Note 161 — SCENE III.—Inside a Prison.
Reading edition
"Means" are here equivalent to voices intermediate between treble and bass, as tenors. Collins adduces a passage from Lyly's Galathea (Act v., sc. 3), where there is a similar play on words.
Reading edition
"Means" are here equivalent to voices intermediate between treble and bass, as tenors. Collins adduces a passage from Lyly's Galathea (Act v., sc. 3), where there is a similar play on words.