THE CATALOGUE (continued 2)

Presentation copy from the author to Octave Delepierre. Printed on paper of various colours and tints.

BLAKEY, Robert.—Historical Sketches of the Angling Literature of all Nations. By Robert Blakey . . . to which is added A Bibliography of English Writers on Angling London: John Russell Smith . . . MDCCCLVI. 12mo, calf, gilt and inlaid back, gilt edges.

BLEECKER and FAUGERES.—The Posthumous Works of Ann Eliza Bleecker, in prose and verse. To which is added, A Collection of Essays, prose and poetical, by Margaretta V. Faugeres. New York: Printed by T. and J. Swords . . . 1793. 12mo, red calf, gilt back and sides, gilt edges, by Pratt.

Portrait by Tiebout.

BLENNERHASSETT, Lady.—Madame de Staël her friends, and her influence in politics and literature. By Lady Blennerhassett. With a portrait of Madame de Staël. . . . London: Chapman and Hall . . . 1889. 8vo, three volumes, cloth, uncut edges.

A slightly abridged translation by J. E. Gordon Cumming.

"BLINKINSOP, VICESIMUS."—See Hook, Theodore.

BLOEMART, Abraham.—Twenty-five Etchings by Abraham Bloemart, original impressions, depicting Beggars, Soldiers, &c. 12mo, red morocco, gilt top, uncut edges, by Stikeman.

BLOODGOOD, S. DeWitt.—The Sexagenary: or, Reminiscences of the American Revolution. . . . Albany, . . . J. Munsell, . . . 1866. 8vo, half blue morocco, gilt top, uncut edges.

One of fifty copies printed upon large paper, with three inserted portraits.

BLOOMFIELD, Robert.—(I.) The Farmer's Boy; a rural poem. By Robert Bloomfield. . . . [vignette] London: printed for Vernor and Hood, . . . by T. Bensley, . . . MDCCC. (II.) Rural Tales, Ballads, and Songs: By Robert Bloomfield, . . . London: printed for Vernor and Hood, . . . and Longman and Rees, . . . By T. Bensley, . . . 1802. 4to, two works in one volume, green levant morocco, gilt back and sides, gilt edges, by Bedford.

First editions. In addition to the woodcuts by Bewick, over one hundred engravings have been inserted, including nine portraits of the author, also forty-five views and sixty miniature vignettes, for the greater part proofs on India paper.

BLOOMFIELD, Robert.—The Farmer's Boy. 1800. 4to, green levant morocco, gilt back and sides, gilt edges, by The Club Bindery.

Another copy, with the title on India paper.

BLOOMFIELD, Robert.—The Farmer's Boy; a rural poem. By Robert Bloomfield. The fourteenth edition. London: printed for Longman . . . 1820. 12mo, half green levant morocco, gilt back, gilt top, uncut edges.

Nine woodcut illustrations by Bewick.

BLOOMFIELD, Robert.—May Day with the Muses. By Robert Bloomfield, . . . [vignette] London: printed for the author; and for Baldwin, Cradock, and Joy. 1822. 12mo, boards, uncut edges.

Eight woodcut vignettes.

BLOOMFIELD, Robert.—Poems by Robert Bloomfield, the Farmer's Boy. With thirteen illustrations, designed and drawn by T. Sidney Cooper, J. Callcott Horsley, J. Frederick Tayler, and Thomas Webster, . . . engraved by Thurston Thompson. London: John Van Voorst, . . . M DCCC XLV. Post 8vo, cloth, uncut edges.

BLUNDERELLA: or, the Impertinent. A tale. . . . To which is Added The Beau Monde, or, the Pleaſures of St. James's. A new ballad. To the Tune of, Oh! London, is a fine Town, &c. London: Printed for A. Dodd, . . . M DCCXXX. Folio, cloth, uncut edges, by The Club Bindery.

BLUNT, Wilfrid Scawen.—The Love Songs of Proteus with frontispiece by the author. London C. Kegan Paul & Co. . . . MDCCCLXXXI. Foolscap 8vo, cloth, uncut edges.

BLUNT, Wilfrid Scawen.—The Love Lyrics & Songs of Proteus by Wilfrid Scawen Blunt, with the Love Sonnets of Proteus by the same author. Now reprinted in their full text with many Sonnets omitted from the earlier editions [Reeves & Turner] London MDCCCXCII. Small 4to, parchment covers, uncut edges.

Three hundred copies printed by William Morris at the Kelmscott Press.

BLUNT, Wilfrid Scawen.—In Vinculis. By Wilfrid Scawen Blunt. London Kegan Paul, Trench & Co. . . . MDCCCLXXXIX. Crown 8vo, original covers, uncut edges.

Large paper copy, fifty printed, with etched portrait of the author, Japan proof.

BOADEN, FORSTER, and others.—(I.) An Inquiry into the Authenticity of various Pictures and Prints, which, from the decease of the poet to our own times, have been offered to the public as Portraits of Shakspeare: containing a careful examination of the evidence on which they claim to be received; by which the pretended portraits have been rejected, the genuine confirmed and established. Illustrated by accurate and finished engravings, by the ablest artists, from such originals as were of indisputable authority. By James Boaden, . . . London: printed for Robert Triphook, . . . 1824. (II.) A Few Remarks by Henry Rumsey Forster on the Chandos portrait of Shakspeare, recently purchased at Stowe, for the Right Hon. The Earl of Ellesmere. And a letter upon the Same, by H. Rodd. London: [No. 28 of] fifty copies printed for private distribution, 1849. (III.) On the Principal Portraits of Shakspeare. (From "Notes & Queries," April 23, 1864). By George Scharf. (IV.) An Inquiry into the History, Authenticity, and Characteristics of the Shakspere Portraits; the death mask Martin Droeshout's engraving, the Chandos picture, the Janssen, and others of that period; together with the Stratford monument, Roubiliac's, and the one in Westminster Abbey. Royal 4to, four works in one volume (the last three inlaid to 4to), half red levant morocco, gilt back, gilt top, uncut edges, by Bradstreet's.

Large paper copy. Besides the seven portraits published with the first work, there are inserted five views, one facsimile, and ten other portraits, including those engraved by R. Cooper, Neagle, Scriven, J. Cochran, Lud. Du Guernier, W: Sharp, and W. Holl.

The second and fourth works contain woodcuts.

BOADEN, James.—The Life of Mrs. Jordan; including original private correspondence, and numerous anecdotes of her contemporaries. By James Boaden . . . London: Edward Bull . . . 1831. 8vo, two volumes, boards, uncut edges.

First edition. Portrait of Mrs. Jordan by Worthington after Romney, another (inserted) in the character of the Country Girl, and a facsimile.

BOCCACCIO, Giovanni.—The Decameron; or, ten days entertainment of Boccaccio. Translated from the Italian. To which are prefixed, Remarks on the life and writings of Boccaccio; and an advertisement, By the Author of Old Nick [Edward Dubois] . . . London: printed for . . . all Booksellers. 1845. 8vo, calf, gilt back, citron edges, by Bedford.

Portrait and ten plates by Stothard inserted.

BOCCACCIO, Giovanni.—The Decameron or Ten Days' Entertainment of Boccaccio. A revised translation, by W. K. Kelly. London: Henry G. Bohn . . . M DCCC LV. Post 8vo, half blue morocco, uncut edges.

Portrait of Boccaccio by Hinchliff after Van Dalen.

BOCCACCIO, Giovanni.—The Decameron of Giovanni Boccacci (Il Boccaccio) now first completely done into English Prose and Verse by John Payne . . . London: M DCCC LXXXVI: printed for the Villon Society by private subscription and for private circulation only, 4to, three volumes, vellum boards, gilt top, uncut edges.

Large paper copy, No. 23.

BOCCACCIO, Giovanni.—A translation of Giovanni Boccaccio's Life of Dante with an introduction and a note on the portraits of Dante by G. R. Carpenter. The Grolier Club of the City of New York MDCCCC. 8vo, original boards, uncut edges.

Three hundred copies printed, with portrait of Dante, and folded plate of Florence.

BOCCACCIO, Giovanni.—A translation of Giovanni Boccaccio's Life of Dante. 1900. 8vo, brown levant morocco, rich gilt back and side borders, doubled with vellum, gilt borders, vellum guards, gilt over uncut edges, by The Club Bindery.

Another copy. One of three printed upon vellum.

BOHN, Henry G.—The Biography and Bibliography of Shakespeare. By Henry G. Bohn. [1863] 4to, red levant morocco, doubled with russia, russia guards, gilt top, uncut edges, by Zaehnsdorf.

Nineteen plates. Published by the Philobiblon Society, and dedicated to its members. The author's own copy.

BOHN, Henry G.—The Biography and Bibliography of Shakespeare. [1863] Small 4to, red levant morocco, back and sides blind tooled, gilt top, uncut edges, by Alfred Matthews.

Another copy.

BOHN, Henry G., editor.—A Dictionary of Quotations from the English Poets. By Henry G. Bohn, . . . London: printed for private distribution. 1867. 4to, red levant morocco, doubled with russia, russia guards, gilt top, uncut edges, by Zaehnsdorf.

BOOKBINDING.—A Collection of Facsimiles from examples of historic or artistic bookbinding, illustrating the history of binding as a branch of the decorative arts. [111 coloured plates] London: Bernard Quaritch, . . . 1889. Royal 8vo, half red straight-grain morocco, gilt back, gilt top, uncut edges, with the original covers bound in, by Stikeman.

BOOKBINDING.—Catalogue raisonnée Works on Bookbinding practical and historical Examples of Bookbindings of the XVIth to XIXth centuries from the collection of Samuel Putnam Avery, A. M. exhibited at Columbia University Library M DCCCC III [Compiled by Charles Alexander Nelson] Privately printed [at the De Vinne Press] New York [1903]. 12mo, cloth, gilt top, uncut edges.

Frontispiece on Japan paper from a water-colour drawing and autograph note by Maurice Leloir.

One of one hundred copies printed for Mr. Avery, with Addenda and frontispiece not in the first edition. Presentation copy.

BOOK OF FUN.—The Book of Fun. London J. Gilbert. 12mo, red levant morocco, gilt back, gilt top, uncut edges, by Rivière.

This volume comprises: "The Illustrated English Grammar; or, Lindley Murray Simplified"; "The Comic Speaker"; "Illustrated Arithmetic; or, Cyphering made Comical"; and "The Comic History of Rome." Lithographic title-page, numerous woodcut illustrations, and the original cloth covers.

BOOK OF GEMS.—The Book of Gems. The Poets and Artists of Great Britain. Edited by S. C. Hall. London: Saunders and Otley . . . 1836-'7-'8. 8vo, three volumes, calf, gilt back and sides, gilt top, uncut edges, by Rivière.

First edition. One hundred and forty-nine vignette illustrations engraved on steel by Finden, Greatbach, Goodall, Cousins, etc., after the designs of Mulready, Eastlake, Lawrence, Etty, Prout, Beechey, Stanfield, Wilkie, Reynolds, Maclise, Turner, Stothard, Flaxman, Leslie, Constable, Gainsborough, Landseer, and others.

BOOSEY, Thomas.—Piscatorial Reminiscences and Gleanings by an Old Angler and Bibliopolist [T. Boosey]. To which is added a Catalogue of Books on Angling [by William Pickering] London William Pickering 1835. 16mo, cloth, uncut edges.

Frontispiece. The Catalogue of Books on Angling has a separate title, dated 1836.

BOOTH, Edwin.—Excerpts from the many good words uttered in honor of Edwin Booth At the Supper given on Saturday Night, March 30, 1889, by Augustin Daly and A. M. Palmer. Printed for The Players. New York 1889. 4to, cloth, uncut edges.

BOOTH, Mary L.—History of the City of New York by Mary L. Booth . . . Illustrated . . . New York W. R. C. Clark . . . 1867. Imperial 8vo, two volumes, boards, uncut edges.

First edition. No. 49 of one hundred large paper copies printed.

BORROW, George.—Faustus: his Life, Death, and Descent into Hell. Translated from the German. . . . London: W. Simpkin and R. Marshall. 1825. Post 8vo, half russia, gilt top, uncut edges.

First edition. Coloured frontispiece.

BORROW, George.—Romantic Ballads, translated from the Danish; and Miscellaneous Pieces; by George Borrow. Norwich: printed and published by S. Wilkin . . . 1826. 8vo, half red morocco, gilt top, uncut edges.

First edition. Original autograph poems of Borrow and Allan Cunningham inserted.

BORROW, George.—Targum. or Metrical Translations from thirty languages and dialects. By George Borrow . . . St. Petersburg. Printed by Schulz and Beneze. 1835. 8vo, blue levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

BORROW, George, translator.—The Talisman. From the Russian of Alexander Pushkin. With other Pieces. St. Petersburg. Printed by Schulz and Beneze. 1835. 8vo, brown levant morocco, gilt back, gilt top, uncut edges, by Rivière.

