temple in which they worshiped. They fussed over these things and scurried about a great deal in their agitation.
At the bottom of the heap were the slave ants who had no existence and at the top was an old woman who occupied a whole hill to herself and was content to live there surrounded on all sides by the black, dark mills and the workers. She was a sort of queen ant, for she was a disagreeable, scornful old woman, and she made no effort. She was immensely rich and lived somberly in a grand manner unknown elsewhere in the Town; but it was, too, more than this. She was scornful and she inspired awe. Her name was Julia Shane. She had been born a queen ant.
Emma Downes did not know her. It is true that she had seen the old woman often enough in a mulberry victoria drawn by high-stepping black horses, as she passed the Peerless Restaurant; she had seen her sitting very straight and grim, dressed in mauve and black, or wrapped comfortably in sables. Sometimes her daughters rode with her—the one who was religious and worked among the people of the Flats, and the one who lived in Paris and was said to be fast.
There were reasons, of course, why they did not know each other—antlike reasons. Emma lived in the wrong part of the Town. She was the sister of Elmer Niman, who was a pious man with a reputation for being a sharp dealer. Emma and Elmer cared nothing for the things on which the old woman spent insanely great sums of money, such things as pictures and carpets and chairs. To Emma, a chair was a chair; the fancier it was, the prettier and more tasteful it must be. And Emma went to a church that was attended by none of the fashionable ants, and the old woman went to no church at all. Emma was President of the Woman’s Christian Temperance Union, which the old lady considered not only as great nonsense, but as an impertinent effort to fly in the face of Nature. Emma had a missionary son, and to Julia Shane missionaries were usually self-righteous meddlers. (The old lady had never even heard of Naomi Potts, “the youngest missionary of the Lord in darkest Africa.”) There was reason upon reason why they never met. Emma thought her a wicked old thing, who ought to be reformed, and Julia Shane didn’t know that Emma existed.
It was immensely complicated—that antlike world.
For Philip it was no more complicated now than it had been in his childhood, when he had gone his own shy, solitary way. He had been lonely as a child, with the loneliness which all children know at moments when they are bruised and hurt: only with him it seemed always to have been so. It may have been the domination, even the very presence, of a woman so insensitive and crushing as Emma Downes that bruised and hurt him ceaselessly and without consciousness of relief. It was worse, too, when she was your mother and you adored her.
He had been happiest in moments when, escaping from his mother and the slate-colored house, he had gone off to wander through the fields beyond the Town or along the railway tracks among the locomotives. It was the great engines which he liked best, monsters that breathed fire and smoke, or sat still and silent in the cavernous roundhouse, waiting patiently to have bolts tightened, or leaks soldered, so that they might go on with their work. They did not frighten him as they might have frightened some children: they seemed ferocious but friendly, like great ungainly dogs. They terrified him less than Uncle Elmer or the preacher, Mr. Temple. (Mr. Temple was gone now and another younger, more flowery man named Castor had taken his place.)
By some miracle he had been able to keep his secret from his mother and continued, even when he was grown, to wander about for hours among the clanging wheels and screaming whistles during his holidays from the theological seminary. Some childish cunning had made him understand that she must never know of these strange expeditions, lest she forbid them. She was always so terrified lest something happen to him.
In all his childhood he could remember having had only two friends—one of them, McTavish, the undertaker, was kept as much a secret as the friendly locomotives had been; for Philip, even as a child, understood that there was something about the fat, jovial man which Emma detested with a wild, unreasonable fury.
The other was the black-haired, blue-eyed, tomboyish Mary Watts, who lived a dozen blocks away in a more fashionable part of Town where each house had its big stables and its negro coachmen and stable boys. She was older than he by nearly two years, and much stronger: she detested girls as poor weak things who liked starched skirts and dickies of white duck that were instruments of torture to any one who liked climbing and snowball fights. So she had recruited Philip to play on the tin roof of the carriage shed and build the house high up in the branches of the crabapple tree. He always felt sorry for her because she had no mother, but he saw, too, with a childish clarity, that it was an advantage to be able to do exactly as you pleased, and build the tree-house as high in the air as you liked, far up among the shiny little red apples where it made you thrillingly sick to look over the edge.
But this friendship was throttled suddenly on the day (it was Philip’s twelfth birthday) they went to play in the hay-loft. They had been digging in the fragrant hay and building tunnels, and feeling suddenly tired and hot, they lay down side by side, near the open door. In the heat, Philip, feeling drowsy, closed his eyes and listened to the whirring of the pigeons that haunted the old stable, happy, contented and pleased in a warm, vague way to be lying there beside his friend Mary, when suddenly he heard his mother’s hearty voice, and, opening his eyes, saw her standing at the top of the stairs. He could see that she was angry. She said, “Philip, come home at once—and you, Mary, go right in to your aunt. You ought to be ashamed of yourself!”
She swept him off without another word and at home she shut him in the storeroom, where she talked to him for an hour. She told him he had done a shameful thing, that boys who behaved like that got a disease and turned black. She said that he was never to go again to Mary Watts’ house or even to speak to her. She told him that because he had no father she must be both father and mother to him, and that she must be able to trust him in the hours when she was forced to be at the bakery earning money to feed and clothe them both.
When she had finished, Philip was trembling, though he did not cry, because men didn’t behave like babies. He told her he was sorry and promised never to speak to Mary Watts again.
And then she locked him in for an hour to ponder what she had said. He didn’t know what it was he had done: he only felt shameful and dirty in a way he had never felt before, and terrified by a fear of turning black like those nigger boys who lived in the filthy houses along the creek by the Mills.
When Emma came back to release him from the storeroom prison, she forgave him and, taking him in her arms, kissed and fondled him for a long time, saying, “And when you’re a big boy and grown up, your mother will always be your girl, won’t she?”
