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Vasari on technique

Note 213 — Chapter VII · (XXI.)

Louisa S. Maclehose translation

Vasari’s stories about the connection with oil painting of Antonello da Messina, Domenico Veneziano, and Andrea dal Castagno have of course been subjected to a good deal of hostile criticism. Those about the two latter artists are in the meantime relegated to the limbo of fable, but the case of Antonello da Messina is somewhat different, and we are not dependent in his case on Vasari alone. He certainly did not visit Flanders in the lifetime of Jan van Eyck, for this artist died before Antonello was born, but von Wurzbach accepts as authentic a visit on his part to Flanders between 1465 and 1475, and sees evidence of what he learned there in his extant works (Niederländisches Künstler-Lexicon, sub voce, ‘Antonello’).

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