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Vasari on technique

Note 86 — Chapter I

Louisa S. Maclehose translation

Traces of these stucco decorations are still to be seen in the public entrance to the Colosseum next the Esquiline. They are said to have been taken as models by some of the plaster-workers of the Renaissance. See Vasari’s Life of Giovanni da Udine, Opere, VI, 553.

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