CONTRIBUTIONS TO PERIODICALS

* The notes in this section, so far as they assign or do not assign the various contributions to Mr. Lawrence’s books, must be understood to refer to titles rather than to the selections themselves. No consistent effort has been made to ascertain how many of the unassigned contributions appear in the books under new titles. Some do so appear and are noted, but my knowledge of them is the result of casual reading rather than deliberate investigation.

I. POETRY

“A Still Afternoon” (—“Dreams Old and Nascent:” I. “Old,” II. “Nascent;” “Discipline;” “Baby Movements:” I. “Running Barefoot,” II. “‘Trailing Clouds’”). English Review, November, 1909. Included, with the exception of the last, in Amores.

These poems constitute Mr. Lawrence’s first real appearance in print. Before them, he says, “there was a youthful story in the bad grey print of a provincial newspaper—under a nom de plume. But, thank God, that has gone to glory in the absolute sense.”

“Night Songs” (—“Workaday Evenings:” I. “Yesternight,” II. “To-morrow Night;” “Rebuked;” “Wakened;” “At the Window”). English Review, April, 1910. “At the Window” was included in Amores.

“Three Poems” (—I. “Tired of the Boat,” II. “Sigh No More,” III. “Ah, Muriel!”). English Review, October, 1910. “Sigh No More” was included in New Poems.

“Lightning;” “Violets.” Nation (London), November 4, 1911. The first included in Love Poems; the second in New Poems.

“The Schoolmaster” (—I. “Morning,” “Afternoon”). Saturday Westminster Gazette, May 11, 1912.

“The Schoolmaster” (—II. “The Last Lesson”). Saturday Westminster Gazette, May 18, 1912. Included in Love Poems, under the major caption “Afternoon in School.”

“The Schoolmaster” (—III. “Evening,” IV. “The Punisher”). Saturday Westminster Gazette, May 25, 1912. “The Punisher” was included in Amores.

“The Schoolmaster” (—V. “A Snowy Day at School,” VI. “The Best of School”). Saturday Westminster Gazette, June 1, 1912. Included in Love Poems.

“Snap-Dragon.” English Review, June, 1912. Included in Amores.

“Green;” “All of Roses;” “Fireflies in the Corn;” “A Woman and Her Dead Husband;” “The Wind, the Rascal;” “The Mother of Sons;” “Illicit;” “Birthday.” Poetry, January, 1914. The first three poems and the seventh were included in Look! We Have Come Through!—the second having become “River Roses” and the seventh “On the Balcony.” The fourth, in New Poems, became “The Bitterness of Death.”

“Two Poems” (—“Twilight;” “Meeting among the Mountains”). English Review, February, 1914. These titles do not occur in any of Mr. Lawrence’s books of poetry.

“Grief;” “Memories;” “Weariness;” “Service of All the Dead;” “Don Juan;” “Song.” Poetry, December, 1914. Of these poems, “Service of All the Dead” and “Don Juan” were included in Look! We Have Come Through!—the former having become “Giorno dei Morti.”

“Last Words to Miriam.” Poetry Journal, December, 1916. Included in Amores.

“Resurrection.” Poetry, June, 1917. This title does not occur in any of Mr. Lawrence’s books of poetry.

“Three Poems” (—“The Sea;” “Constancy of a Sort;” “Frost Flowers”). English Review, September, 1917. The first and the last were included in Look! We Have Come Through!

“War-baby;” “Town;” “After the Opera.” English Review, June, 1918. All of these poems were included in Bay.

“Moonrise;” “People.” Poetry, July, 1918. Included in Look! We Have Come Through!

“Poems” (—“Tommies in the Train;” “War-baby;” “Obsequial Chant;” “Bread upon the Waters;” “Pentecostal;” “Nostalgia”). Poetry, February, 1919. All of these poems were included in Bay, but “Pentecostal” was renamed for this volume and became “Shades.”

“War Films” (—“Mother’s Son in Saloniki;” “Casualty;” “Message to a Perfidious Soldier;” “The Jewess and the V. C.;” “Sighs;” “The Child and the Soldier;” “Zeppelin Nights;” “Daughter of the Great Man;” “Prisoner at Work in a Turkish Garden;” “Mourning;” “The Grey Nurse;” “Neither Moth Nor Rust”). Poetry, July, 1919. These titles do not occur in any of Mr. Lawrence’s books of poetry.

