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A Complete Guide to the Ornamental Leather Work

LIST OF VARIOUS ARTICLES, SOLD BY JAMES REVELL, 272, OXFORD STREET, LONDON.

Reading edition

Oil Colours in Patent Collapsible Tubes,

Of various sizes, and in Extra Fine Powder.

Cremnitz White

Flake White

Nottingham White

Ultramarine

Ultramarine Ashes

Cobalt

Royal Smalt

French Ultramarine

Permanent Blue

Antwerp Blue

Prussian Blue

Indigo

Yellow Ochre

Indian Yellow

Chrome, 1, 2, 3

Italian Pink

Yellow Lake

King’s Yellow

Lemon Yellow, 1, 2

Dutch Pink

Naples Yellow

Lake

Purple Lake

Indian Lake

Crimson Lake

Scarlet Lake

Chinese Vermillion

Orange Vermillion

Red Chrome

Carmine

Madder Lake

Rose Madder

Pink Madder

Purple Madder

Light Red

Venetian Red

Indian Red, 1, 2

Brown Red

Raw Sienna

Burnt Sienna

Brown Ochre

Burnt Brown Ochre

Roman Ochre

Burnt Roman Ochre

Vandyke Brown

Raw Umber

Burnt Umber

Brown Pink

Madder Brown

Cologne Earth

Bone Brown

Cappa Brown

Asphaltum

Bitumen

Mummy

Emerald Green

Verdigris

Terra Vert

Chrome Green, 1, 2, 3

Oxyde of Chromium

Ivory Black

Blue Black

Lamp Black

Sugar of Lead

Gumption

Magylph

Sable Hair Pencils.

For Oil or Water.

Large Goose, Brown or Red

Small Goose, Brown or Red

Duck, Brown or Red

Crow, Brown or Red

Small Swan

Large Swan

Miniature

Lining or Rigging

Writing and Striping

French Sables,

IN TIN FOR WATER. Red or Brown.

Nos. 1, 2, 3, 4, 5, 6.

Sables for Oil.

Round & Flat.

Nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12.

French Brushes.

Flat & Round.

Nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12.

Camel Hair Pencils,

All Sizes, Long and Short.

Camel Hair Brushes,

In Flat Tins.

½ inch

¾ inch

1 inch

1¼ inch

1½ inch

1¾ inch

2 inch

2½ inch

3 inch

4 inch

Camel Hair Brushes,

In Round Tins.

Nos. 1, 2, 3, 4, 5, 6, 7, 8.

Pencil Sticks.

Cedar, Ebony, Ivory, 6, 12 & 15 in.

Badger Softeners.

Round & Flat.

Nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12.

Palette Knives.

Horn and Ivory

Steel, with Horn or Bone Handles

Steel, with Ivory Handles

Steel, Spatula Shape, Horn Handles

Steel, Spatula Shape, Ivory Handles

Port Crayons.

Steel, Albata, and Brass.

Brush Washers for Turpentine.

Nos. 1, 2, 3, 4.

Oils and Varnish.

Spirits Turpentine

Cold Drawn Linseed Oil

Nut and Poppy Oil

Drying Oil, pale or strong

Fat Oil

Japan Gold Size

Mastic Varnish

Copal Varnish

White Hard Spirit Varnish

Asphaltum

Magylph

Gumption

Extra Fine Cake and Moist Water Colours,

IN CAKES AND HALF CAKES.