BORROW, George, translator.—Embéo e Majaró Lucas. Broto-boro randado andré la chipe griega, acána chibado andré o Romanó, ó chipe es zincales de Sesé. El Evangelio segun S. Lucas, traducido al Romaní, ó dialecto de los Gitanos de España. 1837. 16mo, blue levant morocco, gilt back, gilt top, by Rivière.

First edition.

BORROW, George.—The Zincali; or, an account of the Gypsies of Spain. With an original collection of their songs and poetry, and a copious dictionary of their language. By George Borrow, . . . London: John Murray, . . . 1841. Crown 8vo, two volumes, cloth, uncut edges.

First edition.

BORROW, George.—The Bible in Spain; or, the journeys, adventures, and imprisonments of an Englishman, in an attempt to circulate the scriptures in the Peninsula. By George Borrow, . . . London: John Murray, . . . 1843. Crown 8vo, three volumes, brown levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

BORROW, George.—Lavengro; the Scholar—the Gypsy—the Priest. By George Borrow, . . . London: John Murray, . . . 1851. Crown 8vo, three volumes, blue levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition. Portrait by W. Holl after H. W. Phillips.

BORROW, George.—The Romany Rye; a sequel to "Lavengro." By George Borrow, . . . London: John Murray, . . . 1857. . . . Crown 8vo, two volumes, maroon levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

BORROW, George, translator.—The Sleeping Bard; or Visions of the World, Death, and Hell, by Elis Wyn. Translated from the Cambrian British by George Borrow, . . . London: John Murray, . . . 1860. 8vo, brown levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

BORROW, George.—Wild Wales: its people, language, and scenery. By George Borrow, . . . London: John Murray, . . . 1862. . . . Crown 8vo, three volumes, light brown levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

BORROW, George.—Romano Lavo-Lil: Word-book of the Romany; or, English Gypsy Language. With many pieces in gypsy, illustrative of the way of speaking and thinking of the English gypsies; with specimens of their poetry, and an account of certain gypsyries or places inhabited by them, and of various things relating to gypsy life in England. By George Borrow, . . . London: John Murray, . . . 1874. Crown 8vo, green levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

BOSWELL, James.—The Journal of a Tour to the Hebrides, with Samuel Johnson, L.L.D. By James Boswell, Esq. containing some Poetical Pieces by D^r Johnson, relative to the Tour, and never before published; a Series of his Conversation, Literary Anecdotes, and Opinions of Men and Books: with an Authentick Account of the Distresses and Escape of the Grandson of King James II, in the Year 1746 London: printed by Henry Baldwin, for Charles Dilly . . . M.DCC.LXXXV. 8vo, original russia binding, gilt back panels, edges entirely untrimmed.

Boswell's own copy, with manuscript corrections and additions in his autograph.

BOSWELL, James.—The Life of Samuel Johnson, LL.D. comprehending an account of his studies and numerous works, in chronological order; a series of his epistolary correspondence and conversations with many eminent persons; and various original pieces of his composition, never before published. The whole exhibiting a view of literature and literary men in Great-Britain, for near half a century, during which he flourished. . . . By James Boswell, Esq. . . . London: printed by Henry Baldwin, for Charles Dilly, . . . M DCC XCI. 4to, two volumes, blue levant morocco, gilt back, gilt top, uncut edges, by The Club Bindery.

First edition. Portrait by J. Heath after Sir Joshua Reynolds, to whom the work is dedicated. Inserted is an autograph letter from William Forbes to Miss Boswell.

BOSWELL, James.—The Life of Samuel Johnson, L.L.D. By James Boswell, Esq. Oxford, Published by Talboys and Wheeler; and William Pickering, London M DCCC XXVI. Royal 8vo, four volumes, blue levant morocco, gilt back, gilt top, uncut edges, by Bedford.

One of the fifty large paper copies. Portrait of Boswell by Worthington after Reynolds, proof on India paper, and a facsimile.

BOSWELL, James.—The Life of Samuel Johnson, 1826. Royal 8vo, four volumes, red levant morocco, gilt back, gilt over uncut edges, by Bedford.

Another copy. One of fifty printed on large paper, illustrated by the insertion of three hundred and fifty-eight engravings, comprising thirty-two portraits of Johnson. One hundred and twenty-five are either proofs on India paper or before letters. Two original drawings by Harding, etc., and fifteen views and facsimiles are among the illustrations.

BOSWELL, James.—The Life of Samuel Johnson, LL.D. including a Journal of his Tour to the Hebrides; by James Boswell, Esq. To which are added, Anecdotes by Hawkins, Piozzi, Murphy, Tyers, Reynolds, Steevens, &c. and notes by various hands [also Johnsoniana] London: John Murray . . . M DCCC XXXV. Foolscap 8vo, ten volumes, cloth, uncut edges.

Forty-five portraits, views, and facsimile autographs engraved on steel.

BOTTA, Anne Charlotte Lynch.—Memoirs of Anne C. L. Botta written by her friends with selections from her correspondence and from her writings in prose and poetry . . . [portrait] New-York J. Selwin Tait & Sons . . . m dccc xc iv. 12mo, cloth, gilt top, uncut edges.

BOURNELLE.—Annotations on the Tatler. Written in French By Monſieur Bournelle; and Tranſlated into Engliſh By Walter Wagſtaff, Eſq; Part I. . . . London: Printed for Bernard Lintott, . . . 1710. 12mo, half blue calf, uncut edges.

BOURRIENNE, Louis Antoine Fauvelet de.—Private Memoirs of Napoleon Bonaparte, during the periods of the Directory, the Consulate, and the Empire. By M. de Bourrienne, private secretary to the Emperor. . . . London: Henry Colburn and Richard Bentley, . . . 1830. 8vo, four volumes, blue morocco, gilt back, gilt edges.

BOUTERWEK, Frederick.—History of Spanish and Portuguese Literature. By Frederick Bouterwek . . . Translated from the Original German, by Thomasina Ross. . . . London: Boosey and Sons . . . 1823. 8vo, two volumes, half citron morocco, gilt back, gilt top, uncut edges.

BOWES, James L.—A Vindication of the Decorated Pottery of Japan. by James L. Bowes . . . [Liverpool] Printed for private circulation. Not for sale. MDCCCXCI. 8vo, original boards.

Three plates, two printed in colours.

BOWLKER, Richard.—The Art of Angling Improved, in all its parts, Eſpecially Fly-fishing: containing A particular Account of the ſeveral Sorts of Freſh-Water Fish, with their moſt proper Baits. Also The Names, Colours, and Seaſons of all the moſt Uſeful Flies. With Directions for making each Fly Artificially In the moſt Exact manner, &c. The whole Interſpers'd with many Curious and Uncommon Obſervations. By Richard Bowlker. [Line from Martial] Worcester: Printed by M. Olivers, in High-Street. [1746]. 12mo, old sprinkled calf, gilt fillets.

First edition.

Collation: Title, A1 (verso blank). Dedication to Henry Arthur, Earl of Powis, and Baron Herbert of Cherbury, A2. Text, B1-N4 (verso blank) in fours. Pages 1-95.

BOWMAN and IRWIN.—Sherman and his Campaigns: a military biography. By Col. S. M. Bowman and Lt.-Col. R. B. Irwin. New York: Charles B. Richardson. . . . 1865. 8vo, half brown morocco, gilt back, gilt top, uncut edges, by Matthews.

Eight portraits and four maps.

BOWYER, William.—See Nichols, John.

BOYER, Abel.—Achilles: or, Iphigenia in Aulis. A Tragedy. as It is Acted at the Theatre Royal in Drury-lane. Written by Mr. Boyer. [Two lines from Horace] London. Printed for Tho. Bennet, at the Half-moon in St. Pauls Church-yard. 1700. 4to, half green calf.

First edition. A-G in fours, title on A1.

BOYER, Abel.—The Victim, or, Achilles and Iphigenia in Aulis: a Tragedy. As it was Acted at the Theatre-Royal, in Drury-Lane. Written by Mr. Boyer . . . The Second Edition. To which is added, An Advertisement about the late Irregular Reviving of this Tragedy; with a Copy of Verses to the Plagiary. London: Printed for James Knapton . . . MDCCXIV. 18mo, brown levant morocco, gilt back, gilt edges, by Rivière.

Translated from Racine. See Johnson, Charles.

BRADLEY, John W.—A Dictionary of Miniaturists, Illuminators, Calligraphers, and Copyists, with references to their works, and notices of their patrons, From the Establishment of Christianity to the Eighteenth Century. Compiled from various sources, many hitherto inedited. By John W. Bradley, . . . London: Bernard Quaritch, . . . 1887.-'8-'9. 8vo, three volumes, half red morocco, uncut edges.

BRADLEY, John W.—The Life and Works of Giorgio Giulio Clovio, Miniaturist, with notices of his contemporaries, and of the art of book decoration in the sixteenth century. By John W. Bradley, . . . with eighteen plates. London: Bernard Quaritch, . . . 1891. Royal 8vo, half red morocco, gilt top, uncut edges.

Large paper copy.

BRADSTREET, Anne.—The Poems of Mrs. Anne Bradstreet (1612-1672) together with her prose remains with an introduction by Charles Eliot Norton The Duodecimos [New York, the De Vinne Press] M DCCC XCVII. 12mo, boards, uncut edges.

Etched frontispiece-portrait and eleven other illustrations. Edited by Frank E. Hopkins. No. 46 of one hundred and thirty-two copies printed on hand-made paper.

BRAMSTON, James.—The Art of Politicks, In Imitation of Horace's Art of Poetry. [vignette of Horace] London: Printed for Lawton Gilliver, . . . M DCC XXIX. 8vo, brown straight-grain morocco, Janseniste, gilt edges, by The Club Bindery.

Grotesque frontispiece with the legend "—Risum teneatis amici?" illustrating the opening lines of the poem,

A-F in fours, title on A1.

Bound with this work are Swift's "Epistle to a Lady," B1-B4 recto; "On Reading Dr. Young's Satire," B4 verso-C1 recto; "On Poetry," C1 verso-D3 recto. "On the Words, Brother-Proteſtants, and Fellow-Chriſtians," D3 verso-D4 (verso blank), without title-page.

BRAMSTON, James.—The Man of Taste. Occasion'd by an Epistle Of Mr. Pope's On that Subject. By the Author of the Art of Politicks. London: Printed by J. Wright, for Lawton Gilliver . . . 1733. . . . Folio, red morocco, uncut edges, by The Club Bindery. Bound with "Beauty: or, the Art of Charming," 1735.

First edition, with engraving by G. Van der Gucht on the verso of the half-title.

BRAY, Anna Eliza.—Life of Thomas Stothard, R.A., with Personal Reminiscences. By Mrs. Bray. With numerous illustrations from his works. London: John Murray . . . 1851. 4to, green morocco, gilt back, gilt edges.

BRAY, Anna Eliza.—Life of Thomas Stothard, 1851. 4to, boards, uncut edges.

Another copy.

BRAY, Anna Eliza.—Life of Thomas Stothard, 1851. 4to, enlarged to seven volumes, folio, red levant morocco, gilt back and sides, gilt edges, by Matthews.

Another copy, enlarged by inlaying the text on Whatman's drawing paper to folio (14 × 10-1/2 inches), and further illustrated by the insertion of seven hundred and thirty-five plates, etc., and an autograph letter of Stothard. The illustrations include forty-one original drawings and studies, forty portraits, six hundred and fifty engravings after Stothard's designs and his original etchings. Nearly all the plates are proofs, some in three or four states from the trial proof to the finished plate, and in addition many prints retouched by Stothard with his autograph instructions on the margin.

BREVAL, John Durant, Capt.—The Petticoat: an Heroi-Comical Poem. In Two Books. By Mr. [Joseph] Gay . . . London: Printed for R. Burleigh in Amen Corner, MDCCXVI. 8vo, red levant morocco, gilt edges.

First edition, written over Breval's pseudonym.

BREVAL, John Durant, Captain.—The Progress of a Rake: or, the Templar's Exit. In ten cantos, in Hudibraſtick Verse. containing. I. His coming out of the Weſt of England, being put under the Care of his Uncle, a Middleſex Juſtice. II. His Learning at Weſtminſter-School; and his creeping to Bed with the Maid, for fear of the Spirits. III. His going to Braſen-Noſe College at Oxford; being expell'd for his Debaucheries; and Return into the Country; with his Whoring, Roaring, Ranting, Swearing, Fighting, &c. IV. His coming again to London; falling among Pettifoggers, and Solicitors; and the Diſputes among his Friends, whether he ſhould be a Prieſt, a Lawyer, or a Phyſician. V. His following all three ſucceſſively; and his vaſt Improvement in each Faculty, eſpecially that of a Cuſhion-thumper. VI. His Natural Philoſophy; other natural Parts, and natural Impudence. VII. His Converſation with old Bauds, young Whores, and Town Sharpers. VIII. His ruining his Reputation, Eſtate, and Conſtitution. IX. His Pains, and Repentance; Sickneſs without Pity; and Miſery without Mercy. X. His Death by a Halter; Burial by a Dung-hil; and Funeral-Sermon by a converted Rake of Covent-Garden. The whole interſpers'd with innocent Mirth, good Morals, and too much of the Author's own Experience. By the Author of The Harlot's Progress. ["Joseph Gay," i.e., Captain John Durant Breval] London: Printed for B. Dickinſon. . . . and R. Montague . . . : And Sold by E. Nutt, and J. Brotherton . . . ; A. Dodd . . . ; J. Brindly . . . ; J. Jolliff . . . ; Mr. Critchly . . . ; and J. Stagg. . . . 1732 [Price One Shilling.] 8vo, green morocco, gilt edges. Bound with "Spiller's Jests" and three other works.