“The Little Town at Evening.” Monthly Chapbook, July, 1919. Included in Bay.

“Medlars and Sorb-apples.” New Republic, January 5, 1921. Included in Birds, Beasts and Flowers.

“The Revolutionary.” New Republic, January 19, 1921. Literary Digest, October 29, 1921. Included in Birds, Beasts and Flowers.

“Pomegranate.” Dial, March, 1921. Included in Birds, Beasts and Flowers.

“Apostolic Beasts” (—“Saint Mark;” “Saint Luke;” “Saint John”). Dial, April, 1921. Included in Birds, Beasts and Flowers.

“Humming-Bird.” New Republic, May 11, 1921. Nation, October 10, 1923. Literary Digest, October 20, 1923. Bookman, January, 1924. Included in Birds, Beasts and Flowers.

“Mosquito.” Bookman, July, 1921. Included in Birds, Beasts and Flowers.

“Snake.” Dial, July, 1921. Included in Birds, Beasts and Flowers.

“Medlars and Sorb-apples;” “Pomegranate.” English Review, August, 1921. Included in Birds, Beasts and Flowers.

“The Revolutionary.” English Review, September, 1921. Included in Birds, Beasts and Flowers.

“Snake.” London Mercury, October, 1921. Included in Birds, Beasts and Flowers.

“Almond Blossom.” English Review, February, 1922. Included in Birds, Beasts and Flowers.

“Fish.” English Review, June, 1922. Included in Birds, Beasts and Flowers.

“Fish” (Excerpts), Literary Digest, July 8, 1922.

“Bat;” “Tortoises;” “Baby Tortoise.” English Review, November, 1922. All included in the English edition of Birds, Beasts and Flowers. The tortoise poem was, in effect, reprinted from Tortoises, New York, 1921.

“The Evening Land;” “Turkey-Cock.” Poetry, November, 1922. Included in Birds, Beasts and Flowers.

“Bat.” Literary Review, December 30, 1922. Included in Birds, Beasts and Flowers.

“St. Matthew.” Poetry, April, 1923. Included in Birds, Beasts and Flowers.

“Elephant.” English Review, April, 1923. Included in Birds, Beasts and Flowers.

“Nostalgia.” Palms, Midsummer, 1923. Reprinted from Bay.

“Three Poems” (—“Cypresses;” “Saint Matthew;” “Spirits Summoned West”). Adelphi, October, 1923. All included in Birds, Beasts and Flowers.

“Poems” (—“Bare Almond Tree;” “Tropic;” “Humming-Bird;” “Peace”). Nation, October 10, 1923. All included in Birds, Beasts and Flowers.

“Peace.” Literary Digest, October 20, 1923. Included in Birds, Beasts and Flowers.

“Autumn in New Mexico.” Palms, Autumn, 1923. Included in Birds, Beasts and Flowers under the title “Autumn in Taos.”

“Four Poems” (—“Bombardment;” “After the Opera;” “The Little Town at Evening;” “Last Hours”). Palms, Christmas, 1924. All of these poems were reprinted from Bay.

II. PROSE

“Goose Fair.” English Review, February, 1910. Included in The Prussian Officer.

“Odour of Chrysanthemums.” English Review, June, 1911. Included in The Prussian Officer.

“A Fragment of Stained Glass.” English Review, September, 1911. Included in The Prussian Officer.

“Second Best.” English Review, February, 1912. Included in The Prussian Officer.

“The Miner at Home.” Nation (London), March 16, 1912. A short prose study.

“Christs in the Tyrol.” Saturday Westminster Gazette, March 22, 1912. Included in Twilight in Italy.

“German Impressions”—I. “French Sons of Germany.” Saturday Westminster Gazette, August 3, 1912.

“German Impressions”—II. “Hail in the Rhineland.” Saturday Westminster Gazette, August 10, 1912.

“The Georgian Renaissance.” Rhythm, March, 1913. Review of Georgian Poetry (1911-1912).

“The Soiled Rose.” Forum, March, 1913. Included in

The Prussian Officer, under the title “The Shades of Spring.”

“The Soiled Rose.” Blue Review, May, 1913.

