Note h — Chapter IX · [a] (continued 2)

Gibbon has asserted, what might justify this appellation, that "the image of Theodoric's palace at Verona, still extant on a coin, represents the oldest and most authentic model of Gothic architecture." vol. vii. p. 33. For this he refers to Maffei, Verona Illustrata, p. 31, where we find an engraving, not indeed of a coin, but of a seal; the building represented on which is in a totally dissimilar style. The following passages in Cassiodorus, for which I am indebted to M. Ginguené, Hist. Littér. de l'Italie, t. i. p. 55, would be more to the purpose: Quid dicamus columnarum junceam proceritatem? moles illas sublimissimas fabricarum quasi quibusdam erectis hastilibus contineri. These columns of reedy slenderness, so well described by juncea proceritas, are said to be found in the cathedral of Montreal in Sicily, built in the eighth century. Knight's Principles of Taste, p. 162. They are not however sufficient to justify the denomination of Gothic, which is usually confined to the pointed arch style.