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Vasari on technique

Note 248 — Chapter XV · (XXIX.)

Louisa S. Maclehose translation

The mosaics at Ravenna and S. Marco, Venice, are well known. In the Duomo at Pisa, in the apse, there still remains the Saviour in Glory between the Madonna and John the Baptist, designed by a certain Cimabue, and the only existing work which modern criticism would accept as from the hand of the traditional father of Florentine painting. It may however have been another painter nicknamed ‘Cimabue,’ who worked at Pisa early in the fourteenth century. The mosaics of the Tribune of the Baptistry at Florence were executed in 1225 by Jacobus, a monk of the Franciscan Order, and this fact is attested by an inscription in mosaic which forms part of the work.

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