Note 125 — Chapter III
Louisa S. Maclehose translation
Here again Renaissance and modern topographical nomenclature do not agree. What Vasari knew as the ‘Tullianum’ was not the familiar ‘Carcer Mamertinus’ above the Forum on the way up to S. Maria in Araceli, but certain antique structures under the church of S. Nicola in Carcere, near the Piazza Montanara. These were the ‘favissae’ or cells within the structure of the podium or platform of one of several ancient Roman temples on this site, which was formerly the ‘Forum Olitorium.’ These substructures are now accessible, and the worthy sacristan of the church who shows them is still of opinion that he has in charge the prison of the Tullianum. One of the travertine columns of one of these temples is to be seen within the church, and this though Doric is extremely simple, even rude, in its outline. Dr Huelsen has however in a recent paper (Mitteilungen d. k. deutschen Archaeologischen Instituts, XXI, 169 f.) shown that this column was originally finished with stucco, in which somewhat elaborate mouldings were worked. It was drawn by several of the Renaissance architects, and Peruzzi notes it as being ‘in carcere Tulliano.’ Huelsen has drawn out a scheme of the mouldings in profile and this is reproduced by permission in Fig. 7. It will be seen that Vasari’s remark about its richness in membering is quite justified.