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Vasari on technique

Note 170 — Chapter IV · (XI.)

Louisa S. Maclehose translation

Plate VII shows a section or two of a piece-mould round a portion of a figure. It will be noticed that the pieces are so planned that they will all come away easily from the model and not be held by any undercut projections. The small pieces are then all enclosed in an outer shell divided into two halves, and called in French ‘chape’ answering to the ‘cappa’ of Vasari’s text. Plate VIII, A, shows the model of the Louis XIV statue as piece-moulded.

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