George Daniel's copy, with the following note on the fly-leaf: "'The Progress of a Rake' I believe to be very rare."

BREVAL, John Durant, Captain.—The Harlot's Progress: or, the Humours of Drury-Lane. Being the Life of the noted Moll Hackabout, in ſix Hudibraſtick Cantos, with a curious Print to each Canto, engrav'd from the Originals of Mr. Hogarth. I. Her coming to Town in the York Waggon; and being betray'd by an old Baud into the Arms of Colonel Ch[arteri]s; with several Comical Dialogues, &c. II. Her being kept by a Jew; with her Intrigues in his Houſe. III. Her living in a Baudy-Houſe in Drury-Lane. A diverting Liſt of the Decorations of her Lodging. Her being detected by Sir J——n G——n, &c. IV. Her Uſage at Tothil-Fields Bridewell; and the Humours of the Place. V. Her Sickneſs and Death. Diſputes between two noted Quacks. Her laſt Will. VI. Her Burial. Characters of the principal Perſons who conſtituted the Funeral Pomp, &c. The Fifth Edition. To which is now firſt added, a curious Riddle, which Moll learned of the Jew, while in his keeping, and which the learned Col. Ch——s could never anſwer to her full Satisfaction. N.B. Thoſe who have had of the former Impreſſions, may have the Riddle ſingly, at the Price of Six Pence. London: Printed for R. Montagu . . . ; and ſold by Mrs. Nut . . . ; Mrs. Dod . . . ; Mr. Brindley . . . ; Mr. Jollife . . . ; and Mr. Stag . . . [n. d.] Price Two Shillings. 8vo, green levant morocco, gilt edges. Bound with "Spiller's Jests" and three other works.

Copper-plate frontispiece, and six aquatints after Hogarth.

George Daniel's copy.

The first edition was an octavo, published in 1732.

BREWER, J. S.—The Reign of Henry VIII from his accession to the death of Wolsey. Reviewed and illustrated from original documents by the late J. S. Brewer, . . . Edited by James Gairdner . . . With portrait. London: John Murray, . . . 1884. 8vo, two volumes, red levant morocco, gilt back, gilt top, uncut edges, by Zaehnsdorf.

BRIDGES, Robert.—Prometheus the Firegiver by Robert Bridges Printed at the private press of H. Daniel Ffllow of Worcester College Oxford 1883. 4to, half vellum, uncut edges.

First edition. No. 98 of one hundred copies printed.

BRIDGES, Robert.—Prometheus the Firegiver. By Robert Bridges. London George Bell and Sons . . . 1884. Post 8vo, cloth, uncut edges.

BRIDGES, Robert.—Eros & Psyche a poem in twelve measures by Robert Bridges the story done into English from the Latin of Apuleius . . . London: George Bell and Sons 1885. Square crown 8vo, half vellum, uncut edges.

BRIDGES, Robert.—The Feast of Bacchvs by Robert Bridges. Privately printed by H. Daniel: Oxford: 1889. 4to, half parchment, uncut edges.

No. 19 of one hundred and five copies printed.

BRIDGES, Robert.—The Growth of Love. Printed by H. Daniel: Oxford: 1890. 4to, boards, uncut edges.

No. 62 of one hundred copies printed.

BRIDGES, Robert.—Eden an oratorio by Robert Bridges set to music by C. V. Stanford. London Geo Bell & Sons . . . 1891. 12mo, boards, uncut edges.

No. 86 of one hundred and ten copies printed on hand-made paper.

BRIDGES, Robert.—Eden. 1891. 12mo, boards, gilt top, uncut edges.

Another copy. No. 101 of one hundred and ten copies printed.

BRIDGES, Robert.—Achilles in Scyros by Robert Bridges. London: Geo. Bell & Sons 1892. 12mo, parchment, uncut edges.

Large paper copy, one hundred and fifty-six printed.

BRIDGES, Robert.—The Humours of the Court A Comedy and other poems. New York Macmillan and Co . . . 1893. 8vo, buckram, uncut edges.

One hundred copies printed on hand-made paper.

BRITISH CLASSICS.—[Half title] The British Classics . . . 1803 [-1810] [Imprint on engraved titles] London. Printed by C. Whittingham, . . . Publiſhed by John Sharpe, . . . [W. Suttaby] 1804 [-1803-1810]. 12mo, twenty-four volumes, blue levant morocco, gilt back, gilt top, uncut edges, by Allo.

Large paper copy.

The Tatler, four volumes, 1804, contains twenty plates, including the frontispieces, by Neagle, Schiavonetti, Fittler, Anker Smith, and others after Stothard, Fuseli, Tresham, Westall, Singleton, etc.

The Spectator, eight volumes, 1803, contains forty plates by the same artists and others.

The Guardian, two volumes, 1804, contains ten plates after R. Smirke.

The Adventurer, four volumes, with half-titles dated 1807 and engraved titles 1806, 1806, 1807, and 1805, contains four portraits by Schiavonetti after Reynolds and Highmore and twelve plates after Westall.

The Rambler, four volumes, 1809, "Published by W. Suttaby," contains a portrait of Dr. Johnson by Schiavonetti after Reynolds and fifteen plates after R. Smirke.

The Idler, two volumes, 1810, "Published by W. Suttaby," contains a portrait of Sir Joshua Reynolds by Schiavonetti after Reynolds and seven plates after Richard Cook.

BRITISH DRAMA.—The British Drama; comprehending the best Plays in the English language. [Edited by Sir Walter Scott] London: published by William Miller . . . printed by James Ballantyne, Edinburgh. 1804. Royal 8vo, five volumes, half brown levant morocco, gilt back, gilt top, uncut edges, by Zaehnsdorf.

Comprising Comedies, two volumes, Tragedies, two volumes, and Operas and Farces, one volume.

BRITISH DRAMA.—The Ancient British Drama. London: printed for William Miller . . . by James Ballantyne and C^o Edinburgh 1810. Royal 8vo, three volumes, half brown levant morocco, gilt back, gilt top, uncut edges, by Zaehnsdorf.

Sir Walter Scott is believed to have edited these volumes. The matter is chiefly taken from Dodsley's Old Plays.

BRITISH ESSAYISTS.—The British Essayists; with Prefaces, historical and biographical, by A. Chalmers. [with a general Index] London: printed for Nichols and Son &c. 1817. 12mo, forty-five volumes, calf, gilt back and sides.

Portraits of Steele, Addison, Pope, Johnson, Swift, Horace Walpole, Joseph and Thomas Warton, Bonnell Thornton, Chesterfield, Mackenzie, Colman, Hawksworth, Edward Moore, Hughes, and Bishop Berkeley.

BRITISH ESSAYISTS.—The British Essayists: with prefaces, historical and biographical. By A. Chalmers, . . . Boston: Little, Brown, and Company. 1866. 12mo, thirty-eight volumes, half green morocco, uncut edges.

No. 52 of one hundred copies printed on large paper, with fourteen portraits on India paper.

The contents are as follows: Vols. I-IV, Tatler; V-XII, Spectator; XIII-XV, Guardian; XVI-XVIII, Rambler; XIX-XXI, Adventurer; XXII-XXIV, World; XXV-XXVI, Connoisseur; XXVII, Idler; XXVIII-XXIX, Mirror; XXX-XXXI, Lounger; XXXII-XXXIV, Observer; XXXV-XXXVII, Looker-on; XXXVIII, Index.

BRITISH POETS.—4to, red levant morocco, gilt back, side panel, gilt edges.

Twelve drawings by J. Thurston in India ink, sepia, and pencil, being portraits of John Gower, Chaucer, Shakespeare, Jonson, Massinger, Shirley, John Fletcher, Milton, D'Urfey, Young, Gray, and George Colman.

BRITISH THEATRE.—[A Collection of one hundred and eighty Plays &c. from the series edited by Bell and Cawthorn, with the addition of six Dramas written by James Wild. London 1791-'2-'3-'4-'5-'6-'7 and 1804-'6. Crown 8vo, forty-one volumes, red morocco, gilt back and sides, gilt edges.

Large paper copy.

Includes Cawthorn's Minor British Theatre complete in six volumes; the whole illustrated with one hundred and seventy-six portraits and scenes, proofs lettered and before letters.

BRITISH THEATRE.—Bell's British Theatre. Consisting of the most esteemed English Plays. . . . London: printed for, and under the direction of, George Cawthorn, . . . 1797. 8vo, thirty-four volumes, green morocco, gilt back, crest on the sides, gilt edges, by J. Clarke.

Large paper copy, with proof impressions of the plates, including portraits of famous actors and actresses.

BRITISH THEATRE.—Bell's British Theatre, 1797. 8vo, Volumes I-XXII, red levant morocco, Janseniste, gilt top, uncut edges, by Triquilier.

Another copy, also upon large paper, and uncut.

BRITTON, John.—Picturesque Antiquities of the English Cities illustrated by a series of engravings of Antient Buildings, Street Scenery, etc. with historical and descriptive accounts of each subject. By John Britton . . . London: Longman . . . 1830. Royal 4to, blue levant morocco, gilt back, gilt edges, by Bedford.

Large paper copy, with India proof impressions of the sixty plates after Bartlett, and numerous woodcuts.

BRODRICK, Thomas.—Historia Sacra: or the Holy History; giving An Exact and Comprehensive Account Of all the Feasts and Fasts of the Church of England, after a New and Curious Method; With their various Etymologies and Appellations, And the true Reasons and Grounds of their Celebration; . . . London: Printed for John Wyat, . . . 1705. 8vo, old blue morocco, gilt back, sides richly tooled in compartments introducing the rose, thistle, and tulip, gilt edges.

Portrait of the author by W. Sherwin and fifty plates, including, in the Appendix, the illustrations to the Gunpowder Plot, the Execution of Charles I, and the Restoration of Charles II.

BRONTË, Charlotte.—Poems by Currer, Ellis, and Acton Bell. London: Smith, Elder and C^o . . . 1846. Post 8vo, half green levant morocco, gilt back, gilt top, uncut edges, by Champs.

First edition.

BRONTË, Charlotte.—Jane Eyre. An Autobiography. Edited by Currer Bell. London: Smith, Elder, and Co., . . . 1847. Crown 8vo, three volumes, half brown levant morocco, gilt back, gilt top, uncut edges, by Champs.

First edition.

BRONTË, Charlotte.—Shirley. A Tale. By Currer Bell. London: Smith, Elder and Co., . . . 1849. Crown 8vo, three volumes, half green levant morocco, gilt and mosaic back, gilt top, uncut edges, by Champs.

First edition.

BRONTË, Charlotte.—Villette. By Currer Bell. London: Smith, Elder & Co., . . . 1853. Crown 8vo, three volumes, half blue levant morocco, gilt and mosaic back, gilt top, uncut edges, by Champs.

First edition.

BRONTË, Charlotte.—The Professor, A Tale. By Currer Bell. . . . London: Smith, Elder & Co . . . 1857. Crown 8vo, two volumes, half green levant morocco, gilt and mosaic back, gilt top, uncut edges, by Champs.

First edition.

BROOKE, Henry.—See Moore, Edward.

BROOKES, Richard.—The Art of Angling, Rock and Sea-Fishing: With the Natural History of River, Pond and Sea-Fish. Illustrated with 133 Cutts. London: Printed by and for John Watts . . . MDCCXL. 12mo, calf, gilt back and edges, by Bedford.

First edition.

BROOKES, Richard.—The Art of Angling. By R. Brookes, M.D. Now Improved with Additions, And formed into a Dictionary. . . . Illustrated with One Hundred and Thirty-five Cuts, exactly describing the different kinds of Fish that are found in the Fresh or Salt Waters. The Whole forming A Sportsman's Magazine; And comprising all that is curious and valuable in The Art of Angling. . . . London, Printed for T. Lowndes . . . MDCCLXVI. 12mo, red levant morocco, gilt back, gilt edges, by Cuzin.

The additional cuts in this edition are the frontispiece and the vignette at the head of the first page.

BROUGHAM and VAUX, Henry Peter, Lord.—Historical Sketches of Statesmen who flourished in the time of George III. to which is added, Remarks on Party, and an Appendix. . . . By Henry Lord Brougham, . . . London: Charles Knight & Co., . . . MDCCCXXXIX. [-MDCCCXLIII.]. Royal 8vo, three volumes, cloth, uncut edges.