She seemed so pleasant and so happy, it was almost worth the blind pain to be able to repent and make promises. But he never had the fun of playing again with Mary Watts. He went back to his beloved engines. Sometimes he played ball, and he played well when he chose, for he was a smallish, muscular boy, all nerves, who was good at games; but they never interested him. It was as if he wanted always to be alone. He had had friends, but the friendships had ended quickly, as if he had come to the bottom of them too soon. As a little boy there was always an odd, quizzical, affectionate look in his eye, and there were times when, dreaming, he would wander away into mazes of thought with a perpetual air of searching for something. He, himself, never knew what it was.
And then at seventeen, taciturn, lonely and confused, he had stumbled upon God. The rest was easy for Emma, especially when Naomi came unexpectedly into their lives. Sometimes, in bitter moments, she had thought of Philip as a symbol of vengeance upon his errant father: she had kept him pure and uncontaminated by the world. She had made of him a model for all the world to observe.
5
When, on the morning after his return, Philip went out of the door of the slate-colored house, and down the walk through the drifted snow, he knew suddenly that he was more lonely, more aimless than he had ever been. The blizzard was over, and the sky lay cold and gray above the curtain of everlasting smoke. At the gate he hesitated for a moment, wondering which way he would turn; and then abruptly he knew that it made no difference; there was no one that he wanted to see, no one with whom he could talk. He knew that in the house behind him there were two women who thought it shameful for him to be seen at all in the streets. They had even hoped, no doubt, that he would not show himself so soon. Even people who knew the story Emma had told of illness and wounds and a holiday, would think that he ought to have stuck at his post and fought it out there.
People, he knew—at least the people of their sort who were church-goers—were like that: they were willing to pile glory upon visiting missionaries, but they gave money grudgingly and expected missionaries to stick to their tasks. The money they gave warmed their hearts with a wicked Roman Catholic sense of comforts bought in Heaven. They would think he ought not to have returned until he had earned a proper holiday. For himself he did not care, especially since he knew he was far more wicked than they imagined, but with his mother and Naomi it was different. At the sight of Naomi, sitting pale and miserable across the table from him at breakfast, he had been stricken suddenly with one of those odd twinges of pity which sometimes delivered him into her hands, bound and helpless. When he thought of it now—how near he had been to yielding—he was frightened. Such odd, small things could turn a whole life upon a new path.
He closed the gate and turned towards the left, without thinking why he had chosen that direction until he found himself turning down the long hill to the Flats. He was going towards his beloved locomotives exactly as he had done a dozen years earlier when he could think of no one he wanted to see in all the Town; and suddenly he was almost happy, as if he were a boy of twelve once more, and not a man of twenty-six who had lost more than ten precious years of life.
It struck him, as he waded through heaps of snow already blackened by soot, that the Town had changed: it was not, in some subtle way, the same place. Where once it had seemed a dull, ugly Town, friendly because it was so familiar, it now seemed rather exciting and lively, and even thrilling. It was so alive, so busy, so filled with energy. As he descended the hill the impression grew in intensity. The pounding of the Mills, the leaping red flames above the furnace chimneys, the rumbling, half-muffled clamor of the great locomotives—all these things gave him a sudden, tremendous feeling of life. He saw for the first time, though he had passed them a thousand times in his life, those long rows of black houses where the mill-workers lived huddled together in squalor. He saw one or two sickly geraniums behind the glass, a crimson featherbed hung from a window, a line of bright clothes all dancing frozen and stiff as dead men in the cold wind.
For a moment he halted on the bridge that crossed Toby’s Run and, standing there, he watched the great cranes at work lifting, with a weird animal intelligence, their tons of metal, picking up a burden in one place and setting it down in another. The air smelled of hot metal and the pungent tang of coal-smoke. Beneath him the stream, no longer water, but a flowing mass of oil and acids and corrosion, moved smoothly along: in a stream so polluted even ice could not freeze along the banks. Beyond the mills and piled low on the top of its patrician hill the mass of Shane’s Castle showed itself against the leaden sky. It had been red brick once, but long ago it had turned black. There were only dead trees in the park surrounding it.
It all stood out sharp and clear—the houses, the river, the furnaces, the great engines, the lonely, quiet homes on the hills; and suddenly he knew what it was that made the difference. The Town seemed a new, strange place because of that queer thing which had happened to him at Megambo. The scales had fallen from his eyes. He remembered how suddenly he had seen the lake, the forest, the birds, in a new way, as if outlined by light; and that odd, sensual feeling of strength, of vigor, of life, overwhelmed him again, as it had done while he stood naked in the moonlight listening to the ominous drums. For a moment he fancied that he heard them once more, but it was only the pounding of the Mills. It was new to him after having been away for so long; the sound hadn’t yet come to be a part of the silence which one did not hear because it was always there.
As he turned away he caught a glimpse of a pale, tall figure all in gray turning a corner down one of the sodden streets of the mill-workers. After a moment he recognized it slowly: it was Irene Shane, the daughter of Old Julia—the daughter who had given all her life and her money to work among the poor of the Flats. He remembered her then—she was the one who had started a club-house and a school where the foreigners, the Hunkies and Dagoes, might learn to speak English and their wives might learn to save the babies who died like flies. She carried it on herself, with only the aid of a Russian mill-hand, because people in the Town wouldn’t give money. He remembered his mother’s having mentioned it in a letter. “The Church was against it,” she wrote, “because it took time and money away from foreign missions.”
He looked after the thin figure until it disappeared into one of the houses, and then turned away. As he walked he found himself thinking of Mary Watts. His mother had written that Mary Watts had something to do with the club-house, until she married the new superintendent of the mills. He must ask his mother what had become of Mary Watts. Of course, she was Mary Conyngham now.... It was odd, but she was the only person in the Town that he wanted to see. At last he had thought of some one.
On his way up the hill once more, he passed, near the establishment of McTavish, the undertaker, the tall, powerful, middle-aged figure of the Reverend Castor bound upon some errand. He was a rather handsome man, a little pompous but with a kind face, who was quite bald and wore the hair which the Lord had spared him very long and wound about his head, in a way calculated to conceal his baldness. People said he was a good man, and a fiery preacher with a wife who had been a complaining invalid for fifteen years and rarely left her bed. Philip scarcely knew him, though it was he who had married himself and Naomi and blessed them when they left for Africa. The clergyman did not see him now and Philip slipped by unnoticed.