“German Books”—“Thomas Mann.” Blue Review, July, 1913. A short critical essay.

“Derelict.” Forum, September, 1913. From Sons and Lovers (Chapter XV).

“Italian Studies.” English Review, September, 1913. Included in Twilight in Italy.

“Strike Pay”—I. “Her Turn.” Saturday Westminster Gazette, September 6, 1913.

“Strike Pay”—II. “Ephraim’s Half-Sovereign.” Saturday Westminster Gazette, September 13, 1913.

“Vin Ordinaire.” English Review, June, 1914. Included in The Prussian Officer, under the title “The Thorn in the Flesh.”

“Honour and Arms.” English Review, August, 1914. Title changed to “The Prussian Officer;” included in the volume thus named.

“Honour and Arms.” Metropolitan, November, 1914.

“England, My England.” English Review, October, 1915. Included in volume thus named.

“The Crown.” In three parts. The Signature, October 4, 18, and November 4, 1915. This exceedingly scarce item has never been reprinted. The little magazine in which it appeared suspended after the third number. In addition to this longish essay by Mr. Lawrence, The Signature contains two stories, “Autumns” and “The Little Governess,” in two parts, by Matilda Berry (Katherine Mansfield); and “There Was a Little Man,” in three parts, by Mr. John Middleton Murry. The magazine contains contributions by these three writers only.

“The Thimble.” The Seven Arts, March, 1917.

“Samson and Delilah.” English Review, March, 1917. Included in England, My England.

“England, My England.” Metropolitan, April, 1917.

“The Reality of Peace.” In four parts. English Review, May, June, July, and August, 1917.

“The Mortal Coil.” The Seven Arts, July, 1917.

“Love.” English Review, January, 1918.

“Life.” English Review, February, 1918.

“Introduction to Studies in Classic American Literature”—(i) “The Spirit of Place.” English Review, November, 1918. Included in Studies in Classic American Literature. Before their appearance in this book practically all of the “Studies” here listed were severely revised, and other essays were added.

“Studies in Classic American Literature”—(ii) “Benjamin Franklin.” English Review, December, 1918. Included in Studies in Classic American Literature.

“Studies in Classic American Literature”—(iii) “Henry St. John de Crèvecœur.” English Review, January, 1919. Included in Studies in Classic American Literature.

“Studies in Classic American Literature”—(iv) “Fenimore Cooper’s Anglo-American Novels.” English Review, February, 1919. Included in Studies in Classic American Literature.

“Studies in Classic American Literature”—(v) “Fenimore Cooper’s Leatherstocking Novels.” English Review, March, 1919. Included in Studies in Classic American Literature.

“Studies in Classic American Literature”—(vi) “Edgar Allan Poe.” English Review, April, 1919. Included in Studies in Classic American Literature.

“Tickets, Please.” Strand, April, 1919. Included in England, My England.

“Studies in Classic American Literature”—(vii) “Nathaniel Hawthorne.” English Review, May, 1919. Included in Studies in Classic American Literature.

“Studies in Classic American Literature”—(viii) “The Two Principles.” English Review, June, 1919.

“The Eleventh Commandment.” Metropolitan, August, 1919. Title changed to “Tickets, Please;” included in England, My England.

“The Poetry of the Present.” The Playboy, Numbers 4-5 (undated). Included, as the preface, in the American edition of New Poems.

“The Blind Man.” English Review, July, 1920. Included in England, My England.

“The Blind Man.” Living Age, August 7, 1920. Reprinted from the English Review.

“Adolf.” Dial, September, 1920. Included in The New Keepsake for the Year 1921.

“America, Listen to Your Own.” New Republic, December 15, 1920.

“Rex.” Dial, February, 1921. Included in Stories from the Dial, where it first appeared between boards.

“Whitman.” Nation (London), July 23, 1921. Included in Studies in Classic American Literature.

“Wintry Peacock.” Metropolitan, August, 1921. Included in England, My England, also in The New Decameron, Volume III, where it first appeared between boards.

“Sea and Sardinia: As Far As Palermo.” Dial, October, 1921. Included in Sea and Sardinia.

“Sea and Sardinia: Cagliari.” Dial, November, 1921. Included in Sea and Sardinia.

“Fannie and Annie.” Hutchison’s, November 21, 1921. Included in England, My England.