The First Series is second edition, and the Third is dated 1843. Thirty-four portraits.

BROUGHAM and VAUX, Henry Peter, Lord.—Albert Lunel; or, the Château of Languedoc. . . . London: Charles Knight & Co., . . . 1844. Post 8vo, three volumes, red morocco, gilt back, gilt top, uncut edges, by Matthews.

Dedicated to Samuel Rogers. Suppressed on the eve of publication.

BROUGHAM, and VAUX, Henry Peter, Lord.—Lives of Men of Letters and Science, who flourished in the time of George III. By Henry, Lord Brougham, F.R.S., . . . With [14] portraits, engraved on steel. London: Charles Knight and Co., . . . 1845. [-46.] Royal 8vo, two volumes, cloth, uncut edges.

BROWN, John.—Horæ Subsecivæ. By John Brown, M.D. . . . A second series. Edinburgh: Edmonston and Douglas. 1861. Crown 8vo, cloth, uncut edges.

BROWN, John J.—The American Angler's Guide; or, Complete Fisher's Manual, for the United States: containing the opinions and practices of experienced Anglers of both hemispheres; with the various modes adopted in Ocean, River, Lake and Pond Fishing . . . Fourth Edition, revised, corrected, and greatly improved, with the Addition of a Second Part . . . New York: H. Long & Brother . . . and John J. Brown & C^o . . . 1850. 8vo, orange morocco, gilt back with emblematic tool in the panels, gilt edges, by Matthews.

Every page illustrated with engravings either on steel, stone, or wood.

BROWN, John William.—The Life of Leonardo da Vinci, with a critical account of his works, by John William Brown, Esq. . . . London: William Pickering. M DCCC XXVIII. 8vo, blue levant morocco, gilt back, side corners, centre ornaments, gilt top, uncut edges, by Rivière.

Besides the portrait of da Vinci and the Lord's Supper engraved by W. H. Worthington, on India paper, thirty-five other illustrations, including eleven portraits of da Vinci, have been inserted in this volume, some in three states.

BROWN, Thomas.—A Description of Mr. D[ryde]n's Funeral. A Poem. The Third Edition, with Additions. London, Printed for A. Baldwin in Warwicklane, M.DCC. Price 6d. Folio, cloth, uncut edges, by The Club Bindery.

BROWN, Thomas.—The Works of Mr. Thomas Brown, Serious and Comical, In Prose and Verse . . . The Fourth Edition, Corrected, and much Enlarged from his Originals never before publish'd. With A Key to all his Writings. London, Printed for Sam. Briscoe, . . . 1715. 12mo, four volumes in two, old red morocco, gilt back and sides, gilt edges.

Frontispieces.

BROWN, Thomas.—The Works of Mr. Thomas Brown, serious and comical, In prose and verse: with his Remains. In Four Volumes Compleat. With The Life and Character of Mr. Brown, and his Writings, By James Drake, M. D. And a Key to the Whole. The Ninth Edition, carefully corrected. Adorned with a new Set of Copper-Plates. London: Printed for Al. Wilde, C. Hitch and L. Hawes, . . . M.DCC.LX. 12mo, four volumes, calf, gilt back, gilt top, uncut edges, by Bedford.

Twenty-seven plates by E. Kirkall and R. Smith.

BROWNE, Irving.—Doctor Polyanthus, or, Where there's a Will there's a Way; a farce in two acts. By Irving Browne. Privately printed. [Troy, n.d.]. 8vo, original paper wrappers.

Presentation copy from the author.

BROWNE, Irving.—Ballads of A Book-worm Being a Rythmic Record of Thoughts, Fancies, & Adventures a-collecting By Irving Browne Done into a printed book by the Roycrofters, . . . East Aurora, . . . m dccc xcix. 12mo, boards, uncut edges.

No. 471 of eight hundred and fifty copies "illumined by hand."

BROWNE, Matthew.—Chaucer's England. By Matthew Browne. . . . London: Hurst and Blackett, . . . 1869. Crown 8vo, two volumes, original cloth, uncut edges.

First edition, with a steel portrait of Chaucer and numerous woodcut illustrations.

BROWNING, Elizabeth Barrett.—An Essay on Mind, with other Poems. London: James Duncan . . . MDCCCXXVI. 8vo, green levant morocco, gilt back, gilt top, uncut edges, by Bedford.

First edition.

BROWNING, Elizabeth Barrett.—The Seraphim, and other Poems. By Elizabeth B. Barrett. London: Saunders and Otley . . . 1838. Small 8vo, green levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

BROWNING, Elizabeth Barrett.—Poems. By Elizabeth Barrett Barrett . . . London: Edward Moxon . . . MDCCCXLIV. Small 8vo, two volumes, green levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

BROWNING, Elizabeth Barrett.—The Earlier Poems of Elizabeth Barrett Browning. 1826-1833. London Bartholomew Robson: . . . M.DCCC.LXXVIII. Crown 8vo, cloth, uncut edges.

BROWNING, Elizabeth Barrett.—Elizabeth Barrett Browning's Poetical Works . . . New-York: Dodd, Mead and Company MDCCCLXXXIV. 12mo, five volumes, citron levant morocco, back and side panels inlaid with blue morocco and ornamented with scroll and floral tooling, gilt tops, uncut edges, by David.

No. 6 of twenty copies printed on Japan paper. Portrait by S. Hollyer.

BROWNING, Elizabeth Barrett.—Elizabeth Barrett Browning's Poetical Works. 1884. 12mo, five volumes, blue levant morocco, gilt back and side panels, with corner ornament, gilt edges, by David.

Another copy. No. 1 of four printed on vellum.

BROWNING, Robert.—Sordello. By Robert Browning. London: Edward Moxon, . . . M DCCC XL. Post 8vo, cloth, uncut edges.

First edition.

BROWNING, Robert.—(I.) Bells and Pomegranates. N^o. I.—Pippa Passes. By Robert Browning, author of "Paracelsus." London: Edward Moxon, [Bradbury and Evans, Printers] . . . M DCCC XLI. (II.) Bells and Pomegranates. N^o. II.—King Victor and King Charles. By Robert Browning, . . . London: Edward Moxon, . . . M DCCC XLII. (III.) Bells and Pomegranates. N^o. III.—Dramatic Lyrics. By Robert Browning, . . . London: Edward Moxon, . . . M DCCC XLII. (IV.) Bells and Pomegranates. N^o. IV.—The Return of the Druses. A Tragedy. In five acts. By Robert Browning. . . . London: Edward Moxon, . . . M DCCC XLIII. (V.) Bells and Pomegranates. N^o. V.—A Blot in the 'Scutcheon. A Tragedy, in three acts. By Robert Browning, . . . London: Edward Moxon, . . . M DCCC XLIII. (VI.) Bells and Pomegranates. N^o. VI.—Colombe's Birthday. A Play, in five acts. By Robert Browning, . . . [Three lines from Hanmer] London: Edward Moxon, . . . M DCCC XLIV. (VII.) Bells and Pomegranates. No. VII. Dramatic Romances & Lyrics. By Robert Browning, . . . London: Edward Moxon, . . . M DCCC XLV. (VIII.) Bells and Pomegranates. No. VIII. and last. Luria; and A Soul's Tragedy. By Robert Browning, . . . London: Edward Moxon, . . . M DCCC XLVI. Royal 8vo, red levant morocco, gilt back, wide side borders in conventional floral design, gilt top, uncut edges, by Rivière.

First edition.

"A Blot in the 'Scutcheon" was first acted at the Theatre Royal, Drury Lane, February 11, 1843, with Helen Faucit as Mildred Tresham. "Colombe's Birthday" is dedicated to Barry Cornwall, March, 1844, "Dramatic Romances and Lyrics" to John Kenyon, November, 1845, and "Luria" to Walter Savage Landor, March 29, 1846.

There are two final leaves of advertisements.

BROWNING, Robert.—Men and Women. By Robert Browning. . . . London: Chapman and Hall, . . . 1855. Post 8vo, two volumes, cloth, uncut edges.

First edition.

BROWNING, Robert.—Selections from the Poetry of Robert Browning. With an Introduction by Richard Grant White. New York: Dodd, Mead & Company. . . . [1883]. 8vo, citron levant morocco, gilt back, and corner ornaments on the sides, gilt edges, by Cuzin.

The portrait of Browning is in two states, before and after the letters.

No. 34 of seventy copies printed on large, Japanese paper.

BROWNING, Robert.—Asolando: fancies and facts. By Robert Browning. London: Smith, Elder, & Co., . . . 1890. Post 8vo, red levant morocco, back and sides beautifully tooled, rose-vine decoration, gilt edges, by Lloyd.

First edition.

BRYAN, Michael.—A biographical and critical Dictionary of Painters and Engravers, from the revival of the art under Cimabue, and the alledged discovery of engraving by Finiguerra, to the present time: with the ciphers, monograms, and marks, used by each engraver; and an ample list of their principal works. Together with two indexes, alphabetical and chronological. To which is prefixed, an introduction, containing A Brief Account of the Painters of Antiquity. By Michael Bryan. . . . [5 plates] London: printed for Carpenter and Son, . . . 1816. Imperial 4to, two volumes, cloth, uncut edges.

Large and thick paper copy.

BRYAN and STANLEY.—A biographical and critical Dictionary of Painters and Engravers, from the revival of the art under Cimabue, and the alleged discovery of engraving by Finiguerra, to the present time: with the ciphers, monograms, and marks, used by each engraver: by Michael Bryan. A new edition, revised, enlarged, and continued to the present time, comprising above one thousand additional memoirs, and large accessions to the lists of pictures and engravings, also new plates of ciphers and monograms, by George Stanley. London: H. G. Bohn, . . . M DCCC LVIII. Royal 8vo, cloth.

Portrait of Bryan by W. Haines after A. Pope, and nine plates of monograms.

BRYANT, William Cullen.—The Embargo, or sketches of the times; a satire. By a youth of thirteen. Boston: printed for the purchasers. 1808. 12mo, red levant morocco, gilt back, gilt top, by Alfred Matthews.

First edition.

BRYANT, William Cullen.—The Embargo; or, sketches of the times. A satire. The second edition, corrected and enlarged. Together with the Spanish Revolution, and other poems. By William Cullen Bryant. Boston: printed for the author, by E. G. House, . . . 1809. 16mo, red levant morocco, gilt back, gilt top, by Alfred Matthews.

Presentation copy with inscription "L. Hyde's From the Author 1811."

BRYANT, William Cullen.—Poems by William Cullen Bryant. Cambridge: printed by Hilliard and Metcalf. 1821. 12mo, red levant morocco, gilt back, uncut edges, by Rivière.

First edition, concluding with "Thanatopsis."

BRYANT, LONGFELLOW, and others.—Miscellaneous Poems selected from the United States Literary Gazette. Boston: Cummings, Hilliard and Company, and Harrison Gray. 1826. 18mo, blue levant morocco, gilt back, side border, gilt top, uncut edges, by Alfred Matthews.

Contains twenty-three poems by Bryant and fourteen by Longfellow.

BRYANT, William Cullen, and others.—Tales of the Glauber-Spa. By several American authors. [Bryant, Miss Sedgwick, Paulding, Sands, and Leggett.] . . . New York: printed and published by J. & J. Harper, . . . M DCCC XXXII. 12mo, two volumes, blue levant morocco, gilt back, gilt top, uncut edges, with the original covers bound in, by Rivière.

First edition.

BRYANT, William Cullen.—Poems by William Cullen Bryant [including many now first collected] New York: published by E. Bliss, . . . M.DCCC.XXXII. 12mo, blue levant morocco, gilt back, gilt top, uncut edges, by David.

Part of this edition was issued with a Boston imprint.

BRYANT, William Cullen.—Poems by William Cullen Bryant, an American. Edited by Washington Irving. London: J. Andrews . . . MDCCCXXXII. Crown 8vo, green morocco, gilt back and side panels, gilt top, uncut edges, by Matthews.

Four portraits of Bryant and one of Irving inserted.

This edition is famous for a change made by Irving in the "Song of Marion's Men," as follows,—

instead of as in the original.

BRYANT, William Cullen.—Poems by William Cullen Bryant. Third edition. [Newly revised, with additions] New York: Harper & brothers, . . . 1836. 12mo, citron levant morocco, gilt back, gilt over uncut edges, by David.

Engraved title-frontispiece by Cushman after Weir.

The copies dated "third edition, 1836," were copyrighted in the same year; those dated "fourth edition" were copyrighted in 1835.

BRYANT, William Cullen.—Poems by William Cullen Bryant. Collected and arranged by the author. Illustrated with seventy-one engravings, from drawings by eminent artists. New York: D. Appleton & Co. . . . [n. d.]. 4to, half green levant morocco, gilt top, uncut edges, by Rivière.