From behind the glass of the Funeral Parlor, he knew that McTavish and his cronies had seen him. They sat in there hugging the stove, a group of middle-aged and elderly men who played checkers or rummy and gossiped all day. It was a great place for news, since most deaths were reported at once to the fat, good-natured McTavish. Every one was buried by McTavish; he was the one who laid the hill-ants to rest deep in the gravel of the seventh of these glacial hills. McTavish never went to church and the big iron stove was known, even on Sunday, as the nucleus of a band of shocking atheists and mockers. McTavish seemed to understand at once whether the one he had come to bury was loved or whether it was simply a relative from whom you were likely to inherit. He was a bachelor who had no life save that which centered about the iron stove; yet he knew the Town in a way that no one else knew it because he was always near to the root of all things.
Philip knew that the group about the stove were saying, “There goes Emma Downes’ boy who went to Africa for a missionary. He was always a queer one—not a bit like Emma.”
And then they would launch into talk about the old story of Jason Downes and his fantastic disappearance into the depths of China, where he had escaped in the end the last ministrations of McTavish. They knew everything, those old men. Each one was a walking history of the Town.
Philip, half a block off now, began to feel that sense of life which somehow sustained them. He began to feel people, ambitions, jealousies, loves and hatreds, stirring all about him in a strange, complicated maze.
Naomi was waiting for him, dressed to go out. She had put on a thick blue veil because, Philip suspected, she did not want to be recognized.
“Your Ma wants us to eat at the restaurant,” she said, and together they set out in silence.
Miraculously they met no one on the way, and once inside the big, white, clean restaurant, Emma led them to the table where, shielded by a screen from draughts, she always ate. The restaurant began to fill with customers—clerks, lawyers, mill-employees, shopkeepers, farmers and their wives in from the country for the day—all lured by the excellent food supplied by Emma. After a time the tables were all filled and people stood waiting their turn. It was marvelous, the success of Emma. Dishes clattered, orders were shouted, the cash-register clanked and banged unceasingly. She was proud of the place and happy there: it was clear that she could not imagine living away from such a hubbub and din.
While they were eating the stewed dried corn which she gave her customers in place of the usual insipid canned variety, she asked, “What did you do this morning, Philip?”
“I went for a walk.”
“Where?”
“In the Flats.”
“You might have chosen a handsomer part of the Town. You might have gone out to see the new Park.”
He didn’t tell her about the locomotives. Once he had kept it a secret because she would have forbidden him to return to them. Now, he kept his secret for some other reason: he did not know quite what it was. He only knew that Emma and Naomi must not know of it. It would only make them believe that he was completely crazy.
Presently, when they had reached the squash pie, he asked, “What’s become of Mary Watts?” And at the same moment he felt himself blushing horribly, for in some way the memory of the imprisonment in the storeroom returned to claim him unawares, and make him feel a shameful little boy unable to look his mother in the eye. Only he understood now: he knew what lay beneath the ancient, veiled accusations....
“Oh, she’s had a sad time,” said Emma. “You know she married the superintendent of the Mills—John Conyngham—a man fifteen years older than she was, and every one thought it was a good match. But he died—three weeks ago—while you were on the ocean, leaving her with two small children. They’ve some money, but not very much. The Watts house was sold when old Watts died—to pay his debts. She’s living with Conyngham’s sister, who’s quite well off. They’re in the old Stuart house in Park Avenue. Old Stuart lost all his money hanging on to too much land, so they bought the house off him. I guess Conyngham wasn’t a very good husband—I used to see his bicycle sitting in front of Mamie Rhodes’ house. There couldn’t have been much good in that—men like Mamie Rhodes too well.”
She knew it all, the story in all its details, even to Mamie Rhodes, at whose name women in the Town were wont to bristle. No one knew anything about Mamie: it was just that she was much too young for her years, and did something to men—nobody knew just what it was—that made her very popular.
“And what was he like?” asked Philip.
“Conyngham,” said Emma, “John Conyngham? He was handsome, but I never liked his looks. I’d never trust a man that looked like that.”
What she meant was that there was something about John Conyngham that reminded her of the derelict Mr. Downes, and that the sight of him had always disturbed her in a terrifying way. She couldn’t bear to look at him.
“He died of pneumonia,” she said above the clatter of the dishes and the prosperous banging of the cash-register. “They say he caught it coming home in the rain from Mamie Rhodes’ on Thanksgiving night.”
Philip listened and the dull red still burned under the dark skin. He was aware that the two women were watching him, secretly, as they might watch a man who was a little unbalanced: they had been doing so without cessation since his return. They were a little like two purring cats watching prey all innocent of their intentions.
6
It was impossible, of course, for the three of them to continue playing the game of hide-and-seek, pretending that Philip and Naomi had not returned or that Philip was too ill to go out; it was impossible for Naomi to go about forever disguised by a thick veil. Even Emma’s eternal policy of allowing things to work themselves out appeared after a month to be productive of no result, for Philip’s “mental condition” showed no signs of improvement. He remained, rocklike, in his determination, while the two women watched, stricken with uneasy fears because the Philip whom they had once known so well that they could anticipate and control his every impulse, now seemed a creature filled with vague and mysterious moods and ideas that lay quite beyond the borders of their understanding.
Their watching became at times unbearable to him, for it gave him the suffocating sense of being a maniac who was not to be trusted alone. He took to spending more and more time away from the house, either walking the country roads or wandering through the black Flats where he was safe from encountering any one or anything, save the gray figure of Irene Shane, going her tireless rounds. Once he had a glimpse of the old lady herself—Irene’s mother—riding by wrapped in sables on the last ride she was ever to take.