“The Gentleman from San Francisco.” By I. Bunin. Translated by Samuel Solomonovich and D. H. Lawrence. Dial, January, 1922. Included in The Gentleman from San Francisco and Other Stories.

“Episode.” Dial, February, 1922. From Aaron’s Rod (Chapter xiv).

“A Sick Collier.” Pearson’s (American), February, 1922. Reprinted from The Prussian Officer.

“The Horse-Dealer’s Daughter.” English Review, April, 1922. Included in England, My England.

“The Fox.” Four parts. Dial, May, June, July, and August, 1922. Included in The Ladybird (London), and The Captain’s Doll (New York).

“Monkey-Nuts.” Sovereign, August 22, 1922. Included in England, My England.

“A Letter.” Laughing Horse, Number 4 (undated). This epistolary coup de grâce, delivered against Mr. Ben Hecht’s Fantazius Mallare, was held to be contra bonos mores by the authorities of the University of California; and the owners of The Laughing Horse were asked to find another box-stall for their étalon intrepide. Denied campus fodder, the cachinating steed roamed a while the great open spaces of the Southwest, where horses are horses. He is now at Santa Fe, New Mexico. Number four of The Laughing Horse is excessively scarce.

“Certain Americans and an Englishman.” New York Times Magazine, December 24, 1922.

“Indians and an Englishman.” With painting of D. H. Lawrence, by Jan Juta. Dial, February, 1923.

“Taos.” Dial, March, 1923. This and the other unassigned essays, above and below, dealing with the Indians and other aspects of American life, are, of course, still uncollected.

“Surgery for the Novel—or a Bomb.” International Book Review, April, 1923.

“Model Americans.” Review of Stuart P. Sherman’s Americans. Dial, May, 1923. Mr. Lawrence tackles the right and left ends of American criticism.

“Trees and Babies and Papas and Mammas.” Adelphi, June, 1923. From Fantasia of the Unconscious (Chapter iv).

“Education and Sex.” Adelphi, July, 1923. From Fantasia of the Unconscious (Chapter viii).

“At Taos: An Englishman Looks at Mexico.” Cassell’s Weekly, July 11, 1923.

“The Saint Joseph’s Ass.” By Giovanni da Verga. Translated by D. H. Lawrence. Adelphi, September, 1923.

“On Love and Marriage.” Adelphi, September, 1923. From Fantasia of the Unconscious (Chapters xi and xii).

“A Spiritual Record:” Review of A Second Contemporary Verse Anthology. New York Evening Post Literary Review, September 29, 1923.

“Across the Sea.” By Giovanni Verga. Translated by D. H. Lawrence. Adelphi, November, 1923.

“Indians and an Englishman.” Adelphi, November, 1923.

“Au Revoir, U. S. A.” Laughing Horse, Number 8 (undated).

“The Proper Study.” Adelphi, December, 1923.

“The Proper Study of Mankind.” Vanity Fair, January, 1924.

“On Being Religious.” Adelphi, February, 1924.

“On Human Destiny.” Adelphi, March, 1924.

“Liberty.” By Giovanni Verga. Translated by D. H. Lawrence. Adelphi, May, 1924.

“On Human Destiny.” Vanity Fair, May, 1924.

“Dear Old Horse: A London Letter;” “The Bad Girl in the Pansy Bed:” A drawing, by D. H. Lawrence. Laughing Horse, Number 10, May, 1924.

“On Being a Man.” Vanity Fair, June, 1924.

“The Dance of the Sprouting Corn;” with “The Corn Dance:” A drawing, by D. H. Lawrence. Theatre Arts Monthly, July, 1924.

“The Dance of the Sprouting Corn.” Adelphi, August, 1924.

“The Borderline.” Smart Set, September, 1924.

“On Being a Man.” Adelphi, September, 1924.

“Just Back from the Snake-Dance—Tired Out.” Laughing Horse, Number 11, September, 1924.

“Jimmy and the Desperate Woman.” Criterion, October, 1924.

“Indians and Entertainment.” New York Times Magazine, October 26, 1924.

“Indians and Entertainment.” Adelphi, November, 1924.

“The Hopi Snake Dance.” Part I. Adelphi, January, 1925.

“The Hopi Snake Dance.” Part II. Adelphi, February, 1925.