Portrait by Thomas Dalziel after Lawrence, and seventy other woodcuts by the Brothers Dalziel after Birket Foster, J. Tenniel, Edward and Thomas Dalziel, Harrison Weir, and others.

BRYANT, William Cullen.—The Fountain and other poems. By William Cullen Bryant. New York & London: Wiley and Putnam. 1842. 12mo, citron levant morocco, gilt back, gilt over rough edges, by David.

First edition.

BRYANT, William Cullen.—Poems by William Cullen Bryant. With illustrations by E. Leutze, engraved by American artists. Fourth Edition. Philadelphia: Carey and Hart. 1848. 8vo, brown morocco, gilt back and sides, gilt edges.

Portrait by J. Cheney from a drawing by S. W. Cheney, and nineteen other plates.

BRYANT, William Cullen.—Poems by William Cullen Bryant. Collected and arranged by the author. New York: D. Appleton and Company . . . M.DCCC.LV. 12mo, two volumes, cloth, uncut edges.

BRYANT, William Cullen.—Thirty Poems William Cullen Bryant New York: D. Appleton and Company . . . MDCCCLXIV. 12mo, cloth, uncut edges.

Autograph of "William Cullen Bryant. March 1864" on the fly-leaf.

BRYANT, William Cullen.—Thirty Poems. 1864. 12mo, citron levant morocco, gilt back and sides, gilt over uncut edges, by The Club Bindery.

Another copy.

BRYANT, William Cullen.—The Song of the Sower. By William Cullen Bryant. Illustrated with forty-two engravings on wood. New York: D. Appleton & Company MDCCCLXXI. 4to, green morocco, gilt back, gilt edges, by Matthews.

First edition.

BRYANT and GAY.—A popular History of the United States, from the first discovery of the Western Hemisphere by the Northmen, to the end of the first century of the union of the states. Preceded by a sketch of the pre-historic period and the age of the mound builders. By William Cullen Bryant and Sydney Howard Gay. . . . Fully illustrated. New York: Scribner, Armstrong, and Company. 1876. [1878, 1879, 1881.] Royal 8vo, four volumes, half red straight-grain morocco, gilt top, uncut edges, by Stikeman.

First edition. Portrait of Bryant by Charles Burt, sixteen other steel plates, and numerous full-page woodcuts and illustrations in the text.

BRYDGES and HASLEWOOD.—The British Bibliographer. By Sir Egerton Brydges . . . and Joseph Haslewood. London: printed for R. Triphook . . . by T. Bensley . . . 1810-'12-'14. 8vo, four volumes, half brown levant morocco, gilt back, gilt top, uncut edges, by Allo.

Two hundred and fifty copies printed. Six portraits inserted.

BRYDGES, Sir Samuel Egerton.—Bertram, a poetical tale. By Sir Egerton Brydges . . . Kent: Printed at the private Press of Lee Priory . . . 1814. Royal 8vo, mottled calf, gilt back, gilt over uncut edges, by Bedford.

One hundred copies printed, with woodcuts.

BRYDGES, Sir Samuel Egerton.—Restituta; or Titles, Extracts, and Characters of Old Books in English Literature revived. By Sir Egerton Brydges . . . London: printed by T. Bensley . . . for Longman . . . 1814-'15-'16. 8vo, four volumes, half brown morocco, gilt top, uncut edges.

Two hundred and fifty copies printed.

BRYDGES, Sir Samuel Egerton.—Censura Literaria. Containing Titles, Abstracts, and Opinions of Old English Books, with original disquisitions, articles of biography, and other literary antiquities. By Sir Egerton Brydges, . . . Second Edition. With the articles classed in chronological order under their separate heads. London: printed for Longman, . . . 1815. 8vo, ten volumes (in five), half green levant morocco, gilt top, uncut edges, by Smith-Mansell.

Two hundred and fifty copies printed.

BRYDGES, Sir Samuel Egerton.—Sir Ralph Willoughby: an historical tale of the sixteenth century. In which are inserted the dedicatory Sonnets of Edmund Spenser, with sketches of character, by the author of Coningsby. Florence Printed by I. Magheri 1820. 12mo, red morocco, gilt back, gilt over uncut edges, by Mackenzie.

Large paper copy.

BRYDGES, Sir Samuel Egerton.—An Impartial Portrait of Lord Byron, as a poet and a man, compared with all the evidences and writings regarding him, up to 1825. By Sir Egerton Brydges, . . . Paris: published by A. and W. Galignani, . . . 1825. 12mo, half red morocco, gilt back.

BRYDGES, Sir Samuel Egerton.—The Autobiography, Times, Opinions, and Contemporaries of Sir Egerton Brydges, . . . [vignette] . . . London: Cochrane and M'Crone. MDCCCXXXIV. 8vo, two volumes, half red levant morocco, gilt back, gilt top, uncut edges.

First edition.

BUCHANAN, Robert.—The Fleshly School of Poetry and other phenomena of the day By Robert Buchanan . . . Strahan & Co. . . . London 1872. Crown 8vo, original paper covers.

BUCHANAN, Robert.—The City of Dream an Epic Poem by Robert Buchanan . . . London Chatto & Windus . . . 1888. Post 8vo, cloth, uncut edges.

Frontispiece and vignette.

BUCKINGHAM and CHANDOS, Richard Grenville, (Second) Duke of.—Memoirs of the Court and Cabinets of George the Third. From original family documents. By the Duke of Buckingham and Chandos . . . London: Hurst and Blackett . . . 1853.-5. 8vo, four volumes, cloth, uncut edges.

Portraits of George, Marquis of Buckingham, Lord Grenville, the Hon. Thomas Grenville, and C. J. Fox.

BUCKLAND, William.—Geology and Mineralogy considered with reference to Natural Theology by the Rev. William Buckland, D.D. . . . London William Pickering 1836. 8vo, two volumes, cloth, uncut edges.

First edition. Bridgewater Treatise, No. VI.

BUCKLE, Henry Thomas, editor.—[Half-title] Library illustrative of Social Progress. From the original editions collected by the late Henry Thomas Buckle, . . . No. 1. [and 2] "Exhibition of Female Flagellants." [No. 3. "Lady Bumtickler's Revels." No. 4. "The Use of Flogging in Venereal Affairs." No. 5. "Madame Birchini's Dance." No. 6. "Sublime of Flagellation." No. 7. "Fashionable Lectures"] [London, n. d.]. Crown 8vo, seven volumes, boards, uncut edges.

BUCKLEY, Theodore Alois.—The Natural History of Tuft-hunters [vignette] and toadies. Illustrated by H. G. Hine. [50 woodcuts] London: D. Bogue, . . . M DCCC XLVIII. 16mo, half green levant morocco, gilt back, gilt top, uncut edges, with the original front cover bound in.

BUDGET OF MOMUS.—The Budget of Momus or a preservative against Melancholy, [vignette] London. Printed for J. Coxhead, . . . [n. d.]. 12mo, mottled calf, gilt back, gilt top, uncut edges, by Bedford.

BULLEN, George, editor.—Caxton Celebration, 1877. Catalogue of the Loan Collection of Antiquities, Curiosities, and Appliances connected with the Art of Printing South Kensington. Edited by George Bullen, . . . London: printed at the Elzevir Press. Royal 4to, cloth, uncut edges.

No. 9 of twelve copies printed on hand-made paper.

BULWER-LYTTON, Sir Edward.—Eugene Aram. A tale. By the author of "Pelham," . . . London: Henry Colburn and Richard Bentley, . . . 1832. Post 8vo, three volumes, original boards, uncut edges.

First edition.

BULWER-LYTTON, Sir Edward.—Ernest Maltravers by the author of "Pelham," . . . London Saunders and Otley, . . . 1837. Post 8vo, three volumes, original boards, uncut edges.

First edition.

BULWER-LYTTON, Sir Edward.—Alice or The Mysteries a sequel to "Ernest Maltravers." By the author of "Pelham," . . . London Saunders and Otley, . . . 1838. Post 8vo, three volumes, original half cloth, uncut edges.

First edition.

BULWER-LYTTON, Sir Edward.—Zanoni. By the author of "Night and Morning," . . . London: Saunders & Otley, . . . 1842. Post 8vo, three volumes, original half cloth, uncut edges.

First edition.

BULWER-LYTTON, Sir Edward.—The Last of the Barons by the author of "Rienzi." . . . London Saunders and Otley, . . . 1843. Post 8vo, three volumes, original half cloth, uncut edges.

First edition.

BULWER-LYTTON, Sir Edward.—Harold, the last of the Saxon Kings; by the author of "Rienzi;" &c. . . . London: Richard Bentley, . . . 1848. Post 8vo, three volumes, original half cloth, uncut edges.

First edition.

BULWER-LYTTON, Sir Edward.—The Caxtons a family picture by Sir E. Bulwer Lytton, Bart. . . . William Blackwood and Sons Edinburgh and London M DCCC XLIX. Post 8vo, three volumes, original cloth, uncut edges.

First edition.

BULWER-LYTTON, Sir Edward.—The Poetical and Dramatic Works of Sir Edward Bulwer Lytton . . . London: Chapman and Hall . . . 1852-3-4. Post 8vo, five volumes, cloth, uncut edges.

First collected edition, with portrait and engraved titles on steel.

BULWER-LYTTON, Sir Edward.—See Schiller, Friedrich.

[BUNBURY, H.]—Annals of Horsemanship: containing accounts of accidental experiments, and experimental accidents, both successful and unsuccessful: communicated by various correspondents to Geoffrey Gambado, . . . together with most instructive remarks thereon, and answers thereto, by that accomplished genius. And now first published by the Editor of the Academy for Grown Horsemen. Illustrated with cuts by the most eminent artists. London: printed for W. Dickinson, &c. . . . MDCCXCI. 4to, brown levant morocco, gilt back and sides, gilt top, uncut edges, by The Club Bindery.

First edition, with seventeen plates after Bunbury's designs. Ascribed also to Francis Grose, with caricatures by Bunbury.

BURGON, John William.—The Life and Times of Sir Thomas Gresham; compiled chiefly from his correspondence preserved in Her Majesty's state-paper office: including notices of his contemporaries. With illustrations. By John William Burgon. . . . London: Robert Jennings, . . . M DCCC XXXIX. 8vo, two volumes, half maroon morocco, gilt top, uncut edges.

Portrait by R. Woodman, proof before letters, facsimile, eight other full-page illustrations, and numerous woodcuts in the text.

BURGOYNE, John.—The Heiress. A Comedy in five acts. As performed at the Theatre-Royal Drury-Lane. . . . London: printed for J. Debrett, MDCCLXXXVI. 8vo, red levant morocco, gilt back, gilt edges, by Rivière.

First edition. Title and A-O in fours. Dedication to the Earl of Derby, dated Hartford Street, Feb. 1, 1786, and Prologue in verse by the Rt. Hon. Richard Fitzpatrick.

BURGOYNE, John.—The Dramatic and Poetical Works of the late Lieut. Gen. J. Burgoyne; to which is prefixed, Memoirs of the Author. Embellished with [4] copper-plates. London: printed by C. Whittingham . . . 1808. 8vo, two volumes, red levant morocco, Janseniste, gilt top, uncut edges, by Smith-Mansell.

Large paper copy.

BURKE, Bernard.—The Knightage of Great Britain and Ireland, [woodcuts] London: Edward Churton, . . . [Bradbury and Evans] 1841. 12mo, ivory calf, back and sides covered with a graceful floral and scroll design in mosaic of various colours, inside panel of mosaic and gilt representing a cathedral window, purple silk guards, gilt edges.

Dedication copy of John Maude with his arms painted in colour on vellum, a duplicate frontispiece-title by H. Beckwith after J. E. Jones, and a duplicate page of dedication, both coloured.

BURLINGTON FINE ARTS CLUB. Exhibition of Portrait Miniatures. [36 plates] London: printed for the Burlington Fine Arts Club. 1889. 4to, buckram.

BURLINGTON FINE ARTS CLUB. Exhibition of Bookbindings. London: printed for the Burlington Fine Arts Club. 1891. Royal 4to, cloth, uncut edges.

One hundred and thirteen coloured plates.

BURLINGTON FINE ARTS CLUB. Catalogue of a Collection of European Enamels From the Earliest date to the End of the XVII. Century. London: printed for the Burlington Fine Arts Club. 1897. Imperial 4to, green buckram, uncut edges.

Seventy-two plates, some coloured.

BURLINGTON FINE ARTS CLUB. Exhibition of English Mezzotint Portraits from circa 1750 to circa 1830 London printed for the Burlington Fine Arts Club 1902. Folio, blue buckram, uncut edges.

Thirty plates after Van Dyck, Romney, Reynolds, Gainsborough, Lawrence, and others.

BURNABY, Charles.—The Reform'd Wife. A Comedy: As it is Acted, At the Theatre-Royal, in Drury-Lane. London, Printed for Thomas Bennet, at the Half-Moon, in St. Paul's Church-Yard, 1700. 4to, half sprinkled calf, gilt back, gilt top, uncut edges.