A sense of waiting, more definite, more intense, than the tension of the long day at Megambo, settled over the slate-colored house. It was broken on the fourth Sunday after Philip’s return when the three of them lunched, as usual on boiled mutton, at Uncle Elmer’s. It was a gloomy lunch, tainted by the sense of Philip’s sin. The gloom enveloped all of them, save Aunt Mabelle and her ten-year-old daughter, Ethel, who showed already signs of resembling her mother in feebleness of character and inertia of mind. The room was, through a lack of windows, dark, and under the fog of smoke that enveloped the Town it became even more cavernous and dreary; but Elmer Niman never permitted his wife to waste gas in illumination. One groped for food in the dark, while Elmer talked of the low pressure occasioned by the sad waste of gas in the Town.
The break came only after considerable preparation on the part of Emma. She said, quite casually, “I saw Reverend Castor yesterday. He came into the restaurant to see me.”
“He’s not looking as well,” put in Aunt Mabelle. “It must be a strain to have an invalid wife. It’s not natural for a man to live like that.”
Elmer interrupted her, feeling perhaps that she was bound toward one of those physiological observations which she sometimes uttered blandly and to the consternation of all her world.
“He is a good man. We are fortunate in having him.”
“God will reward him for his patience,” observed Emma.
“I talked to him day before yesterday,” said Naomi. “I think I may go to sing in the choir while we are on our holiday.”
Vaguely Philip began to sense the existence of a plot, conceived and carried out with the express purpose of forcing him to do something he had no desire to do. It seemed to him that they had rehearsed the affair.
“There is an empty place on the alto side,” observed Emma. “They could use a good strong voice like yours.”
“Of course,” said Naomi, “it’s so long since I’ve sung—not since I used to lead the singing at the revival meetings.”
“And Philip—he used to sing.”
“He never does now. He wouldn’t help me teach the natives at Megambo.”
Philip, listening, fancied that he caught a sympathetic glance from Aunt Mabelle. She was silly and stupid, but sometimes it seemed to him that she had flashes of uncanny intuition: she had, after all, had great experience with the tactics of Elmer and his sister. She sat opposite Philip, eating far too much, lost in cowlike tranquillity. She was still bearing patiently the burden which by some error in calculation had been expected hourly for more than a month. Only yesterday she had said, “I expect little Jimmy will have all his teeth and be two years old when he is born!”—a remark that was followed by an awkward silence. Married to another man she would undoubtedly have had ten or fifteen children, for she was born to such a rôle.
“That’s how I met Elmer,” she said brightly, “singing in the choir. I used to sing alto, and he sang bass. He sat right behind me and his foot....”
“Mabelle!” said Elmer.
She veered aside from the history of a courtship which always engaged her with a passionate interest. “Well, I’ve always noticed that lots of things begin in church choirs. There was that Bunsen woman who ran off with....”
Emma trod upon her, once more throttling her flow of reminiscences.
“That’s right, Naomi,” she said, “it’ll help pass the time while you’re waiting.” And then, polishing her spoon with her napkin (an action which she always performed ostentatiously as an implication upon the character of Mabelle’s housekeeping) she said, “By the way, he’s planned a Sunday night service which is to be given over entirely to you and Naomi—Philip. Think of that. It’s quite an honor.” (She would sit well down in front that night where she could breathe in all the glory.) “I told him, of course, that you’d be delighted to do it.”
“Yes,” said Naomi, “he spoke to me about it. We’ll tell our experiences.” The prospect of so much glory kindled a light in the pale eyes—the light of memories of revival meetings when she had been the great moving force.
Then Philip spoke for the first time. “I won’t do it—I’m through with all that.”
There was a horrible silence, broken only by the clatter of a fork dropped by little Ethel on her plate.
“What do you mean?”
“I told you all that before. I thought you must have understood by now. I can’t go on saying it forever.”
“But, Philip ... you can’t refuse a good man like the Reverend Castor. You can’t when he’s been so kind. He always prayed for you and Naomi every Sunday, publicly, as if you were our special missionaries.”
There was only silence from Philip. The dark jaw had hardened suddenly.
“When we were all looking forward to it so much,” added Emma.
Then suddenly there came to him a faint suspicion—shadowy and somewhat shameful—of what it was all about. They were looking forward to an orgy of public notice and glory, to sitting bathed in the reflected light while he talked about Africa to a congregation of faithful admirers. He even suspected that this was the reason they were so determined to ship him back to Africa. They would find glory in his sufferings. He was angry suddenly, even hostile.
“You can tell him I won’t do it.”
“But, Philip, you must tell him yourself.”
“I don’t want to see him.”
Here Uncle Elmer took a hand, using the familiar tactics. “Of course, I can understand that—Philip’s not wanting to see him.” He grimaced suddenly at Emma to let him manage it. “I’ll speak to Reverend Castor myself. I’ll explain about Philip’s condition.”
For a second Philip grew hot with anger; he even pushed back his chair from the table as if to rise and leave. It was, oddly enough, Aunt Mabelle who restrained him. He fancied he caught a sudden twinkle in her round eyes, and the anger subsided.
Another painful silence followed, in which Rose, the negro maid-of-all-work, placed the Floating Island violently before Aunt Mabelle to be served. The room grew darker and darker, and presently Uncle Elmer said, “I suppose, Philip, if you intend to stay here you’ll be looking for some sort of work. It will mean, of course, starting life all over again.”
“Yes.”
“Of course you could teach—a young man with a good education like yours. It cost your mother a lot of work and trouble to educate you.”
“Yes.”
“But if you can’t get such work right away, I could make a place in the factory for you. Of course,” and here Uncle Elmer smiled his most condescending smile, “of course, with your kind of training you wouldn’t be much good at first. You’d have to learn the business from the ground up. You could begin in the shipping department.”
It was the first time any of them had admitted even a chance of his not returning to Africa; but they did not mean to yield, for Emma said, “That perhaps would help him over this nervous trouble.”
