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Vasari on technique

Note 203 — Chapter VII · (XXI.)

Louisa S. Maclehose translation

It was long supposed that this picture was the ‘Epiphany’ preserved behind the High Altar of the Church of S. Barbara, Naples, but Crowe and Cavalcaselle, History of Painting in North Italy, II, 103, pronounce this ‘a feeble and injured picture of the eighteenth century.’

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