A-G4 in fours, title on A1. Dedicated to Lord Lorn.

BURNAND, Sir Francis Cowley.—The Incompleat Angler. After Master Izaak Walton. Edited by F. C. Burnand . . . and illustrated by Harry Furniss. London: Bradbury, Agnew, & C^o . . . 1887. 8vo, calf, gilt back, gilt top, uncut edges, by Rivière.

Thirty-one coloured illustrations.

BURNET, John.—Practical Hints on Light and Shade in Painting. Illustrated by Examples from the Italian, Flemish, and Dutch Schools. By John Burnet. . . . London: printed for the proprietor, and sold by James Carpenter and Son, . . . 1826. 4to, boards, uncut edges.

Large paper copy: thirty-nine illustrations [eight plates] on India paper.

BURNET, John.—[General title] A Treatise on Painting. In four parts. Consisting of an Essay on the Education of the Eye with reference to Painting, and practical hints on Composition, Chiaroscuro, and Colour. The whole illustrated by Examples from the Italian, Venetian, Flemish, and Dutch Schools. By John Burnet, . . . London: James Carpenter, . . . [Chiswick Press] 1837. (I.) An Essay on the Education of the Eye with reference to Painting. Illustrated by [8] copper plates and [5] wood cuts. . . . Second edition. London: James Carpenter, . . . 1837. (II.) Practical Hints on Composition in Painting. Illustrated by Examples from the Great Masters of the Italian, Flemish, and Dutch Schools. . . . Fifth edition. [9 plates] London: printed for the Proprietor, and sold by James Carpenter and Son, . . . 1836. (III.) Practical Hints on Light and Shade in Painting. . . . Fifth edition. [8 plates] London: James Carpenter, . . . 1838. (IV.) Practical Hints on Colour in Painting. Illustrated by Examples from the Works of the Venetian, Flemish, and Dutch Schools. . . . Fourth edition. [8 plates] London: printed for the proprietor, . . . 1835. Royal 4to, four parts in one volume, cloth, uncut edges.

120 figures on 33 plates.

BURNET and CUNNINGHAM.—Turner and his Works: illustrated with [10] Examples from his Pictures, and critical remarks on his principles of painting. By John Burnet, F.R.S. . . . the Memoir by Peter Cunningham, F.S.A. . . . Re-edited by Henry Murray, F.S.A. London: James S. Virtue, . . . 1859. Royal 4to, cloth, uncut edges.

Second edition. Dedicated to Samuel Rogers.

BURNET, Thomas.—A Second Tale of a Tub: or, The Hiſtory of Robert Powel the Puppet-Show-Man. . . . London: Printed for J. Roberts . . . 1715. . . . 8vo, red levant morocco, gilt fillets on the sides, gilt edges, by The Club Bindery.

Frontispiece and preliminary leaf containing the Imprimatur, dated Oct. 16, 1714.

A satire on Sir Robert Walpole, sometimes attributed to Thomas Duffet. The Jolley copy.

BURNEY, Charles.—A General History of Music, from the earliest ages, to the present period. To which is prefixed, a Dissertation on the Music of the Ancients. By Charles Burney . . . London, printed for the Author . . . MDCCLXXVI.-LXXXIX. 4to, four volumes, calf, gilt back.

Brilliant portrait of the author engraved by Bartolozzi after Reynolds, and ten other plates, including five by Bartolozzi after the designs of Cipriani.

Dr. Samuel Johnson is believed to have written the Preface.

BURNEY, Charles.—Memoirs of Doctor Burney, arranged from his own manuscripts, from family papers, and from personal recollections. By his Daughter, Madame d'Arblay. . . . London: Edward Moxon . . . [Bradbury and Evans] 1832. Crown 8vo, three volumes, original boards, uncut edges.

BURNEY, Fanny.—See D'Arblay, Madame.

BURNS, Robert.—Poems chiefly in the Scottish Dialect, by Robert Burns. [Four lines of English verse] Kilmarnock: printed by John Wilson. M,DCC,LXXXVI. 8vo, green straight-grain morocco, gilt back, gilt top, uncut edges, the original blue covers bound in, blue straight-grain morocco case, by Bedford.

First edition. Autograph letter of Burns (two pages) inserted.

BURNS, Robert.—Poems, chiefly in the Scottish Dialect. By Robert Burns. Kilmarnock: printed by John Wilson, M.DCC.LXXXVI [rep. 1867]. Imperial 8vo, green levant morocco, gilt back and sides, gilt edges, by Bedford.

No. 12 of fifty largest paper copies printed.

Eighty-seven plates have been inserted in this copy, many proofs, and some of Stothard's illustrations retouched for the engraver. At the end is bound a facsimile of the original manuscript of the "Jolly Beggars," Glasgow, 1823.

BURNS, Robert.—Poems, chiefly in the Scottish dialect. By Robert Burns. Edinburgh: printed for the author, and sold by William Creech. M,DCC,LXXXVII. 8vo, citron levant morocco, gilt back, side panels, gilt top, uncut edges, by The Club Bindery.

First issue of the first Edinburgh edition, with the misprints "ſtinking" and "haggis" in the last stanza on page 263.

Portrait by Beugo after A. Nasmyth, and an original water-colour drawing by Uwins, representing the witches in the church in "Tam O' Shanter."

BURNS, Robert.—Poems, chiefly in the Scottish dialect. By Robert Burns. Edinburgh: printed for the author, and sold by William Creech. M,DCC,LXXXVII. 8vo, half green levant morocco, gilt top, uncut edges, by Zaehnsdorf.

Second issue of the first Edinburgh edition, with the errors on page 263 corrected to "ſkinking" and "Haggis."

Portrait by Beugo after A. Nasmyth.

BURNS, Robert.—Poems, chiefly in the Scottish dialect. By Robert Burns. The third edition. London: printed for A. Strahan; T. Cadell in the Strand; and W. Creech, Edinburgh. M DCC LXXXVII. 8vo, green levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First London edition, copied from the first issue of the first Edinburgh edition, with the misprints in the last stanza of the poem "To a Haggis," on page 267.

Portrait by Beugo after A. Nasmyth.

BURNS, Robert.—Poems, chiefly in the Scottish Dialect. By Robert Burns. Philadelphia: printed for, and sold by Peter Stewart and George Hyde M,DCC,LXXXVIII. 12mo, olive levant morocco, richly tooled on back and sides, gilt edges, by Lortic.

First American edition, published in April. The text of this edition gives unmistakable evidence that it was printed from the first issue of the first Edinburgh edition, with the two errors in the lines, "To a Haggis."

BURNS, Robert.—Poems, chiefly in the Scottish dialect. By Robert Burns. To which are added, Scots Poems, selected from the works of Robert Ferguson. New York: printed by J. and A. M'Lean, Franklin's Head, No. 41, Hanover-Square. M,DCC,LXXXVIII. Post 8vo, green levant morocco, gilt back, wide side borders of interlacing fillets and foliage, doubled with green morocco, green silk guard, gilt top, uncut edges, by The Club Bindery.

Second American edition, published in June. Printed from the first issue of the first Edinburgh edition, with the two errors in the poem "To a Haggis," last stanza, page 187.

Portrait by Scot.

BURNS, Robert.—Poems, chiefly in the Scottish dialect. By Robert Burns. Belfast: printed and sold by William Magee, . . . M,DCC,XC. 12mo, green morocco, gilt and mosaic back, side panels in mosaic of orange, red, ivory, and maroon morocco, the intervals studded with dots, corner ornaments in gilt and red mosaic, gilt edges, by "E. S. Aurifex" [Sir Edward Sullivan].

The misprints in the last stanza of the poem, "To a Haggis," are repeated, page 187.

BURNS, Robert.—Poems, chiefly in the Scottish Dialect. By Robert Burns. . . . The second edition considerably enlarged. Edinburgh: printed for T. Cadell, London, and William Creech, Edinburgh. M.DCC.XCIII. 8vo, two volumes, red levant morocco, gilt back, gilt top, uncut edges, by Rivière.

Portrait by Beugo after Nasmyth.

BURNS, Robert.—Poems. 1793. 8vo, two volumes in one, original half calf, uncut edges, in a maroon morocco case.

Another copy, on the verso of the half-title of which is the following presentation inscription: "Mr. White will accept of this Book as a mark of the moſt sincere Friendship, from a man who has ever had too much respect for his Friends, & too much contempt for his enemies, to flatter either the one or the other—The Author."

In the back of the book is pasted a folio sheet containing stanzas "To the Memory of Robert Burns. By T. White, author of St. Guerdun's Well," dated Dumfries, 1796.

BURNS, Robert.—Poems, chiefly in the Scottish Dialect. By Robert Burns . . . A new edition, considerably enlarged. Edinburgh: printed for T. Cadell jun. and W. Davies, London; and William Creech, Edinburgh. MDCCXCVIII. 8vo, two volumes, red levant morocco, gilt back, gilt top, uncut edges, by Rivière.

Portrait by Beugo after Nasmyth.

BURNS, Robert.—Poems ascribed to Robert Burns, the Ayrshire bard, not contained in any edition of his works hitherto published. Glasgow, printed by Chapman & Lang, for Thomas Stewart, . . . 1801. 8vo, green levant morocco, gilt fillets, gilt top, uncut edges, by The Club Bindery.

BURNS, Robert.—(I.-IV.) The Works of Robert Burns; with an account of his life, and a criticism on his writings. To which are prefixed, some observations on the character and condition of the Scottish Peasantry. . . . The second edition. London: printed for T. Cadell, Jun. and W. Davies, . . . 1801. Printed by R. Noble, . . . (V.) Reliques of Robert Burns; consisting chiefly of original letters, poems, and critical observations on Scottish songs. Collected and published by R. H. Cromek. . . . London: printed by J. M'Creery, for T. Cadell, and W. Davies, . . . 1808. 8vo, five volumes, calf, gilt back.

Large paper copy. Portrait by Neagle after Nasmyth.

BURNS, Robert.—Select Scotish Songs, ancient and modern; with critical observations and biographical notices, by Robert Burns. Edited By R. H. Cromek . . . [vignette] London: printed for T. Cadell and W. Davies, . . . By J. M'Creery, . . . 1810. Crown 8vo, two volumes in one, half blue levant morocco, gilt top, uncut edges, by Zaehnsdorf.

BURNS, Robert.—Poems by Robert Burns: with an account of his Life And Miscellaneous remarks on his writings. Containing also many poems and letters, Not printed in Dr. Currie's edition . . . Edinburgh: printed for the Trustees of the late James Morison, by John Moir . . . 1811. Royal 8vo, two volumes, half green levant morocco, gilt back, gilt top, uncut edges, by Allo.

Twenty plates by Burnet and (inserted) four portraits and eleven additional plates, seven being India proofs.

BURNS, Robert.—The Works of Robert Burns; with his life, by Allan Cunningham. . . . London: John Cochrane and Co. . . . 1834. Post 8vo, eight volumes, cloth, uncut edges.

Portrait, frontispieces, and engraved titles, sixteen plates in all.

BURNS, Robert.—The Poetical Works of Robert Burns [with a Memoir by Sir Harris Nicolas, and a portrait of Burns] London William Pickering 1839. Foolscap 8vo, three volumes, cloth, uncut edges.

BURNS, Robert.—The Works of Robert Burns; with a complete life of the poet, and an essay on his genius and character, by Professor Wilson. Also numerous notes, annotations, and appendices. Embellished by eighty-one portraits and landscape illustrations. . . . Blackie and Son, . . . Glasgow, . . . M DCCC XLVI. Royal 8vo, two volumes, cloth, gilt top, uncut edges.

BURNS, Robert.—Poems, chiefly in the Scottish Dialect. By Robert Burns. [Posthumous Poems] Kilmarnock: printed by James M'Kie M.DCCCLXIX. Imperial 8vo, green levant morocco, gilt back and sides, gilt edges, by Bedford.

No. 15 of thirty copies printed on largest paper. Forty-six plates inserted, including eight portraits of Burns, one an original drawing.

BURNS, Robert.—Poems, chiefly in the Scottish Dialect. By Robert Burns. [Poems as they appeared in the early Edinburgh edition] Kilmarnock: printed by James M'Kie M.DCCCLXIX. Imperial 8vo, green levant morocco, gilt back and sides, gilt edges, by Bedford.

No. 15 of thirty copies printed on largest paper. Ninety-eight plates inserted, including eight portraits.

BURNS, Robert.—Songs, chiefly in the Scottish Dialect. By Robert Burns. Kilmarnock: printed by James M'Kie. M.DCCCLXIX. Imperial 8vo, green levant morocco, gilt back and sides, gilt edges, by Bedford.

No. 15 of thirty copies printed on largest paper. In this copy ninety plates have been inserted, including seven portraits of Burns, and illustrations on copper and steel after designs by Stothard and others. Many of the plates are in two states, before and after letters, a fair proportion being on India paper.