And then Philip shattered everything with an unexpected announcement. It was as if a bomb had exploded in the dust and shadows beneath the table.
“I’ve already got a job,” said Philip. “I’m going to work to-night at midnight.”
“To-night—at midnight?” asked Emma. “What on earth do you mean?”
“I’m going to work in the Mills. I’ve got a job.”
“The Mills! You’re crazy. What do you mean—the Mills?”
“I mean the Mills,” said Philip, looking at his plate. “It’s all been settled.”
Suddenly Naomi began to cry, at first silently, and then more and more noisily, as if all the dammed emotions of months had given way. Emma rose to comfort her, and Aunt Mabelle, murmuring, “Oh, dear! Oh, dear!” helplessly pushed the water-pitcher across the table. Little Ethel, conscious of the strain of the whole meal, and frightened by the outburst of hysterics, began to cry too, so that Aunt Mabelle became occupied in comforting her.
Philip, able to stand it no longer, rose and, flinging back his chair, said, “Damn!” in a loud voice, and walked out of the house. His swearing moved Naomi to new outbursts. She began to cry about the Englishwoman—the source of all her troubles.
It was all horrible, and it was the last time that Philip ever entered his uncle’s house.
When he returned late that night he found them all waiting for him in the parlor, ready to attack once more, but they accomplished nothing. He went upstairs and changed his clothes. When he came down, he was dressed for the Mills in an old pair of trousers, an old coat and a flannel shirt. Aunt Mabelle, round and sloppy, was standing in the ghoulish light of the green lamp. The others were all seated in the parlor gloomily, as if brooding over the problem of a daughter gone astray.
From the shadows, Aunt Mabelle seized his arm, “Is it true? Is Naomi going to have a little baby?”
Philip looked at her with a sudden astonishment. “No,” he said savagely. “Who gave you such an idea?”
Aunt Mabelle seemed to shrink into herself, all softness and apology. “I didn’t know ... I just couldn’t understand a woman carrying on like that if she wasn’t.”
7
It was more than an hour before the midnight shift began at the Mills, and during that hour Philip walked, sometimes running, along the empty streets, through the falling snow, all unconscious of the cold. He was for a time like a madman living in an unreal world, where all values were confused, all emotions fantastic and without base: in his tired brain everything was confused—his love for his mother, his hatred for his uncle, his pity for Naomi, and his resentment at all three of them for the thing they were trying to do. He wanted to run away where he might never see any of them again, yet to run away seemed to him a cowardly thing which solved nothing. Besides, if he ran away, he would never see Mary Conyngham, and Mary had in some odd fashion become fixed in his mind, an unescapable part of the whole confusion. He must see Mary Conyngham, sometime, in some way.
He was afraid to stay, depressed by the feeling that whenever he returned to the house, he was certain to find them there—waiting, watching him. Why, a man could be driven to insanity by people like that who treated him always as if he were mad.
But worst of all, he had no longer any faith in God: there was nothing of that miraculous essence which seemed to take from one’s shoulders all the burden of doubt and responsibility. He couldn’t say any longer, “I will leave it to God. He will devise a way. Whatever happens, He will be right. I must accept His way.” He knew, sharply, completely, for the first time, that a faith must be born in himself, that he had taken up his own life to mold in his own fashion: there was no longer that easy refuge in a God, Who would arrange everything. If he had trusted to God now he would have been on his way to Africa, disposed of, not by God, but by the hands of his mother and Naomi and Uncle Elmer.
He could be a coward and weak no longer.
After he had gone a long way he found himself on a height that seemed strange to him, in that part of the Town which lay just above the Flats. It was not strange, of course, for he had stood on the same spot a hundred times before. It was strange only because he was in an odd fashion a new person, born again, a different Philip from the one who had stood there as a boy.
The sight that lay spread out below him suddenly brought a kind of peace: he stopped running, and grew calm and, watching it, he succumbed slowly to its spell. By night, the hard, angular lines of that smoky world melted into a blue mystery, pierced and spotted here and there by lights—the great blue-white lights of the arc-lights in the Mill yards, the leaping scarlet flames that crowned the black furnaces, the yellow lights plumed with steam of the great locomotives moving backward and forward like shuttles weaving a vast carpet with the little signal-lights, red and yellow and mauve and green, set like jewels in a complicated design. In the darkness the grim blacks and grays took on color. Color and light lay reflected from the canopy of smoke and steam that hung above the whole spectacle. Piercing the glow of light, rose the black columns of the chimneys and furnaces.
Above it all rose the endless sound of pounding, like the distant booming of a gigantic surf, pierced now and again by the raucous, barbaric squeals of a locomotive.
Halted and given poise by the sight, he stood for a long time looking down into the very center of the roaring hive, forgetting himself suddenly and all his fantastic troubles; and slowly an odd thing happened to him. He felt strong: he wasn’t any longer puzzled and afraid. It was as if there lay in the turbulent scene some intoxicating sense of power which took the place of his missing faith. The spectacle beneath him became alive with a tremendous sense of vitality and force that he had not found in all his mystical groping toward God. This thing that lay below him was real, he knew, real in a solid, earthly fashion, created by men in the face of hostile Nature, free of any weak dependence upon a Power which at best had only a doubtful existence. Yet the awful power of this world created by the feeble hand of man was in an odd fashion like the power of the lake, the forest, the sounds of life on the hill at Megambo.
Hazily there came to him the feeling that here lay his salvation, and presently he was overcome by an intense desire to plunge deep into the very midst of the whirling maelstrom of noise and heat and light and power.
Hurrying, he descended the hill, crossing the little river of oil and corruption, passing a great open space covered with cinders, beneath the white glare of lights hanging high above him, until he came at last to a high fence and a gate where he explained who he was and showed his card. He had an odd feeling that he should have said simply, “I have come here to save myself,” as if the Italian gatekeeper would have known what he meant.
