Note 23 — Chapter I

The palace in question is the well-known Palazzo Vecchio at Florence, which was adapted for the Grand-ducal residence largely by Vasari himself under the Grand Dukes Cosimo and his successor Francesco. The fountain is the one at present in the courtyard of the palace, carrying the beautiful bronze figure of a boy with a dolphin, by Verrocchio. This ‘putto’ was brought in from the famous Medicean Villa at Careggi, the seat of the Platonic Academy, for the purpose of completing the fountain of which Vasari here gives an account. The porphyry work, both in design and execution, is worthy of the beautiful bronze that surmounts it. The basin rests on a well-turned dwarf pillar of porphyry and this on a square base of the same material. The surfaces are true and the arrises sharp, and the whole is carried out in a workmanlike manner, and by no means betrays a ‘prentice hand.’