Note 1 — THE DRUMS OF KAIRWAN

As I witnessed the disgusting spectacle and listened to the pandemonium of sounds, my head swam, my eyes became dim, my senses reeled, and I believed that in a few moments I must have fainted, had not one of my friends touched me on the shoulder, and, whispering that the mokaddem was desirous that I should leave, escorted me hurriedly to the door. As I walked back to my quarters, and long after through the still night, the beat of the tambours continued, and I heard the distant hum of voices, broken at intervals by an isolated and piercing cry. Perhaps yet further and more revolting orgies were celebrated after I had left. I had not seen, as other travellers have done, the chewing and swallowing of red-hot cinders,1 or the harmless handling and walking upon live coals. I had been spared that which others have described as the climax of the gluttonous debauch, viz., the introduction of a live sheep, which then and there is savagely torn to pieces and devoured raw by these unnatural banqueters. But I had seen enough, and as I sank to sleep my agitated fancy pursued a thousand avenues of thought, confounding in one grim medley all the carnivorous horrors of fact and fable and fiction. Loud above the din and discord the tale of the false prophets of Carmel, awakened by the train of association, rang in my ears, till I seemed to hear intoned with remorseless repetition the words: “They cried aloud and cut themselves after their manner with knives and lancets, till the blood gushed out upon them”; and in the ever-receding distance of dreamland, faint and yet fainter, there throbbed the inexorable and unfaltering delirium of the drums.