Inside this barrier the sound of pounding grew more and more violent. He went past one cavernous shed and another and another until he came to the one marked with a gigantic number in white paint—17. The yard, the shed, all the world about him was swarming with men—big, raw-boned men with high cheekbones, little, swarthy men, black men, men with flat, Kalmuck noses, some going towards the sheds, some moving away from them. Those who moved homeward were so black with sweat and soot that one could not tell which were negroes and which were white.
Stepping through a doorway, he found himself in a vast cavern echoing with sound, that reached up and up until its height became lost in smoke and shadows. High up, near the top, great cranes with white lights like piercing eyes, and tiny, black figures like ants climbing over them, moved ceaselessly back and forth, picking up tons of metal and putting it down again with a tremendous clatter. Here and there along the sides stood furnaces out of which men were drawing from time to time great piles of metal all rosy-white with heat. Flames leaped out of the ovens, licking the sides and casting fantastic shadows over the powerful, half-naked figures of the workers. The gigantic sound of hammering reverberated through the black cavern.
After a moment Philip addressed a thin, swarthy man with burning eyes. “Where is Krylenko?” he asked. But the man understood no English. “Krylenko,” he repeated, shouting, above the din, “Krylenko.”
The thin man grinned. “Oh, Krylenko,” and, pointing, indicated the figure of a powerful, blond man, who stood leaning on a crowbar before an oven a little way off. He was, like the others, naked to the waist, and his white skin was already streaked with soot and sweat. When he turned, Philip saw that he was young, younger even than himself, and that his eyes were blue beneath a great mop of hair so yellow that it had the appearance of having been bleached. The eyes were intelligent.
In English with only a shadow of an accent he told Philip to strip off his coat and shirt and take up a crowbar. In a moment he was standing there with the others, indistinguishable among so many workers. He was half-naked, as he had been beside the fire at Megambo, and the same voluptuous sense of power swept through him. It was oddly terrifying, this cavern filled with flame and smoke and sweating men. It was oddly like the jungle.
8
Behind him in the slate-colored house Aunt Mabelle waited, yawning and wishing for bed, while Elmer and Emma and Naomi sat in silence, pondering whether their battle had been completely lost. They sat in silence, and Naomi sometimes dried her red-rimmed eyes and sobbed, because there was nothing to say, nothing to do. It was all so much worse than they had expected. With Philip living, as one might have said, in hiding, life could still be endured, and one could go on pretending, pretending, pretending, that he was merely ill, and one day would go back to Megambo to the glory and justification of them all. No one of them really believed any longer in the pretense of Philip’s illness. Tacitly they would pretend to believe it because it was a good weapon: they would not even admit their doubts to each other. But from the moment he sprang up from Uncle Elmer’s table they knew that he was quite in his right mind, and knew exactly what he meant to do. He was in his right mind, but he was a strange, unmanageable Philip.
And now he had disgraced them in a new and shameful way by going to work, not in an office over columns of figures, or even into a polite business such as Uncle Elmer’s pump works, but by plunging straight into the Flats, into the Mills to work with the Hunkies and Dagoes. It was a thing no American had ever done. It was almost as if he had committed theft or murder.
After they had sat thus for more than hour, always beneath the larky gaze of the “late” Mr. Downes, Uncle Elmer rose at last and making himself very thin and stiff as a poker, he said, “Well, Em, I’ve decided one thing. If Philip doesn’t come to his senses within two weeks, I’m through with him forever. You can tell him that—tell him I give him just two weeks, not an hour more—and then I’m through with him. After that I never want to see him again, or hear his name spoken. And when he gets into trouble from his wicked ways, tell him not to come to me for help.”
He expected a response of some sort from his sister, but there was only silence, while she sat grimly regarding the carpet. It seemed that he felt a sudden need for an answer, even though he must strike at her unchivalrously upon a wound which he must have believed cured long ago.
“You see,” he said, “all this comes of making a marriage long ago that I was against. I knew what I was talking about when I warned you against Jason Downes.”
For a moment she did not answer him, but when she spoke it was to upset him, horribly, by one of those caprices to which women are prey. It may have been because of the strain of the day, but it was more probable that there still was left the embers of her old, inexplicable passion for the worthless Mr. Downes, embers fanned into flame by the return of Philip.
She said, “Very well, Elmer. I’ll tell him, but you can consider everything over between you and me, too. I don’t want to see you again. If you can’t speak to Philip, you needn’t speak to me either. I should never have told you. You haven’t done anything at all but make things worse.”
For a time he only stared at her out of round eyes that were like blue marbles. “Well!” he said, coughing. “Well! I’ve done my duty. Don’t say that I haven’t.”
“A lot of good it’s done,” said Emma with bitterness, “a lot of good....”
She seemed, the indomitable Emma, very near to tears. In her corner Naomi snuffled so that they would take some notice of her.
He had meant to make his exit with a cold dignity, and a sense of injury, but Aunt Mabelle stood across his path. Unable any longer to keep up the battle against sleep, she was dozing peacefully in her rocking-chair, unconscious even of the scene that had taken place. She had to be prodded and spoken to sharply, and at last she wakened slowly to profuse apologies, and a walk home with a husband who never addressed her.
Her child was born the following day. Early in the evening before Elmer came home from the factory, she came to see Naomi, to discover what had happened on the night before, during her nap. (She had a way of “running in” on Naomi. They liked each other.) While she was talking the pain began, and Naomi went at once to fetch a cab. It arrived quickly, and Mabelle bustled into it, was driven home at top speed. But haste was of no use; she was carried upstairs by the cab driver and the butcher’s boy, and before the doctor arrived the child was born. Naomi had never seen anything like it: the whole business took less time than with the native women at Megambo.
“I’m like that,” Mabelle told her; “it only takes a minute.”
The child was small and rather puny, to have been born of such an amiable mountain as Mabelle. It was a boy, and they called him James after his grandfather.
Emma called on her sister-in-law and sent broths and jellies from the restaurant, but she did not speak to her brother.
She told the news to Philip when he wakened to go to work, and he looked at the floor for a long time before he said, in a low voice, “Yes—that’s fine. He wanted a boy, didn’t he?”