BURNS, Robert.—The Poetical Works of Robert Burns edited from the best printed and manuscript authorities, with glossarial index and a biographical memoir By Alexander Smith. . . . London: Macmillan & Co. 1879. Post 8vo, two volumes, boards, uncut edges.

Portrait on India paper by G. B. Shaw after J. Nasmith. One of five hundred copies printed.

BURNS, Robert.—Selected Poems of Robert Burns with an introduction by Andrew Lang. London Kegan Paul, Trench, Trübner & C^o. Ltd. MDCCCXCI. Crown 8vo, original covers, uncut edges.

Large paper copy, fifty printed.

BURNS, Robert.—Letters addressed to Clarinda, &c. By Robert Burns, the Ayrshire poet. Never before Published. Glasgow: Printed by Niven, Napier and Rhull; For T. Stewart . . . 1802. Small 8vo, green morocco, gilt back and sides, gilt edges, by Bedford.

BURTON, John Hill.—The Book-Hunter etc. By John Hill Burton. William Blackwood & Sons Edinburgh . . . MDCCCLXII. Foolscap 8vo, half morocco, uncut edges.

First edition.

BURTON, John Hill.—The Book-Hunter etc. 1862. Square 8vo, half olive morocco, uncut edges.

Large paper copy of the first edition, twenty-five printed.

BURTON, John Hill.—The Book Hunter, etc. By John Hill Burton . . . A new edition with a Memoir of the Author William Blackwood and Sons Edinburgh: . . . MDCCCLXXXII. 4to, light brown levant morocco, gilt and mosaic back, mosaic side compartments in maroon and green morocco, richly tooled, silk linings, gilt over uncut edges, by The Club Bindery.

One thousand copies printed. Etched portrait of the author by W. B. Hole.

BURTON, John Hill.—A History of the Reign of Queen Anne by John Hill Burton, . . . William Blackwood and Sons Edinburgh and London M DCCC LXXX . . . 8vo, three volumes, cloth, uncut edges.

BURTON, Sir Richard F.—(I.) Benares: M DCCC LXXXV: printed by the Kamashastra Society for private subscribers only. . . . A plain and literal translation of the Arabian Nights' Entertainments, now entituled the Book of the Thousand Nights and a Night with introduction explanatory notes on the manners and customs of Moslem men and a terminal essay upon the history of The Nights by Richard F. Burton (XI.) Benares: M DCCC LXXXVI: printed &c. . . . Supplemental Nights to the Thousand Nights and a Night with notes anthropological and explanatory by Richard F. Burton. 8vo, sixteen volumes, original cloth, red top.

The Supplement consists of six volumes.

BURTON, Sir Richard.—See Basile, Giovanni Battista.

BURY, Lady Charlotte.—Diary illustrative of the Times of George the Fourth, interspersed with original letters from the late Queen Caroline, and from various other distinguished persons. . . . London: Henry Colburn, . . . m dccc xxxviii. 8vo, two volumes, half red levant morocco, gilt top, uncut edges.

BURY, Richard de.—Philobiblon, a Treatise on the Love of Books, by Richard de Bury, . . . First American edition, with the literal English translation of John B. Inglis. Collated and corrected, with notes, by Samuel Hand. Albany: Joel Munsell. M DCCC LXI. Crown 8vo, half brown morocco, gilt back, gilt top, uncut edges.

One of thirty large paper copies printed.

BURY, Richard de.—The Philobiblon of Richard de Bury Bishop of Durham Treasurer and Chancellor of Edward III Edited and Translated by Ernest C. Thomas . . . London Kegan Paul, Trench and Co. [Chiswick Press] 1888. 8vo, original paper, uncut edges.

No. 33 of fifty large paper copies printed.

BURY, Richard de.—(I.) Ricardi de Bury Philobiblon ex Optimis Codicibus Recensuit Versione Anglica necnon et Prolegomenis Adnotationibusque Auxit Andreas Fleming West in Collegio Princetoniæ Professor Pars Prima. Textus. Novi Eboraci ❧ Typis et Impensis Societatis Grolierianæ MDCCCLXXXIX. (II-III.) The Philobiblon of Richard de Bury edited from the best manuscripts and translated into English with an introduction and notes by Andrew Fleming West . . . Part second . . . [Part third] New York printed for the Grolier Club 1889. 4to, three volumes, citron levant morocco, gilt back, side panels, doubled with citron morocco, borders and corner ornaments, vellum guards, gilt top, uncut edges, by David.

One of two hundred and ninety-seven copies printed.

BURY, Richard de.—Philobiblon. 1889. 4to, three volumes, red levant morocco, gilt back, side borders, doubled with vellum, borders, gilt over uncut edges, in maroon levant morocco cases, by Cuzin.

One of three copies printed upon vellum.

BUTLER, Charles.—The Life of Hugo Grotius: with brief minutes of the civil, ecclesiastical, and literary history of the Netherlands. By Charles Butler . . . London: John Murray . . . M.DCCC.XXVI. 8vo, half brown levant morocco, gilt back, gilt top, uncut edges.

BUTLER, Frances Anne.—See Kemble, Fanny.

BUTLER, Joseph, Bishop.—The Analogy of Religion, Natural and Revealed, to the Constitution and Courſe of Nature. To which are added Two brief Dissertations: I. Of Personal Identity. II. Of the Nature of Virtue. By Joseph Butler, LL.D. Rector of Stanhope, in the Biſhoprick of Durham. . . . London: Printed for James, John and Paul Knapton, at the Crown in Ludgate Street. M DCC XXXVI. 4to, red levant morocco, gilt back, side borders, gilt edges, by The Club Bindery.

First edition, with the half-title.

BUTLER, Joseph, Bishop.—The Analogy of Religion, natural and revealed to the constitution and course of Nature. By Joseph Butler L.L.D. late Lord Bishop of Durham. With Analytical Index by Edward Steere . . . London. Bell and Daldy . . . 1857. 8vo, blue levant morocco, gilt back, gilt edges, by Bedford.

BUTLER, Joseph, Bishop.—The Works of . . . Joseph Butler . . . late Lord Bishop of Durham. To which is prefixed, a Preface, giving some account of the character and writings of the author. By Samuel Halifax, D.D., late Lord Bishop of Gloucester. Oxford: at the University Press MDCCCXLIX. 8vo, two volumes, calf, gilt back, by Hayday.

BUTLER, Lilly.—A Discourse, proving, That the Faith and Practice of True Christians, Are no Just Matter of Shame or Reproach. Being Eight Sermons Preached at the Cathedral Church of St. Paul, in the Year 1709, at the Lecture Founded by the Honourable Robert Boyle, Esq;. By Lilly Butler, . . . London: Printed for Brabazon Aylmer, . . . 1711. 8vo, old blue morocco, gilt back and sides, with the crowned cipher of Queen Anne on both covers, gilt edges.

From the collection of Francis Wrangham, with his autograph on the title-page.

BUTLER, William Allen.—Home Poems and Rhymes for the Nursery with "Sea Scribblings" and "The Animal Book" by William Allen Butler Printed for private circulation New York printed at the De Vinne Press 1897. 12mo, cloth, gilt top, uncut edges.

One hundred and fifty copies printed, with portrait and one other illustration.

BYERLEY, Thomas.—Relics of Literature. By Stephen Collet. [Thomas Byerley] London: Thomas Boys . . 1823. 8vo, half olive morocco, gilt top, uncut edges.

Byerley had still another nom de guerre. He was the "Reuben Percy" of the Percy Anecdotes.

The two hundred subjects in this volume include Book Destroyers, the Ancient Value of Books, Voltaire and the Booksellers, etc., etc. A leaf of facsimile autographs precedes the title.

BYERLEY, Thomas.—See Percy Anecdotes.

BYROM, John.—Miscellaneous Poems, by John Byrom, M.A. F.R.S. sometime Fellow of Trinity College, Cambridge, And Inventor of The Universal English Short-Hand. . . . Manchester: Printed by J. Harrop. M DCC LXXIII. 8vo, two volumes, original calf.

Inserted is a portrait of Dr. Byron [sic] "A Sketch after spending an Evening at a Coffee House."

BYRON, George Gordon, Lord.—Hours of Idleness, a series of poems, original and translated, By George Gordon, Lord Byron, a minor . . . Newark: Printed and sold by S. and J. Ridge; . . . 1807. 8vo, maroon morocco, gilt back, gilt edges.

Large paper copy of the first edition of Byron's first publication.

BYRON, George Gordon, Lord.—Hours of Idleness: a Series of Poems, original and translated. By Lord Byron . . . London: printed for Sherwin and Co. . . . 1820. 12mo, red levant morocco, gilt back, gilt top, uncut edges, by The Club Bindery.

Thick paper copy, with frontispiece.

BYRON, George Gordon, Lord.—English Bards, and Scotch Reviewers. A Satire.

Shakspeare.

Pope.

London: printed for James Cawthorn, British Library, No. 24, Cockspur Street. [1809]. 12mo, blue levant morocco, gilt back, side borders, gilt top, uncut edges, the original brown paper front cover bound in, by The Club Bindery.

Presumably the first edition, with a misprint "Aulhor," line 4 of the Preface.

BYRON, George Gordon, Lord.—English Bards, and Scotch Reviewers. A Satire . . . London: Printed for James Cawthorn . . . [1809.] 12mo, green straight-grain morocco, gilt back, gilt top, uncut edges, by Bedford.

Presumably the second edition, with the misprint "Aulhor," line 4 of the Preface, corrected. A thick paper copy.

The type of the title-page is larger and heavier than in the preceding edition; the ornament above the imprint is two arrow-like figures joined by a slender thread, whereas in the first edition it is two parallel lines, the upper much the heavier of the two. "Printed" here begins with a large "P" and "James Cawthorn" is in larger type.

The text is reset throughout. The ornament on B1 recto has here a star-like centre; in the first edition it is an elongated diamond. The parallel head-lines beginning on page 2 are here heavier. On page 5, line 47, "wizard" is spelled with one "z"; in the first edition with two. "Dispatch" in the same line is spelled with an "i"; in the first with an "e." Other slight variations of punctuation, etc., are observable on nearly every page.

The present copy has a half-title.

BYRON, George Gordon, Lord.—English Bards and Scotch Reviewers. By Lord Byron with the additional passages from the subsequent editions Illustrated with Forty Engravings [London] 1815. 4to, blue straight-grain morocco, gilt edges.

Unique copy, from the Drury collection, with special title-page as above, the original text inlaid to quarto. Manuscript interpolations written in a neat hand show the various changes in the poem. The portraits are well selected and include a coloured print of Madame Catalani.

BYRON, George Gordon, Lord.—The Giaour, a fragment of a Turkish Tale. By Lord Byron . . . London: . . . John Murray . . . 1813. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—Lara, a tale. Jacqueline, a tale. London: printed for J. Murray . . . 1814. Small 8vo, red levant morocco, gilt back, gilt top, uncut edges, by David.

First edition.

BYRON, George Gordon, Lord.—The Corsair, a tale. By Lord Byron. London: . . . John Murray . . . 1814. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—Hebrew Melodies. By Lord Byron. London: printed for John Murray . . . 1815. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—The Prisoner of Chillon, and other poems. By Lord Byron. London: printed for John Murray . . . 1816. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—The Siege of Corinth. A Poem. Parisina. A Poem. London: printed for John Murray . . . 1816. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—Lord Byron's Farewell to England; with three other poems, viz. Ode to St. Helena, To my Daughter, on the morning of her birth, and To the Lily of France. . . . London: published by J. Johnston, . . . 1816. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—Manfred, a dramatic poem. By Lord Byron. London: John Murray . . . 1817. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—Mazeppa, a poem. By Lord Byron. London: John Murray . . . 1819. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—Don Juan. . . . London: printed by Thomas Davison, Whitefriars. 1819. 4to, green straight-grain morocco, gilt back and sides, gilt top, by Birdsall & Son, Northampton.

First edition of Cantos I and II.

BYRON, George Gordon, Lord.—Don Juan . . . London: printed by Thomas Davison . . . 1819. Don Juan, Cantos III, IV, and V. London: printed by Thomas Davison . . . 1821. Don Juan. Cantos VI.-VII.- and VIII . . . London, 1823: Printed for John Hunt . . . Don Juan. Cantos IX.-X.- and XI . . . London, 1823: Printed for John Hunt . . . Don Juan. Cantos XII.-XIII.- and XIV. London, 1823: Printed for John Hunt . . . Don Juan. Cantos XV. and XVI. London, 1824: Printed for John and H. L. Hunt . . . 8vo, six volumes in three, green morocco, gilt ornaments on back and sides, gilt top, uncut edges, by Birdsall.

First octavo edition, and first editions of all but the first two Cantos. The second volume has the original wrapper with the following inscription in Byron's handwriting: "From the Author to T. Grant with his best regards."

BYRON, George Gordon, Lord.—Waltz: an apostrophic hymn. By Horace Hornem, Esq. (The noble author of Don Juan.) . . . London: printed and published by W. Clark, . . . 1821. 8vo, silk covers, uncut edges, by The Club Bindery.