Permanent White

Constant White

Flake White

Chinese White

Ultramarine

Ultramarine Ashes

Cobalt

Azure Blue

Royal Smalt

French Ultramarine

Permanent Blue

Antwerp Blue

Prussian Blue

Indigo

Intense Blue

French Blue

Gamboge

Yellow Ochre

Indian Yellow

Platina Yellow

Gall Stone

Lemon Yellow

Chrome, 1, 2, 3

Italian Pink

Dutch Pink

Yellow Lake

Mars Yellow

King’s Yellow

Naples Yellow

Patent Yellow

Orange Orpiment

Orange Red

Mars Orange

Orange Vermillion

Lake

Crimson Lake

Scarlet Lake

Dark Lake

Indian Lake

Vermillion

Extract Vermillion

Scarlet Vermillion

Carmine

Burnt Carmine

Dragon’s Blood

Madder Lake

Rose Madder

Pink Madder

Pure Scarlet

Dahlia Carmine

Indian Red

Light Red

Venetian Red

Brown Red

Red Orpiment

Red Chalk

Red Chrome

Deep Rose

Raw Sienna

Burnt Sienna

Brown Ochre

Roman Ochre

Burnt Roman Ochre

Vandyke Brown

Verona Brown, 1, 2, 3

Sepia

Warm Sepia

Roman Sepia

Raw Umber

Burnt Umber

Brown Pink

Madder Brown

Cologne Earth

Bone Brown

Bronze

Reuben’s Brown

Mars Brown

Intense Brown

Cappa Brown

Bistre

Chalons Brown

Payne’s Grey

Neutral Tint

Purple

Indian Purple

Purple Madder

Purple Lake

Sap Green

Emerald Green

Prussian Green

Chrome Green, 1, 2, 3

Oxyde of Chrome

Verdigris

Barber’s Green

Sea Green

Dark Green

Hooker’s Green, 1, 2

Olive Green

Terra Vert

Green Bice

Lamp Black

Ivory Black

Blue Black

British Ink

Inlaying Black

Gold and Silver Shells.

Indelible, and Bright’s Landscape Crayons.

Singly or in Sets.

Chalks, Crayons.

Italian Black Chalk

Italian Red and White

Soft French Black

Charcoal

Pastiles

Black Square Conté Crayons

Black, Round, plain Crayons

Black, Glazed Crayons

Velours, (very Soft and Black)

Round and Square Red Conté

Bistre

Lead Pencils,

Extra Prepared.

H. Hard, for Sketching

H.H. Harder, for Outlines, &c.

H.H.H. Very Hard, for Architectural Drawing, &c.

H.B. Hard and Black

E.H.B. Extra Hard and Black

B. Black for Shading

B.B. Soft and Black

E.B.B. Extra Soft and Black

F. Fine for General Drawing

Earthenware.

Palettes and Saucers

Cabinet Saucers in Morocco Case

Miscellaneous.

Drawing Pins

Indian Ink

Indian Rubber

Indian Glue

Sponge

Ox Gall

Lithograph Chalk

Gilder’s Knives, Tips and Cushions

Poonah Brushes

Burnish Gold Size

Oil Gold Size

Gold Leaf

Mezzotint Brushes

Permanent Ink

Velvet Scrubs

Picture Frames

Sealing Wax and Wafers

Pink Saucers

Slate Pencils

Tracing Points

Burnishing Stones

Bronze

Graining Combs and Tools

Revell’s Permanent Brown Ink,

FOR DRAWING UPON BASIL LEATHER. Price 1s. per Bottle.

Pen and Ink Drawings can be made with this Ink, they have all the appearance of the so-called Poker Paintings, (viz. Drawings upon Wood, executed with one or more red hot wires.) The Ink is permanent, and will be found advantageous as an adjunct to the Ornamental Leather Work.

Unprepared Colours of the First Quality.

Colours of every description for House Painting, Park Fencing, &c.

Transcriber’s Note:

Punctuation has been standardised.

The following inconsistencies were normalised:

3 instances of ‘color’ changed to ‘colour’

7 instances of ‘convolvolus’ changed to ‘convolvulus’

6 instances of ‘tendrill’ changed to ‘tendril’

Illustrations were renumbered from figure No. 14 onward (some numbers were out of order/duplicates)

The following additional original typos were repaired (the first line is the original text, the second the passage as currently stands):

Page xii: being trailled round a being trailed round a

Page 34: FUSCHIA. FUCHSIA.

Page 35: put the fuschia together put the fuchsia together

Page 35: they mnst be moulded they must be moulded

Page 38: wetted and viened, then wetted and veined, then

Page 41: Fig. 8 No. 8

Page 50: make a camillia, cut make a camilla, cut

Page 82: with the tip or the with the tip of the

Page 88: The qucikest mode of The quickest mode of

Page 93: SHAW’S LIQUID CLUE SHAW’S LIQUID GLUE

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