Something in his eye as he turned away made Emma lay a hand on his arm.
“Philip,” she said in a low voice, “if you’re really never going back to Africa, I mean really not going back—you might have a child of your own.”
“Yes,” he answered, “I might.”
That was all he said, but Emma in all her bluntness had divined the thought that came to him so quickly. He wanted a child with all the hunger of a deeply emotional nature; what she did not divine was that he did not want a child with Naomi for the mother. He couldn’t bear to think of it, and he went to work that night sick at heart, plunging into the work like a man leaping from an unbearable heat into a deep pool of cool water. In that fiercely masculine world, he found pleasure in the soreness of his muscles, in the very knowledge that he would, when the day was finished, fall into a deep slumber, wearied to death, to find a world in which would be no troubles.
9
Naomi, too, had suffered in her own complaining fashion. After a life passed in a fierce activity, the empty days began to hang upon her spirits like leaden weights. As far back as she could remember her life had been a part, as the daughter and then the wife of a missionary, of a struggle against heat and disease and ignorance, her soul always warmed by the knowledge that she was doing God’s work, that the pain and discomforts of the body were as nothing in comparison to the ecstasies of the soul. Save for a few weeks, she had never known life in the civilized world, and now in the midst of it there seemed to be no place for her. She tried dusting and cleaning the slate-colored house (there was no cooking to do, for they ate always at the restaurant), but there was no satisfaction in it. She came in a few days to hate it. She tried making garments to be shipped to the missions, long nightgowns with which to clothe the nakedness of savages, but her fingers were clumsy, and she found herself as indifferent a seamstress as she was a housekeeper. The tomblike silence of the house depressed her, and in these first weeks she dreaded going out, lest she should meet women who would ask after her plans. After a time she found herself seated like Aunt Mabelle for hours at a time, staring out of the windows at the passers-by.
After the scene at Uncle Elmer’s there seemed for a time no solution of their troubles. She plunged into choir singing, where her loud, flat voice filled a much-needed place; and she went without Philip to talk at the Sunday Evening Service of her experiences in Africa. Emma was there and Uncle Elmer, treating the congregation to the spectacle of a brother and sister who occupied the same pew without speaking to each other. But somehow everything was changed, and different from those glorious days so short a time before when the sound of her voice had moved whole congregations to a frantic fervor. The assembly-room now showed great gaps of empty seats, like missing teeth, along the sides and at the back. Naomi wasn’t any longer a great attraction as “the youngest missionary of the Lord in darkest Africa”: she was a woman now, a missionary like any other missionary. And there were, too, strange rumors circulating through the flock of the quarrel between Emma and her brother and other rumors that Naomi and Philip weren’t really missionaries at all any longer, but had both deserted the cause forever. There were a hundred petty bits of gossip, all magnified and sped on their way by friends of Emma who resented the reflected glory in which she bathed herself.
No, something had gone wrong, and the whole affair seemed stale and flat, even the little reception afterward. Emma, of course, stood with the Reverend Castor and Naomi, while members of the congregation filed past. Some congratulated Naomi on her work and wished her fresh successes; one or two asked questions which interested them specially—“was it true that a nigger king had as many as eighty wives?” and, “did they actually eat each other, and if so how was the cooking done?” Emma was always there, beaming with pride, and answering questions before Naomi had time to speak. The Reverend Castor from time to time took Naomi’s hand in his and patted it quite publicly, as if she were a child who had recited her first piece without forgetting a line. He kept saying, between fatherly pats, “Yes, the Lord has brought our little girl safely home once more. He has spared her for more work.”
But it was a failure: it had none of the zest of those earlier meetings, none of the hysterics and the wild singing of Throw Out the Life Line and The Ninety and Nine, and other hymns that acted as powerful purges to the emotions. The occasion was dampened, too, by the curiosity of various old ladies regarding the absence of Philip; they kept asking question upon question, which Emma, with much practice, learned to parry skilfully. “He didn’t feel well enough to make the effort. You see, the fever clings on—that’s the worst part of it.”
For she was squeezing the last drop of triumph before the débâcle; and of course she always believed in the depths of her soul that Philip would go back to Africa some day. She meant, in the end, to accomplish it as she had already accomplished the things she desired—all save the recovery of Mr. Downes.
But it was Naomi who suffered most, for behind the mild and timid exterior there lurked an ironclad egotism which demanded much of the world. It demanded more attention and enthusiasm than had been her share at the Sunday Evening Service; it demanded respect and, curiously enough, evidence of affection (it was this last rather pitiful hunger that drew her close to Aunt Mabelle). She understood well enough that Emma had no affection: what capacity for love Emma possessed was all directed toward Philip. And before many weeks had passed Naomi knew bitterly that although she lived in the same house with her husband and his mother she really occupied no more of a place in it than Essie, the poor-house slavey. But Aunt Mabelle was kind to her, and would come and sit for hours rocking and gossiping, occasions when the only interruption was the periodic cry of the pallid baby, which Mabelle stifled at once by opening the straining bombazine of her bosom and releasing the fountain of life.
This last was a spectacle which Naomi came to regard with a faint and squeamish distaste. She grew to have a passionate dislike for the pallid infant that lay gorged with milk in Mabelle’s ample lap. Even the frank and open manner of the black women had never accustomed her to the exposé in which Mabelle indulged with such an air of satisfied pride.
“I’ve always had plenty of milk,” Mabelle would say, as she settled back comfortably. “The doctors say I’ve enough for any three normal children.”
Naomi, indeed, had spent half her life in an effort to conceal black nudity in yards of cheap calico.
