← Table of contents
Vasari on technique

Note 263 — Chapter XVII · (XXXI.)

Louisa S. Maclehose translation

Inlays of different coloured woods, forming what is known as tarsia work, and sometimes as marqueterie, compose an easily understood kind of decoration that has been practised especially in the East from time immemorial. There is however a special interest attaching to this work in the Italy of the fifteenth century, in that it was connected with the studies in perspective that had so potent an influence on the general artistic progress of the time. For some reason that is not clearly apparent the designs for this work often took the form of buildings and city views in perspective, and artists amused themselves in working out in this form problems in that indispensable science. The history of the craft is so instructive that it is worth a special Note, which the reader will find at the end of this ‘Introduction,’ postea, p. 303.

Explore with AITake your curiosity a little further.

Reading settings