BYRON, George Gordon, Lord.—Marino Faliero, Doge of Venice. An historical tragedy, in five acts. With notes. The Prophecy of Dante, a poem. By Lord Byron. London: John Murray . . . 1821. 8vo, red levant morocco, gilt back, gilt top, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—Letter to **** ******, on the Rev. W. L. Bowles' Strictures on the Life and Writings of Pope. By the Right Hon. Lord Byron. . . . London: John Murray, . . . 1821. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—Sardanapalus, a tragedy. The Two Foscari, a tragedy. Cain, a mystery. By Lord Byron. London: John Murray . . . 1821. 8vo, red levant morocco, gilt back, gilt top, uncut edges, by The Club Bindery.

First edition. Portrait of Byron engraved by Page.

BYRON, George Gordon, Lord.—Werner, a tragedy. By Lord Byron. London: John Murray . . . 1823. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition. Published in December, 1822.

BYRON, George Gordon, Lord.—The Age of Bronze; or, Carmen Seculare et Annus haud mirabilis. . . . London, 1823: printed for John Hunt, . . . 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—The Island, or Christian and his Comrades. By the Right Hon. Lord Byron. London, 1823: printed for John Hunt . . . 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—The Parliamentary Speeches of Lord Byron. Printed from the copies prepared by His Lordship for publication. London: printed for Rodwell and Martin, . . . 1824. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—The Deformed Transformed; a drama. By the Right Hon. Lord Byron. London, 1824: printed for J. and H. L. Hunt, . . . 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—The Works of Lord Byron: with his Letters and Journals, and his Life, by Thomas Moore . . . London: John Murray . . . 1832-'33. Foolscap 8vo, seventeen volumes, cloth, uncut edges.

First issue. Portrait and thirty-three frontispieces and vignettes.

BYRON, George Gordon, Lord.—The Poetical Works of Lord Byron . . . London: John Murray, . . . M DCCC XXXIX. 8vo, eight volumes, original cloth, uncut edges.

Portrait by E. Finden after T. Phillips, and one hundred and thirty-four portraits and views, including frontispieces by E. and W. Finden, etc., after the designs of Stanfield, Westall, Turner, and others.

BYRON, George Gordon, Lord.—Poetical Works. 1839. . . . 8vo, eight volumes extended to fifteen, green levant morocco, gilt back, gilt edges, by Matthews.

Another copy, extra-illustrated by the insertion of five hundred and thirty selected engravings, for the most part proofs on India paper and generally before letters, and an autograph, Pass "below the Bar of the House of Lords" in favour of John Galt, by Byron. The plates include the Stothard, Finden, Johannot, Westall, Turner, Corbould, and other series, a brilliant group of portraits, and many unpublished plates. The portraits include sixteen of Byron.

BYRON, George Gordon, Lord.—Childe Harold's Pilgrimage. A Romaunt. By Lord Byron. London: John Murray . . . MDCCCXLI. Royal 8vo, brown morocco, back and sides panelled in mosaic with foliated ornaments, inside border, tapestry panels and end leaves, gilt over uncut edges, by Marius Michel.

Proofs on India paper of the sixty-two engravings by Finden, after the designs of Creswick, Warren, Aylmer, etc.

BYRON, George Gordon, Lord.—Poetry of Byron chosen and arranged by Matthew Arnold. [vignette] London Macmillan and Co. 1881. 8vo, cloth, uncut edges.

Large paper copy.

BYRON, George Gordon, Lord.—Fugitive Pieces by George Gordon Lord Byron a fac-simile reprint of the suppressed edition of 1806 London printed for private circulation [Chiswick Press] 1886. Royal 4to, boards, gilt top, uncut edges.

No. 51 of one hundred copies printed.

BYRON, George Gordon, Lord.—Memoirs of the Life and Writings of the right honourable Lord Byron with anecdotes of some of his contemporaries. London: printed for Henry Colburn and Co. 1822. 8vo, boards, uncut edges.

Portrait by G. H. Harlowe, on India paper.

BYRON, George Gordon, Lord.—Conversations of Lord Byron with the Countess of Blessington . . . London: published for Henry Colburn, by R. Bentley, . . . 1834. 8vo, red levant morocco, gilt back, gilt top, uncut edges, by The Club Bindery.

Portrait of Byron after Count d'Orsay.

BYRON, George Gordon, Lord.—See Clinton, George. Hunt, Leigh. The Liberal.

CAMBRIDGE, Richard Owen.—The Scribleriad: an heroic poem. In six books [vignette] London: Printed for R. Dodsley . . . M DCC LI. Royal 4to, olive levant morocco, Janseniste, gilt edges.

First edition: with notes by George Chalmers. Seven plates by L. P. Boitard after J. Wall and Boitard, and vignette of Tully on the title, by C. Mosley after H. Gravelot.

CAMEO.—The Cameo; a Melange of Literature and the Arts selected from the Bijou. London William Pickering. MDCCCXXXI. Post 8vo, red levant morocco, gilt back, gilt top, uncut edges, by Rivière.

Fifteen plates after Lawrence, Wilkie, Reynolds, etc.

CAMPBELL, John, Lord.—The Lives of the Lord Chancellors and Keepers of the Great Seal of England, from the earliest times till the reign of King George IV. By John Lord Campbell, . . . Third edition. London: John Murray, . . . 1848. [-1869]. 8vo, eight volumes, cloth, uncut edges.

CAMPBELL, John, Lord.—Lives of Lord Lyndhurst and Lord Brougham, Lord Chancellors and Keepers of the Great Seal of England. By the late John Lord Campbell, . . . London: John Murray, . . . 1869. 8vo, cloth, uncut edges.

CAMPBELL, John, Lord.—The Lives of the Chief Justices of England. From the Norman Conquest till the death of Lord Mansfield. By John Lord Campbell . . . London: John Murray . . . 1849. [-1857] 8vo, three volumes, cloth, uncut edges.

CAMPBELL, Thomas.—The Pleasures of Hope; with other Poems. By Thomas Campbell. Edinburgh: printed for Mundell & Son; . . . 1799. Small 8vo, red levant morocco, gilt back and sides, gilt top, uncut edges, by Ramage.

First edition. Four plates engraved by Scott, Somerville, and Mitchell after the designs of Graham.

CAMPBELL, Thomas.—(I.) The Pleasures of Hope, with other poems. By Thomas Campbell . . . London: printed for Longman, . . . 1825. (II.) Gertrude of Wyoming, and other poems. By Thomas Campbell . . . Ninth edition. London: printed for Longman, . . . 1825. 12mo, two volumes in one, gilt back and sides, gilt edges, the fore edge bearing a beautifully painted landscape in the neighbourhood of Eton College.

The first of these volumes has an engraved title and three plates, the second an engraved title and two plates, all by Heath after Westall's designs.

CAMPBELL, Thomas.—Theodric; a domestic tale; and Other Poems. By Thomas Campbell. London: printed for Longman, . . . 1824. Small 8vo, red levant morocco, gilt back and sides, gilt top, uncut edges, by Ramage.

First edition, printed on thick paper.

CAMPBELL, Thomas.—The Poetical Works of Thomas Campbell. London: Henry Colburn, . . . 1828. 8vo, two volumes, red levant, gilt back panels and side borders, gilt top, uncut edges, by Rivière.

Portrait by J. Burnet after Sir Thomas Lawrence and in addition forty portraits and scenes, for the most part proofs on India paper, including fifteen portraits of Campbell, Westall's illustrations to the Poems, proofs before and after the letters.

CAMPBELL, Thomas.—The Poetical Works of Thomas Campbell. London: Edward Moxon . . . MDCCCXXXVII. Small 4to, red levant morocco, back and corner ornaments, gilt top, uncut edges, by Ramage.

Portrait and twenty vignettes after the designs of Turner.

CAMPBELL, Thomas.—Poetical Works. 1837. Small 4to, citron levant morocco, gilt back, gilt over uncut edges, by Brany.

Another copy. Inserted are a portrait of Campbell by Holl and an illustration to the "Pleasures of Hope" by Westall, proof on India paper.

CAMPBELL, Thomas.—The Pilgrim of Glencoe, and other poems. By Thomas Campbell. London: Edward Moxon . . . MDCCCXLII. Small 4to, blue levant morocco, gilt back, gilt top, uncut edges, by Stikeman.

Sixty-seven plates inserted, many India proofs, including ten portraits, views by Turner, vignettes, etc.

CAMPBELL, Thomas.—The Poetical Works of Thomas Campbell. With notes, and a biographical sketch, by the Rev. W. A. Hill, . . . Illustrated by thirty-seven wood-cuts. From designs by Harvey. London: Edward Moxon, . . . 1851. Post 8vo, cloth, uncut edges.

Portrait by W. H. Watt after Lawrence.

CAMPBELL, Thomas.—The Poetical Works of Thomas Campbell. With a Memoir. . . . Boston: Little, Brown, and Company. 1866. 12mo, half green cloth, uncut edges.

No. 13 of one hundred large paper copies printed, with portrait on India paper.

CAMPBELL, Thomas.—Specimens of the British Poets; with Biographical and Critical Notices, and an Essay on English Poetry. By Thomas Campbell. London: John Murray . . . 1819. 8vo, seven volumes, green levant morocco, gilt back, gilt tops, uncut edges, by Matthews.

Illustrated by the insertion of fifty-two portraits of the Poets, thirty being on India paper, many proofs before letters. Included is the rare portrait of Sir Thomas Overbury by Payne, James I. by Gaywood, and Southerne by Evans.

CAMPBELL, Thomas.—Specimens of the British Poets. 1819. 8vo, seven volumes, half citron levant morocco, gilt back, gilt top, uncut edges, by Allo.

Another copy, with one hundred and fifty-three portraits and vignettes inserted, ninety being proofs on India paper, and many before letters.

CAMPBELL, Thomas.—Life of Mrs. Siddons. By Thomas Campbell. London: Effingham Wilson . . . 1834. 8vo, two volumes, cloth, uncut edges.

Portrait of Mrs. Siddons by Lupton after Sir Thomas Lawrence.

CAMPBELL, Thomas.—Life of Mrs. Siddons. 1834. 8vo, two volumes, citron levant morocco, gilt and mosaic back and sides elaborately tooled in the manner of Dérome, gilt over uncut edges, by David.

Another copy, illustrated by the insertion of one hundred and eighty-six portraits, etc., including forty-one portraits of Mrs. Siddons, a brilliant mezzotint of E. Kean, coloured portrait of Kynaston, and a water-colour drawing of Glasgow Cathedral. A large number of the plates are in proof state.

CAMPBELL, Thomas.—Life of Mrs. Siddons. 1834. 8vo, two volumes, extended to four, red morocco, gilt edges.

William Upcott's copy, containing in addition to the portrait of Mrs. Siddons, by Lupton after Sir Thomas Lawrence, two hundred and fourteen portraits, of which sixty are of Mrs. Siddons, including the oval by Ogborn after Harding, in two states, red (proof) and black, and the "Grecian Daughter" by Trotter after Lawrence. Autographs and letters of Mrs. Bracegirdle, Henry and Cecilia Siddons, E. Carll, Thomas Davies, the Duchess of Devonshire and many others have been inserted, several Bills of the Play, 1766, etc., a "pass" to the Gallery, written by Sarah Siddons, a water-colour drawing of the actress's home at Westbourne and a sepia drawing of her tomb at Paddington Church, together with a number of contemporary newspaper announcements, etc.

CANNING, George.—Speeches of the Right Hon. George Canning delivered on public occasions in Liverpool. With a portrait of Mr. Canning, [by W. T. Fry after George Hargreaves] Liverpool: Thos. Kaye, . . . 1825. 8vo, half cloth, uncut edges.

CARCANET.—The Carcanet, a literary album, containing select passages from the most distinguished English writers. London William Pickering MDCCCXXVIII. 18mo, half red levant morocco, gilt back, gilt top, uncut edges, by Rivière.

Engraved title with vignette.

CAREY, Henry.—The Dramatick Works of Henry Carey. [Large ornament] London: Printed by S. Gilbert, M dcc xliii. 4to, red morocco, gilt edges, by The Club Bindery.

Contains 1. Amelia, an opera set to music by John Frederick Lampe. 2. Teraminta, an opera set to music by John Christopher Smith. 3. The Dragon of Wantley, a burlesque opera with music by Lampe. 4. The Dragoness, a burlesque opera with music by Lampe. 5. Chrononhotonthologos, a tragedy. 6. The Contrivances, a ballad opera. 7. The Honest Yorkshire-Man, a ballad opera. 8. Nancy: or, the Parting Lovers. An Interlude set to music by the Author.

"CARLETON, George, Captain."—See Defoe, Daniel.

CARLETON, Will.—Farm Ballads. By Will Carleton. Illustrated. New York: Harper & Brothers, . . . [1882] 8vo, brown morocco, gilt edges.