But deeper than any of these flurried emotions lay the shadowy knowledge that the pallid child was in a way a reproach to herself, and a vague symbol of all the distasteful things that lay before her, for she felt that sooner or later the tangle would end in bringing her to the state of a wife in reality, of facing even perhaps the business which Mabelle managed with such proud composure. In the midst of the wilderness at Megambo she was still safe, protected by the fantastic sense of honor that lay in Philip; but here in this complicated world of which she knew nothing, when each day she felt her security, her fame, her glory, slipping from under her feet, the thing drew constantly nearer and nearer. If she could not force Philip to return, the day would come when with all her glory and prestige faded and bedraggled, she would no longer be a missionary, but only Philip’s wife.
There were moments when, on the verge of hysteria, she thought of leaving them all and going back alone to Africa; but when the moments passed, she found herself strangely weak and incapable of action. For a strange and frightening thing had begun to happen. At Megambo when Philip had always been gentle and submissive, it was herself who dominated and planned. They were comrades in the work of the Lord, and Philip rarely reached the point of being irritable. In those days he had meant no more to her than the clumsy Swanson. Save that he was tied to her by law, he might have been only another worker in the mission. And now it was changed somehow; and Philip ignored her. There were whole days when he never spoke to her at all—days and nights spent in working in the black Mills and sleeping like a dead man to recover from the profound weariness that attacked him.
This new Philip frightened her in a way she had never been frightened before. She found herself, without thinking, doing little things to please him, even to attract his notice. There were still moments when, wrapping herself in the shroud of martyrdom, she flung herself, the apotheosis of injured womanhood, before him to be trampled upon; but they were not profitable moments, for they no longer had any effect upon him; and so, slowly they came to be abandoned, since it seemed silly thus to abase herself only to find that she had no audience. It frightened her, for it seemed that she was losing slowly all control of a life which had once been so neatly and thoroughly organized. She wanted desperately to regain her ancient hold over him, and in the lonely moments when Mabelle was not there she sometimes awakened in horror to find herself sitting before the gigantic walnut mirror letting down the masses of her long, straight, reddish hair, trying it in new ways, attempting to discover in what position her face seemed prettiest. And then, filled with disgust at her own wickedness, she would fling herself on the walnut bed and burst into a passion of tears and prayer, to arise at last strangely calm and comforted. Surely God would not abandon her—Naomi Potts, who had given all her life to God. Sometimes she fancied that she, instead of Philip, was the one whose brain was weak; for no sane woman could do the things she had done.
Slowly, imperceptibly, the curious power of the Mills had begun to make itself felt. It was as if Philip, returning from the Flats at noon each day, brought with him, clinging to his very clothes, traces of the fascination which they held for him. It was not that she herself felt any of the fascination, for she regarded the Mills with a growing hatred: it was only that they fixed upon Philip himself some new and tantalizing quality. She liked to see him come home at noon, hard and unshaven, blackened by soot and sweat. Sitting in her rocking-chair by the window, the sight of him as he swung along, his head bowed a little, filled her with odd flutterings of pleasant emotion. She felt at times that strange weakness which so often attacked Emma unawares—of wanting to yield and spoil him by caresses and attention. She had strange desires to fling herself down and let him trample upon her, not in the old, dramatic sense, but in a new way, which seemed to warm her whole body.
This new Philip, hard and thin, returning from the Mills with his flannel shirt open upon his bare chest, disgusted and fascinated her. And then when the knob turned and the door opened, all the little speeches she had planned, all the little friendly gestures, seemed to wither and die before his polite coldness.
He would say, “I’ll wash up and we can go right away to eat,” or “Tell Essie to bring some hot water.”
There was nothing more than that. Sometimes it seemed to her that he treated her as a servant whom he scarcely knew.
It came, at length, to the point when she spoke of it, timidly and with hot blushes, to Aunt Mabelle. She said she wanted to be kind to Philip, she wanted to be friendly with him, but somehow she couldn’t. He was so changed and cold and hard. If she could only get him back to Africa everything would be all right: they had been happy there, at least she had been, and as for Philip, he didn’t seem any happier now that he was doing what he wanted to do. He never seemed happy anywhere, not since the day they had arrived at Megambo.
Mabelle, rocking little Jimmy, listened with the passionate interest of a woman who found such a conversation fascinating. She led Naomi deeper and deeper into the mire and at last, when she had considered all the facts, she said, “Well, Naomi, it’s my opinion that you ought to have a child. Philip would like a baby. He’s that kind. I know them when I see them. Now, my Elmer hates children. They get in his way and I think they make him feel foolish and awkward, God alone knows why. But Philip’s different. He ought to have a lot of children. He’d love ’em, and it would be a tie between you.”
Naomi raised the old difficulty. “But if we go back to Africa—we can’t take a little baby there.”
“Well, you’d have to work that out, of course. Em would take care of it. She’d find time somehow. She can do anything she sets her mind to.” Naomi, it seemed, wouldn’t meet her eye and Aunt Mabelle pushed on, with the tact and grace of a walrus. “Did you ever see a doctor to find out why you hadn’t had one? A doctor can help sometimes.”
Naomi was suddenly pale and shaking. Without looking at Mabelle she said in a low voice, “I don’t have to see the doctor to find out why.”
Mabelle’s rocking-chair paused in its monotonous bobbing. “You don’t mean to say you’ve been doing sinful things to prevent it—you, Naomi Downes, a missionary!”
Naomi, wringing her hands, said, “No, I don’t know what you mean. I haven’t been doing sinful things.... I ... we couldn’t have had a baby ... we’ve—we’ve never lived together.”
The rocking-chair still remained quiescent, a posed symbol of Mabelle’s shocked astonishment. “Well, I don’t know what you mean. But it seems sinful to me if a man and wife don’t live together. What does the Bible say? Take unto yourself a wife and multiply. Look at all the begats.”
Naomi burst out, “We meant to ... some day. Only we couldn’t out there in Africa.”
“Well, you ought to have taken a chance.” Mabelle seemed outraged and angry for the first time in all Naomi’s friendship with her, and it was only after a long time that the rocking-chair began once more its unending motion. The baby, startled by a sudden cessation of the soothing motion, set up a cry and Mabelle, loosening ten of the twenty-one buttons that held together her straining basque, quieted it at once.